Dame May Whitty Movies
The daughter of a Liverpool newspaper editor, British actress Dame May Whitty first stepped on a London stage in 1882. Shortly afterward she was engaged by the St. James Theatre, serving mostly in an understudy capacity. From there, Whitty went into a travelling stock company, finally attaining leading roles. She had been one of the leading lights of the British stage for nearly 25 years when she appeared in her first film, Enoch Arden, in 1914; caring little for the experience, she made only a smattering of silent films thereafter. In 1918, the 53-year-old May Whitty was made a Dame Commander of the British Empire in recognition of her above-and-beyond activities performing before the troops in World War I. After a string of 1930s Broadway successes, Whitty went to Hollywood for the same reasons that many of her British contemporaries had previously done so -- the work was easy and the money, fabulous. In keeping with the regality of her name, Whitty was usually cast in high-born roles, sometimes imperious, often warmhearted. In her first talking picture Night Must Fall (1937), she is the foolhardy invalid who falls for the charms of homicidal Robert Montgomery, and as consequence winds up literally losing her head. In Hitchcock's The Lady Vanishes (1938) she plays the title role, enduring a great deal of physical exertion while never losing her poise and dignity. Whitty was also capable of playing working-class types, such as the dowdy phony psychic in The Thirteenth Chair (1937). She was twice nominated for the Oscar, first for Night Must Fall in 1937, then for Mrs. Miniver in 1942. Despite her advanced age, Whitty became extremely active on the Hollywood social circuit in the 1940s--at least for the benefit of the newsreel photographers. Whitty died at the age of 82, shortly after completing her scenes for Columbia's The Sign of the Ram (1948). She was the wife of London producer Ben Webster, and the mother of actress/playwright Margaret Webster, who wrote a 1969 biography of Whitty, The Same Only Different. ~ Hal Erickson, All Movie Guide- 1948
In this whimsical fantasy, a young girl suddenly discovers that her horse is really a reincarnation of her beloved uncle who upon his death bed was heard to say that if could ever come back, he would want to be a race horse that wins the Kentucky Derby. When the girl's relatives learn of her beliefs, the greedily try to have her declared incompetent so they can get a hold of her estate. Fortunately, October the horse (it really is her reincarnated uncle!) intervenes, wins the Derby and gives them all pause for thought. ~ Sandra Brennan, All Movie Guide
- Starring:
- Glenn Ford, Terry Moore, (more)
- 1948
Susan Peters, a fine actress of the 1940s whose career was curtailed by an accident which left her wheelchair-bound, utilizes her handicap to her advantage in Sign of the Ram. Peters plays an invalid wife and mother who exercises dictatorial control over all around her. Peters' loved ones are willing to forgive her nastiness due to her condition--a fact that she realizes fully and exploits to the utmost. Eventually her atrocious behavior leaves Peters alone and friendless, but even in her darkest moments she insists upon being a "control freak" and engineers her own spectacular death. Far more tasteful than it sounds, Sign of the Ram was a worthwhile valedictory vehicle for Susan Peters, who died a few years after the film's release. ~ Hal Erickson, All Movie Guide
- Starring:
- Susan Peters, Alexander Knox, (more)
- 1947
The 161-minute costume drama Green Dolphin Street is set in 1840, on an island off the coast of Newfoundland, (or at least, the MGM backlot facsimile of same). Boiled down to essentials, it's the story of two sisters, blonde Marguerite Patourel (Donna Reed) and brunette
Marianne Patourel (Lana Turner), daughters of the wealthy Octavius Patourel (Edmund Gwenn). The two women meet New Zealander William Ozone (Richard Hart) and both quietly fall in love with him, though he's far more interested in Marguerite. To get William away from her sister, the conniving Marianne encourages the young man to fulfill his dreams by enlisting in H.R.H.'s Navy, whereby he'll be shipped off to China. But William misses the boat (no pun intended) and becomes a fugitive. He and buddy Timothy Haslam (Van Heflin) pair up and ship out to New Zealand, where they found a lumber business. William gets soused one night and writes to the sister he loves, inviting her to join him in marriage - but drunkenly uses the other sister's name by mistake. Marianne, believing he meant to write to her, decides to set off for New Zealand to be with her intended. Meanwhile,
Timothy secretly pines for Marguerite - and that's only the set up for this broadly-scaled melodrama. Reportedly budgeted at $4 million, Green Dolphin Street was based on the somewhat better bestseller by Elizabeth Goudge. ~ Hal Erickson, All Movie Guide
Marianne Patourel (Lana Turner), daughters of the wealthy Octavius Patourel (Edmund Gwenn). The two women meet New Zealander William Ozone (Richard Hart) and both quietly fall in love with him, though he's far more interested in Marguerite. To get William away from her sister, the conniving Marianne encourages the young man to fulfill his dreams by enlisting in H.R.H.'s Navy, whereby he'll be shipped off to China. But William misses the boat (no pun intended) and becomes a fugitive. He and buddy Timothy Haslam (Van Heflin) pair up and ship out to New Zealand, where they found a lumber business. William gets soused one night and writes to the sister he loves, inviting her to join him in marriage - but drunkenly uses the other sister's name by mistake. Marianne, believing he meant to write to her, decides to set off for New Zealand to be with her intended. Meanwhile,
Timothy secretly pines for Marguerite - and that's only the set up for this broadly-scaled melodrama. Reportedly budgeted at $4 million, Green Dolphin Street was based on the somewhat better bestseller by Elizabeth Goudge. ~ Hal Erickson, All Movie Guide
- Starring:
- Lana Turner, Patrick Aherne, (more)
- 1947
In this drama, set in England, an honorable textbook writer in a village becomes friends with a pregnant girl. The friendship costs him his marriage. Later, the girl dies, and the authorities wonder if it is murder. A coroner's inquest is held, and for a while the writer's social and professional standing sets on the brink of ruin. In the end, he is finally cleared and is therefore free to court his true love. ~ Sandra Brennan, All Movie Guide
- Starring:
- Walter Pidgeon, John Abbott, (more)
- 1947
In this aqueous musical comedy, an opera singer brings his son to Michigan's Mackinac Island where the son falls in love with the star of the "aquacaper." It is difficult to woo her as she is constantly surrounded by her piano-playing bodyguard and her ever-present grandmother. It's musical and comedic chaos as the son attempts to overcome these and other obstacles while trying to win her heart. Highlights include Jimmy Durante singing his trademark tune "Inka Dinka Do." Other songs include: "M'Appari" from "Martha," "La Donna E Mobile" from "Rigoletto," Cole Porter's "You Are So Easy to Love," "A Little Bit of This and a Little Bit of That," "Chiquita Banana," and "When It's Lilac Time on Mackinac Island." ~ Sandra Brennan, All Movie Guide
- Starring:
- Esther Williams, Lauritz Melchior, (more)
- 1945
Roundly blasted upon its release because of the extreme liberties it takes with the truth, Devotion is better as cinema than as history. Not that it's great cinema, mind you, mainly because the filmmakers opted to replace historical fact with either tired dramatic clichés or wild improbabilities. As an example of the latter, the film posits that Paul Henreid's character, who is a standard-issue film romantic hero (troubled, but understandably so), is the inspiration for two of the most passionate, fiery characters in the canon of English literature. Arthur Kennedy as brother Bramwell is much more passionate and fiery, a fact which tends to further muddle things up. The generic setting is also disappointing; these ladies wrote as they wrote because of where they lived and how they lived, but little of this makes it to the screen. Fortunately, Devotion has Olivia de Havilland and Ida Lupino on hand. De Havilland is quite good, grabbing hold of whatever she can find in the script and milking it for all it's worth. Lupino does even better, often making this standard-issue (at best) writing seem engaging and moving. As indicated, Kennedy also makes things work for him, and Nancy Coleman does what she can with the little she is handed. Erich Wolfgang Korngold's score provides plenty of the atmosphere that Curtis Bernhardt's direction often lacks. Ultimately, Devotion's assets, particularly Lupino and de Havilland, manage to squeeze it into the winner's column -- but it's a pretty close call. The film was produced in 1943, hence the presence of Montagu Love, who died that year. ~ Craig Butler, All Movie Guide
- Starring:
- Ida Lupino, Paul Henreid, (more)
- 1945
Cult figure and B-movie auteur Joseph H. Lewis directed this taut exercise in film noir. Julia Ross (Nina Foch), an American receiving medical treatment in London, finds herself short on money and takes a job as secretary for Mrs. Hughes (May Whitty), the matriarch of a large estate. Julie meets Mrs. Hughes' son Ralph (George Macready), a mysterious gentleman with a facial scar, shortly before eating lunch and falling into a deep sleep. When she awakes, she's in a different home with a high fence, and everyone around her insists that she's Ralph's wife, just home after a stay in a mental institution. My Name Is Julia Ross was one of Lewis' first "prestige" productions; begun as a ten-day B-picture, studio heads were so impressed with the results that they expanded the schedule by eight days to give the picture more polish. ~ Mark Deming, All Movie Guide
- Starring:
- Nina Foch, Dame May Whitty, (more)
- 1944
Ingrid Bergman won her first of three Oscars for this suspense thriller, crafted with surprising tautness by normally genteel "women's picture" director George Cukor. Bergman stars as Paula Alquist, a late 19th century English singer studying music in Italy. However, Paula abandons her studies because she's fallen in love with dapper, handsome Gregory Anton (Charles Boyer). The couple marries and returns to the U.K. and a home inherited by Paula from her aunt, herself a famous singer, who was mysteriously murdered in the house ten years before. Once they have moved in, Gregory, who is in reality a jewel thief and the murderer of Paula's aunt, launches a campaign of terror designed to drive his new bride insane. Though Paula is certain that she sees the house's gaslights dim every evening and that there are strange noises coming from the attic, Gregory convinces Paula that she's imagining things. Gregory's efforts to make Paula unstable are aided by an impertinent maid, Nancy (teenager Angela Lansbury in her feature film debut). Meanwhile, a Scotland Yard inspector, Brian Cameron (Joseph Cotten), becomes suspicious of Gregory and sympathetic to Paula's plight. ~ Karl Williams, All Movie Guide
- Starring:
- Charles Boyer, Ingrid Bergman, (more)
- 1944
The White Cliffs of Dover is one of those overlong MGM wartime films that everyone seems to have seen a part of, but no one can remember the film as a sum total. Based on a poem by Alice Duer Miller, the story chronicles the trials and tribulations of one courageous woman through two world wars. Irene Dunne plays an American girl who, in 1914, falls in love with titled Englishman Alan Marshal. At the end of World War 1 in 1918, it is painfully clear that Marshal will not be returning from the battlefields. Remaining loyal to her husband, Irene vows to raise their child in England. Played by Roddy McDowell in his early scenes, Irene's son grows up to be Peter Lawford. At the outbreak of World War 2, Irene despairs at the thought of losing another loved one, but Lawford convinces her that his dad would have wanted him to answer his country's call to the colors. While working as a Red Cross volunteer, Irene finds that she must tend her own mortally wounded son. Unable to save his life, she is grief-stricken, but is gratified with the notion that neither her husband nor her boy have died in vain. Like many films of its ilk and era, White Cliffs of Dover struck a responsive chord with filmgoers, to the tune of a $4 million profit. Watch for a touching scene between Roddy McDowell and 12-year-old Elizabeth Taylor; 19 years later, lifelong friends Roddy and Liz would be playing mortal enemies in Cleopatra (1963). ~ Hal Erickson, All Movie Guide
- Starring:
- Irene Dunne, Alan Marshal, (more)
Greer Garson and Walter Pidgeon team for the third time in this fact-based biography directed by Mervyn Leroy, based on Eve Curie's book about her mother. In early 1900s Paris, poor Polish student Marie (Greer Garson) gets a chance to study magnetism with kindly professor Jean Perot (Albert Basserman). Perot also arranges for the shy scientist Pierre Curie (Walter Pidgeon) to share the lab with Marie. As they work together, Pierre and Marie fall in love. Pierre eventually musters up the courage to ask her to marry him, and she accepts. After their honeymoon, Marie becomes obsessed with a piece of pitchblende that has been displaying some peculiar properties. After five years of work, Marie discovers radium. But as the years go on, Marie and Pierre struggle to raise money to continue their research, hoping to one day be able to isolate radium from the pitchblende. ~ Paul Brenner, All Movie Guide
- Starring:
- Greer Garson, Walter Pidgeon, (more)
Female dogs tend to shed while in heat; this is why all the collies who've played doggy heroine Lassie in the movies have actually been well-disguised males. A magnificent animal named Pal was the screen's first Lassie in 1943's Lassie Come Home. Set in Yorkshire during the first World War, the film gets under way when the poverty-stricken parents (Donald Crisp, Elsa Lanchester) of young Joe Carraclough (Roddy McDowall) are forced to sell his beloved Lassie. While her new master, the duke of Rudling (Nigel Bruce), is pleasant enough, Lassie prefers the company of Joe and repeatedly escapes. Even when cared for by the duke's affectionate granddaughter, Priscilla (Elizabeth Taylor), Lassie insists upon heading back to her original home. This time, however, the trip is much longer, and Lassie must depend upon the kindness of strangers, notably farmers Dally (Dame May Whitty) and Dan'l Fadden (Ben Webster) and handyman Rowlie (Edmund Gwenn). Based on the novel by Eric Knight (originally serialized in The Saturday Evening Post), Lassie Come Home was released quite some time after Knight's death. Like all the Lassie sequels turned out by MGM between 1943 and 1951, Lassie Come Home was lensed in Technicolor. ~ Hal Erickson, All Movie Guide
- Starring:
- Roddy McDowall, Donald Crisp, (more)
- 1943
This airy bit of MGM fluff stars Lana Turner as small-town soda clerk Peggy Evans. After telling off the self-important new drugstore manager Bob Stuart (Robert Young), Peggy, convinced that there's no future for her in her hometown, fakes her suicide and heads for the big city. After a series of dizzying comic complications, she successfully poses as the long-lost daughter of millionaire Cornelius Burden (Walter Brennan). Meanwhile, poor Bob, held responsible for Peggy's "death," comes to town determined to clear his name by exposing Peggy as an impostor. How this all works itself out is as hard to swallow as the rest of the picture, but the stars are attractive and the production values first-rate. ~ Hal Erickson, All Movie Guide
- Starring:
- Lana Turner, Robert Young, (more)
- 1943
The 80-star cast of Forever and a Day would certainly not have been feasible had not most of the actors and production people turned over their salaries to British war relief -- a point driven home during the lengthy opening credits by an unseen narrator. The true star of the film is a stately old manor house in London, built in 1804 by a British admiral (C. Aubrey Smith) and blitzed in 1940 by one Adolf Hitler. Through the portals of this house pass a vast array of Britons, from high-born to low. The earliest scenes involve gay blade Lt. William Trimble (Ray Milland), wronged country-girl Susan (Anna Neagle), and wicked landowner Ambrose Pomfret (Claude Rains). We move on to a comic interlude involving dotty Mr. Simpson (Reginald Owen), eternally drunken butler Bellamy (Charles Laughton), and cockney plumbers Mr. Dabb (Cedric Hardwicke) and Wilkins (Buster Keaton). Maidservant Jenny (Ida Lupino) takes over the plot during the Boer War era, while the World War I sequence finds the house converted into a way-station for soldiers (including Robert Cummings) and anxious families (including Roland Young and Gladys Cooper). Finally we arrive in 1940, with American Gates Pomfret (Kent Smith) and lady-of-the-house Lesley Trimble (Ruth Warrick) surveying the bombed-out manor, and exulting over the fact that the portrait of the home's founder, Adm. Eustace Trimble (Smith), has remained intact -- symbolic proof of England's durability in its darkest hours. The huge cast includes Dame May Whitty, Edward Everett Horton, Wendy Barrie, Merle Oberon, Nigel Bruce, Richard Haydn, Donald Crisp, and a host of others -- some appearing in sizeable roles, others (like Arthur Treacher and Patric Knowles) willingly accepting one-scene bits, simply to participate in the undertaking. Seven directors and 21 writers were also swept up in the project. Forever and a Day was supposed to have been withdrawn from circulation after the war and its prints destroyed so that no one could profit from what was supposed to have been an act of industry charity. Happily for future generations, prints have survived and are now safely preserved. ~ Hal Erickson, All Movie Guide
- Starring:
- Merle Oberon, Brian Aherne, (more)
- 1943
In the tradition of his earlier Carnival in Flanders and Tales of Manhattan, director Julien Duvivier's Flesh and Fantasy is a "pormanteau" film, consisting of several short stories. Linking the three tales unfolded herein are clubmen Doakes (Robert Benchley) and Davis (David Hoffman), who carry on a spirited debate about Destiny. In the first story, homely Henrietta (Betty Field) is made beautiful through the love of handsome Mardi Gras reveller Michael (Robert Cummings)-and the help of an enigmatic mask-maker (Edgar Barrier). The second story, based on Oscar Wilde's "Lord Arthur Saville's Crime", concerns a fortune teller named Septimus Podgers (Thomas Mitchell) who predicts that socialite Marshall Tyler (Edward G. Robinson) will commit a murder. In the final tale, psychic high wire artist Paul Gaspar (Charles Boyer) dreams that he will meet his doom during the performance of his act-and then falls in love with Joan Stanley (Barbara Stanwyck), who looks exactly like the girl who appeared in that dream. A fourth story, detailing the doomed romance between a fugitive from justice (Alan Curtis) and a blind girl (Gloria Jean), was cut from Flesh and Fantasy, then expanded and released separately as Destiny (1944). ~ Hal Erickson, All Movie Guide
- Starring:
- Edward G. Robinson, Charles Boyer, (more)
- 1943
Warner Bros.' The Constant Nymph was the third filmization of Margaret Dean's 1924 novel; the first two were filmed in Britain in 1928 and 1933 by producer Michael Balcon. The plot was substantially the same in all three versions: A self-centered European musician (Charles Boyer) is idolized by a young Belgian girl (Joan Fontaine) with a serious heart condition. Though he is fond of the girl, the composer opts for a wealthy marriage to her socialite cousin (Alexis Smith)--and lives to regret the move. Peter Lorre, taking a respite from villainous roles, is quite effective as a philosophical family friend. Composer Erich Wolfgang Korngold's six-minute symphonic tone poem for Constant Nymph was given class-A treatment in a specially recorded RCA Victor orchestration in 1972. ~ Hal Erickson, All Movie Guide
- Starring:
- Charles Boyer, Joan Fontaine, (more)
Tyrone Power made his last screen appearance before a three-year stretch in the Marines in this World War II drama. Lt. Ward Stewart (Tyrone Power) has served with distinction as the commander of a PT boat, so his uncle, Adm. Bob Stewart (Minor Watson), gives him a new and more challenging assignment aboard a submarine. Before shipping out, Ward enjoys a night on the town, where he meets and romances a pretty schoolteacher, Jean Hewlett (Anne Baxter). However, when Ward reports for duty, he discovers he'll be serving under Lt. Cmdr. Dewey Connors (Dana Andrews), who happens to be Jean's boyfriend. On leave and on land, Ward and Dewey are soon caught up in a romantic rivalry, while on duty and under the water they must work together to ferret out Nazi U-boats. Crash Dive received an Academy Award nomination for the special effects work in the film's battle sequences. ~ Mark Deming, All Movie Guide
- Starring:
- Tyrone Power, Anne Baxter, (more)
As Academy Award-winning films go, Mrs. Miniver has not weathered the years all that well. This prettified, idealized view of the upper-class British home front during World War II sometimes seems over-calculated and contrived when seen today. In particular, Greer Garson's Oscar-winning performance in the title role often comes off as artificial, especially when she nobly tends her rose garden while her stalwart husband (Walter Pidgeon) participates in the evacuation at Dunkirk. However, even if the film has lost a good portion of its ability to move and inspire audiences, it is easy to see why it was so popular in 1942-and why Winston Churchill was moved to comment that its propaganda value was worth a dozen battleships. Everyone in the audience-even English audiences, closer to the events depicted in the film than American filmgoers-liked to believe that he or she was capable of behaving with as much grace under pressure as the Miniver family. The film's setpieces-the Minivers huddling in their bomb shelter during a Luftwaffe attack, Mrs. Miniver confronting a downed Nazi paratrooper in her kitchen, an annual flower show being staged despite the exigencies of bombing raids, cleric Henry Wilcoxon's climactic call to arms from the pulpit of his ruined church-are masterfully staged and acted, allowing one to ever so briefly forget that this is, after all, slick propagandizing. In addition to Best Picture and Best Actress, Mrs. Miniver garnered Oscars for best supporting actress (Teresa Wright), best director (William Wyler), best script (Arthur Wimperis, George Froschel, James Hilton, Claudine West), best cinematography (Joseph Ruttenberg) and best producer (Sidney Franklin). Sidebar: Richard Ney, who plays Greer Garson's son, later married the actress-and still later became a successful Wall Street financier. Mrs. Miniver was followed by a 1951 sequel, The Miniver Story, but without the wartime setting the bloom was off the rose. ~ Hal Erickson, All Movie Guide
- Starring:
- Greer Garson, Walter Pidgeon, (more)
On a secluded base in Arizona, veteran World War One pilot Steve Britt (Preston Foster) trains flyers to fight in World War Two. One of his trainees, Englishman Peter Stackhouse (John Sutton), competes with Britt for the affections of Kay Saunders (Gene Tierney), the daughter of a local rancher. Despite their differences, Britt makes sure Sutton passes his training and becomes a combat pilot -- even though he loses Kay to the young man in the process. Note the photos of director (and former flying ace) Wellman, which are used as the pictures of Sutton's father displayed by Britt and Sutton's grandmother, Lady Stackhouse (Dame May Whitty). ~ Nicole Gagne, All Movie Guide
- Starring:
- Gene Tierney, Preston S. Foster, (more)
- 1941
One Night in Lisbon is one of several pre-1942 films which used the screwball-comedy form to comment upon the raging war in Europe. While transporting American warplanes to the beleagured RAF, Texas flyboy Dwight Houston (Fred MacMurray) is caught in a London air raid. Scurrying to a shelter, Dwight meets icy, well-bred Briton Leonora Pettycote (Madeleine Carroll), with whom he falls in love--a feeling that is far from mutual at first. Eventually responding to Dwight's charms, Leonora agrees to join him for a night's revelries (as soon as the Nazi bombers head home, that is), but their budding relationship is complicated by the unexpected presence of Dwight's ex-wife Gerry Houston (Patricia Morrison and Leonora's erstwhile sweetheart, Cmdr. Peter Walmsley (John Loder). Escaping their respective suitors, Dwight and Leonara end up in neutral Lisbon, only to land in the middle of a Nazi spy ring. Although poor Leonora gets the worst of it at the hands of the villains, she is game enough to realize that she wants to spend the rest of her life with the footloose Dwight. The film is filled to overflowing with familiar character faces, including Britishers Edmund Gwenn and Dame May Whitty, French émigré Marcel Dalio and even perennial Laurel and Hardy foil James Finlayson. One Night in Lisbon was based on There's Always Juliet, a pre-WW2 play by John Van Druten. ~ Hal Erickson, All Movie Guide
- Starring:
- Fred MacMurray, Madeleine Carroll, (more)
Wealthy, sheltered Joan Fontaine is swept off her feet by charming ne'er-do-well Cary Grant. Though warned that Grant is little more than a fortune-hunter, Fontaine marries him anyway. She remains loyal to her irresponsible husband as he plows his way from one disreputable business scheme to another. Gradually, Fontaine comes to the conclusion that Grant intends to do away with her in order to collect her inheritance...a suspicion confirmed when Grant's likeable business partner Nigel Bruce dies under mysterious circumstances. To his dying day, Hitchcock insisted that he wanted to retain the novelist Francis Iles' original ending, but that the RKO executives intervened. Fontaine won an Academy Award for her work. ~ Hal Erickson, All Movie Guide
- Starring:
- Cary Grant, Joan Fontaine, (more)
- 1940
A delightful film that begs to be rediscovered, Return to Yesterday was adapted from Goodness, How Sad, a play by Robert Morley. Clive Brook is ideally cast as Robert Maine, a famous movie star who longs for the simpler days before he became the idol of millions-and before he was trapped into a loveless marriage with his present wife. Maine takes a sentimental journey to the provincial repertory theatre where he got his first break, only to discover that the little troupe is teetering on the edge of bankruptcy. Without revealing his true identity, he joins the actors and helps to get them over their financial hump. He also happens to fall in love with ingenue Carol Sande (Anna Lee, the wife of director Robert Stevenson), but realizes eventually that she will be better off without him. Dame May Whitty heads the hand-picked supporting cast as Mrs. Truscott, the troupe's garrulous character woman, who is wise enough not to say anything when she overhears Maine letting Carol down gently by replaying a scene from one of his earlier stage triumphs. Long ignored by movie historians, Return to Yesterday was given an honored spot in William K. Everson's affectionate volume Love in the Film (1979). ~ Hal Erickson, All Movie Guide
- Starring:
- Clive Brook, Anna Lee, (more)
- 1940
A creaky remake of the 1932 film of the same name, Bill of Divorcement tells of the effect an emotionally disturbed father's homecoming has on this household. Adolphe Menjou, a longtime mental patient, is released after 20 years' confinement and returns home. Only vaguely aware of the time lapse, Menjou meets his daughter (Maureen O'Hara), and attempts a reunion with his wife (Fay Bainter), who is on the verge of divorcing her long-absent husband and remarrying. Thanks to undue pressure from friends and family, the wife very nearly takes her husband back, much against her will. But the daughter steps in and volunteers to sacrifice her own future to take care of her father, thereby allowing mother to chart her own course of happiness. Incredibly dated in its attitudes toward divorce and insanity, Bill of Divorcement worked somewhat better in its 1932 version, thanks to the charisma and chemistry of John Barrymore as the father and newcomer Katharine Hepburn as the daughter. For many years, the 1940 Bill of Divorcement was retitled Never to Love when shown on TV. ~ Hal Erickson, All Movie Guide
- Starring:
- Maureen O'Hara, Adolphe Menjou, (more)
- 1939
The fourth cinematic version of the novel Raffles, the Amateur Cracksman by E.W. Hornung, this romantic caper is a virtual remake of the 1930 version. David Niven stars as A.J. Raffles, a famed cricket player of English society's upper crust. Secretly, however, Raffles is a skilled cat burglar known as "The Amateur Cracksman" to Scotland Yard, which has been unable to catch him. Known for returning the items he's filched, Raffles is about to give up a life of crime because he's fallen for Gwen (Olivia de Havilland), a rich society girl. But first Gwen's brother, Bunny (Douglas Walton), needs help to extricate himself from a gambling debt that will be satisfied nicely by the valuable necklace owned by royal Lady Melrose (May Whitty). At a party thrown by Melrose, a rival thief and a detective (Dudley Digges) stand in Raffles' way, although the nimble and perturbed master criminal has a master plan that will result in the least possible harm coming to all involved. ~ Karl Williams, All Movie Guide
- Starring:
- David Niven, Olivia de Havilland, (more)
- 1938
The Lady Vanishes, Alfred Hitchcock's comedy-thriller, came at the end of his British period; this film's success brought Hitchcock to the attention of Hollywood. He would complete only one other British production, Jamaica Inn, before crossing the Atlantic to working for David O. Selznick on Rebecca. The film concerns the young Iris Henderson (Margaret Lockwood), heading home on a train after spending the holidays in the Balkans. Iris becomes friends with a kindly old lady, Miss Froy (Dame May Whitty) after Iris gets hit in the head with a flowerpot meant for Miss Froy. On the train, recovering from the blow, Iris falls asleep. When she awakens, Miss Froy has vanished, replaced by someone else in Miss Froy's clothing. Iris talks to the other passengers, a bizarre collection of eccentrics who think that Iris is crazy for insisting on there even being a Miss Froy -- everyone denies having ever seen the old woman. Finally, Iris finds a young musician, Gilbert (Michael Redgrave), who believes her and the two proceed to search the train for clues to Miss Froy's disappearance. ~ Paul Brenner, All Movie Guide
- Starring:
- Margaret Lockwood, Michael Redgrave, (more)
- 1938
An undying love is chronicled in this "women's picture." The sweeping tale begins in a quiet New England village during the late '20s. There an introverted young man and a restless young woman (Henry Fonda and Joan Bennett) are happily in love until a dashing, sophisticated fellow (Alan Marshall) comes to town and sweeps her away to the exotic City of Light. There the two find a charming Parisian loft and live in unwedded bliss with their baby daughter. Unfortunately, the sophisticate turns out to be a lush and dies of alcoholism within ten years. Alone, Bennett returns to her hometown only to find that the townsfolk are still angry with her for breaking Fonda's heart. They are also appalled that she be so wanton as to bear a child out of wedlock. While she was gone, Fonda became a professor of biology and has worked at the local university for many years. Having been once burned, he made a solemn vow to remain forever single so when he sees her again, he pretends he is no longer interested. At the same time, he also tries to discourage the unwanted attentions of a determined young coed from romantically pursuing him. So, will Bennett and Fonda overcome their many obstacles and reunite for a happy ending? Of course, but how they do it will not be revealed here. ~ Sandra Brennan, All Movie Guide
- Starring:
- Joan Bennett, Henry Fonda, (more)
