Bill Williams Movies

Of the many filmed versions of the October 26, 1881, O.K. Corral shootout in Tombstone, Arizona, Gunfight at the O.K. Corral was one of the most elaborate and star-studded. Burt Lancaster plays Wyatt Earp, the renowned lawman, while Kirk Douglas is consumptive gambler (and gunfighter) Doc Holliday -- the two meet in difficult circumstances, as Earp discovers that Holiday, for whom he initially feels little but loathing, is being held on a trumped up murder charge and being set up for a lynching, and intercedes on his behalf. The action shifts to Dodge City, Kansas, where Earp is marshal and Holiday, hardly grateful for the good turn, shows up right in the middle of all kinds of trouble, this time mostly on Earp's side of the ledger. And, finally, the two turn up in Tombstone, Arizona, where Wyatt's brother Virgil is city marshal, and where Wyatt finally gets to confront the Clanton/McLowery outlaw gang (led by Lyle Bettger as Ike Clanton). Since the time-span of the actual gunfight was at most 90 seconds, the bulk of the film concerns the tensions across many months leading up to the famous battle. As scripted by Leon Uris (from a magazine story by George Scullin), the story involves two unrelated but parallel plot-lines -- a long-standing vendetta against Holliday and the efforts of Earp to bring the Clanton/McLowery gang to justice -- that are eventually drawn together on the streets of Tombstone. Woven into these proceedings are Earp's and Holliday's romantic dalliances with lady gambler Laura Denbow (Rhonda Fleming) and Kate Fisher (Jo Van Fleet), whose switch in affections from Holiday to outlaw fast-gun Johnny Ringo (John Ireland) only rachets up gambler's rage and the reasons behind the bloody climax. There are plenty of bribery attempts, terse dialogue exchanges and "Mexican standoffs" before the inevitable gunfight takes place. Director John Sturges takes some dramatic license with this confrontation, as well, stretching things out to nearly six minutes, but this is after all an "A" production, and a minute-and-a-half of gunfire just wouldn't cut it. The huge cast of western veterans includes Earl Holliman as Charles Bassett, Dennis Hopper as Billy Clanton, Kenneth Tobey as Bat Masterson, Lee Van Cleef as Ed Bailey, Jack Elam as Tom McLowery, and John Hudson, DeForest Kelley and Martin Milner as Virgil, Morgan, and James Earp, respectively. And there's that Dimitri Tiomkin score, pushing the movie's momentum as relentlessly as the two driven heroes, complete with a song (sung by Frankie Laine) underscoring the major transitions of scenes that's impossible to forget, once heard. Sturges himself would produce and direct a more fact-based and realistic version of the story -- focusing mostly on its aftermath -- a decade later, entitled Hour of the Gun, starring James Garner, Jason Robards, Jr., and Robert Ryan, which wasn't nearly as attractive or successful. But after Gunfight At The OK Corral, there would not be so impressive a lineup of talent at the OK Corral again until the twin Earp biopics of 1994, Wyatt Earp and Tombstone.
~ Hal Erickson, All Movie Guide

Set in 1952, at a point when the United States was bogged down in the "police action," Hell's Horizon focuses on one crew of a B-29, given the unenviable assignment of knocking out a bridge vital to the enemy over the Yalu River. To do this, and avoid violating Chinese airspace, they must make their run from a predetermined direction and, if forced down or unable to drop their bomb-load, must see to it that they don't do it over China. John Ireland is excellent as Merrill, the pilot of the plane and a born cynic, who must lead a crew that -- if truth were to be told to his C.O. -- is coming apart at the seams. First there's Trask (Hugh Beaumont), the sergeant and the non-com veteran of the group, who can't get his mind off of troubles at home; then there's Lewis (Larry Pennell), who's young enough to let his emotions get the better of him, especially where Sami (Marla English), a local Korean girl who does the unit's laundry and has been a regular companion for Merrill, is concerned; and Jockey (Chet Baker), who relaxes by playing a trumpet that drives half the other members of the crew to distraction. Add to that one new crewman, Morgan (William Schallert), an instructor who's never been in combat, and a plane that was state-of-the-art in the last war but barely able to deal with the MIGs that the North Koreans are flying now, and you've got a recipe for disaster, which nearly comes to fruition when two members of the crew fold up in different ways at two critical moments along the mission, jeopardizing the lives of the entire crew. ~ Bruce Eder, All Movie Guide

Newcomer Kelly Ryan plays Kate, The Outlaw's Daughter, in this medium-scale western. Led astray by outlaw leader Jess (Bill Williams), Kate joins Jess' gang and follows in her dad's footsteps. Town marshal Dan (Jim Davis) tries his best to reform the girl, but this proves difficult inasmuch as Kate holds Dan responsible for her father's death. Only after most of the bad guys have been decimated by Dan does Kate discover the true identity of her dad's murderer. Having fallen in love with Kate, marshal Dan offers to let her escape prosecution, but she's made of sterner stuff than that. ~ Hal Erickson, All Movie Guide

A elderly woman is robbed and beaten in a bank parking lot. Investigating, Friday (Jack Webb) and Smith (Ben Alexander) are tipped off that two men were spotted a few days earlier, taking photographs near the scene of the crime. A subsequent photo "blowup" leads the detectives to surmise that one of the perpetrators is a professional boxer. Future TV producer Aaron Spelling) is cast as a boxing manager in this episode, which was based on the Dragnet radio broadcast of May 18,1950. ~ Hal Erickson, All Movie Guide

The eponymous Rose is played by Mala Powers, a white girl raised by Cherokee Indians after her family was massacred. Powers considers herself a Native American and regards all whites as her enemies. Her feelings are justified to an extent when outlaws kill her Indian parents. Realizing she can't seek vengeance alone, Powers grudgingly accepts the help of white marshal Jack Beutel. Beyond its "Natural Color" photography, Rose of Cimarron is of interest in that it shows how Jack Beutel kept busy after he costarred with Jane Russell in the legendary "bosom western" The Outlaw. ~ Hal Erickson, All Movie Guide

Noted Western director Budd Boetticher helmed this contemporary cowboy story. Tom Moody (John Lund) is a champion rodeo rider who sees real potential in newcomer Bart Eaton (Scott Brady). However, while Bart may have a knack for riding a bull, he's not much for loyalty, and he betrays his mentor by stealing Tom's girlfriend, Judy Bream (Joyce Holden). Tom wallows in self-pity until the death of his buddy Dan Bream (Chill Wills), a rodeo clown, forces him to rethink his life. For added realism, Boetticher incorporated genuine Western footage alongside staged sequences with his actors. ~ Mark Deming, All Movie Guide

Estelita Rodriguez, Republic's south-of-the-border answer to their own Judy Canova, stars in Havana Rose. Rodriguez plays Estelita DeMarco, the daughter of foreign Ambassador DeMarco (Fortunio Bonanova), who is looking for a way to raise $5,000,000 for his poverty-stricken South American country. Just when Ambassador DeMarco is on the verge of securing a loan from eccentric millionaire Filbert Fillmore (Hugh Herbert) and his haughty wife (Florence Bates), Estelita messes up the deal. With the help of Texas rancher Tex Thompson (Bill Williams), our heroine manages to mollify Fillmore and his wife and save the day. Havana Rose is highlighted by three Latin American musical numbers, all of which are a lot livelier than the rest of the film. ~ Hal Erickson, All Movie Guide

Bill Williams and Jane Nigh, the stars of Monogram's Blue Grass of Kentucky, are reunited in the strikingly similar Blue Blood. Based on Peter B. Kyne's story Dog Meat, the film traces the efforts made to rescue a thoroughbred from being ground into hamburger by a dog-food factory. Harry Shannon carries the film's dramatic weight as an elderly trainer who prizes his horses above all else. It is giving away nothing to reveal that the film's climax occurs during the obligatory Big Race. The Cinecolor process is put to excellent use during this sequence, with the color red figuring crucially in the race's outcome. ~ Hal Erickson, All Movie Guide

Former sailor Joe Blake (Bill Williams) is the Rookie Fireman in this Columbia quickie. Though fiercely independent, Blake learns how to be a team player as he goes through the firefighters' training process. Occasionally, he has second thoughts about returning to the sea, and his on-the-job performance suffers. But with the love of waitress Margie Williams (Margorie Reynolds) as an incentive, Blake becomes a first-class "smoke eater." Barton MacLaine makes a meal of his scenes as an irascible but golden-hearted fire chief. Most of the action highlights in Rookie Fireman were culled from previous Columbia productions. ~ Hal Erickson, All Movie Guide