Dianne Wiest Movies

Tim Burton's Edward Scissorhands opens as an eccentric inventor (Vincent Price) lovingly assembles a synthetic youth named Edward (Johnny Depp). Edward has all the essential ingredients for today's standard body, with the exception of a pair of hands. For what is initially thought to be a temporary period, he is fitted with long, scissor-like extremities that, while able to trim a mean hedge, are hardly conducive to day-to-day life. When the kindly inventor dies, however, Edward is left lonely and cursed with some very heavy metal for hands. He is eventually taken in by Peg Boggs (Dianne Weist), an Avon lady who takes pity on him after seeing his bleak existence. Edward, in spite of his inherent ability to slay anyone he comes across, is a gentle soul whose only wish is to be loved. His impromptu family has, at best, a limited understanding of Edward, but he finds himself drawn to Peg's weary but sympathetic daughter, Kim (Winona Ryder), who is dating Jim (Anthony Michael Hall), the neighborhood bully. Meanwhile, Edward finds himself a local celebrity after the town realizes that his talents include creative hedge trimming and an unrivaled ability to cut hair. His so-called friends are proven fair-weather when Edward is accused of a crime, after which his only supporters are Peg and Kim. ~ Tracie Cooper, All Movie Guide

Directed by Susan Seidelman and written by Alice Arlen and Nora Ephron, Cookie comes across as an inconsequential piece of fluff, bolstered by a quirky performance by Emily Lloyd. Lloyd is Cookie Capisco, the daughter of mobster Dino Capisco (Peter Falk), who has just finished thirteen years in prison. Dino wants to get out of jail, settle some old scores, and make up for lost time with his daughter. His illegitimate daughter, that is -- since Cookie's mother, Lenore (Dianne Wiest), has been Dino's longtime mistress. Dino's actual wife Bunny (Brenda Vaccaro) has, he thinks, been kept in the dark about Dino's mistress and his daughter. Dino decides that the best way to get to know Cookie is to hire her as his chauffeur. With her ears attuned to the conspiracies floating around Dino, she quickly discovers that her father's old crony, Carmine (Michael V. Gazzo), has been swindling him and that Dino's life is in jeopardy. ~ Paul Brenner, All Movie Guide

Woody Allen's gentle and nostalgic tribute to the glory days of radio and coming-of-age during World War II plays like Fellini's Amarcord filtered through Neil Simon. The nominal star is Seth Green as Joe, a teenage Jewish boy, growing up with a house full of relatives in Brooklyn. Allen cuts between Joe's working class neighborhood of Rockaway Beach, Queens, and the glittery and glamorous world of radio in Manhattan. ~ Paul Brenner, All Movie Guide

In this hit '80s hybrid of the horror movie and the teen flick, a single mom and her two sons become involved with a pack of vampires when they move into an offbeat Northern California town. Lucy (Dianne Wiest) and her sons, Michael (Jason Patric) and Sam (Corey Haim), move to Santa Carla to live with Lucy's lovable but curmudgeonly father (Barnard Hughes). Lucy gets a job from video store-owner Max (Edward Herrmann), then begins dating him, while Sam hangs out with Edward and Alan Frog (Corey Feldman and Jamison Newlander), a pair of vampire-obsessed comic-shop clerks. Soon Michael falls in with some actual vampires after becoming enamored of one of their victims: Star (Jami Gertz), a gypsy-like vixen who is trying to hold onto her humanity even though vampire leader David (Kiefer Sutherland) wants to play Peter Pan to her Wendy. When Michael visits the cavernous hangout of David and his cronies and unwittingly drinks from a wine bottle full of vampiric blood, he becomes an unwilling member of the bloodsucker biker gang. Soon, it's up to Sam and the Frog brothers to destroy David and his ilk without killing Michael and Star. Shot on location in the coastal California town of Santa Cruz and directed by Hollywood pro Joel Schumacher, The Lost Boys became a pop-culture phenomenon thanks to its attractive young stars, offbeat soundtrack, and hip, clever marketing campaign; the film's tagline -- "Sleep all day. Party all night. Never grow old. Never die. It's fun to be a vampire." -- perfectly captured its knowing mixture of attitude and gore. The effects team who transformed Sutherland and company into snarling blood-suckers would go on to provide equally gruesome effects for Blade, another revisionist vampire flick, more than a decade later. ~ Brian J. Dillard, All Movie Guide

A Woody Allen Manhattan mosaic, Hannah and Her Sisters concerns the lives, loves, and infidelities among a tightly-knit artistic clan. Hannah (Mia Farrow) regularly meets with her sisters Holly (Dianne Wiest) and Lee (Barbara Hershey) to discuss the week's events. It's what they don't always tell each other that forms the film's various subplots. Hannah is married to accountant and financial planner Elliot (Michael Caine), who carries a torch for Lee, who in turn lives with pompous Soho artist Frederick (Max Von Sydow). Meanwhile, Holly, a neurotic actress and eternal loser in love, dates TV producer Mickey (Allen), who used to be married to Hannah and spends most of the film convinced that he's about to die. Appearing in supporting parts are Lloyd Nolan and Maureen O'Sullivan (Farrow's real mom), as the eternally bickering husband-and-wife acting team who are the parents of Hannah and her sisters. The film begins and ends during the family's traditional Thanksgiving dinner, filmed in Farrow's actual New York apartment. Unbilled cameos are contributed by Sam Waterston as one of Wiest's brief amours and Tony Roberts as one of Allen's friends. Hannah and Her Sisters collected Oscars for Michael Caine, Dianne Wiest, and Woody Allen's screenplay. ~ Hal Erickson, All Movie Guide

Falling in Love can be described as an urban American Brief Encounter. Reteamed for the first time since The Deer Hunter, Robert De Niro and Meryl Streep star as a married couple. Thing of it is, they're not married to each other. While Christmas shopping for their respective families, architect Frank Raftis (DeNiro) and graphic artist Molly Gilmore (Streep) "meet cute," their holiday packages becoming mixed up. What starts as a pleasant chance acquaintance blossoms into romance. Inevitably, however, both parties realize that what they're doing is wrong--a shade too late to save their marriages, as it turns out. The film ends with a bittersweet "one year later" coda. The natural charisma of its stars lends distinction to the otherwise so-so Falling in Love. ~ Hal Erickson, All Movie Guide

In this run-of-the-mill romantic drama, the title Independence Day refers to the usual Fourth of July fireworks festival in the U.S. but also to the dilemma of Mary Ann Taylor (Kathleen Quinlan) who lives in a small town but has a big ambition to go to the city and study photography for a profession -- should she go, or should she stay in her hometown with the man she loves? Focus on Mary Ann's dilemma slips to other characters -- her boyfriend's suicidal sister (Dianne Wiest) who is abused by her husband, the abusive husband's equally nasty father, and Mary Ann's boyfriend himself who is preparing his Camaro for the annual Fourth of July race. With the story moving from here to there, hampered by some extraordinary leaps of imagination, the narrative is thinned considerably by the time the Fourth is at hand. ~ Eleanor Mannikka, All Movie Guide

Jill Clayburgh plays, as one character calls her, "a pill-popping dingbat" in this film adaptation of television producer Barbara Gordon's autobiographical account of her addiction to prescription drugs. Clayburgh plays Gordon in the film as a successful television documentary filmmaker whose mounting pressures force her to pop a Valium or two for nerves. She then ingests a few more pills after an argument with boyfriend Derek Bauer (Nicol Williamson). And thus begins her slow and steady compulsion to keep taking more and more Valium. Finally realizing her addiction, Gordon makes a disastrous attempt to go cold turkey but fails miserably, finally having to undergo a painful rehabilitation in an institution. ~ Paul Brenner, All Movie Guide

Claudia Weill's second feature is a romantic look at the humorous and tragic sides of love, starring Jill Clayburgh as Kate Gunzinger, a mathematics professor who lives with perpetually sunny architect Homer (Charles Grodin) in Chicago. But during a trip to New York City, Kate becomes romantically involved with handsome hunk Ben Lewin (Michael Douglas), a recently retired professional baseball player who is trying to adjust to a life outside of professional sports. The son of her father's fiancee, Ben, in spite of uncertainties about his future, actively pursues Kate, and Kate, much to her surprise, willingly permits Ben to make his amorous approaches. ~ Paul Brenner, All Movie Guide