Jean Willes

An excellent cast, featuring Gene Hackman, Ben Johnson, and James Coburn, highlights this entertaining Western that came and went at the box office, barely noticed by audiences. That doesn't stop the exciting story from capturing the viewer's attention as a disparate group of riders assembles to participate in a marathon 700-mile horse race across the American West at the turn of the century. The standard mutual feelings of distrust give way to respect and grudging admiration as each rider is put to the test. Stunning cinematography and locations, plus a gripping pace set by director Richard Brooks, set this Western apart at a time when the genre was in decline. ~ Don Kaye, All Movie Guide

Candy comes to the aid of down-and-out Laura Jean Pollard (Tisha Sterling), offering the bedraggled young woman the shelter and hospitality of the Ponderosa. Before long, however, an ex-marshal named Passmore (William Windom) has arrived on the scene to blackmail poor Laura. What is her secret-and how will it affect the Cartwright clan? Also appearing are Jean Willes as Mrs. O'Brien and Bruno Ve Sota as the Bartender. Written by Thomas Thompson, "Star Crossed" was originally telecast on March 10, 1968. ~ Hal Erickson, All Movie Guide

Poor Ben Cartwright is unable to get any peace and quiet on the Ponderosa, thanks to his uncommonly noisy offspring and their friends. In desperate need of a few hours' sleep, he checks into the Virginia City hotel. Not unexpectedly, comic chaos ensues, much of it caused by a bickering husband and wife (Abigail Shelton, Robert Ridgely) and a man-chasing widow (Jean Willes. Scriptwriters Frank Cleaver and Jeffrey Fleece were responsible for this non-stop laugh riot. "A Good Night's Rest" originally aired on April 11, 1965. ~ Hal Erickson, All Movie Guide

Captain Wallace Binghamton (Joe FLynn), St. Comdr. Quinton McHale (Ernest Borgnine) and Ensign Charles Parker (Tim Conway) brought their wacky antics to the big screen for this feature, spawned from the popular '60 television program of the same name. McHale and his crew get involved in a betting scam aboard their PT boat. Soon, they find themselves owning money to a group of Marines. In order to pay off their debts, they plan a sure-fire way of making money--involving the transportation of a disguised racehorse on board their boat. ~ Kristie Hassen, All Movie Guide

The title character in this Bonanza episode is a middle-aged Frenchman (John Dehner) who claims to be legendary pirate-patriot Jean Lafitte. Making a nuisance of himself in Virginia City with his grandiose claims, "Lafitte" is thrown into jail, only to be bailed out by Hoss Cartwright, who is convinced that the stranger is telling the truth about his identity. Things get sticky for both Hoss and the Frenchman when Amos Whittaker (Harry Swoger) is killed with "Lafitte's" knife. Also in the cast are Sheldon Allman as Betts and Jean Willes as Molly. Written by William Bruckner, "The Gentleman from New Orleans" first aired February 2, 1964. ~ Hal Erickson, All Movie Guide

This Stephen Sondheim/Jules Styne/Arthur Laurents musical comedy Gypsy had been a Broadway smash with Ethel Merman in the lead. Based on the autobiography of striptease artist Gypsy Rose Lee, it centers on the antics of Mama Rose (here played by Rosalind Russell), the Stage Mother from Hell who prods and pushes her daughters June and Louise into a vaudeville career. Rose pins most of her hopes for fame on older daughter June (billed as "Dainty June"), while little Louise reluctantly goes along for the ride. Karl Malden plays the girls' agent, who falls in love with Rose but is ultimately turned off by her ruthless ambition. When June escapes the act to get married, Rose puts the unwilling Louise in the star spot, but vaudeville is dying and soon the only booking they can get is in a cheap burlesque house. The strippers take Louise under their wing and advise her that "You've gotta have a gimmick" to survive on the bump-and-grind circuit. The nervous Louise rises to stardom as stripper Gypsy Rose Lee, whose "gimmick" is to adopt a self-mocking attitude and to put on pseudo-sophisticated airs. Rose resents Gypsy's rise to the top, but a bravura eight-minute musical soliloquy reveals that Rose had forced her daughters on the stage because she wanted to live out her own dreams of stardom. Louise--aka Gypsy--is played by Diane Pace as a girl and by Natalie Wood as an adult; June (better known as June Havoc) is portrayal by Suzanne Cupito (later billed as Morgan Brittany) as a little girl and Ann Jillian as an adolescent. Most of the best songs, including "Let Me Entertain You," "Small World," and "Everything's Coming Up Roses," remain intact from the original Broadway production. Gypsy was remade for television in 1993, with Bette Midler as Rose. ~ Hal Erickson, All Movie Guide

There's always something simmering beneath the quaint and placid surface of small-town New England lives -- and that includes the usual maladies of alcoholism, rape, and suicide. At least this is the case if you go by the tortuous tale told in By Love Possessed, a Peyton Place knock-off, directed with glossy intensity by the usually reliable action director John Sturges (Bad Day at Black Rock and The Magnificent Seven). The tale chronicles the miserable lives of Arthur Winner (Efrem Zimbalist Jr.), Julius Penrose (Jason Robards Jr.), and Noah Tuttle (Thomas Mitchell) -- legal counseling partners in a law firm that could probably use some good counseling themselves. Arthur's wife Clarissa (Barbara Bel Geddes) has nothing but contempt for poor Arthur because she considers their marriage as more a business deal than a love match. Then there's Julius's wife Marjorie (Lana Turner) who has become a full-time alcoholic ever since Julius has been rendered impotent by an automobile accident. Arthur and Marjorie's frustrations both gel into an illicit romantic union. Arthur certainly needs some kind of diversion since his son Warren (George Hamilton) refuses to follow in his father's footsteps by becoming a lawyer. As if that weren't enough, he also refuses to marry Helen Detweiller (Susan Kohner), the girl Arthur wants him to marry because she is rolling in money and is also the ward of Noah. Instead, Warren runs off with the local town whore (Yvonne Craig), who accuses Warren of raping her. Despondent, Helen resorts to desperate measures when she is rejected, and Arthur realizes that he must begin to reconsider his life choices. ~ Paul Brenner, All Movie Guide

During a Los Angeles Christmas, a group of 82nd Airborne vets assembles under the leadership of gamblin' man Danny Ocean (Frank Sinatra) to rip off four Las Vegas casinos just after the stroke of midnight on New Year's Day. Playboy Jimmy Foster (Peter Lawford) joins in the scheme because he's sick of needing his oft-married mother's money, especially now that she's about to wed Duke Santos (Cesar Romero), a self-made man with all sorts of underworld ties. After he receives the news that he could die at any time, newly released convict Anthony Bergdorf (Richard Conte) reluctantly agrees to participate so he can leave some money to his estranged wife and young son. Ocean's own wife, Beatrice (Angie Dickinson), doesn't think much of her husband's promise of a big score to come, but her quiet protests don't dissuade him. With Las Vegas garbage man and fellow vet Josh Howard (Sammy Davis Jr.) and several casino employees among their number, the titular band of thieves have just a few days to get ready for their caper. When Duke Santos, Jimmy's mother, and one of Ocean's discarded paramours all show up in Sin City at the same time as the veterans, the crew's perfect plans face some serious hurdles. ~ Brian J. Dillard, All Movie Guide

Bret (James Garner) finds himself in the middle of a "convention" held by some of the west's most notorious outlaws, including Jesse James (William Shaw), Belle Starr (Jean Willes), Cole Younger (Gregory Walcott) and Black Bart (George Barrows). To keep himself from being perforated with bullets, Bret allows the desperadoes to mistake him for famous lawbreaker Foxy Smith, who has sent word ahead that he is planning the greatest hold-up in history. Covering himself, Bret claims that he plans to rob the Denver Mint, secure in the belief that the outlaws will merely laugh in his face--but they don't. Featured in the cast is a very young Joel Grey as a petulant, whiny Billy the Kid; and a pre-Beverly Hillbillies Nancy Kulp as a sentimental waitress. ~ Hal Erickson, All Movie Guide

Sue Ellen Terry is shot and killed while disembarking from a stagecoach. The town drunk claims that the shot was fired by Adam Cartwright, who'd been paying court to Sue Ellen despite her questionable reputation. Though Adam protests his innocence, the men of Virginia City -- many of whom had enjoyed the favors of the dead woman -- turn against him. Fay Spain and Buddy Ebsen are featured in this episode, which was first broadcast on December 12, 1959. "The Sisters" was written by Carey Wilbur. ~ Hal Erickson, All Movie Guide

If Warner Bros.' pageantlike The FBI Story resembles an episode of Jack Webb's Dragnet at times, it's probably because the screenplay was by veteran Dragnet scrivener Richard L. Breen. The film meticulously details the history of the Federal Bureau of Investigation, from its formation in 1924 to the present day (1959, that is). The story is told through the eyes of FBI agent Chip Hardesty (James Stewart), who narrates the film. We see the FBI tackling such villains as the Ku Klux Klan, the mob, the Nazis and the communists. Subplots include the struggle by the federal agents to be given permission to carry firearms, a plight driven home when Hardesty's best friend (Murray Hamilton) is killed by gun-toting Baby Face Nelson (William Phipps). Offsetting moments like these are scenes of Hardesty's home life with his wife Lucy (Vera Miles), who at first opposed her husband's joining the bureau but who later becomesJ. Edgar Hoover's biggest fan. Excessively sentimental at times (it seems that the Hardesty family can never hold a party without receiving a terse telegram announcing yet another personal tragedy) and saddled with a rambling, stop-and-start continuity, the overall success of The FBI Story hinges upon its individual episodes, including a wowser of a pre-credits sequence involving matricidal mad bomber John Graham (Nick Adams). Since the film was made at a time when the FBI was considered to be of spotless reputation, don't expect to see any scenes of the bureau wiretapping civil rights leaders--or, for that matter, J. Edgar Hoover prancing around in drag. ~ Hal Erickson, All Movie Guide