Clarence Williams III Movies

Meet Pete, Linc and Julie: The Mod Squad. This trio consisted of rich, long-haired Pete Cochran, Lincoln "Linc" Hayes from the tough streets of inner city Los Angeles, and beautiful flower child Julie Barnes, a runaway from San Francisco. They're recruited by police captain Adam Greer (Tiger Andrews) for a covert unit that will help bridge the generation gap. Each week these three cops with love beads wrestled with criminals - and their own consciences. They may have been the "fuzz," but they were determined to never compromise their values. They were The Mod Squad!

Purple Rain, the first starring film for Prince, is the story of an arrogant, young black singer, born and raised in Minneapolis, who reaches the pinnacle of stardom. The dramatic complications include "The Kid's" (Prince) miserable home life, where he suffers the brutalities of his father (well played by Clarence Williams III) and the youth's efforts to win the love of the beautiful Apollonia. Despite the misogynistic undercurrents in Purple Rain, the film's biggest fans were young women. Gorgeously photographed by Donald Thorin, Purple Rain is essentially a glorified music video, highlighted by a catalogue of Prince's hits, including I Would Die 4 U, When Doves Cry and Let's Go Crazy; the score deservedly won an Academy Award and a Grammy. ~ Hal Erickson, All Movie Guide

The House of Dies Drear is a spooky old mansion where several strange events have occurred of late. An out-of-town family moves into the home, only to be confronted by an odd recluse (Joe Seneca) and by a neighbor warning them to get out "while you got the chance." The youngest members of the family (Howard Rollins Jr. and Shavar Ross) suspect that a human agent is causing the so-called "supernatural" events, and set out to investigate. House of Dies Drear originated as a two-part episode of the PBS series Wonderworks. It was first shown November 5 and 12, 1984. ~ Hal Erickson, All Movie Guide

Wealthy metallurgist Harry Mitchell (Roy Scheider) lives to regret his extramarital affair with pretty young Cini (Kelly Preston). A trio of vicious blackmailers (John Glover, Robert Trebor, Clarence Williams III) show Mitchell a videotape of his most recent roll in the sack with Cini. They demand a huge amount of hush money, but Mitchell calls their bluff, going so far as to tell his politicially ambitious wife Barbara (Ann-Margret) about the affair. But the extortionists haven't even gotten started yet. Tying Mitchell to a chair, they force him to watch a tape of Cini being horribly murdered-with the evidence arranged so that Mitchell will be accused of the crime. But Mitchell remains firm in his refusal to pay up, whereupon he mounts a "fight fire with fire" plan all his own. 52 Pick Up was based on a novel by Elmore Leonard, which was previously filmed in 1984 as The Ambassador. ~ Hal Erickson, All Movie Guide

Liz Winters (Deborah Shelton) is the head of a modeling agency in this thrilling crime drama. When two of her top models are drugged and raped, Lieutenant Kevin White (Clarence Williams III) is put of the case. The villain turns out to be a maniacal misogynist with AIDS, and the police continue their efforts to stop the infected rapist before he strikes again. ~ Dan Pavlides, All Movie Guide

Keenen Ivory Wayans wrote, directed, and starred in this hilarious parody of blaxploitation films in the comedy I'm Gonna Git You Sucka. Jack Spade (Wayans) returns home from a hitch in the army to find his brother Junebug has died from an overdose of gold chains, leaving his widow Cheryl (Dawnn Lewis) and mother Ma Bell (Ja'net DuBois) alone to fend for themselves. Ma throws two inept thugs (Damon Wayans and Kadeem Hardison) sent by the evil white guy Mr. Big (John Vernon) down a flight of stairs. Junebug owes $5,000 to Mr. Big for his gold-chain addiction and tries to force Cheryl into prostitution to pay off the debt. Jack recruits his old friend to go after Mr. Big to seek revenge. John Slade (Bernie Casey), Hammer (Isaac Hayes), Slammer (Jim Brown) Kung Fu Joe (Steve James) and the former Pimp Of The Year Flyguy (Antonio Fargas) join up with Jack to avenge his brother' death. Chris Rock makes a brief appearance as the annoying customer who risks his life by irking rib joint owner Hammer. Funny and fast paced, the writing, acting, sight gags and cameos by Robert Townsend, Peggy Lipton, Clarence Williams III, Eve Plumb (Jan from The Brady Bunch), Kim Wayans, and Gary Owens makes this a must-see for any comedy fan. ~ Dan Pavlides, All Movie Guide

When his son is killed in a drug-related incident, the father sets out to wreck his revenge on two Las Vegas law enforcers. (AKA Kill Or Be Killed) ~ All Movie Guide

Laurence Fishburne plays no-nonsense LAPD narc Russell Stevens, Jr., who has worked all his life to expunge the memory of his dope-addict father, whom he saw die in a liquor-store robbery. DEA agent Jerry Carver (Charles Martin Smith) orders Stevens to work as an undercover operative on a major case. The cop is to pose as a dealer in order to get the goods on South American drug lord. Stevens is so convincing as a dealer, that he fast works his way up through the ranks and gains the trust of lawyer and narcotics dealer David Jason (Jeff Goldblum) and his sinister associates, all lackeys to the kingpin who is the target of Stevens' assignment. Through a series of fantastic but credible circumstances, Stevens eliminates the lower echelon, getting closer to his quarry, but in the process he finds himself so deep into the sinister and seductive world of the drug trade that he may never get out. In a surprise move, and just when he is about to bring the ringleader down, the DEA pulls the plug on his assignment, because the top dealer, an influential Latin American politician, may someday be useful to the State Department. ~ Hal Erickson, All Movie Guide

This lushly photographed, contemporary film noir tries to substitute looks and unconvincing, contrived plot twists for substance, capturing the look of a film noir but lacking the depth and characterization needed to make the film work. After his father, Mike is killed, Joe Donan (Michael Biehn) finds evidence that his Uncle Lou (James Coburn) in a dual role as Mike and Lou, might have stolen money from his father. Joe hooks up with Lou and his drug-taking lackey, Eddie (Nicolas Cage). Joe also falls for Eddie's beautiful, but devious girlfriend Diane (Sarah Trigger). Joe kills Eddie and gains Lou's confidence, joining him in a diamond swindle. As the unnecessarily complicated plot concludes, Joe learns the shocking truth that he himself has been the victim of a scam. Michael Biehn while a good-looking and competent actor, fails to find the depth necessary to bring his outwardly sophisticated but surprisingly naive character to life. Sarah Trigger is too shallow to make a convincing noir femme-fatale, and her obvious deviousness would fool only the most gullible. Nicolas Cage, in a totally over-the-top performance also fails to give his character any believability or depth. Director Christopher Coppola takes a potentially interesting premise and muddles it with too many plot twists and unconvincing performances. ~ Linda Rasmussen, All Movie Guide

Made for cable TV, Against the Wall represents filmmaker John Frankenheimer's return to the small screen. This in-your-face reenactment of the 1971 Attica prison riots is jam-packed with political and sociological implications. Refreshingly, none of the participants -- the prisoners, the guards, the high-profile mediators, the New York powers-that-be-are rendered in strictly good-guy or bad-guy terms by screenwriter Ron Hutchinson. Anyone old enough to have witnessed the original live TV coverage of the riot, however, will be able to discern who was truly responsible for its tragic outcome. While the 1971 TV-movie Attica was told from a journalist's point of view, Against the Wall is filtered through the eyes of idealist young prison guard Kyle MacLachlan. Director Frankenheimer (who in 1962 helmed the vastly different prison picture Birdman of Alcatraz)stage-manages the proceedings with his usual aplomb, though he uncharacteristically leans towards B-flick melodrama in some scenes. ~ Hal Erickson, All Movie Guide