Philip Bosco Movies

A young woman is faced with the disturbing reemergence of a man she once loved in this psychological thriller. Embry Langan (Charlie Hunnam) was a wealthy but reckless student at an exclusive private college until he mysteriously vanished, with airline tickets to Europe left unused and plenty of money still in the bank. Two years later, Katie Burke (Katie Holmes), Embry's girlfriend, is still dealing with his disappearance as she goes into the home stretch of her college career. With exams, a thesis, and job interviews to think about, Katie is already walking an emotional tightrope when Wade Handler (Benjamin Bratt), a police detective, enters the picture. Handler, a recovering alcoholic, has been ordered to reopen the Langan case, and as he questions Katie about the missing man, she finds her obsession with her former beau taking over her life, which leaves her all the more unnerved when she begins seeing Embry around the campus. Meanwhile, Handler's investigation begins to suggest Langan's disappearance may have been more sinister than imagined, and could be connected with other cases of missing students. Abandon marked the directorial debut for screenwriter Stephen Gaghan, who won an Oscar for his script for Traffic. ~ Mark Deming, All Movie Guide

This program is part of the PBS series American Experience. In this episode, the camera turns to that dark day in America when the economic foundations of the country came tumbling down. The stock market crash, which occurred on October 29, 1929, changed the American experience forever. Fortunes were lost and confidence was shaken, ushering in the Great Depression of the 1930s. Scholarly analysis of this complex event are accompanied by archival news clips, photographs, and personal accounts of those who survived this monumental day in American history. ~ Rose of Sharon Winter, All Movie Guide

Documentary filmmaker Ric Burns explores the life and legacy of pop art's most beloved icon with this film that seeks to illuminate the public persona and creative complexity of painter, photographer, and filmmaker Andy Warhol. Host Laurie Anderson narrates as an erudite collection of curators, critics, and biographers dispel Warhol's own self-created image as a haute couture heavyweight to offer a more intellectually minded portrait of the man who forever changed the way the world views Campbell's Soup cans. From Warhol's boyhood experiences in a Czechoslovakian community in Pittsburgh to a disheartening stint at art school and initial work as a commercial illustrator in New York, Burns' film explores every aspect of Warhol's life to offer a detailed look at the artist whose short-circuited class-jumping gave him a most unique view on contemporary culture. ~ Jason Buchanan, All Movie Guide

Grad-school administrative head Marion Post (Gena Rowlands) is in the midst of writing a book. The walls are thin in the apartment she's taken for work purposes, and soon Marion begins listening to the sessions conducted by her neighbor, an analyst. One of the patients is Hope (Mia Farrow), whose marriage is in tatters. As Hope prattles on, Marion begins flashing back to highlights (and lowlights) of her own marriage. Her musings are constantly interrupted by the memory of the man (Gene Hackman) she'd once ardently loved. Later on, chance encounters with old friends force Marion to face the fact that she has lived her life sheltering herself from her true emotions. Director Woody Allen's career-long indebtedness to Ingmar Bergman is underlined in Another Woman via Bergman's frequent cinematographer Sven Nykvist. ~ Hal Erickson, All Movie Guide

Young Jimmy (James Stanek) is desperate to escape his apparent future as a low-level mobster in his Brooklyn neighborhood. He follows his heart and auditions for a role in a Shakespearean production at New York's famed Joseph Papp Theatre. And he gets the part, mostly because the veteran director (Olympia Dukakis) sees promise in Jimmy's raw talent. But when Jimmy inadvertently discovers two of his boyhood hoodlum friends chopping up a body in order to conceal a mob-ordered murder, he becomes a liability -- and a target. Now memorizing his lines for opening night is the least of his worries as the gang members invade his new life. ~ Buzz McClain, All Movie Guide

Children of a Lesser God is a love story about a speech teacher who falls for a beautiful yet distant deaf girl in a small New England school for the deaf, and the obstacles that they face due to their differences. William Hurt plays James Leeds, a renegade teacher with an unconventional approach to education and a resume that includes stints as a bartender and a disk jockey. Upon his arrival, he is warned by school administrator Dr. Franklin (Philip Bosco) not to get creative with his instruction. Naturally, Leeds already has his mind set on his teaching plan and proceeds to play loud rock music in class in order to teach the students to feel the vibrations of the music and get them to try to speak phonetically. But a new element enters his life when he meets the attractive custodian, Sarah (Marlee Matlin). An exceptionally intelligent yet extremely bitter young woman, Sarah is a graduate of the school who has decided to remain there, in the confines of her world of silence; it's safer for her to be with her own "people" than to face what she perceives as a cruel and uncaring world. She hardly seems interested in James and will only communicate with him through signing, although she can read lips and even speak a little. James learns from Sarah's mother (Piper Laurie) that Sarah was sexually molested as a teenager; this explains why she is so wary of his attempts to form a relationship with her and why she is so full of fear. Eventually, James does get through to Sarah and the two fall in love, although both have to learn new ways to communicate their feelings. Though it seldom resembles the Mark Medoff play on which it was based, this directing debut from Randa Haines won an Best Actress Oscar for Matlin, for her first screen performance. ~ Don Kaye, All Movie Guide

Sidney Lumet filmed this hospital satire at a Canadian studio. Alcoholic Dr. Butz (Albert Brooks in old-age makeup) advises younger Dr. Werner Ernst (James Spader) to only treat patients with much insurance. "When the lawyers start crawling all over you," says Butz, "that's when you know you're a doctor." Ernst, a second-year resident working in the ICU with head nurse Stella (Helen Mirren), winds up in the middle of a dispute between two sisters (Kyra Sedgwick and Margo Martindale). One wants to pull the plug on their wealthy father; the other demands that he remain alive (at a cost of $112,800 a month). Soon events swivel from the money-mad medical mire to equally murky legalistics. Steven Schwartz's screenplay was adapted from the novel by Richard Dooling. Shown at the 1997 Chicago Film Festival. ~ Bhob Stewart, All Movie Guide

Woody Allen wrote, directed, and stars in this very dark comedy about a novelist, Harry Block, who says with admirable honesty, "I'm a guy who can't function well in life, but I can in art." So far, Harry has made his way through six psychiatrists and three marriages (one, conveniently enough, with one of his psychiatrists), and he has precious few friends whom he hasn't alienated or betrayed. Harry uses the chaos of his life as fodder for his writing, angering his friends, lovers, and family, who find thinly veiled (and rarely flattering) portraits of themselves in his work. Drowning his growing misery in pills and sex, Harry finds himself invited to receive an award at a college in upstate New York which he attended, but never graduated from. However, he has a hard time finding anyone who will attend the weekend-long symposium with him: his girlfriend Fay (Elisabeth Shue) has just left him to marry his friend Larry (Billy Crystal); his best friend Richard (Bob Balaban) is afraid he's about to have a heart attack; his former wife/analyst Joan (Kirstie Alley) refuses to let him take their son, and his one-time sister-in-law Lucy (Judy Davis) is literally ready to kill him. Undaunted, Harry hires a hooker, Cookie (Hazelle Goodman), kidnaps his son, forces Richard to come along, and heads upstate, where disaster awaits. A stellar cast appears in small roles and episodes from Harry's stories, including Robin Williams, Demi Moore, Julia Louis-Dreyfus, Eric Bogosian, Amy Irving, Richard Benjamin, Mariel Hemingway, and Julie Kavner. ~ Mark Deming, All Movie Guide

Filmmakers Phillip B. Kunhardt III, Nancy Steiner, and Peter W. Kunhardt explore the eternal struggle for liberty in America while simultaneously illuminating the hypocritical underlying factors that undermined the colonist's bold "experiment in freedom," in a revealing documentary featuring the voices of Brad Pitt, Martin Sheen, Michael Caine, Tom Hanks, Anthony Hopkins , Meryl Streep, Michael Douglas, Morgan Freeman, Robert Redford and many more. As the newly arrived British subjects staged the revolution that would cut loose their ties to Great Britain and give birth to a new era of freedom, a new hope for liberty emerged - but how then does one justify the presence of slavery in a society founded on the claim of all men being "created equal?" A blight on the quest for liberty and freedom that literally divided a struggling young nation right down the middle, slavery would be the last true obstacle in ensuring that the land of the free would truly live up to the ideals set forth by the founding fathers. As the north and the south set the stage for a bloody four-year war that would go down in history as one of the most brutal internal struggles ever waged, the resulting Civil War showed the willingness of Americans to actually stand up and fight to protect the rights of others as stated in the Constitution. ~ Jason Buchanan, All Movie Guide

Charles Purpura scribed this semi-autobiographical tale about his experiences in a Brooklyn Catholic school of 1965. The film focuses on several Catholic school boys who get into ever increasing amounts of trouble with the presiding priests of the Catholic school, St. Basil's. Andrew McCarthy plays Michael Dunn, a newly arrived student who latches onto the class egghead Caesar (Malcolm Danare), who is constantly picked on by the class bully Rooney (Kevin Dillon). Rooney intimidates Michael and Caesar to become his erstwhile chums and, along with a few other quiet students, they receive corporal punishment for minor infractions, disrupting communion and confession and, ultimately, their antics inspire changes in the strict school hierarchy. ~ Paul Brenner, All Movie Guide

Internal Affairs is the second TV-movie based on the works of detective novelist William Bayer. Richard Crenna, who first played NYPD detective Richard Janek in 1985's Doubletake, is back, now as a functionary of Internal Affairs. He has been assigned to solve the murder of a woman who may have been the victim of a kinky serial killer who'd flourished in Saigon 12 years earlier. Meanwhile, Janek's ex-boss (Lee Richardson), now a jailbird, gives the Janek the tip that several cops may be illegally selling guns. Internal Affairs was originally telecast in two parts in November of 1988. ~ Hal Erickson, All Movie Guide

Filmmaker James Mangold follows his Oscar-winning drama Girl, Interrupted (1999) with this whimsical fantasy. Meg Ryan stars as Kate McKay, a modern female executive in New York City whose drive to succeed in the cutthroat corporate world has left little time for romance. When her genius ex-boyfriend Stuart (Liev Schreiber) opens a portal in time, the experiment transports Leopold (Hugh Jackman) from 1867 to the present day. A charming bachelor and the royal "Third Duke of Albany" in his own time, Leopold is fascinated by the 21st century. As the courtly Leopold and the decidedly liberated Kate tour the town, a mutual attraction develops into something deeper, a relationship that's threatened by Leopold's temporary chronological status. Kate & Leopold (2001) was originally developed by co-screenwriter Steve Rogers as a project for star/producer Sandra Bullock, who had a hit with his film Hope Floats (1998). ~ Karl Williams, All Movie Guide