Barbara Williams Movies

One man's insatiable appetite for sex begins upending his life in this biting independent comedy. Jack (Nestor Carbonell) is a photographer known to his friends as "Jack the Dog," thanks to his compulsive womanizing; Jack seems incapable of staying with one partner for long before he finds himself attracted to someone else, and given his good looks and easy charm, Jack doesn't have much trouble convincing the women he meets to spend the night with him. Deep inside, Jack wants to change, and he tries to put himself on the straight and narrow by marrying Faith (Barbara Williams). Jack and Faith soon have a son, Sam (Andrew J. Ferchland), whom Jack dotes upon, but Faith turns out to be a poor advertisement for long-term monogamy; she's not especially warm or forgiving, and she's started to show her age, which only intensifies Jack's taste for younger women. Jack soon slides into chronic infidelity, and Faith leaves him, relocating to London and leaving Sam behind. This is good news as far as Jack's concerned, but as he tries to watch over his son, while also seducing an endless parade of beautiful women, Jack finds himself increasingly puzzled by the opposite sex, and he wonders if he might have a problem he hasn't learned to deal with. Jack the Dog received its world premiere at the 2001 Sundance Film Festival. ~ Mark Deming, All Movie Guide

Recalling (but not duplicating) the memorable Miami Vice, this TV drama series focuses on Miami Beach cop Vince Karol (Australian stage actor Marcus Graham). Fired after an adulterous escapade with his boss's wife, Miami Vince becomes a private investigator, remaining in touch with his police pal Freddie (Jose Zuniga) and also getting an assist from his bright attorney friend Sam (Barbara Williams). The basic premise here is that Vince does more than just bag the bad guys; he becomes obsessed with their true motives and inner feelings. Filmed in Miami, the series premiered July 19, 1998 on the USA Network. ~ Bhob Stewart, All Movie Guide

The true story of fabled Canadian truck driver Diana Kilmury is vividly realized in this made-for-TV drama. Barbara Williams stars as Kilmury, a tough-talking, chain-smoking tyro who, as the first female vice-president of the Canadian Teamsters, fearlessly spearheads a movement to expunge the union of its most corrupt officials. Kilmury's professional struggles are counterpointed by her personal travails as the mother of a mentally challenged son. $Stuart Margolin is featured as Diana's longtime lover (and staunchest supporter) John, while the really Diana Kilmury makes an appearance at the end of the film. The winner of a cable ACE award, Mother Trucker: The Diana Kilmury Story aired on Canadian television before its American TV debut over the TNT channel on October 22, 1996. ~ Hal Erickson, All Movie Guide

While en route to the planet Lyaar, Picard crash-lands on an all but deserted planet. Here he is rescued by beautiful castaway Anna (Barbara Williams), who falls desperately in love with him. Meanwhile, back on the Enterprise, barbaric Lyaaran ambassador Byleth (Michael Harris) tries to goad Worf into violence. First telecast October 2, 1993, "Liasons" was scripted by Jeanne Carrigan Fauci and Lisa Rich from a story by Roger Eschbacher and Jac Greenspon. ~ Hal Erickson, All Movie Guide

This telemovie follow-up to ABC's hit Boston-based detective series Spenser: For Hire (1985-88) aired a little over five years after the original program wrapped. Adapted (like the weekly series) from mystery stories authored by Robert B. Parker, this outing finds ex-Beantown policeman Spenser (Robert Urich) visiting a New England small town to uncover the grimy truth behind a murder - and learning, in the process, that a syndicate of cocaine-running goons controls the town. He is assisted in his investigation by his girlfriend Susan Silverman (Barbara Williams). Parker and his wife, Joan H. Parker, co-authored the script. ~ Nathan Southern, All Movie Guide

In this made-for-cable thriller, an unstable woman (Jennifer Beals) is drawn into the web of a scheming co-worker and the estranged husband (James Remar) of her boss. When her boss turns up the victim of a supposed suicide, things just don't quite add up. ~ Jason Ankeny, All Movie Guide

This oddly unsettling PG-rated film stars Adam Hand-Byrd as Digger, a 12-year-old whose parents are going through serious domestic problems. To keep him out of the line of fire, Digger is sent to live with his crusty grandmother Olympia Dukakis in the Pacific Northwest. He has a great deal of difficulty adjusting to his new environment, but soon he and the locals are the best of friends. A subplot concerns grandma Dukakis' rollicking romance with suave Leslie Nielsen. Rodney Gibbons' script takes some curious side trips into the Morbid, with Digger making the acquaintance of some very tragic characters. Digger was completed in 1992, copyrighted in 1993, and finally given limited release in 1994. ~ Hal Erickson, All Movie Guide

It is said that producer Sam Goldwyn had a habit of addressing his new star of the 1940s, Danny Kaye, as "Eddie", confusing Kaye with Eddie Cantor. If true, it may be because Kaye's first starring film for Goldwyn, Up in Arms, was a remake of Cantor's Whoopee--which in turn was a musical version of that old theatrical chestnut The Nervous Wreck. Kaye plays Danny Weems, a hopeless hypochondriac who finds himself drafted into the army. While a passenger on an overseas transport ship, Danny is obliged to hide his girl friend Mary Morgan (Constance Dowling), who has stowed away on board, from the authorities. The plot (what there is of it) contrives to have Danny and Mary, together with Virginia (Dinah Shore), who's in love with Danny, and Joe (Dana Andrews), who's in love with Mary, arrive simultaneously on the same South Sea island. After numerous comic and romantic complications, Danny emerges as the hero of the hour by capturing a whole bunch of Japanese soldiers. The film shows signs of post-production tampering-an offscreen narration, an abrupt ending-indicating that, as yet, Sam Goldwyn wasn't quite sure how to package Danny Kaye for the screen. Despite its erratic editing and uneven scenario, Up in Arms contains some priceless moments, including Kaye's rapid-patter songs "The Lobby Number" and "Melody in 4F", both written by Sylvia Fine (Mrs. Kaye) and Max Liebman. There are also a few cute "inside" jokes referring to the illogical nature of the plotline and such esoterica as the out-of-nowhere appearances of the Goldwyn Girls (one of whom was Kaye's future leading lady Virginia Mayo). ~ Hal Erickson, All Movie Guide

The lives of two closely linked, small town Illinois families dangerously intersect in this domestic drama set in the 1950s, based on a short story by Sue Miller and directed by Pat O'Connor. Though they are from the wrong side of the tracks, the working class brothers Jacey (Billy Crudup) and Doug Holt (Joaquin Phoenix) are in love with the wealthy and beautiful Abbott sisters. Shy and quiet Doug, who worships his womanizing brother, has eyes for the iconoclastic Pam (Liv Tyler), but Jacey's affections are more calculating; he's interested in whichever Abbott sister is interested in him. At first, this is Eleanor (Jennifer Connelly), the "wild" sister, but eventually Jacey sets his sights on the divorced oldest sister, Alice (Joanna Going). For Jacey, his conquest of the Abbotts is a form of economic revenge, as he believes that the head of the family, Lloyd (Will Patton), stole a patent that made him rich from the Holts' late father. When he's eventually revealed as an embittered cad, Jacey's mistreatment of the Abbott girls makes the genuine affection between Doug and Pam impossible for either family to accept.
~ Karl Williams, All Movie Guide

Based on the novel by Dean R. Koontz, this film follows the escape of an intelligent dog from a top-secret government experiment and his meeting with young Travis (Corey Haim). The boy and the dog soon become fast friends, but problems crop up when the canine's "partner," a large, deadly, orange creature, comes looking for him. ~ Iotis Erlewine, All Movie Guide

Popular African-American comedian Jo Jo Dancer is severely burned while free-basing cocaine. Producer/director/writer Richard Pryor insists that the movie is not autobiographical. While hovering between life and death, Dancer flashes back to his childhood, when he grew up in a brothel. Producer/director/writer Richard Pryor insists that the movie is not autobiographical. Dancer decides to become a comic, but has a great many difficulties rising to stardom until he begins making scatological comments about race relations. Producer/director/writer Richard Pryor insists that the movie is not autobiographical. As he rises to fame, Jo Jo has problems controlling his drug addiction and womanizing. Producer/director/writer Richard Pryor insists.....Well, you've caught on by now. If one were able to excise the excruciatingly boring "introspection" scene, Jo Jo Dancer, Your Life is Calling would stand as an excellent testimonial to Richard Pryor's cutting-edge comic brilliance. ~ Hal Erickson, All Movie Guide