Harcourt Williams Movies

Razzle-dazzle showman Michael Todd hocked everything he had to make this spectacular presentation of Jules Verne's 1872 novel Around the World in 80 Days, the second film to be lensed in the wide-screen Todd-AO production. Nearly as fascinating as the finished product are the many in-production anecdotes concerning Todd's efforts to pull the wool over the eyes of local authorities in order to cadge the film's round-the-world location shots--not to mention the wheeling and dealing to convince over forty top celebrities to appear in cameo roles. David Niven heads the huge cast as ultra-precise, supremely punctual Phileas Fogg, who places a 20,000-pound wager with several fellow members of London Reform Club, insisting that he can go around the world in eighty days (this, remember, is 1872). Together with his resourceful valet Passepartout (Cantinflas), Fogg sets out on his world-girdling journey from Paris via balloon. Meanwhile, suspicion grows that Fogg has stolen his 20,000 pounds from Bank of England. Diligent Inspector Fix (Robert Newton) is sent out by the bank's president (Robert Morley) to bring Fogg to justice. Hopscotching around the globe, Fogg pauses in Spain, where Passepartout engages in a comic bullfight (a specialty of Cantinflas). In India, Fogg and Passepartout rescue young widow Princess Aouda (Shirley MacLaine, in her third film) from being forced into committing suicide so that she may join her late husband. The threesome visit Hong Kong, Japan, San Francisco, and the Wild West. Only hours short of winning his wager, Fogg is arrested by the diligent Inspector Fixx. Though exonerated of the bank robbery charges, he has lost everything--except the love of the winsome Aouda. But salvation is at hand when Passepartout discovers that, by crossing the International Date Line, there's still time to reach the Reform Club. Will they make it? See for yourself. Among the film's 46 guest stars, the most memorable include Marlene Dietrich, Charles Boyer, Jose Greco, Frank Sinatra, Peter Lorre, Red Skelton, Buster Keaton, John Mills, and Beatrice Lillie. All were paid in barter--Ronald Colman did his brief bit for a new car. Newscaster Edward R. Murrow provides opening narration, and there's a tantalizing clip from Georges Méliès' A Trip to the Moon (1902). Offering a little something for everyone, Around the World in 80 Days is nothing less than an extravaganza, and it won 5 Oscars, including Best Picture and Best Cinematography. ~ Hal Erickson, All Movie Guide

A novel by John Newton Chance was the basis for the British kiddie-matinee feature The Flying Eye. Geoffrey Summer stars as Colonel Audacious, an erstwhile inventor. With help of his young friend Bunstuffer (David Hannaford), the Colonel invents a "Flying Eye": a model airplane with a concealed TV camera. All sorts of slapstick complications follow, culminating in a hilarious set-to with a gang of foreign spies. Adults as well as children were entertained by Flying Eye when it first came out; whether the same would be true if the film were reissued in the 1990s, who can say? ~ Hal Erickson, All Movie Guide

Released in the U.S. as Terror on a Train, the British MGM production Time Bomb is brief, to the point, and so suspenseful it hurts. Glenn Ford stars as Peter Lyncourt, who during WW II had been in charge of a bomb demolition unit. As luck would have it, Lyncourt and his French wife Janine (Anne Vernon) are in the vicinity when a freight train carrying explosives to a dockyard chugs into view. Someone has placed a time bomb on the train, forcing an evacuation of the neighborhood and the summoning of the "UXB" corps. When all is said and done, however, it is up to Lyncourt to defuse the bomb, if he can locate the well-hidden fuse, that is! ~ Hal Erickson, All Movie Guide

The Magic Box was the English film industry's contribution to the 1951 Festival of Britain. Its all-star cast generously forsook their usual salaries for the privilege of paying tribute to that unsung pioneer of cinema, William Friese-Greene, here played by Robert Donat. Adapted by Eric Ambler from the controversial biography by Ray Allister, Magic Box contends that Friese-Greene was the true father of motion pictures, and not such upstarts as W. K. L. Dickson and Thomas Edison. Told in flashback, the film details Friese-Greene's tireless experiments with the "moving image," leading inexorably to a series of failures and disappoints, as others hog the credit for the protagonist's discoveries. The huge cast includes such British film luminaries as Joyce Grenfell, Miles Malleson, Michael Redgrave, Eric Portman, Emlyn Williams, Richard Attenborough, Peter Ustinov, Cecil Parker, Kay Walsh, and, best of all, Laurence Olivier as the confused bobby who witnesses Friese-Greene's first motion picture demonstration. ~ Hal Erickson, All Movie Guide

The Lost People is a pedantic British drama set in a large, abandoned German theatre just after the War. A disparate group of homeless refugees huddle together within the structure. As they get to know each other, old wounds are opened, social and religious clashes break out, recriminations melt into reconciliations, and the theatre threatens to become a metaphor for the World At Large. In fact, it's not a threat but a foregone conclusion. The Lost People is based on Cockpit, a play by Bridget Boland. ~ Hal Erickson, All Movie Guide

Shortly after the end of World War II, a pair of British soldiers hold an increasingly hostile group if refugees in a German theater in preperation for returning them to their homelands. Confused by the seemingly constant struggle that still surrounds them despite the official declaration that the war has ended, the soldiers and their captives are briefly unified when word of a coming plague begins to spread. As time passes and the group remains, the British soldier's handle on the situation losens as their captives' momentarily placated hostility once again boils to the surface. ~ Jason Buchanan, All Movie Guide

Returning to his old Elstree Studios headquarters in England, Alfred Hitchcock did his best with Hume Cronyn's adaptation of the James Bridie novel Under Capricorn. Costume drama was never Hitchcock's forte, as proven by his disappointing Jamaica Inn (1939), but Capricorn does have its moments. Set in Australia in the early 19th century, the film concerns the tribulations of Lady Henrietta (Ingrid Bergman), who was driven out of her home in disgrace after eloping with unkempt stableman Sam Flusky (Joseph Cotten). Accused of the murder of Henrietta's brother, Flusky has been transported to Australia, where he starts life anew as a prosperous businessman, even while his wife descends further and further into alcoholism and self-hatred. When her cousin Charles Adare (Michael Wilding) comes to visit, Henrietta falls in love with him; she also confides that it was she, and not Flusky, who was responsible for her brother's death. The operatic climax finds Lady Henrietta doing the "right thing" at the cost of her own happiness. At times ponderously directed, the film comes explosively to life whenever Margaret Leighton, cast as Lady Henrietta's spiteful housekeeper, dominates the scene. On a technical level, Under Capricorn is distinguished by the same "ten-minute takes" that Hitchcock had utilized in Rope; particularly effective is an uninterrupted dialogue sequence, played against the backdrop of a spectacular Technicolor sunset (courtesy cinematographer Jack Cardiff). ~ Hal Erickson, All Movie Guide

The fourth directorial effort of actor Robert Montgomery, Eye Witness was lensed on location in England. Montgomery plays an American attorney whose British pal (Michael Ripper) has been accused of murder. Ripper insists that he spent the evening of the crime with a woman, who has seemingly disappeared from the face of the earth. Montgomery dedicates himself to locating the missing witness before sentence can be pronounced. A compact courtroom drama highlighted by unexpected moments of humor, Eye Witness was released in some areas as Your Witness. ~ Hal Erickson, All Movie Guide

Although criticized by Shakespeare devotees upon its release because of director, producer, and star Laurence Olivier's decision to excise large portions of the text, his cinematic version of Hamlet is widely considered the best out of several dozens (and counting). Hamlet (Olivier) is a medieval Danish prince who's still melancholy over the sudden death of his father and the quick, subsequent remarriage of his mother, Queen Gertrude (Eileen Herlie) to his uncle, Claudius (Basil Sydney). Informed by the ghost of his father that Claudius murdered him, Hamlet schemes to take revenge. Unsure how best to proceed, his delays and the horrible secret burdening him eventually lead to the violent snuffing out of several lives in both his family and that of courtier Polonius (Felix Aylmer), whose daughter Ophelia (Jean Simmons) is in love with Hamlet. Greatly influenced by the inventive camera work in Citizen Kane (1941) and by modern, psychological reinterpretations of Shakespeare's play, Olivier's masterpiece was the winner of four Academy Awards, for Best Picture, Best Actor (Olivier), Best Black and White Art Direction/Set Direction and Best Black and White Costume Design. ~ Karl Williams, All Movie Guide

This unsparing, brutal look at the British criminal underbelly stars Richard Attenborough as Pinkie Brown, a pock-marked gang leader. While leading his men in a racetrack robbery, Pinkie kills a man. He convinces pretty waitress Rose (Carol Marsh) to provide him with an alibi, promising to marry her in exchange. After the wedding, the sociopathic Pinkie conducts a slow and careful campaign to drive his young wife to suicide. A moody, well-acted film with a stunning performance by the 24-year-old Attenborough, Brighton Rock is notable for bringing a new vicious realism to British crime cinema. Adapted by Terrance Rattigan and Graham Greene, from Greene's novel, the screenplay is superlative. The grim realism and sordid subject matter of the film is striking, handled by twin filmmakers Roy and John Boulting, who use mood and dark, stark photography to convey an almost palpable sense of dread. The American distributor of Brighton Rock, smelling disaster with that ambivalent title, renamed the film Young Scarface, and while it was quite controversial in its day, the film can't quite recapture the impact it had upon its initial release. ~ Hal Erickson, All Movie Guide

Laurence Olivier's adaptation of Henry V is one of the finest Shakespeare films ever made, full of rousing action, beautiful colors and passionate performances. Henry V is the story of the newly crowned king of England who fights the French for possession of Normandy. Olivier's direction is inventive, beginning the film as if it were a performance at the Globe Theatre, and having it slowly expand so the final battle scenes take place in realistic settings. Released in 1944 during the height of World War II, Henry V didn't receive an American release until 1946, upon which Olivier won a special Academy Award for "his outstanding achievement as actor, producer and director in bringing Henry V to the screen." ~ Stephen Thomas Erlewine, All Movie Guide