Lloyd Williams Movies

In this stylized art film, which marked the directorial debut of second-generation filmmaker Jennifer Chambers Lynch, a surgeon with a mommy fixation and a problem with premature ejaculation grows obsessed with a vivacious young libertine, to the detriment of her mobility. Dr. Nick Cavanaugh (Julian Sands), the son of a frosty, unfaithful society matron, can't get lovely neighbor Helena (Sherilyn Fenn) out of his head. Although the two only ever shared a one-night stand, Nick won't let Helena go -- a hang-up that bodes ill for the health of his plodding romance with the smitten Anne Garrett (Betsy Clark). After Nick's mother dies, he moves into her mansion and promptly throws a lavish gala just so he can lure Helena into his orbit. She spurns him for another bedmate, but not before Anne figures out something fishy is going on. Discovering that Helena forgot her purse during her hasty exit, Nick uses it to lure her back to his place for some attempted courtship. When she storms out, furious, she's the victim of a hit-and-run. Rather than simply call 911, Nick performs an emergency amputation of her legs and lets her convalesce in his house. When the hobbled Helena tries to leave, he makes her his prisoner, eventually removing her arms to prevent her escape. But when Ray O'Malley (Bill Paxton), her leather-trousered former lover, starts sniffing around to discover her whereabouts, Nick's fragile little fantasy world threatens to pop like a bubble. After Madonna and Kim Basinger both dropped out of the title role, Lynch settled on Fenn, who had risen to prominence working with the writer/director's father, David Lynch. After a lengthy breach-of-contract lawsuit, Basinger was eventually ordered to pay the film's producers eight million dollars in damages. ~ Brian J. Dillard, All Movie Guide

Dead Poets Society and Die Hard bash heads in this action drama set in a Northeastern prep school. The film opens as a crazed Central American terrorist, Luis Cali (Andrew Divoff), goes on a shooting spree, attempting to gain his drug baron father's release from extradition to the United States. The following sequence introduces some malcontented rich kids from the prep school --Joey Trotta (Wil Wheaton), the son of a New Jersey mob leader; Billy Tepper (Sean Astin), a reprobate who has been to four boarding schools in as many years; Snuffy Bradbury (Keith Coogan), whose rich banker father is the chairman of the Republican Party; Ricardo Montoya (George Perez), the son of a big-shot lawyer; and Hank Giles (T.E. Russell), whose father is the head of the House Armed Services Committee. The boys disregard their studies and spend their waking hours giving Dean Parker (Louis Gossett Jr.) a hard time. The two storylines collide when Luis, with a group of terrorist goons, make their way across the U.S. border and invade the boarding school, planning to take hostage the son of his father's judge. But the authorities have already removed the boy from danger, so Luis and the terrorists decide to hold the entire student body hostage until their demands are met. Working with the FBI and the special government forces, the rebellious groups of boys have to devise a plan to short-circuit the hostage situation. ~ Paul Brenner, All Movie Guide

A blend of comedy, drama and romance, Bull Durham follows the intertwining of three lives brought together by the great American pastime. Crash Davis (Kevin Costner, showcasing his Midwestern charm) is a perennial Minor Leaguer assigned to the Durham Bulls, a hapless team with a long tradition of mediocrity. There he tutors a young, dim-witted pitching prodigy, Nuke LaLoosh (Tim Robbins) in the ways of baseball, life, and love. Each strikes up a romance with Annie (Susan Sarandon), the team's "mascot" who takes it upon herself to sleep with a new player every season. Each has his/her own conflict: Crash struggles to end his career with some measure of dignity; Nuke struggles to make it to the "big show"; and Annie struggles to find something more than a roll in the hay -- and of course, Crash and Nuke come into conflict over Annie's affections to further complicate matters. The film treats the sport of baseball with a sort of casual reverence, highlighting both the drama and the humor inherent in the game, illustrated by Annie's numerous references to baseball as "her religion." ~ Jeremy Beday, All Movie Guide