Esther Williams Movies
After attending the 1932 Olympics in Los Angeles, Esther Williams set her cap on becoming a world-renowned swimming champion. By the time she was 15, she was well on her way to achieving that goal; within a few years, she had won such events as the Women's Outdoor Nationals and the Pacific Coast Championships, and had set records for the 100- and 220-meter swims. Sorely disappointed when the advent of World War II forced the cancellation of the 1940 Olympics in Finland, Williams cut her losses by going to work for Billy Rose's San Francisco Aquacade. It was here that she was spotted by an MGM talent scout, who cast Williams in a supporting role in Andy Hardy's Double Life (1942). Hoping that their new discovery would surpass the popularity of 20th Century-Fox's skating queen Sonja Henie, MGM began grooming Williams for stardom, completely refashioning her third film, the modest 1944 Red Skelton comedy Mister Bride, into the Technicolor superspectacular Bathing Beauty. Williams immediately clicked with the public, and for the next decade she starred in one musical comedy after another, warbling the Oscar-winning tune "Baby It's Cold Outside" in Neptune's Daughter (1949) and trading steps with Gene Kelly in Take Me Out to the Ballgame (1949). As her popularity soared--she was among the top ten box office stars in 1949 and 1950--MGM went out of its way to make her swimming sequences more complex and elaborate with each new picture, freshening up the act with trapezes, hang-gliders and fiery hoops. Her string of successes came to a halt with her last MGM release, the unsuccessful Jupiter's Darling (1955). Now a free-lancer, Williams tried to gain acceptance as a dramatic actress, turning in worthwhile performances in such films as The Unguarded Moment (1956) and Raw Wind in Eden (1958), but the public wasn't buying. She returned to what she did best, starring in annual TV aquacades and acting as spokeswoman for her own swimming-pool company. She closed out her film career in 1961, shunning the spotlight for the next 15 years and devoting her time to her third husband Fernando Lamas, her children (including stepson Lorenzo Lamas) and her many business activities. She made headlines in 1974 when she sued MGM for unauthorized use of her films in the 1974 anthology That's Entertainment (evidently she came to terms with her old studio; in 1994, she was one of the narrators for That's Entertainment Part III). After Fernando Lamas' death in 1982, Williams returned to the limelight, promoting such money-spinning enterprises as a line of "modest" swimwear. Still a strikingly beautiful woman, Esther Williams remains a top attraction on the interview and talk-show circuit, offering candid, self-effacing and unpretentious observations on Hollywood's so-called Golden Age. ~ Hal Erickson, All Movie Guide- 1946
This Technicolor musical remake of the 1936 comedy classic Libeled Lady isn't quite up to the standards of the original, but on its own terms is quite entertaining. Van Johnson, Esther Williams, Lucille Ball and Keenan Wynn expertly assume the roles originally played by William Powell, Myrna Loy, Jean Harlow and Spencer Tracy. Faced with a libel suit from socialite Connie Allenbury (Williams), newspaper editor Warren Haggerty (Wynn) cooks up a plan to beat Connie at her own game. To do this, he must rely upon the romantic chicanery of ex-employee Bill Stevens Chandler (Johnson), with Haggerty's fiancee Gladys Benton (Ball) caught in the middle. The comedy high point of the original Libeled Lady, in which William Powell is forced to demonstrate his (non-existent) prowess as a fisherman, is ably repeated in Easy to Wed when Van Johnson must prove his skills at duck-hunting. The songs aren't anything special, but Lucille Ball's superb comic performance is worth the admission price in itself. ~ Hal Erickson, All Movie Guide
- Starring:
- Van Johnson, Esther Williams, (more)
The presence of William Powell as legendary showman Flo Ziegfeld at the beginning of Ziegfeld Follies might lead an impressionable viewer from thinking that this 1946 film is a Technicolor sequel to the 1936 Oscar-winning The Great Ziegfeld. Not so: this is more in the line of an all-star revue, much like such early talkies as Hollywood Revue of 1929 and Paramount on Parade. We meet a grayed, immaculately garbed Ziegfeld in Paradise (his daily diary entry reads "Another heavenly day"), where he looks down upon the world and muses over the sort of show he'd be putting on were he still alive. Evidently Ziegfeld's shade has something of a celestial conduit to Metro-Goldwyn-Mayer studios, since his "dream" show is populated almost exclusively by MGM stars. Vincente Minnelli is given sole directorial credit at the beginning of the film, though many of the individual "acts" were helmed by other hands. The Bunin puppets offer a tableau depicting anxious theatregoers piling into a Broadway theatre, as well as caricatures of Ziegfeld's greatest stars. The opening number, "Meet the Ladies", spotlights a whip-wielding (!) Lucille Ball, a bevy of chorus girls dressed as panthers, and, briefly, Margaret O'Brien. Kathryn Grayson and "The Ziegfeld Girls" perform "There's Beauty Everywhere." Victor Moore and Edward Arnold show up in an impressionistically staged adaptation of the comedy chestnut "Pay the Two Dollars". Fred Astaire and Lucille Bremer (a teaming which evidently held high hopes for MGM) dance to the tune of "This Heart is Mine." "Number Please" features Keenan Wynn in an appallingly unfunny rendition of an old comedy sketch (performed far better as "Alexander 2222" in Abbott and Costello's Who Done It?) Lena Horne, strategically placed in the film at a juncture that could be edited out in certain racist communities, sings "Love". Red Skelton stars in the film's comedy highlight, "When Television Comes"-which is actually Skelton's classic "Guzzler's Gin" routine (this sequence was filmed late in 1944, just before Red's entry into the armed services). Astaire and Bremer return for a lively rendition of "Limehouse Blues". Judy Garland, lampooning every Hollywood glamour queen known to man, stops the show with "The Interview". Even better is the the historical one-time-only teaming of Fred Astaire and Gene Kelly in "The Babbitt and the Bromide". The excellence of these sequence compensate for the mediocrity of "The Sweepstakes Ticket", wherein Fanny Brice screams her way through a dull comedy sketch with Hume Cronyn (originally removed from the US prints of Ziegfeld Follies, this sequence was restored for television). Excised from the final release print (pared down to 110 minutes, from a monumental 273 minutes!) was Judy Garland's rendition of "Liza", a duet featuring Garland and Mickey Rooney, and a "Baby Snooks" sketch featuring Fanny Brice, Hanley Stafford and B. S. Pully. A troubled and attenuated production, Ziegfeld Follies proved worth the effort when the film rang up a $2 million profit. ~ Hal Erickson, All Movie Guide
- Starring:
- Fred Astaire, Lucille Ball, (more)
- 1945
This aquatic musical is set at a mountain resort in the beautiful Sierra Nevadas where a heroic Army Air Corpsman has come for a vacation. There he falls in love with the lovely swimming instructor, who is unfortunately newly married to a rather stodgy businessman. The mayhem begins when her new husband is called to Washington on urgent business. Songs include: "Please Don't Say No, Say Maybe," "I Should Care," "Lonely Night," "Vive L'Amour," "Schubert's Serenade" and "The Thrill Of A Romance." ~ Sandra Brennan, All Movie Guide
- Starring:
- Van Johnson, Esther Williams, (more)
- 1944
If you've never seen a '40s singing, swimming musical this may be the one to catch. Featuring a mammoth cast, including such notables as Xavier Cugat, Basil Rathbone, Red Skelton, and Esther Williams, this is a swimming spectacular. The plot's quite thin: Skelton plays a lovesick songwriter who enrolls in a girls' school to stay near his new wife who ditched him shortly after the wedding bells rang and was hired on as the college's swim teacher. Of course Esther Williams is the beautiful swimming instructor who spends most of her time in the pool performing in a score of choreographed pieces. ~ All Movie Guide
- Starring:
- Red Skelton, Esther Williams, (more)
- 1944
Opening in England during the middle of World War II, A Guy Named Joe tells the story of Pete Sandidge (Spencer Tracy), a tough, devil-may-care bomber pilot who's amassed an enviable record in combat, mostly by taking chances that give his C.O. (James Gleason) the shakes, much as he and the top brass appreciate the results. Pete lives to fly, but he also appreciates the fairer sex, which for the last couple of years means Dorinda Durston (Irene Dunne), herself a hot-shot air-ferry pilot. She's also worried about the chances he takes, even after Pete and his best friend, Al Yackey (Ward Bond), are transferred to Scotland and switched to flying reconnaissance missions. Pete finally agrees to take a training position back in the States, but he must fly one last mission, to locate a German force threatening an Allied convoy. He and Al do the job and have turned for home when the German fighter cover attacks; Pete's plane is damaged and he's wounded, and after his crew bails out he takes the burning ship down and drops his bomb-load on the main German attack ship (a carrier, which is totally inaccurate) at zero altitude. His plane is caught in the blast and destroyed, and that's where the main body of the movie begins.
Pete arrives in a hereafter that's a pilot's version of heaven, including a five-star general (Lionel Barrymore). He doesn't even appreciate what's happened to him until he meets Dick Rumney (Barry Nelson), a friend and fellow pilot who was previously killed in action. It seems that the powers of the hereafter are contributing to the war effort, sending departed pilots like Pete and Dick to Earth to help guide and help young pilots; Pete himself discovers that he benefited from these efforts in peacetime. Pete ends up at Luke Field near Phoenix, AZ, where he takes on helping Ted Randall (Van Johnson), a young pilot who lacks confidence. By the time he's done, riding along while Ted "solos," Ted is a natural in the air and ends up as the star of his squadron when he become operational in New Guinea -- in a group under the command of Al Yackey -- and ends up taking over command when their own leader is shot down. Pete's like a proud teacher, and also enjoys his unheard ribbing of Al and his ex-C.O. to Rumney, over their promotions, but then Dorinda shows up, and suddenly Pete finds all of his unresolved feelings about her recalled, even as he sees that she's never gotten over losing him. And when, with Al's help, she and Ted meet and seem to fall for each other, Pete's jealousy gets the better of him. It's only when he is made to realize just how important life was to him, and how important the future is for those still living, that he begins to understand that he has to let go of his feelings, and let Dorinda and Ted get on with their lives. But first he has to help Dorinda survive a suicide mission that she's taken over from Ted, attacking a huge and heavily defended Japanese ammo dump. ~ Bruce Eder, All Movie Guide
Pete arrives in a hereafter that's a pilot's version of heaven, including a five-star general (Lionel Barrymore). He doesn't even appreciate what's happened to him until he meets Dick Rumney (Barry Nelson), a friend and fellow pilot who was previously killed in action. It seems that the powers of the hereafter are contributing to the war effort, sending departed pilots like Pete and Dick to Earth to help guide and help young pilots; Pete himself discovers that he benefited from these efforts in peacetime. Pete ends up at Luke Field near Phoenix, AZ, where he takes on helping Ted Randall (Van Johnson), a young pilot who lacks confidence. By the time he's done, riding along while Ted "solos," Ted is a natural in the air and ends up as the star of his squadron when he become operational in New Guinea -- in a group under the command of Al Yackey -- and ends up taking over command when their own leader is shot down. Pete's like a proud teacher, and also enjoys his unheard ribbing of Al and his ex-C.O. to Rumney, over their promotions, but then Dorinda shows up, and suddenly Pete finds all of his unresolved feelings about her recalled, even as he sees that she's never gotten over losing him. And when, with Al's help, she and Ted meet and seem to fall for each other, Pete's jealousy gets the better of him. It's only when he is made to realize just how important life was to him, and how important the future is for those still living, that he begins to understand that he has to let go of his feelings, and let Dorinda and Ted get on with their lives. But first he has to help Dorinda survive a suicide mission that she's taken over from Ted, attacking a huge and heavily defended Japanese ammo dump. ~ Bruce Eder, All Movie Guide
- Starring:
- Spencer Tracy, Irene Dunne, (more)
- 1942
Incredible as it may seem, rambunctious 18-year-old Andy Hardy (Mickey Rooney) finally makes it to college in Andy Hardy's Double Life. Just as he did at Carvel High School, Andy majors in "girls" at college, at one point finding himself engaged simultaneously to two different coeds. On a more serious note, Andy has his first major row with his father Judge Hardy (Lewis Stone) over such vital matters as money and poor grades. But in keeping with the "honor thy parents" edicts of MGM head-man Louis B. Mayer, the plot manages to reunite father and son in the final footage, with Andy respectfully bowing to the wisdom of the good gray judge. Much of Andy Hardy's Double Life is a showcase for MGM's new swimming star Esther Williams, as cute as all get out in a two-piece bathing suit. ~ Hal Erickson, All Movie Guide
- Starring:
- Lewis Stone, Mickey Rooney, (more)
