Warren William Movies

Returning after a four year hiatus to the genre that had made her a world-wide household name back in the 1910s, Pearl White starred as Pearl Travers, a girl who stumbles over buried treasure in this 15 chapter serial. Unfortunately for both Pearl and the villain, Jud Deering (Harry Semels), the treasure is buried under a newly erected skyscraper. Pearl and Deering vie with each other to acquire an owner's share in the building, with the latter having the upper hand by not shying away from both theft and murder. Thrown into this mix of adventure of melodrama is a mad doctor and his Frankenstein-like creation and a helpful young leading man. The latter was played by one Warren Krech, a handsome, mustachioed leading man who sensibly changed his name to Warren William. The serial was a success at the box office if not exactly a happy experience for its leading lady. Having abandoned the serial field in 1919 in favor of feature films, White had only achieved modest success. By 1923, she was visibly tired, suffered from bad eyesight, which threw her timing, and was in constant pain from an old back injury. On top of all that, White's double, John Stevenson, was killed performing one of the serial's many elaborate stunts. Plunder was produced and directed by George B. Seitz, who more than anyone had been the brains behind White's rise to serial fame in the '10s. But not even Seitz could turn Plunder into the thrilling comeback that White had hoped for, and she finished her career on a rather downbeat note. Returning to her home in Paris, France, Pearl White filmed the little seen French serial Terreur (aka Perils of Paris) in 1924 and left the screen for good. She died prematurely in 1938, reportedly from injuries sustained during the filming of her old serials. ~ Hans J. Wollstein, All Movie Guide

In this romance, a disillusioned wife, learning that her husband has been unfaithful, divorces him and moves to Paris where she is changed from a frowsy hausfrau to a sexy, sophisticated lady. A wealthy dame asks her to help destroy the affair between her granddaughter and the woman's ex-husband. The woman agrees to do it and returns to the U.S. where she hosts a large party. Among the guests are her ex-husband and his lover--the granddaughter. The wife has become so lovely, that her former spouse does not at first recognize her. When at last he does, their romance begins anew. ~ Sandra Brennan, All Movie Guide

Dolores Costello spent the twilight months of her Warner Bros. contract in such trifles as Expensive Women. The star is cast as wealthy society girl Constance Newton, a "girl of whims" who flits from one man to the next like a butterfly. After a couple of desultory affairs with Bobby Brandon (Joe Donahue) and Neil Hartley (Warren William), she finds true love in the form of Arthur Raymond (Anthony Bushell). Even so, she's hesitant about making a lifetime commitment -- and besides, Arthur is already married. A few days later, Constance is back with the reckless Bobby, a reunion that ends in disaster when Arthur kills Bobby in a fight. Not wishing to ruin two lives, Constance takes the blame for the killing, which is ruled by the jury as a suicide. Having learned her lesson, Constance is consoled by Neil Hartley, who returns from nowhere to make her his wife. It was supposed to be a heavy drama, but audiences tended to laugh in the wrong places. ~ Hal Erickson, All Movie Guide

In this crime drama, an assistant DA must scramble to save the life of an innocent man he mistakenly sent to the chair. Unfortunately, he is too late and turns to alcoholism to soothe his throbbing conscience. It is only down from there and soon the attorney begins working for the mob until he falls in love. Some of the story was based on the life of William J. Fallon, a New York City attorney. ~ Sandra Brennan, All Movie Guide

The Match King was inspired by the checkered career of entrepreneur Ivar Krueger. Warren William plays a Krueger-like businessman who takes over a bankrupt Swedish match factory, then lies his way into getting corporate backing for the operation. With little regard for ethics, William purchases all existing match patents, ultimately monopolizing the industry. Ruining lives and breaking laws all over Europe, William is himself emotionally devastated when betrayed by a glamorous actress (Lily Damita). Shortly afterward, William's business empire crumbles during the worldwide Depression, and the onetime Match King commits suicide. ~ Hal Erickson, All Movie Guide

Three on a Match covers approximately 13 years in the lives of girlhood chums Mary Keaton (Joan Blondell), Ruth Wescott (Bette Davis) and Vivian Deverse (Ann Dvorak). Having graduated from grammar school together in 1919, the girls stage a reunion ten years later. Hard-boiled Mary is now a chorus girl, level-headed Ruth has a steady job as a secretary, and vixenish Vivian is on the verge of capriciously deserting her wealthy husband Robert Kirkwood (Warren William) and their baby in favor of sexy mob-boss Mike (Lyle Talbot). Several more years pass, during which Mary marries Henry, Ruth is hired as governess for Henry, and Vivian's son and a drug-addicted Vivian become fatally enmeshed in a kidnapping plot involving her own child. In his second Warner Bros. film, tenth-billed Humphrey Bogart essays his first sneering-gangster role. Three on a Match was remade (and considerably laundered) in 1938 as Broadway Musketeers. ~ Hal Erickson, All Movie Guide

The old reliable Paul Frank/Ladislaus Fodor stage play The Church Mouse was streamlined for the movies in the form of Beauty and the Boss. The "beauty" is fetching Marian Marsh, a stenographer in a staid Viennese financial institution. The "boss" is Warren William, a wealthy baron with a habit of dallying with pretty girls, then letting them down gently. But Marsh, who has a Cinderella complex, isn't about to be cast aside. The diffident Charles Butterworth injects a few genuine laughs into the pat and predictable proceedings. ~ Hal Erickson, All Movie Guide

The second talkie version of the Avery Hopwood's theatrical war-horse The Golddiggers of Broadway, Gold Diggers of 1933 was the second of three back-to-back 1933 Warner Bros. musicals benefiting from the genius of Busby Berkeley. The basic plot is retained from the Hopwood play: Showgirls Joan Blondell, Ruby Keeler and Aline McMahon attempt to find financial backing for the new show planned by producer Ned Sparks. Songwriter Dick Powell, an incognito man of wealth, offers to put up the money, a fact that brings down the wrath of his older brother Warren William, who despises show folk. Attempting to buy off the three girls, William is placed in a compromising position by the crafty Blondell and is compelled to bankroll the musical himself. The oddest aspect of Gold Diggers of 1933 is the fact that the mood of the songs is wildly at variance with the plot. The film begins with dozens of chorus girls (led by Ginger Rogers) happily chirping "We're In the Money", a rehearsal number interrupted when the finance men burst in to claim the sets and props from the impoverished troupe. At the end, when everyone is genuinely in the money, the troupe stages a downbeat "Brother Can You Spare A Dime"-style production number, "Remember My Forgotten Man"--and it is on this doleful indictment of the Depression that the film fades out! Other Berkeley-staged musical highlights include "Pettin' in the Park" (yes, that salacious little baby really is Billy Barty) and the neon-dominated "Shadow Waltz", all written by the prolific Harry Warren and Al Dubin. As spectacular as Gold Diggers of 1933 was, it would be topped by the last of Berkeley's 1933 trilogy, Footlight Parade. ~ Hal Erickson, All Movie Guide

Warren William plays a high-powered ambitious executive who unflinchingly steamrolled his way to the top without regard for the havoc he left in his wake. As the manager of a Macy-like department store, he constantly browbeats his flunkies into submission, and ends-up driving at least one to suicide. Loretta Young plays the wife of one of William's minor employees (Wallace Ford), with whom the Big Boss has a brief affair during an office party. Eventually William gets his comeuppance, and Loretta is vindicated in the eyes of her hubby. A terrific example of pre-Motion Picture Production Code raciness, Employees' Entrance still causes audiences to gasp at its audaciousness when seen today--and also invokes loud laughter when William rebukes one of his errant vice presidents, asking him "What am I paying you so much for? Fifteen thousand a year!" ~ Hal Erickson, All Movie Guide

Two wealthy neighbors, who make no secret of despising one another, both claim that they're married to Bessie Foley (Mary Astor). When one of the claimants is murdered, Bessie is the prime suspect. Brilliant defense counsel Perry Mason (Warren William), whose spacious offices look like something out of the Taj Mahal, takes Bessie's case, aided and abetted by faithful secretary Della Street (Helen Trenholme). Like his later TV counterpart, Mason isn't above suppressing evidence to benefit his client, much to the dismay of district attorney Claude Drumm (Grant Mitchell) and obnoxious but efficient Sgt. Holcomb (Allen Jenkins). The solution to the mystery manages to have its cake and eat it too, but to tell more would spoil it. This initial entry in Warner Bros.' "Perry Mason" film series is also the least fascinating of the bunch, due mainly to Warren William's surprisingly somber approach to the role (he'd lighten up considerably in his subsequent "Mason" outings). ~ Hal Erickson, All Movie Guide

The first of two film version of Fannie Hurst's novel, 1934's Imitation of Life chronicles the friendship between two women--one white (Claudette Colbert), one black (Louise Beavers). Colbert is a widow with a baby daughter who hires Beavers, who also has a daughter, as a housekeeper. Colbert is a working girl who yearns to operate her own business, which she does thanks to Beavers' special pancake recipe. A family friend (Ned Sparks) suggests that the ladies form a corporation to merchandise the "Aunt Delilah" pancake mix, and within ten years both women are quite wealthy. Colbert's relationship with her teenaged daughter (Rochelle Hudson) is strained when both ladies vie for the attentions of the same man, but these problems are minor compared to the travails of Beavers, who not only must deal with the De Facto segregation of the 1930s but must also contend with her restless daughter (Fredi Washington), who resents being an African-American and attempts to pass for white. The heartbroken Beavers dies, and at her funeral her now-chastened daughter weeps out her apologies for turning her back on her mother. Imitation of Life was remade in 1959, its story glamorized and updated to accommodate star Lana Turner. ~ Hal Erickson, All Movie Guide

The second of three Kay Francis films in which the star was cast as a dedicated lady physician, Doctor Monica was adapted from a Polish play by Marja Morozowicz Szezepkowska. Francis plays obstetrician Dr. Monica, whose husband John (Warren William) cheats on her with young Mary (Jean Muir). When Mary becomes pregnant, the selfless Monica befriends her, provides her with advice, and delivers the baby. The good doctor even offers to give up John so that the child will have a father. But after giving birth, Mary calmly tells John to go back to Monica -- even though there's every indication that he'll never give up his philandering ways! ~ Hal Erickson, All Movie Guide

Warren William delivers a curiously subdued performance as dilettante sleuth Philo Vance in The Dragon Murder Case. The plot centers around a mysterious "dragon pool" on the Stamm estate, which figures prominently in the deaths of several unsympathetic society types. As usual, Inspector Markham (Robert McWade) and Sergeant Heath (Eugene Pallette) are all for snapping the cuffs on the most obvious suspect, but Philo Vance knows full well that appearances are deceiving. The all-suspect cast includes Margaret Lindsay, Lyle Talbot, Helen Lowell, Dorothy Tree, Robert Barrat and George Meeker, many of whom thoughtfully remove themselves from suspicion by getting killed themselves. Not a particularly mysterious mystery, The Dragon Murder Case works better on a melodramatic level, with some genuinely spooky camerawork courtesy of the ever-reliable Tony Gaudio. ~ Hal Erickson, All Movie Guide