Jane Wiedlin Movies

A futuristic nomad scouring for food in a sun-scorched landscape stumbles upon a book detailing the most notorious murders in American crime history in this Claymation take on the Manson murders featuring the voices of Billie Joe Armstrong and Asia Argento, and directed by filmmaker John Roecker. Left emotionally vulnerable following a bad L.S.D. trip, young hippie Hadie (Theo Kogan) soon falls prey to the charms of charismatic cult leader Charlie (Armstrong), whose paranoid clan of outcasts have moved to the desert in hopes of hatching a plan to take over the world. As the Hanson family prepares their nefarious takeover, glamorous film starlet Sharon Hate (Nelly Pozbourne) plunges into a decadent world of showbiz debauchery with a little help from her hairdresser friend Hay (Davey Havok). Soon after Sharon encounters members of the Hanson family digging for food in a nearby dumpster, cult leader Charlie begins receiving murderous messages disguised as harmless pop songs. After laying Sharon and her Hollywood friends to waste in a blood-soaked orgy of murder and mutilation, Charlie leads his followers on yet another murderous mission before stealthily disappearing into the night when local police show up on the scene. Though Charlie himself is eventually locked up behind bars as well, his word reaches more people than ever thanks to the tireless efforts of a sensationalistic media and an opportunistic prosecutor who transforms the lurid tale into a bestselling book. Now, in the year 3069, Charlie's word is about to become divine law, and a generation tenuously clinging to life on a barren planet is about to fall. ~ Jason Buchanan, All Movie Guide

A troubled young boy suffering at the hands of his abusive older brother seeks solace in the arms of a traveling burlesque circus singer in this surreal, true crime thriller that follows in the tradition of David Lynch's Blue Velvet and marks the acting debut of former Faith No More frontman Mike Patton. Jimmy (Jak Kendall) is a small-town dreamer who only seems to find peace while walking the candy-colored boardwalk of the traveling circus that has recently rolled into town. Emotionally shackled by his mother Eleanor's (Karen Black) religious fanaticism and physically intimidated by his alcoholic brother, David (Mike Patton), Jimmy leads a meek life of servitude and submissiveness from which he is powerless to escape. Upon glimpsing the exotic beauty of sultry singer Sandra (also Black), Jimmy furtively strikes up a friendship with the woman despite ominous signs that she is being held captive behind the microphone by sadistic circus ringmaster Frank (also Patton). When David goes missing and the horrors of Jimmy's home life are mirrored by the suffering of Sandra in the most unexpected ways, the perceived peace of small-town Kansas is forever shattered by the terrifying truth behind the wholesome, white picket-fence facade of suburbia. ~ Jason Buchanan, All Movie Guide

Scooby, Shaggy, Velma, Fred, and Daphne once again pile into the Mystery Machine and stumble onto danger. This time they happen upon some ghoulies in a small New England town. ~ All Movie Guide

They say that men are from Mars, but one woman finds happiness when her boyfriend is taken over by visitors from another part of the galaxy in this sexy sci-fi comedy. Amanda (Nicole Eggert) is an aspiring artist who supports herself working at a clothing store; she doesn't care for her job, and her boyfriend Charlie (Michael Bendetti) is chronically unfaithful to her. A pair of government agents, Emmitt (Stacy Keach) and Vint (Michael Dorn), have captured a space alien and are guarding it in a secret safe house; however, the alien escapes, and takes over the body of Flores (Alex Maneses), a woman working as a domestic at the house. Amanda meets "Flores" in a coffeehouse and realizes that the runaway alien lurks within; sympathetic to the space creature's plight, she offers to help it escape, and even gives it a new body to travel in -- Charlie's, which suddenly makes him a lot easier to get along with, and even a bit sexier. Onetime scandal queen Jessica Hahn makes a cameo appearance as the host of a TV show. ~ Mark Deming, All Movie Guide

Self-involved corporate raider Edward Lewis (Richard Gere) has recently split up with his girlfriend. Seeking directions to the Beverly Hills Hotel, he makes the acquaintance of free-spirited hooker Vivian Ward (Julia Roberts) and decides to put her on a 3,000-dollar retainer as his "date." He Cinderellarizes her by bankrolling a full wardrobe and cosmetic makeover. Of course, the setup will be strictly platonic. A disarming modern-day fairy tale, Pretty Woman was the picture that made Julia Roberts a superstar. As charming as she is in her "giggling" sequences, Roberts' best scene is her triumphant return to a posh Rodeo Drive shop where she'd been previously snubbed. Keeping Pretty Woman afloat throughout is the buoyant direction of Garry Marshall and the always welcome presence of Marshall's stock company of actors, including Hector Elizondo as a stuffy but golden-hearted concierge. Pretty Woman began its life as a much darker story of prostitutes and homicidal drug dealers, but more box-office-savvy heads ultimately prevailed. ~ Hal Erickson, All Movie Guide

Star Trek IV: The Voyage Home (1986) concludes the story arc begun with Star Trek II: The Wrath of Khan (1982) and continued in Star Trek III: The Search for Spock (1984), but on a wholly new, different, and upbeat note. As the movie opens, months have elapsed since the events in Star Trek III; Admiral Kirk (William Shatner), McCoy (DeForest Kelley), Scott (James Doohan), Sulu (George Takei), Uhura (Nichelle Nichols), and Chekhov (Walter Koenig) are marooned in self-imposed exile on Vulcan, along with the resurrected and regenerated Spock (Leonard Nimoy, who also directed). While Spock tries to sort out the Vulcan and human halves of his resurrected psyche, the others prepare to return to Earth to face a brace of charges by the Klingon Empire and Star Fleet over events on Genesis. Taking off in their commandeered, jerry-rigged Klingon ship, they head to Earth, not knowing that a new crisis could destroy their home world -- a huge, immensely powerful alien probe has entered the galaxy and established a position near Earth, disabling every vehicle and installation in its path with its energy and communication output, and has ionized the entire atmosphere and started vaporizing the oceans, leaving the planet only hours to survive.

Spock determines that the probe is sending out signals to another intelligent terrestrial life form, humpbacked whales, which no longer exist. Using the gravity slingshot time-warp effect (established early in the original series) to travel back into Earth's 20th century, Kirk and company land in 1980s San Francisco to try and bring humpbacked whales to the 23rd century, to respond to the probe. Thus starts a surprisingly breezy, light-hearted, yet serious odyssey through the past (comparable to the best work of the original series), as the crew learns to deal with exact-change buses, angry drivers, punk-rock enthusiasts and other elements of '80s life, and Kirk tries to persuade a scientist (Catherine Hicks) of his good intentions for two whales in captivity. The screenplay, co-authored by Steve Meerson, Peter Krikes, Nicholas Meyer, and Harve Bennett (from a story by Nimoy and Bennett), is the cleverest and most sophisticated of all the Star Trek movie screenplays, recalling some of the elements of Meyer's earlier time-travel movie Time After Time and also anticipating the feel and tone of the series Star Trek: The Next Generation (which would be on the air not quite a year later). Nimoy's direction offers a combination of brisk pacing and a deep love of the characters and the actors, as well as a serious appreciation of the humorous aspects of the script, and Shatner gives his best performance of any of the movies. ~ Bruce Eder, All Movie Guide

This program presents the popular "girl band," the Go Go's at a live outdoor summer concert. The sultry night is a perfect backdrop for the enthusiastic audience, appreciating the musical and physical charms of the sexy band, as they perform some of their standards. Songs include: "We've Got the Beat," "Our Lips Are Sealed," and "Head Over Heels." ~ Rose of Sharon Winter, All Movie Guide