Caroline Williams Movies

Only in a made-for-TV comedy would the owners of a fancy restaurant be out of town on the establishment's opening night. Thanks to an unforeseen mishap, Mr. and Mrs. Korda (John Larroquette, Lesley Ann Warren) are nowhere to be found when their eatery is scheduled to open its doors. It falls to the Korda children -- Rebecca (Margo Harshman), Sam (Andrew Allen), and Max (Andrew Allen) -- to hold down the fort in their parents' absence. Naturally, the big night is full of craziness, exacerbated by temperamental employees, snobbish customers, and a couple of unforeseen flies in the ointment. Recipe for Disaster made its first PAX network appearance on May 16, 2003. ~ Hal Erickson, All Movie Guide

Taking home a paycheck that nearly rivals the budget of the first film, Reese Witherspoon reprises the role of Elle Woods in this sequel to 2001's surprise blockbuster Legally Blonde. When she's fired from her job at an upscale law firm for voicing her stance against the testing of cosmetics on animals, Elle heads to Capitol Hill to fight for her cause before Congress, leaving her boyfriend, Emmett (Luke Wilson, reprising his role from the film's predecessor), behind. Once there, she runs into plenty of adversity and red-tape and can't seem to find anyone who will listen to her proposals. While staying at the Watergate hotel though, she meets and befriends an elderly bellman (Bob Newhart in his first theatrical role since 1997's In & Out) who's been around politicians long enough to know the ins and outs of the political machine. With his help, Elle attempts to convince disillusioned U.S. Representative Rudd (Sally Field) to help her get her voice heard in front of the stodgy old coots of the legislative branch. Directed by Charles Herman-Wurmfeld hot off the success of his critically acclaimed indie comedy Kissing Jessica Stein, Legally Blonde 2: Red, White and Blonde boasts a supporting cast led by Jennifer Coolidge (Best in Show, American Pie) and Regina King (Jerry Maguire, Daddy Day Care). ~ Matthew Tobey, All Movie Guide

We've all heard of the luck of the Irish, but no one feels very lucky in Las Vegas when the Leprechaun visits Sin City in this, the third feature in the Leprechaun franchise. A Las Vegas pawnbroker buys a statue of a leprechaun from a hobo, but then makes the mistake of taking the gold medal hanging around the statue's neck. Turns out it's no statue after all, and taking away the charmed necklace brings the leprechaun back to life. The mean-spirited little man (played, once again, by Warwick Davis) kills the pawnbroker and sets out to find his pot of gold. However, he forgets that he's left behind a magic coin and when he returns to get it, he discovers it's gone, having been taken by a college student named Scott (John Gatins) who happened upon the shop. While the coin brings a bit of good luck to Scott, things change when he discovers he has a murderous leprechaun on his trail. Leprechaun 3's Las Vegas adventure was followed a year later by the even more unlikely Leprechaun 4: Leprechaun in Space. ~ Mark Deming, All Movie Guide

An honest cop stands in the face of the corruption of his peers in this thriller. Jack Flinder is a police detective who loves his work. Jack and his partner Art are chasing an arsonist. Their investigation reveals a shocking conspiracy. Art is subsequently murdered in front of his girlfriend Lisa who then joins forces with Jack to expose the conspiracy which will in turn expose people in highest echelons of the police force. ~ Sandra Brennan, All Movie Guide

Randall Sloan (Brian McNamara), a former student of Jessica Fletcher (Angela Lansbury), returns to Cabot Cove to research his new book. Despite several ominous warnings to drop the project, Randall is determined to complete his volume, a searing expose of a 30-year-old scandal involving two of the town's most prominent families, that Latimers and the Weymouths. You guessed it: Randall is killed, and Jessica is enlisted by Sheriff Mort Metzger (Ron Masak) to help find the killer. ~ Hal Erickson, All Movie Guide

Love and Lies is a TV "film noir" inspired the true exploits of detective Kim Paris. Mare Winningham stars as a no-nonsense Houston private investigator with a penchant for disguise. She is hired to gather evidence on Peter Gallagher, who is implicated in a double homicide. Assuming a false identity, Ms. Winningham puts the make on Gallagher, hoping that a little romance will put him off guard and force him to convict himself. The rub comes when Winningham falls in love with the suspect. When first telecast on March 18, 1990, Love and Lies barely managed to hold its own in the ratings opposite the competing double whammy of Gunsmoke: The Last Apache and Part One of a new adaptation of Phantom of the Opera. Perhaps as a result, it never developed into a weekly series, as had been intended. ~ Hal Erickson, All Movie Guide

A passable sequel to the excellent sleeper hit that preceded it, this film steers its story in a cartoonish, less horrific direction. Terry O'Quinn returns as the nameless family man who butchered one nuclear unit and was on his way to dispatching another when he was (seemingly) fatally stabbed. It turns out that he wasn't killed after all but was captured and sent to the loony bin. Now the deranged control freak has murdered his jailers and escaped from the institution. Establishing himself in a small, idyllic town as a family counselor, he thinks that he's found the perfect candidate for a family in Carol (Meg Foster), the real estate agent who lives across the street, and her son, Todd (Jonathan Brandis), who adores his mom's new boyfriend. Unfortunately, Carol's irresponsible husband shows up unexpectedly after abandoning his family -- and nosy neighbors and a variety of others stand as obstacles in the stepfather's path to perfection. The first film, The Stepfather (1987), by writer Donald E. Westlake was very loosely based on the real-life story of long-time fugitive John List, lending the film an eerie, skin-crawling air of psychological authenticity that this sequel entirely lacks. ~ Karl Williams, All Movie Guide

Edward Albert stars as Taggar, a wealthy industrialist who lives for danger. Together with luscious secret agent Paige Starsen (Audrey Landers), Taggar takes on rival businessman King Kenderson (Joe Don Baker). Having gotten hold of a poison gas which consumes human flesh, Kenderson threatens to unleash the gas over the city of Dallas unless he's paid a $50 million ransom (the film, incidentally, was originally titled Hostage: Dallas). The last 20 minutes of Getting Even is a thrill-packed helicopter chase over, around, and through the Dallas skyline. Barely released theatrically, the film enjoyed a robust "second life" on video. ~ Hal Erickson, All Movie Guide

With their father dead and their mother busy trying to land a steady beau, pretty teen Billy Jean Davy (Helen Slater) and her younger brother, Binx (Christian Slater), spend their time riding Binx's moped and dreaming of life in Vermont -- several climate zones away from the humid, omnipresent heat of their Texas town. One day, on their way from their trailer park home to a swimming hole, the Davy kids run afoul of rich boy Hubie Pyatt (Barry Tubb) and his cronies, who steal -- and later trash -- the scooter Binx bought with his father's paltry life insurance benefits. Demanding payment from Hubie and his merchant dad (Richard Bradford) for the damage that's been inflicted on both the bike and her brother's face, Billie Jean narrowly escapes being raped by the elder Pyatt. In the ensuing scuffle, Binx accidentally shoots Mr. Pyatt, sending himself, Billie Jean, and their friends, Ophelia (Martha Gehman) and Putter (Yeardley Smith), on the lam. When the "Billie Jean Gang" becomes a media sensation, Pyatt capitalizes on their notoriety by selling T-shirts and bric-a-brac, while policeman Ringwald (Peter Coyote), who feels guilty for having refused to help Billie Jean, tries to bring the kids in without anyone getting hurt. However, when the gang mock-kidnaps rich amateur filmmaker Lloyd (Keith Gordon), unaware that he's the district attorney's son, the situation spins out of control. Soon, Lloyd's videotape of the suddenly crop-topped, Joan of Arc-emulating, eminently telegenic Billie Jean elevates a local headline into a national sensation, and even Lloyd's attraction to Billie Jean can't protect her from the media lightning rod she's become. The Legend of Billie Jean marks the screen debut of Christian Slater, who is no relation to co-star Helen Slater. Actor Gordon, who made his debut as a screenwriter with Mark Romanek's Static the year Billie Jean came out, would go on to direct a number of critically acclaimed films. ~ Brian J. Dillard, All Movie Guide

The American beauty-contest ritual is skewered by screenwriter Jerry Belson and director Michael Ritchie in Smile. The film takes place during an annual pageant in Santa Rosa, CA. The event is supervised by local mover and shaker Brenda DiCarlo (Barbara Feldon), to whom the contest is the most important thing on earth. Nothing -- not even the violent backlash of her neglected husband, Andy (Nicholas Pryor) -- is allowed to interfere with her pet project. Choreographer Tommy French (Michael Kidd), outwardly nasty and cynical, takes money out of his own pocket to insure the safety of the contestants as they parade down a rickety stage runway; chief judge "Big Bob" Freelander (Bruce Dern) discovers that his son is a budding voyeur, information which leads to a silly "politically correct" consequence; and the various contestants scheme to upstage one another through a variety of means (one girl puts Vaseline on her teeth to assure a gleaming smile). Among the contestants are such stars-to-be as Colleen Camp, Denise Nickerson, Annette O'Toole, and Melanie Griffith. Though not a hit itself, Smile has developed a fervent cult following, which led to a Broadway musical version of the property in 1986, with songs by Marvin Hamlisch. ~ Hal Erickson, All Movie Guide