Frank Wilcox Movies

Based upon an idea by Broadway columnist Mark Hellinger, The Roaring Twenties opens during World War I as doughboys Eddie Bartlett (James Cagney), Lloyd Hart (Jeffrey Lynn), and George Hally (Humphrey Bogart) discuss what they will do when the war is over. Bartlett wants to go back to repairing cabs, and Hart yearns to be a lawyer, but it becomes clear that Hally has less reputable plans in mind for himself. Come the end of the war, things are not as easy for veterans like Bartlett as they should be. He is unable to get his old job back and ends up driving a cab for little money. One night he is asked to deliver a package (which turns out to be whiskey) to an address that turns out to be a speakeasy. This starts him on a life of crime, as he gets deeper involved as a bootlegger. Things are not made easy by a rival bootlegger -- who turns out to be Hally. The two join forces and prosper. Hart shares in their prosperity, as Bartlett engages him to take care of his legal matters. Unfortunately, Hart is also interested in Jean Sherman (Priscilla Lane), a young woman that Bartlett has had an eye on for quite some time. He loses her to Hart at about the same time that his criminal empire crumbles, and he is reduced to driving a cab again while Hally continues to prosper with his ruthless ways. Eventually, Hart -- now a crusading prosecutor -- runs afoul of Hally, who tells Jean that he will kill him if he doesn't change his ways. Jean begs Bartlett to intercede with Hally; because he still is carrying a torch for her, Bartlett agrees -- but by doing so, he may have signed his own death warrant. ~ Craig Butler, All Movie Guide

In the 1580s, the Sea Hawks -- the name given to the bold privateers who prowl the oceans taking ships and treasure on behalf the British crown -- are the most dedicated defenders of British interests in the face of the expanding power of Philip of Spain. And Captain Geoffrey Thorpe (Errol Flynn) is the boldest of the Sea Hawks, responsible for capturing and destroying more than 50 Spanish ships and ten Spanish cities. His capture of a Spanish galleon, however, leads to more than he bargained for, in a romance with the ambassador's niece (Brenda Marshall) and the first whiff of a plan to put Spanish spies into the court of Elizabeth I (Flora Robson). Thorpe's boldness leads him to a daring raid on a treasure caravan in Panama which, thanks to treachery within Elizabeth's court, gets him captured and, with his crew, sentenced to the life of a slave aboard a Spanish ship. Meanwhile, Philip of Spain decides to wipe the threat posed by Elizabeth's independence from the sea by conquering the island nation with his armada. Thorpe, though chained to an oar, knows who the traitor at court is and plans to expose him and Philip's plans, but can he and his men break their bonds and get back to England alive in time to thwart the plans for conquest?

The Sea Hawk was the last and most mature of Flynn's swashbuckling adventure films, played with brilliant stylistic flourishes by the star at his most charismatic, and most serious and studied when working with Flora Robson, whom he apparently genuinely respected. Boasting the handsomest, most opulent production values of a Warner Bros. period film to date, The Sea Hawk was made possible in part by a huge new floodable soundstage. Another highlight was the best adventure film score ever written by Erich Wolfgang Korngold; and the script's seriousness was nailed down by various not-so-veiled references not to 16th century Spain but 20th century Nazi Germany. The movie was cut by over 20 minutes for a reissue with The Sea Wolf, and the complete version was lost until a preservation-quality source was found at the British Film Institute. Since then, that 128-minute version -- which actually contains a one-minute patriotic speech by Robson as Elizabeth that was originally left out of U.S. prints, as well as amber tinting in all of the Panamanian sequences -- has become standard. ~ Bruce Eder, All Movie Guide

'Til We Meet Again is an inflated remake of 1932's One Way Passage. As in the original, the hero is a convicted murderer en route to the death house by way of a merchant ship; the heroine is suffering from a terminal illness. Once more, hero and heroine fall in love, each keeping the facts of his or her imminent doom from the other. The principal difference this time is that instead of William Powell and Kay Francis, the stars are George Brent and Merle Oberon. This cast change does no damage to the basic storyline, but the decision in 'Til We Meet Again to expand upon the secondary romance between the arresting detective (Pat O'Brien) and an accomplice of the condemned man (Geraldine Fitzgerald) throws the focus of the film completely out of kilter. One decided benefit to both One Way Passage and 'Til We Meet Again is the comic presence of Frank McHugh, who plays the same role--a tipsy pickpocket--in both pictures. ~ Hal Erickson, All Movie Guide

Warner Bros. Tear Gas Squad manages to pack thrills, comedy, romance and songs into a neat 55-minute package. Dennis Morgan plays cocky nightclub entertainer Tommy McCabe, who gets his jollies out of making fun of the local police force. This does not prove amusing to pretty Jerry Sullivan (Gloria Dickson), the daughter of a police lieutenant (Harry Shannon), nor to Jerry's flatfoot boyfriend Bill Morrissey (John Payne). Falling in love with Jerry himself, Tommy tries to prove his worth by joining the Boys in Blue, where he is subject to the rigorous training program applied by Morrissey. Thrown off the force because of his insouciance, Tommy gets back into everyone's good graces by saving Morrisey's life. Fans of TV's Superman series will get a special kick out of seeing George (Clark Kent) Reeves and John (Perry White) Hamilton in key supporting roles. ~ Hal Erickson, All Movie Guide

Father is a Prince is a scaled-down remake of the 1934 comedy-drama Big Hearted Herbert, itself based on a play by Sophie Kerr Underwood. Grant Mitchell plays tyrannical paterfamilias Mr. Bower, who runs his home like he runs his carpet-sweeper factory: pinching pennies, turning off lights, and interfering in every aspect of his loved ones' private lives. What with trying to manage things at home and attempting to hoodwink the IRS at the factory, Bower is on the verge of a nervous breakdown. The limit comes when he humiliates his daughter Connie (Jan Clayton) at the home of his prospective in-laws with his obnoxious behavior. But Bowers' essential decency and humanity finally surfaces when his wife (Dora Bryant) is forced to undergo emergency surgery. The nominal leading man is future Superman star George Reeves, though perhaps the role should have gone to John Ridgely, who makes a meal of his bit part as a door-to-door vacuum cleaner salesman. ~ Hal Erickson, All Movie Guide

Officially, America had no intention of entering the Second World War in 1940: Why, then, were there so many "preparedness" pictures like The Fighting 69th? This film, based on the experiences of military priest Father Duffy (Pat O'Brien), is set during World War I. The US 69th division was a national guard contingent comprised of Irish Americans, who fought with the Rainbow Division in the years 1917-1918. Into this Hibernian stronghold comes cocky Jerry Plunkett (Jimmy Cagney), a streetwise tough who is certain that he can lick the Germans single-handedly. But during his first taste of real combat, Plunkett turns coward and inadvertently reveals the 69th's position. Held responsible for the deaths of his companions, Plunkett is sentenced to a firing squad. Thanks to a conveniently dropped bomb that levels the stockade in which he is held, Plunkett redeems himself on the battlefield by sacrificing his life to save his fellow soldiers. The beauty of James Cagney's star performance is that he is as thoroughly convincing as a "yellow belly" as he is a hero. In addition to father Duffy, the real-life personages depicted in The Fighting 69th include future OSS leader Wild Bill Donovan (George Brent) and poet Joyce Kilmer (Jeffrey Lynn). Other Irish "regulars" include Alan Hale, Frank McHugh, Dennis Morgan, and Sammy Cohen. ~ Hal Erickson, All Movie Guide

This 55-minute remake of the 75-minute Warner Bros. crime drama Special Agent retains a surprising amount of the original's plotline. Wayne Morris plays crusading journalist Jim Carter, who hopes to get the goods on crime boss Greg Morella (Gilbert Roland), the owner of a posh gambling ship anchored just outside the 12-mile limit. Trouble is, every time a witness is lined up for the federal district attorney (John Litel), said witness is either bought off or killed off, thanks to a stool pigeon in the DA's office. Eventually, Carter must rely upon the eyewitness testimony of Laurie Ogden (Jane Wyman), Morella's bookkeeper. To prevent this, Morella has Laurie kidnapped and hidden away on his ship, but Carter comes to the rescue. The film's central gimmick, a roulette wheel with a concealed camera, evidently caught the fancy of director George Amy, since this particular prop is given more close-ups than the two stars. ~ Hal Erickson, All Movie Guide

Footsteps in the Dark is a comedy/mystery, starring Errol Flynn as a wealthy investment counselor who secretly doubles as a dilettante detective, the better to write mystery novels. Brenda Marshall plays his wife, who can't understand why he is never home and begins to suspect hanky-panky. In fact, Flynn is investigating the murders of a jewelry smuggler and an exotic dancer. The trail of evidence leads to the Least Likely Suspect -- portrayed, as is often the case, by an actor who's always the one who "did it" in murder mysteries. Not nearly as funny a film as the producers seem to think it is, Footsteps in the Dark is an obvious attempt by Warner Bros. to create a "Nick and Nora Charles" team, in emulation of MGM's popular Thin Man series. Footsteps ends with wife Marshall vowing to join hubby Flynn in his next murder mystery, leaving the door wide open for a sequel...which was never filmed. ~ Hal Erickson, All Movie Guide

In this crime drama, a remake of Heat Lightning(1931), a robber kills a bank teller during a robbery and then takes his wife, who believes he is a traveling businessman, on the road with him as he flees. He is eventually captured and sentenced. Meanwhile his wife returns to running a motel and gas station with her sister. Her drab daily existence changes dramatically when her husband escapes from prison three years later and forces her to protect him. In the end, he is finally captured by the dogged cop who has been pursuing him. ~ Sandra Brennan, All Movie Guide

Affectionately Yours offers the spectacle of glamorous Merle Oberon and gorgeous Rita Hayworth jockeying for the best camera positions, virtually pushing male leads Dennis Morgan and Ralph Bellamy right off the screen! Here's the deal: Neglected wife Sue Marberry (Oberon) obtains a quickie Nevada divorce from her globetrotting war-correspondent husband Rick (Morgan). Still in love with Sue, Rick rushes home to win her back, but by now she has found solace in the arms of her new fiancee Owen Wright (Bellamy). To arouse Sue's jealousy, Rick pretends to carry on an affair with female journalist Irene Malcolm (Hayworth), a scheme that backfires when Irene decides she wants Rick for keeps. Of interest is the supporting-cast presence of Hattie McDaniel and Butterfly McQueen, two years away from their domestic duties in Gone with the Wind. ~ Hal Erickson, All Movie Guide

In this boxing drama, champion fighter Johnny Rocket decides to leave the ring to please his new bride. Unfortunately, his greedy manager, unwilling to get off the gravy train engineers things so that the fighter cannot find work and must return to the squared circle to make a living. His ploy works, and the fighter resumes his career. He also begins falling in love with a sexy female sports writer. This causes his marriage to disintegrate. The avaricious manager decides to make a lot of money fast and so sets his fighter up to take a dive and betting against him. The doped up fighter loses the fight. He also loses the sportswriter. Fortunately his true love is around to pick him up and help him start anew. ~ Sandra Brennan, All Movie Guide

Though history is distorted almost beyond recognition in Warner Bros.' They Died With Their Boots On, audiences in 1941 ate it up like cotton candy. In the gospel according to Warners, General George Armstrong Custer (Errol Flynn) is neither an arrogant fool nor a rabid Indian hater. Instead, he is a flamboyant but brilliant cavalry officer, who during the Civil War defies his superiors' orders and becomes a hero as a result. After a period of forced retirement in the postwar years, Custer is put in charge of the 7th Cavalry in the Dakota Territory. Here he whips this ragtag group into spit-and-polish shape, and also does his best to extend a neighborly hand to the local Indian tribes. Custer even goes so far as to promise Chief Crazy Horse (Anthony Quinn) that the white man will never set foot in the sacred Black Hills. Alas, Custer is betrayed by greedy gold prospectors, whipped into a frenzy by scheming (and fictional) land speculator Ned Sharp (Arthur Kennedy). Forced by circumstances to do battle against Crazy Horse to prevent tribal retaliation, Custer and his command ride towards a rendezvous with destiny at the Little Big Horn on June 25, 1876. Though some of the historical inaccuracies in the film are real howlers, blame cannot be laid solely at the feet of Warner Bros.; the Custer legend had previously been perpetrated by the general's loyal widow Elizabeth Bacon (played herein by Olivia de Havilland), then eagerly elaborated upon by Eastern news journalists and dime novels. This film represented the final screen pairing of Errol Flynn and Olivia de Havilland, a fact that lends poignancy to their classic parting scene. Though an extremely long film, They Died With Their Boots On is never dull, especially during the spectacular Custer's Last Stand finale. ~ Hal Erickson, All Movie Guide