George Wilbur Movies

Hong Kong director John Woo's second U.S. film (his first was Hard Target) delivers a number of exciting action sequences but is let down by a credibility-straining plot. John Travolta plays Vic Deakins, an Air Force pilot on what is supposed to be a routine night flight mission with his co-pilot, the younger Riley Hale (Christian Slater), whom Deakins constantly kids for lacking the "will to win." Deakins is actually a traitor who crashlands their Stealth Bomber in Death Valley so that he can steal two nuclear warheads onboard and sell them to terrorists who plan to blackmail the government. Deakins meets up with his cohorts, who have been waiting in the park, while Hale survives and teams up with a young, attractive park ranger (Samantha Mathis) to foil Deakins's plans. Plenty of action ensues, with car chases, collapsing mine shafts, fights on burning trains, and even the underground detonation of a nuclear device. Despite the script's implausibilities and inconsistencies, Woo amply displays the expertise with action sequences and man-to-man conflict that has made his Hong Kong films cult favorites. ~ Don Kaye, All Movie Guide

This standard, tongue-in-cheek, gangsters and good guys saga is carried on the star power and screen presence of Clint Eastwood as Lt. Speer, a taciturn, tough, play-it-by-the-book cop, and on Burt Reynolds as Mike Murphy, Speer's old friend in the force, now turned private eye but still a captivating rogue at heart. With a sub-text of playing their well-known screen personas off each other, Eastwood and Reynolds provide more than a surface interpretation of the characters that made them famous. After Murphy's partner is murdered, he focuses on pitting one mob boss against another in an attempt to have both mobsters kill each other. In the meantime, Lt. Speer -- who has never approved of Murphy's private detective business -- does not really know if Murphy is for or against the two top gangsters. Set in the era of speakeasies and Prohibition, an added layer of "film noir" can be discerned under the complex plot, verbal repartée, and episodes of toned-down violence (a kind of parody in themselves). Although this may not be the best film either star has made, it is still interesting to see them together on screen. ~ Eleanor Mannikka, All Movie Guide

What does a biographer do when the truth about his subject is far less pleasant than the legend? That is the moral dilemma at the heart of Cobb, which explores the lives of both baseball's premier hitter, Ty Cobb (Tommy Lee Jones), and the sportswriter assigned to set his story down, Al Stump (Robert Wuhl). Stump arrives at the Tahoe home of the dying Cobb to write the official life story of the first man inducted into the Baseball Hall Of Fame. He finds a drunken, misanthropic, bitter racist who abuses his biographer as well as everyone else. Stump must either candycoat his subject's life or present an accurate picture of a disgusting man who happened to become an American sports hero. The movie's biting focus on Cobb, ferociously performed by Jones, is not matched by its weaker representation of Stump, an imbalance which ultimately weakens the film's overall effect. ~ Don Kaye, All Movie Guide

The fourth Planet of the Apes film is set in 1991, 20 years since the assassination of talking, time-traveling apes Cornelius and Zira at the end of Escape From the Planet of the Apes. The couple's infant son, Caesar (Roddy McDowall), has grown to adulthood in the care of kindly circus owner Armando (Ricardo Montalban). Meanwhile, a plague has wiped all dogs and cats from the face of the Earth; speechless primitive apes have therefore been domesticated and turned into first pets, then servants of humankind. Caesar becomes outraged at the treatment of these simian slaves and accidentally reveals his powers of speech in front of the militaristic authorities, who kill Armando when he tries to protect his friend's identity. His cover blown, Caesar kick-starts a revolution that pits chimps against humans, paving the way for eventual ape ascendency. Caesar was the second of McDowall's three Planet of the Apes characters; he also portrayed Cornelius in the first and third films and Galen in the short-lived 1974 television series. After taking over the franchise with this picture, Hollywood veteran J. Lee Thompson would become the only director to helm two Planet of the Apes films when he returned for the fifth and final installment. ~ Brian J. Dillard, All Movie Guide

In this suspense drama, a lawyer finds out more than she wanted to know about her friends and lovers. T.K. Katwuller (Barbara Hershey) is a lawyer with a firm command of her career but an unstable hold on her private life; she's more single than she'd like to be, and she's become romantically involved with one of her clients, Steven Seldes (J.T. Walsh), a real estate agent. When T.K. bumps into her college roommate Ellie (Mary Beth Hurt), she discovers that Ellie is Steven's wife, which T.K. hardly regards as welcome news. T.K. then learns that Steven has been accused of financing porn movies dominated by underage actors; after an angry confrontation, she bitterly breaks off the affair. The next day, Steven turns up murdered, and T.K. discovers that Ellie is the prime suspect. She agrees to handle Ellie's case, and Ellie is acquitted. However, T.K.'s conversations with police detective George Beutel (Sam Shepard) begin to plant a seed of doubt in her mind about Ellie's innocence. ~ Mark Deming, All Movie Guide

In this off-beat sci-fi adventure, a female scientist creates a sexy android version of herself and equips it with both the passionate emotions she lacks and a nuclear bomb. The trouble begins when the android is taken out for a test run and it ends up in the midst of a bank robbery where its internal bomb is accidentally activated. Things get worse, when the robot comes emotionally unglued and launches into a destructive rampage while enacting out its repressed creator's darkest desires. ~ Sandra Brennan, All Movie Guide

Because sources gave contradictory information on this made-for-TV film--two different plot synopses from two different sources--the information here is based on the scattered TV listings found for the film. Mare Winningham plays Jamie Hurd, a young mother whose life is put in danger by a photograph. The picture reveals vital evidence pertaining to a recent mob hit. Jamie comes into possession of the fatal snapshot when her order is mislabeled at the local camera shop. And so it goes for the next 97 minutes. Fatal Exposure debuted February 6, 1991, over the USA Cable Network. ~ Hal Erickson, All Movie Guide

Ghostbusters
Bill Murray, Dan Aykroyd, Harold Ramis and Ernie Hudson star as a quartet of Manhattan-based "paranormal investigators". When their government grants run out, the former three go into business as The Ghostbusters, later hiring Hudson on. Armed with electronic paraphernalia, the team is spectacularly successful, ridding The Big Apple of dozens of ghoulies, ghosties and long-legged beasties. Tight-lipped bureaucrat William Atherton regards the Ghostbusters as a bunch of charlatans, but is forced to eat his words when New York is besieged by an army of unfriendly spirits, conjured up by a long-dead Babylonian demon and "channelled" through beautiful cellist Sigourney Weaver and nerdish Rick Moranis. The climax is a glorious sendup of every Godzilla movie ever made-and we daresay it cost more than a year's worth of Japanese monster flicks combined. Who'd ever dream that the chubby, cheery Stay-Puft Marshmallow Man would turn out to be the most malevolent threat ever faced by New York City? When the script for Ghostbusters was forged by Dan Aykroyd and Harold Ramis, John Belushi was slated to play the Bill Murray role; Belushi's death in 1982 not only necessitated the hiring of Murray, but also an extensive rewrite. The most expensive comedy made up to 1984, Ghostbusters made money hand over fist, spawning not only a 1989 sequel but also two animated TV series (one of them partially based on an earlier live-action TV weekly, titled The Ghost Busters. ~ Hal Erickson, All Movie Guide

Ghostbusters 2
Ivan Reitman's sequel to the phenomenally successful Ghostbusters is looser and more self-assured than the original. The film opens with a title reading "Five Years Later" and finds the ghostbusters living in hard times. A restraining order has forbidden the boys to partake in paranormal warfare, and as a result they have had to seek other lines of work. Ray (Dan Aykroyd) and Winston (Ernie Hudson) spend their time performing at children's' birthday parties, and Egon (Harold Ramis) is busy conducting experiments investigating the effect of human emotions on the environment, leaving ghostbusting behind. Venkman (Bill Murray) and Dana (Sigourney Weaver) have split up. Venkman now hosts a local cable show called "The World of the Psychic." Dana, now divorced and the mother of a little baby named Oscar, works as an art restorer in a museum -- and this is where the plot kicks in. While Dana is restoring a portrait of a 16th-century tyrant by the name of Vigo the Carpathian, the portrait becomes hexed. The evil Vigo wants to return to life by taking over the body of Dana's little child. Vigo has enlisted Dana's boss, Janosz Poha (Peter MacNicol), to compel Dana to cooperate. Soon dirty sludge and slime flow through the streets of Manhattan, and the ghostbusters have to reunite to save the city from a funky paranormal evil. ~ Paul Brenner, All Movie Guide

This 1981 sequel to the 1979 made-for-TVer Goldie and the Boxer once again stars O.J. Simpson and Melissa Michaelsen as, respectively, boxer Joe Gallegher and Joe's 10-year-old manager Goldie Kellog. When Joe incurs the wrath of an evil promoter, he and Goldie high-tail it to Hollywood. They take refuge in the home of Babe (Stubby Kaye) and Cuddles (Sheila MacRae) a pair of Tinseltown "fringies" distantly related to Joe's trainer Wally (Jack Gilford, taking over for the first film's Phil Silvers). Produced by Orenthal Productions (guess who ran that company?), Goldie and the Boxer Go to Hollywood first aired February 19, 1981. It has been rerun incessantly since June of 1994, thanks to the latter-day notoriety of star O. J. Simpson. ~ Hal Erickson, All Movie Guide

Picking up six years after the events of Halloween 5: The Revenge of Michael Myers, this competently produced but ultimately disappointing sequel attempts to tie up the uneven horror series' loose ends with a less-than-convincing resolution. This installment opens with Jamie Lloyd (J.C. Brandy), young niece of supernatural psycho-killer Michael Myers, giving birth on an altar amid a mysterious Druid ceremony. Before she is killed by her monstrous uncle, Jamie manages to leave her baby in the care of young Tommy Doyle (Paul Rudd), who has pursued a lifelong obsession with the horrific Myers family legacy in the town of Haddonfield, Illinois. Living with members of the Strode family, Tommy comes to suspect that one of them, little Danny Strode (Devin Gardner), is cursed with the same malevolent power that drove Michael to murder several members of his family. When Michael arrives in Haddonfield to find and destroy Jamie's baby, Tommy joins forces with Dr. Sam Loomis (Donald Pleasence), Michael's ex-psychiatrist and a life-long crusader against his sinister former patient, to find the connection between Michael and the Man in Black and end the curse once and for all. Released shortly after Pleasence's death, this confusing, horribly-edited blend of tired slasher clichés and X-Files-inspired subplots is a poor testament to the long career of the distinguished and compelling character actor. ~ Cavett Binion, All Movie Guide

Tony Curtis stars as the feared leader of "Murder Incorporated" in this underworld drama based on the life of Louis "Lepke" Buchalter. Lepke began his criminal career as a petty thief in his teens; a stretch in prison taught him the finer points of life on the wrong side of the law. After getting out of jail, Lepke and his pal Gurrah Shapiro (Warren Berlinger) join a gang who hire themselves out as strikebreakers, and the vicious but clever Lepke soon rises through the ranks. Lepke makes powerful friends with mob kingpins "Lucky" Luciano (Vic Tayback) and Albert Anastasia (Gianni Russo), and when high-ranking but deranged gangster "Dutch" Schultz (John Durren) announces he's going to kill District Attorney Thomas E. Dewey (Richard C. Adams), Lepke is chosen to rub "Dutch" out. Lepke handles the assignment well, and he's able to strike up a deal with the various Mafia families -- he'll form a separate organization to handle executions and assassinations, and he'll hire out his services to any mobsters who need it, provided the mob bosses approve the killings. Between "Murder Incorporated" and a drug ring operated with Luciano, Lepke has become a wealthy and important man in the underworld, but ironically he finds soon himself himself investigated by the man whose life he unwittingly saved -- Dewey. Lepke also features comedian and impressionist Vaughn Meader as the voice of Walter Winchell. ~ Mark Deming, All Movie Guide

Already laid up with a sprained ankle, Magnum (Tom Selleck) braces himself for more pain when call girl Leslie Emory (Candy Clark), who'd given him plenty of trouble during a previous assignment, sashays back into his life. Insisting that she's given up her former profession and gone straight, Leslie asks Magnum to locate her missing sister Patty (Cindy Fisher), who is still a "working girl." Before long, Magnum finds out that his injured ankle is the least of his problems! ~ Hal Erickson, All Movie Guide