Warren William Movies

Writer/director Albert Lewin, ever on the lookout for esoteric story material that would accommodate his fascination with Egyptian sculpture and feline symbolism, managed to inject both into The Private Affairs of Bel Ami. Though based on a Guy de Maupassant story, Bel Ami seems to have been written by Oscar Wilde, another of Lewin's pets (e.g. The Picture of Dorian Gray). George Sanders plays an epigrammatic Parisian journalist, who rises to the top through the "kindnesses" of the various influential women that he's seduced and abandoned. This 19th-century rake's progress is ultimately halted by a duel, and somehow we're sorry that we don't get to see Sanders pull off at least one more caddish trick to save himself. Echoes from Lewin's previous works include his insertion of a Technicolor sequence (as he'd done in Dorian Gray and The Moon and Sixpence). George Sanders' stepping-stone ladies include Angela Lansbury, Frances Dee, Ann Dvorak, Marie Wilson, Katherine Emery and Susan Douglas. ~ Hal Erickson, All Movie Guide

Strange Illusion is really several movies in one, part dark psychological chiller, part unsettling murder mystery, and part breezy B-movie thriller, although most of its plot is derived from Shakespeare's Hamlet. Jimmy Lydon, best-known to audiences for his screen portrayal of Henry Aldrich during the early '40s, plays Paul Cartwright, the son of a respected judge who died under mysterious circumstances two years earlier. Paul is haunted by nightmares in which his father warns him of danger to his mother, and in which a mysterious stranger seems to threaten him and his family. He dismisses these dreams until his mother (Sally Eilers) introduces him to a new man in her life, Brett Curtis (Warren William), who says some of the very same things that Paul heard from the mystery man in his dream. There's a lot to dislike about Curtis despite his smooth, genial ways -- he seems too eager to please, and also offers an oily solicitousness to Paul's teenaged sister that's downright disturbing. Paul openly distrusts Curtis and opposes his mother's impending marriage to him. Most of those around him think Paul is overreacting and he is maneuvered into checking himself into a sanitarium run by a psychiatrist friend (Charles Arnt) of Curtis'. Trapped there and kept under constant surveillance, Paul is in danger, but he manages to find a clue that proves not only that his father's death was no accident, but that Curtis was involved in it. His discovery may be too late, however -- not only is his life in jeopardy, but it turns out that Curtis is really a career criminal that Paul's father had pursued from the bench for years, and that his real goal, having killed the judge, is to destroy the judge's family, including Paul's mother and sister. The plot of Strange Illusion works on many levels, as mystery and a dark psychological study, and it is told so smoothly and well by director Edgar G. Ulmer and his cast, that it may require multiple viewings to fully appreciate, though it is enjoyable on any level. ~ Bruce Eder, All Movie Guide

In this entry in the "Lone Wolf" series, the sleuth and former jewel thief, the Lone Wolf finds himself accused of killing a blackmailer in front of the three women he was harassing. ~ Sandra Brennan, All Movie Guide

The title of this series entry may strike some as a tad redundant: After all, isn't crook-turned-sleuth Michael Lanyard, aka the Lone Wolf, always taking a chance? On this occasion, Lanyard (Warren William) and his trusty valet Jamison (Eric Blore) are framed on a murder charge. The actual miscreants are a gang of counterfeiters, shipping their plates into the country in a thief-proof carrier invented by Johnny Baker (Lloyd Bridges). In the course of clearing their names, Lanyard and Jamison are sealed up with poor Johnny in one of his own carriers, which is then filled with poison gas. Will they escape? Is there really any doubt? ~ Hal Erickson, All Movie Guide

Wild Geese Calling is one of those 20th Century-Fox star vehicles which used to pop up all the time on TV before the Carsons, Lenos and Lettermans rendered "The Late Late Show" obsolete. Set in Oregon and Alaska at the turn of the century (the last century, that is), the film stars Henry Fonda as John Murdock, a restless young lumberjack. Tired of his job at a Seattle logging camp, he heads to the Yukon in search of gold. Here he marries dance hall girl Sally (Joan Bennett), who turns out to be the sweetheart of his old pal Blackie (Warren William). Throughout the early months of their marriage, he spends less time paying attention to her than he does worrying that she'll run off with her ex-beau. Murdock finally shows he's a right guy when he risks his life braving the elements to deliver a doctor to her bedside when she goes into labor. Russell Simpson, who played Henry Fonda's dad in The Grapes of Wrath, shows up in a typically grizzled role. ~ Hal Erickson, All Movie Guide

Michael Lanyard, the reformed criminal known as the Lone Wolf, is played in this Columbia B picture by the suave Warren William. The script contrives to have Lanyard's faithful butler Jamison (Eric Blore) to be mistaken for his boss by a gang of jewel robbers. They force poor Jamison to participate in the theft of the valuable "Napoleon gems" which Lanyard has been hired to protect. Most of the action takes place during a steamship voyage, allowing Columbia to trot out its standard (but impressive) shipboard sets and to cloud the budget limitations with heavy fog. Secrets of the Lone Wolf was the eighth in Columbia's series based on the mystery stories of Louis Joseph Vance. ~ Hal Erickson, All Movie Guide

Warren William is back as suave thief-turned-sleuth Michael Lanyard, alias the Lone Wolf, in Columbia's The Lone Wolf Keeps a Date. Freshly arrived at the Miami airport after a sojourn in Havana, Lanyard and his general factotum Jamison (Eric Blore) rescue beautiful Pat Lawrence (Frances Robinson) from a pair of hooligans. It turns out that the thugs were after the satchelful of ransom money carried by Pat, with which she hopes to rescue a kidnapped millionaire. Invetibly, the money is stolen, leading Lanyard and Jamison on a merry chase all through Miami and its environs. Along the way, Lanyard tries to spring Pat's boyfriend Scotty (Bruce Bennett), who's been thrown in jail because the authorities think he was responsible for the kidnapping. In the final scenes, Lanyard exposes the genuine miscreant, and also unearths an insidious fraud scheme. ~ Hal Erickson, All Movie Guide

In this entry in the long-running series, the reformed master jewel thief rushes to help a lovely heiress whose pearl necklace has been stolen by other thieves. Using his consummate skill, the Wolf pulls a deft switcheroo and substitutes the real ones for fakes. He then brings the real necklace back to the socialite. The crooks are soon arrested by the cops. ~ Sandra Brennan, All Movie Guide

Trail of the Vigilantes was conceived as a straight action picture, but was reshaped during filming into a comedy western in the Destry Rides Again mode. Franchot Tone is the unlikely hero, an undercover agent sent west to halt the activities of rustler Warren William. The object of ridicule thanks to his dudelike ways, Tone makes a couple of powerful friends in the form of saloon brawlers Broderick Crawford and Andy Devine. The film proceeds in a comic vein for several reels (including setpieces featuring Mischa Auer, who'd also been in Destry) before getting down to business with a lengthy, straight-faced action finale. Trail of the Vigilantes didn't do as well as Destry Rides Again, perhaps because there was no counterpart to Destry's Marlene Dietrich (leading lady Peggy Moran is appealing, but hardly in Dietrich's league). ~ Hal Erickson, All Movie Guide

A longtime fan of comedians George Burns and Gracie Allen, "Philo Vance" creator S. S. Van Dyne wrote a tailor-made screenplay for the team, which emerged on-screen as The Gracie Allen Murder Case. The Paramount studio executives decided to dispense with the services of George Burns, leaving scatterbrained Gracie on her own to match wits (?) with urbane private detective Philo Vance (Warren William). The story proper gets under way when Bill Brown (Kent Taylor) stumbles onto a murder scene and is accused of the crime. Fortuitously, Gracie Allen was also in the vicinity when the killing took place, but her garbled version of what she witnessed (or thinks she witnessed) is of no help whatsoever to the authorities. Philo Vance offers to protect Gracie from the murder and to try to make heads or tails of her "assistance", but even he is driven to distraction by our heroine's relentless stupidity, especially when she insists upon referring to him as Fido Vance. As enjoyable as she is in small doses, Gracie Allen is a bit much to take in this film; fortunately, the basic mystery is good one, even if the identity of the murderer is fairly obvious from the start (the actor in question played so many "surprise killers" during his career that, by 1939, the bloom was off the rose). After The Gracie Allen Murder Case ran its course in the theaters, S. S. Van Dine published a novelized version of the story, restoring George Burns to the proceedings and wisely cutting back on Gracie Allen's imbecilities. ~ Hal Erickson, All Movie Guide

The extramarital shenanigans of a young married couple provide the basis of this surprisingly racy (for 1939 Hollywood) comedy. The trouble begins on the couple's second anniversary when he calls to say that he will be held up at the office. Later the wife finds lipstick on his collar and becomes very suspicious so she goes to her more worldly best friend who advises the distraught wife to go out and get a job so she can turn the tables on her husband. She ends up working for a lusty architect and sure enough he makes it very clear that he likes the way she is built. The two go out for dinner one night and who should they run into but her husband and his secretary out for a little tete-a-tete. The foursome end up in the architect's penthouse and everyone has a wonderful time until the architect's wife shows up. ~ Sandra Brennan, All Movie Guide

Fifteen thousand dollars may have been a fortune back in 1938, but to high-powered literary agent Lynn Conway (Virginia Bruce), it's next to nothing. Unfortunately, Lynn is married to chauvinistic Massachusetts shipbuilder David Conway (Robert Montgomery), who stubbornly insists that she quit her job and live on his measly 15-thou-per-year income alone. David also demands that Lynn move from her posh New York apartment to a tiny cottage in provincial New Bedford. Lynn's ex-partner Harry Borden (Warren William), who's always carried a torch for her, tries to convince her to leave David and return to Manhattan. But love conquers all, and Lynn ultimately realizes that a woman's place is in the home -- especially when there's a baby on the way. One suspects that Patricia Ireland and Gloria Steinem will not be entertained by The First Hundred Years. ~ Hal Erickson, All Movie Guide

A custody battle provides the basis for this melodramatic domestic drama. The case centers around a young girl who has recently inherited a fortune from her deceased grandfather. She had been living with her mother, but now her avaricious father wants the child back. The mother is a performer; the courts deem her an unfit mother and remand the child to her father's custody. The father turns out to be cruel and uncaring. Fortunately, a compassionate juror is able to prove that the father paid his witnesses and the girl is returned to her loving mother. ~ Sandra Brennan, All Movie Guide