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Robert Wilder Movies

Robert Wilder wore enough different hats in a 45-year career as a writer that the quality of his work was difficult to assess or fully appreciate. He was a novelist, responsible for a dozen books -- several of which became the basis for major motion pictures, including Flamingo Road and Written on the Wind -- but was also a screenwriter on movies such as The Big Country, as well as a publicity man and a full-time journalist. Born in Richmond, VA, in 1901, he was the son of a minister-turned-lawyer-turned-doctor-turned-dentist, whose own moves through different professional lives seemed to set the pattern that the younger Wilder followed in his own life. He spent much of his youth in Daytona Beach, FL, and served in the United States Army during World War I. Wilder was educated at John B. Stetson University and Columbia University, and worked at a multitude of jobs, including soda jerk, ship fitter, theater usher, and shipping clerk. His career as a writer started when he was employed as an assistant to theatrical press agent Dixie Hines, and he subsequently formed his own agency, representing the publicity interests of Claudette Colbert, among others. He also tried his hand at writing for the theater, authoring a pair of plays, Sweet Chariot and Stardust -- the former, premiering in 1930, was an especially surprising and daring work for its time, with an almost all-black cast (including Frank Wilson and Fredi Washington) and a plot based on the life and career of renowned black activist Marcus Garvey. Wilder later joined the National Broadcasting Company, working on publicity for the radio network before becoming chief of publicity for WOR radio. In 1935, Wilder turned to journalism, joining the New York Sun as a rewrite man (the employee who did most of the actual authoring of news stories phoned in) and eventually getting his own column. He later also wrote articles for Smart Set, The New Yorker, and other magazines. At the end of the 1930s, he turned to fiction writing and saw his first novel, God Has a Long Face, published in 1940. Two years later came the publication of his first major success, Flamingo Road.
In 1944, he went to Hollywood and, over the next four years, worked successively for MGM, Paramount, and Warner Bros. as a screenwriter and published his novel Written on the Wind (1946). Among his most notable projects was his own screen adaptation of Flamingo Road; the story of greed, corruption, and redemption in a rural Florida county was filmed by Michael Curtiz at Warner Bros., with Joan Crawford, David Brian, and Sydney Greenstreet. Regarded as a highlight of Crawford's career, the 1949 movie had a palpable sense of corruption that ran through every line of its script; this was a natural outgrowth of Wilder's original work, which showed a journalist's eye for verisimilitude, especially in its depiction of local southern politics and the malevolent character of Sheriff Titus Semple (the Sydney Greenstreet part). Flamingo Road was also turned into a short-lived play by Wilder during March of 1946, and it was transformed into a network television series during the early '80s. From 1950 until 1954, Wilder served as the Mexican correspondent for the Miami Herald. In 1956, Douglas Sirk brought his novel Written on the Wind to the screen under that title; his novel And Ride a Tiger (1951) was turned into the movie Stranger in My Arms (1959) at Universal by director Helmut Käutner; and Wilder was one of the screenwriters responsible for adapting Donald Hamilton's novel The Big Country into the script for the Gregory Peck/William Wyler production The Big Country (1958), starring Peck, Burl Ives, Charles Bickford, and Jean Simmons. In the 1960s, his novel Fruit of the Poppy was turned into the crime film Sol Madrid. Wilder's other novels included The Wine of Youth (1955), about a young Texan's rise to power and prominence; The Sun Is My Shadow (1960), about an ambitious young woman's rise to power in the world of journalism; Wind From the Carolinas (1964), about white settlers in the Bahamas; and An Affair of Honor (1969). He died during the summer of 1974, seven months after the publication of his last book, The Sound of Drums and Cymbals, dealing with the movie business. As an author, Wilder has not been remembered nearly as well as the films made from the best of his books, though paperback editions of those former bestsellers do occasionally surface in used book stores. It's also something of a tribute to Wilder's writing, as well as to Douglas Sirk's direction, that Written on the Wind has been released on DVD as part of the prestigious Criterion Collection. ~ Bruce Eder, Rovi
1980  
 
Ever anxious to enter the "nighttime serial" market engendered by Dallas, NBC commissioned Flamingo Road, a casual remake of the 1949 Joan Crawford film of the same name. The TV-movie pilot, which aired in May of 1980, introduces the dramatiis personae. Howard Duff plays the corrupt political boss of a small Florida town (a role originated by Sidney Greenstreet in 1949). Cristina Raines is the Crawford counterpart, a faded nightclub singer who wanders into Duff's town and upsets the political and social apple cart by shacking up with a local contract (John Beck). Duff tries to destroy Raines by dredging up her past, to no avail. When Flamingo Road became a series in 1981, it manage to hang by its fingertips in the ratings for eighteen months. ~ Hal Erickson, Rovi

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1968  
 
Sol Madrid isn't a western, as might be gathered, but a drug-ring melodrama. David McCallum shows up early in the film as a spaced-out junkie. But Man From UNCLE fans need not worry: McCallum is actually an undercover agent, looking for the source of heroin being trafficked by the Mafia. The top man in the Mexican-based narcotics operation is the man you'd least likely expect -- especially when one remembers the sort of roles the guilty party had previously played in his long career. Based on Robert Wilder's novel Fruit of the Poppy, this went out to British moviehouses under the title The Heroin Gang. ~ Hal Erickson, Rovi

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Starring:
David McCallumStella Stevens, (more)
 
1959  
 
Though billed fifth, Mary Astor is the one to watch in the Ross Hunter-produced soapera Stranger in My Arms. Astor portrays a neurotically possessive mother who'll stop at nothing to win a posthumous medal of honor for her son. But air force major Jeff Chandler knows that the dead boy was a coward who actually despised his mother. June Allyson, the boy's widow, suspects the truth, but would rather not hear it. Called to testify on behalf of the boy, Chandler is bribed by Ms. Astor to lie on the stand. The painful truth is eventually revealed, but there's some compensation for Ms. Allyson, who falls in love with Chandler. Stranger in My Arms was adapted from Robert Wilder's novel And Ride a Tiger. ~ Hal Erickson, Rovi

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Starring:
June AllysonJeff Chandler, (more)
 
1958  
 
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In The Big Country Gregory Peck plays a seafaring man who heads west to marry Carroll Baker, the daughter of rancher Charles Bickford. Bickford is currently embroiled in a water-rights feud with covetous Burl Ives, so both he and his daughter are hoping that Peck can take care of himself. But Peck, who doesn't belief in fisticuffs, appears to be a coward, especially when challenged by Bickford's cocksure foreman Charlton Heston. The far-from-cowardly Peck decides to distance himself from the machismo overload at the Bickford spread, settling for a romance with headstrong schoolmarm Jean Simmons, whose water-rich lands are being fought over by the two warring ranchers. When Jean is kidnapped by Ives' no-good son Chuck Connors, Peck decides to take action. ~ Hal Erickson, Rovi

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Starring:
Gregory PeckJean Simmons, (more)
 
1956  
 
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Perhaps the definitive Douglas Sirk production, Written on the Wind is based on the novel by Robert Wilder. The story revolves around the Hadleys, a wealthy but thoroughly debauched family of Texas oil millionaires. Robert Stack is self-destructive alcoholic Kyle Hadley, while Dorothy Malone won an Oscar for her equally vivid potrayal of Kyle's nymphomaniac sister Marylee. Kyle manages to win beautiful, level-headed advertising executive Lucy Moore (Lauren Bacall) away from his best friend, virile Hadley Oil geologist Mitch Wayne (Rock Hudson), but Lucy soon comes to regret her decision to marry into the hell-on-earth Hadley family. When Lucy becomes pregnant, Kyle assumes that Mitch is the father, leading to a maelstrom of fever-pitch emotionalism and stark tragedy. Before he quite knows what is happening, Mitch is on trial for murder; the one person who can clear him is the craven Marylee, who demands Mitch's sexual favors as the price for her testimony. ~ Hal Erickson, Rovi

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Starring:
Rock HudsonLauren Bacall, (more)
 
1949  
 
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The fourth of Joan Crawford's Warner Bros. vehicles, Flamingo Road doesn't hold up as well as her earlier Mildred Pierce or Humoresque, but there's plenty to please the eye and ear. Sideshow kootch-dancer Lane Bellamy (Crawford), stranded in a backwater town, gets a job as a waitress. Lane begins falling in love with Fielding Carlisle (Zachary Scott), the political protégé of the town's big-daddy sheriff Titus Semple (Sidney Greenstreet). Semple regards Lane as a gold-digging troublemaker, and does his best to break up the romance, framing her on a trumped-up morals charges and having her shipped off to prison. Once out of the "joint," Lane returns to town, seeking revenge against both Semple and Carlisle. She charms political hack Dan Reynolds (David Brian) into marriage, then transforms Reynolds into a "reform candidate" bent on destroying the corrupt Semple machine. Faced with political ruin, Lane's ex-beau Carlisle commits suicide, a fact that Semple uses as a weapon against Reynolds. A showdown is inevitable--but the story is far from over! Flamingo Road later served as the basis for a weekly TV series; both the film and the series were based on a play by Robert and Sally Wilder. ~ Hal Erickson, Rovi

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Starring:
Joan CrawfordZachary Scott, (more)