Frank Wilcox Movies

This episode is set in the late 1920s, explaining why Federal agent Elliot Ness (Robert Stack) appears to still be a bachelor. Bootlegger Pete "The Persuader" Kalminski has been encountering a lot of trouble getting his shipments past Ness and the Untouchables. Enter Joey December (Steven Hill), a second-generation railroad owner facing bankruptcy. For a piece of the action, Joey offers to tranport the liquor right under the Feds' noses on his railroad cars. It seems like the perfect set-up--until Joey commits the fatal error of trying to shake down Kalminski for additional money, using as leverage the written "deathbed confession" of one of Al Capone's boys. ~ Hal Erickson, All Movie Guide

This standard love story adapted by Leonard Spigelgass from his stage play was acclaimed when it was released for probing into the nature of prejudice. Rosalind Russell plays Mrs. Jacoby, a Jewish widow living in Brooklyn whose daughter Alice (Madlyn Rhue) is married to Jerome (Ray Danton), a U.S. diplomat newly assigned to Japan. Because of Jerome's new post, Mrs. Jacoby decides to visit the land of the rising sun, and once there, she meets Koichi Asano (Alec Guinness). Asano is a suave, sophisticated, and wealthy man with an aesthetically impressive Tokyo home. After the two meet, love starts to blossom. This was one of the rare '60s films geared to the older set but it is significant that even during this period Hollywood still chose to cast a white actor (albeit Alec Guinness!) in the role of Asano. ~ Eleanor Mannikka, All Movie Guide

Nick Moses (Harry Guardino) breaks the code of the Mob by bumping off another gangster without permission. Grimly, Frank Nitti (Bruce Gordon) informs Moses that the only way he can save himself is to assassinate Federal agent Elliot Ness--and he is given a very limited space of time to pull off the deed. Featured in the cast of this nailbiter are Peter Mamakos and Herman Rudin, playing the same two hoodlums (albeit with different character names) whom we saw Frank Nitti gun down in a barbershop in the series' very first episode "The Empty Chair". ~ Hal Erickson, All Movie Guide

At the behest of Elliot Ness (Robert Stack), "Untouchable" Enrico Rossi (Nick Georgiade) goes undercover to pinpoint the source of some 190-proof grain alcohol being smuggled into Chicago. The trail leads to an outwardly respectable pharamaceutical firm, run by E. Carlton Duncan (Edward Andrews) and Brooks Wells (Henry Jones)--who are actually the Brittano brothers, racketeers in cahoots with mob boss Johnny Torrio (Charles McGraw). The trick now is to turn one Brittano against the other--which proves deceptively easy during an evening of drunken revelry. ~ Hal Erickson, All Movie Guide

Missing for two years and presumed dead, hard-hearted businessman Hartley Bassett (Thomas B. Henry) suddenly returns and begins make everyone's life miserable all over again, especially his wife Sybil (Peggy Converse). After he fires his heir apparent Peter Dawson (Philip Ober), Bassett is murdered and Dawson is accused. Perry Mason (Raymond Burr) is approached by two eyewitnesses, Richard Hart (a young Robert Redford) and his wife Teddi (Cindy Robbins), who can prove that Bassett is innocent. There are only two problems: each witness claims that a different person is the guilty party--and both witnesses abuptly vanish just before the trial! This is the first episode of Perry Mason's fourth season. ~ Hal Erickson, All Movie Guide

Having double-crossed his mob associates, popular newspaper reporter Jake Lingle (Herb Vigran) is gunned down in a subway. Investigating the murder, Elliot Ness (Robert Stack) is advised by the higher-ups to prevent the public from learning the truth: that the "crusading" Mr. Lingle had his fingers in several crooked pies. Meanwhile, ex-convict turned private detective Bill Hagen (played by a pre-Hawaii 5-0) offers to help Ness nab Lingle's killers, but the price he asks for has very little to do with the $25,000 reward posted by the authorities. ~ Hal Erickson, All Movie Guide

In this entertaining comedy by Charles Walters, everyone seems to get in on the act, even the dog and especially the four overactive kids in a wildly challenging family. David Niven co-stars with Doris Day as Lawrence and Kate Mackay, distinctive parents struggling with home, life, and family. Lawrence opts for leaving his job teaching at Columbia University in New York for a post as a drama critic for a Gotham newspaper, bringing new problems to the pile the family already owns. First, they are forced to move out -- far out -- to the countryside with their brood and canine. And next, while Kate handles home, hearth, and hellions, Lawrence proceeds to alienate one of his best friends with a shattering review. That unhappy beginning to his new career also brings in one of the actresses damaged by his cutting remarks (Janis Paige), who wreaks her own form of havoc on poor Lawrence. In the meantime, Day gets to sing some songs which add to the light-hearted attitude of it all. ~ Eleanor Mannikka, All Movie Guide

This episode was written by W.R. Burnett of Little Caesar fame, so it shouldn't be a surprise that much of the story is told from the viewpoint of the nominal villain--in this case, dapper bank robber Larry "Ace" Banner (Dan O'Herlihy). As a clever as he is prolific, Banner is a master of disguise and psychology, frequently covering his tracks by preying on bankers who are even bigger crooks than he is. Unable to put the cuffs on Banner because bank robbery is not yet a Federal crime, Elliot Ness (Robert Stack) must resort to other, more subtle methods to trip up the elusive thief. ~ Hal Erickson, All Movie Guide

While having lunch at the Plaza Hotel in New York, advertising executive Roger O. Thornhill (Cary Grant) has the bad luck to call for a messenger just as a page goes out for a "George Kaplan." From that moment, Thornhill finds that he has stepped into a nightmare -- he is quietly abducted by a pair of armed men out of the hotel's famous Oak Room and transported to a Long Island estate; there, he is interrogated by a mysterious man (James Mason) who, believing that Roger is George Kaplan, demands to know what he knows about his business and how he has come to acquire this knowledge. Roger, who knows nothing about who any of these people are, can do nothing but deny that he is Kaplan or that he knows what they're talking about. Finally, his captors force a bottle of bourbon into Roger and put him behind the wheel of a car on a dangerous downhill stretch. Through sheer luck and the intervention of a police patrol car and its driver (John Beradino), Roger survives the ride and evades his captors, and is booked for drunk driving. He's unable to persuade the court, the county detectives, or even his own mother (Jesse Royce Landis) of the truth of his story, however -- Thornhill returns with them to the mansion where he was held, only to find any incriminating evidence cleaned up and to learn that the owner of the house is a diplomat, Lester Townsend (Philip Ober), assigned to the United Nations. He backtracks to the hotel to find the room of the real George Kaplan, only to discover that no one at the hotel has ever actually seen the man. With his kidnappers once again pursuing him, Thornhill decides to confront Townsend at the United Nations, only to discover that he knows nothing of the events on Long Island, or his house being occupied -- but before he can learn more, Townsend gets a knife in his back in full view of 50 witnesses who believe that Roger did it. Now on the run from a murder charge, complete with a photograph of him holding the weapon plastered on the front page of every newspaper in the country, Thornhill tries to escape via train -- there he meets the cooly beautiful Eve Kendall (Eva Marie Saint), who twice hides him from the police, once spontaneously and a second time in a more calculated rendezvous in her compartment that gets the two of them together romantically, at least for the night. By the next day, he's off following a clue to a remote rural highway, where he is attacked by an armed crop-dusting plane, one of the most famous scenes in Hitchcock's entire film output. Thornhill barely survives, but he does manage to learn that his mysterious tormentor/interrogator is named Phillip Vandamm, and that he goes under the cover of being an art dealer and importer/exporter, and that Eve is in bed with him in every sense of the phrase -- or is she? ~ Bruce Eder, All Movie Guide

Go, Johnny, Go! was second and last of a proposed trio of jukebox movies built around and co-produced by DJ Alan Freed. He plays himself in this rags-to-riches tale, told in flashback, of a young rock & roll singer named Johnny Melody (Jimmy Clanton), whose rise from life in an orphanage where no one wanted him to his "discovery" by Freed through an unsolicited demo recording sent to the disc jockey's office is told in 75 minutes, in a dramatic time frame that's impossible to determine. Along the way, Johnny meets a girl (Sandy Stewart) with whom he falls in love, and nearly gets himself arrested when it looks as though everything has turned against him. The plot is a threadbare reprise of the kind of juvenile delinquency-with-music stories that Elvis Presley had been doing, but it offers glimpses of several very worthwhile (and a couple of legendary) music acts of the era who were otherwise undocumented on film: Jimmy Clanton himself, who was one of the best white singers to come out of that New Orleans R&B/rock & roll sound; Sandy Stewart, who was (and is still, 40-plus years later) a serious vocal talent; Chuck Berry, in a pair of performing clips that are brilliant; Ritchie Valens, in his only film appearance, doing a hot rocking number called "Oh, My Head"; Harvey Fuqua of the Moonglows; the Cadillacs, in a pair of killer comic-relief numbers; Jo-Ann Campbell; and Jackie Wilson, showing how little Michael Jackson actually brought to performing that was new more than 20 years later. No, Go, Johnny, Go! isn't A Hard Day's Night, but it is a lot of fun to watch, and is easily the best of Freed's handful of feature films, before his downfall in the payola scandal. ~ Bruce Eder, All Movie Guide

The premiere episode of The Untouchables takes place just after the events of the series' two-hour Desilu Playhouse pilot, as Chicago gang boss Al Capone is escorted to Federal prison on a tax-evasion charge. With "Scarface" out of the picture, several Capone lieutenants compete for the honor of occupying their boss' empty chair, including his chief lieutenant Frank "The Enforcer" Nitti (Bruce Gordon) and the brutal-but-businesslike mob bookkeeper Jake "Greasy Thumb" Guzik (Nehemiah Persoff). Meanwhile, Federal agent Elliot Ness (Robert Stack) invites a new member to his "Untouchables" team: Enrico Rossi (Nick Georgiade), a former assistant barber who has witnessed a brutal ganglang slaughter masterminded by Nitti. ~ Hal Erickson, All Movie Guide

Young schoolboy Johnny Rocco (Richard Eyer) has a stuttering problem. Though this in itself is not unusual, the source of Johnny's nervous impediment is off the beaten track: Johnny's father (Stephen McNally) happens to be a high-ranking mobster. When Lois (Coleen Gray), the boy's teacher, takes a special interest in Johnny's plight, she finds her life in danger. Rival mobsters and police officials alike pursue Johnny and Lois because of privileged "inside" information that the boy carries in his head. The script for Johnny Rocco was based on a story by actor Richard (I Led Three Lives) Carlson. ~ Hal Erickson, All Movie Guide