Dianne Wiest Movies

Psychotherapy sessions are provocatively examined as Dr. Paul Weston (Gabriel Byrne) delves into the minds of his patients in this adaptation of a highly acclaimed Israeli series. Scheduled appointments include Mondays with Laura (Melissa George), an attractive anesthesiologist who wonders if her fiancé is the answer to happiness or if it lies in the arms of other men. Navy pilot Alex (Blair Underwood) relates his experiences in Iraq on Tuesdays but combats the analyst every step of the way. Midweek visits become complicated for teen Sophie (Mia Wasikowska) when Paul hesitates to sign an insurance document after a biking accident ruins her chances of joining the U.S. Olympic gymnastic team. Quarrelsome couple Amy and Jake (Embeth Davidtz, Josh Charles) seek help dealing with Amy's pregnancy but find that it is their compatibility that may be fruitless. Though the respected therapist offers them all insight, his perspective appears changed when summing up the week on Fridays with his own counselor, Gina (Dianne Wiest). Their professional history creates an open door to challenging each other's viewpoints. Paul's problems with his wife, Kate (Michelle Forbes), and children don't make things easier. But it's the doctors' opposing opinions that create the most friction, leading to a dissection of inner troubles that would otherwise never rise to the surface. ~ Mario DiMaio, All Movie Guide

Of all of the ways humankind can destroy the planet, none can hold a candle to the awe-inspiring and earth-shattering power of Mother Nature. As chief meteorologist for the National Weather Service's Storm Prediction Center, Andy Goodman (Brian Dennehy) has seen his share of storms. Now, just days shy of his eagerly anticipated retirement, Goodman is disturbed to discover three separate storm fronts approaching Chicago: a cluster of tornados from the west, a warm storm front from the south, and an Arctic system from the north. As Goodman enlists the aid of his longtime storm-chasing friend "Tornado Tommy" (Randy Quaid) in tracking the storms, ambitious Chicago television reporter Amy Harkin (Nancy McKeon) is busy researching the mysterious drought and record heat wave that has plagued the city for nearly six weeks. Though the citizens of Chicago are warned to reduce their energy consumption by secretary of energy Shirley Abbott (Dianne Wiest) the Windy City is thrust into darkness when severe thunderstorms destroy the city's main power-generating plant. With no means to warn the outside world of the dangers fast approaching, Harkin and Midwest Electric chief of operations Mitch Benson (Thomas Gibson) must race against time to get the word out to citizens and emergency workers before the snowballing blackout causes a complete collapse of the entire North American power grid. ~ Jason Buchanan, All Movie Guide

With the departure of series regular Angie Harmon at the close of season eleven (it was explained that her character, Assistant DA Abbie Carmichael, had accepted a job with the U.S. Attorney's Federal Major Crimes Task Force), season twelve of Law & Order was ushered in with a new face in the DA's office. Elisabeth Rohm was added to the cast as ADA Serena Southerlyn, who had requested the appointment because she wanted to tackle grittier cases than the "white-collar crimes" which had been her forte. The scriptwriters wasted little time in providing Serena with a baptism by fire: in the episode "DR 1-102," she courageously defused a dangerous hostage situation -- only to face the loss of her license to practice law because she failed to follow accepted legal procedure. The rest of the cast remained the same as in season eleven, though it was already established that Dianne Wiest's character, interim DA Nora Lewin, would be written out as soon as a permanent district attorney could be elected. (It was not that Wiest was unhappy with her role, nor that the producers were dissatisfied with the character; she just didn't want to be artistically confined to series television.) Likewise maintaining the Law & Order status quo was the series' predilection for stories based on current headlines, beginning with the season opener "Who Let the Dogs Out?," which was transparently inspired by a real-life California case involving a killer pit bull. The arrests of actor Robert Blake and rapper Sean "Puffy" Combs and the disappearance of congressional intern Chandra Levy, likewise provided grist for the series' story mill. In addition, the terrible events of September 11 loomed large over the proceedings, notably in the season-closing episode "Patriot." Finally, by 2001, Law & Order had become something of franchise. The series' first spin-off, Law & Order: Special Victims Unit, was entering its second successful season. Both this show and its parent series were joined in the fall of 2001 by Law & Order: Criminal Intent, which chronicled crime and punishment from the perpetrators' point-of-view. ~ Hal Erickson, All Movie Guide

This ten-hour mini-series extravaganza originally aired on February 26, 2000 on NBC, and concerns the fate of a janitor, Tony (John Larroquette), and his lovely daughter Virginia (Kimberly Williams), who mysteriously find themselves in a land where fairies, trolls, and elves live. Their attempts to return home are thwarted by an evil witch (Diane Wiest). Appearing in supporting roles are Rutger Hauer, Warwick Davis, and Camryn Manheim as Snow White. The 10th Kingdom was rebroadcast on August, 2000, with a substantially trimmed running time of eight hours, which was shortened even further to six hours for the video release, after all commercials had been removed. ~ Jonathan Crow, All Movie Guide

The mythical, big-footed Pacific Northwest Sasquatch lives, and an irascible anthropologist and two feisty kids can prove it. This Disney adventure chronicles their interactions with the gentle giants and their attempts to save them from capture. ~ Sandra Brennan, All Movie Guide

It could be said that without the incredible success of the ABC miniseries Holocaust in 1978, CBS might have thought twice before greenlighting the ambitious, three-hour TV docudrama The Wall four years later. Adapted by Millard Lampell from his own 1960 Broadway play, which in turn was inspired by John Hersey's 1950 novel, The Wall is the heartbreaking but inspiring story of the heroic Warsaw Ghetto Uprising of 1943. When it becomes obvious that every Jew in Poland is doomed to be shipped off to the Nazi work and death camps, some 650 members of the newly formed Jewish Fighting Organization mount a last, brave stand against nearly 3000 German soldiers. The story is told through the eyes of Warsaw Jew Dolek Benson (Tom Conti, in his first American TV appearance), who is a passive observer of the atrocities all around him until he learns the truth about the Nazi's "resettlement" program. Rachel Roberts, cast as a former schoolteacher, made her final appearance in this film; she passed away shortly after production ended. Filmed on location in Sosnowiec, Poland and first telecast February 16, 1982, The Wall earned a Peabody Award the following year. ~ Hal Erickson, All Movie Guide

Synecdoche, New York marked the directorial debut of iconoclastic, cerebral screenwriter Charlie Kaufman. Philip Seymour Hoffman stars as Caden Cotard, an eccentric playwright who lives with artist Adele Lack (Catherine Keener) and their daughter Olive in Schenectady, upstate New York. Prone to neuroses, misgivings and enormous self-doubt, Caden also begins suffering from accelerated physical deterioration - from blood in his stools to disfigured skin. Upon receiving a prestigious MacArthur grant, Caden decides to use the money to concoct one gigantic play as an analogue of his own life; he builds massive sets amid a New York City warehouse, casts others as his friends, family and acquaintances, and casts others to play the ones he’s casting. After Adele whisks Olive off to Europe but demonstrates no sign of returning soon, Caden drifts into a series of relationships with lovers - first with box office employee Hazel (Samantha Morton), who purchases and moves into a house that is perpetually on fire; then with Tammy (Emily Watson), an actress assigned to play Hazel in the theatrical project; and subsequently with others. Unfortunately, the play itself grows so big and unwieldy - and rehearsals go on for so long, taking literally decades - that it becomes unclear if the production itself will ever launch.

~ Nathan Southern, All Movie Guide

The harsh realities of life on the street merge with the universal themes of youthful pain and exhilaration in director Dito Montiel's telling tale of one boy's struggle to escape the grim fate that awaits his aimless, trouble-minded peers. For most of Montiel's friends, the only means of escaping their bleak surroundings were drugs, prison, or death. In breaking the cycle and making a name for himself as a filmmaker, Montiel showed that there are ways to overcome the urban malaise that consumed the majority of his friends. He couldn't have done it alone, though, and with this film Montiel pays tribute to those he left behind by bringing their story to the screen so that their struggles may give others in similar situations the courage to pursue a more positive, creative means of overcoming their anger. ~ Jason Buchanan, All Movie Guide

Director Mike Nichols teams up with his former partner/screenwriter Elaine May for the first time in many years and for the first time together in films to create this sophisticated, remake of the phenomenally popular French musical farce La Cage aux Folles that stars Robin Williams, Nathan Lane, Gene Hackman and Diane Wiest as two dramatically disparate couples who manage to reconcile their vast differences for the sake of their children who are getting married. Williams plays Armand Goldman, the owner of a popular South Beach drag club known for putting on elaborate showcases starring his long-time lover/wife Albert (Lane) who appears as "Starina." Lately poor flamboyant, flighty Albert has been in crisis over the inexorable onset of middle age. He has been moody, paranoid and unbearably. When he gets too inconsolably distraught, handsome but clumsy houseboy Agador quietly slips Albert "Pirin" tablets (which he explains to Armand are simply Aspirin tablets with the "as" scraped off). Still though Albert can be a royal pain, Armand dearly loves him and the two live happily in their splendiferous apartment above the club. One day Armand's son Val (the result of Armand's single foray into straight sex) comes visiting with joyous news: he has found his dreamgirl and is getting married. The only trouble is, Barbara Keeley's father is the blustery ultra-religious right-wing Senator Keeley (Hackman), the founder of the Coalition for Moral Order. Senator Keeley and his colleagues are not as upright as they seem and when his closest associate is found dead beside a black, underage prostitute, Keeley finds his house surrounded by ravenous newshounds, hungry for dirt. Knowing that they are poised to ruin him, Keeley and his proper but slightly addled-wife (Wiest) decide that a big, elaborate, church wedding will be just the ticket to save his reputation. Barbara has neglected to tell them that Val's parents are gay, preferring to claim that they are members of the South Beach social elite. In a panic, she panics and calls Val who breaks the bad news to Armand and begs him to make the apartment less flamboyant and worst of all to hide Albert (who functioned as Val's mother while the youth grew up) during the visit. Armand is angry, but loving his son, finally, reluctantly agrees, knowing that he will deeply wound his companion. Unfortunately, Albert finds out and as a compromise tries to learn how to be macho so he can pretend to be Val's uncle, he is too much the Great Dame to ever pass as one of the guys and so is banned from the party. Armand then locates Catherine and asks her to masquerade as his wife. She agrees to show up later that evening. Meanwhile their friends busily redecorate the apartment until it looks as if it were done in "Early Inquisition." During the fateful dinner party, Catherine is late and Albert gets uproarious revenge. Achingly comic chaos ensues as Armand tries to hold the increasingly tenuous evening together while outside the newshounds bay and threaten to make even more trouble for Senator Keely. ~ Sandra Brennan, All Movie Guide

Directed by Susan Seidelman and written by Alice Arlen and Nora Ephron, Cookie comes across as an inconsequential piece of fluff, bolstered by a quirky performance by Emily Lloyd. Lloyd is Cookie Capisco, the daughter of mobster Dino Capisco (Peter Falk), who has just finished thirteen years in prison. Dino wants to get out of jail, settle some old scores, and make up for lost time with his daughter. His illegitimate daughter, that is -- since Cookie's mother, Lenore (Dianne Wiest), has been Dino's longtime mistress. Dino's actual wife Bunny (Brenda Vaccaro) has, he thinks, been kept in the dark about Dino's mistress and his daughter. Dino decides that the best way to get to know Cookie is to hire her as his chauffeur. With her ears attuned to the conspiracies floating around Dino, she quickly discovers that her father's old crony, Carmine (Michael V. Gazzo), has been swindling him and that Dino's life is in jeopardy. ~ Paul Brenner, All Movie Guide

In this hit '80s hybrid of the horror movie and the teen flick, a single mom and her two sons become involved with a pack of vampires when they move into an offbeat Northern California town. Lucy (Dianne Wiest) and her sons, Michael (Jason Patric) and Sam (Corey Haim), move to Santa Carla to live with Lucy's lovable but curmudgeonly father (Barnard Hughes). Lucy gets a job from video store-owner Max (Edward Herrmann), then begins dating him, while Sam hangs out with Edward and Alan Frog (Corey Feldman and Jamison Newlander), a pair of vampire-obsessed comic-shop clerks. Soon Michael falls in with some actual vampires after becoming enamored of one of their victims: Star (Jami Gertz), a gypsy-like vixen who is trying to hold onto her humanity even though vampire leader David (Kiefer Sutherland) wants to play Peter Pan to her Wendy. When Michael visits the cavernous hangout of David and his cronies and unwittingly drinks from a wine bottle full of vampiric blood, he becomes an unwilling member of the bloodsucker biker gang. Soon, it's up to Sam and the Frog brothers to destroy David and his ilk without killing Michael and Star. Shot on location in the coastal California town of Santa Cruz and directed by Hollywood pro Joel Schumacher, The Lost Boys became a pop-culture phenomenon thanks to its attractive young stars, offbeat soundtrack, and hip, clever marketing campaign; the film's tagline -- "Sleep all day. Party all night. Never grow old. Never die. It's fun to be a vampire." -- perfectly captured its knowing mixture of attitude and gore. The effects team who transformed Sutherland and company into snarling blood-suckers would go on to provide equally gruesome effects for Blade, another revisionist vampire flick, more than a decade later. ~ Brian J. Dillard, All Movie Guide

Jill Clayburgh plays, as one character calls her, "a pill-popping dingbat" in this film adaptation of television producer Barbara Gordon's autobiographical account of her addiction to prescription drugs. Clayburgh plays Gordon in the film as a successful television documentary filmmaker whose mounting pressures force her to pop a Valium or two for nerves. She then ingests a few more pills after an argument with boyfriend Derek Bauer (Nicol Williamson). And thus begins her slow and steady compulsion to keep taking more and more Valium. Finally realizing her addiction, Gordon makes a disastrous attempt to go cold turkey but fails miserably, finally having to undergo a painful rehabilitation in an institution. ~ Paul Brenner, All Movie Guide