Margaret Whitton

We'd rather not rehash the sordied Menendez murder case in this space; besides, it isn't necessary, inasmuch as no fewer than two TV movies were produced on the subject in 1994. The first was Fox's Honor Thy Father and Mother; the second, telecast less than a month later, was Menendez: A Killing in Beverly Hills. Two hours longer than the first film, Menendez spends half of its running time recounting the events leading up to the Menendez brothers' murder of the parents, while the second half devotes itself to their overpublicized trial. Lyle and Eric Menendez are played, respectively, by Damian Chapa and Travis Fine. Edward James Olmos and Beverly D'Angelo costar as the ill-fated parents, while Margaret Whitton is cast as attorney Leslie Abramson. Once past the most lurid aspects of the case-notably the Menendez boys' insistence that their crime was motivated by extreme parental abuse-this 4-hour wallow gets pretty tiresome. Menendez was originally telecast in two parts, on May 22 and 23, 1994. ~ Hal Erickson, All Movie Guide

Mel Gibson made his feature film directing debut with this drama, loosely based on the book by Isabel Holland, which combines elements from The Elephant Man, Mask, Scent of a Woman, and The Karate Kid in a study of the capacity for human trust and compassion. Gibson plays Justin McLeod, a former teacher who, after having his face and his body terribly disfigured in an automobile accident, has taken to living alone in a big house in an island off the coast of Maine. McLeod works as a free-lance artist who undergoes the humiliation of being shunned by his neighbors and called "hamburger head" behind his back. McLeod keeps to himself and wants nothing to do with his neighbors. But one day an adolescent boy, Chuck Norstadt (Nick Stahl), comes knocking at his door desperate for a tutor. At first suspicious, McLeod gradually warms up to Chuck and they become pals. But their burgeoning friendship is frowned upon by Chuck's family and the local police chief, Stark (Geoffrey Lewis), apparently because of rumors circulating that McLeod had a record concerning child molestation. This piece of gossip threatens Chuck with the loss of his teacher and a new-found friend. ~ Paul Brenner, All Movie Guide

Matthew Lawrence plays an 11-year-old boy whose life is torn asunder by the divorce of his parents. John Ritter plays Lawrence's doctor father, who finds himself with only one day to make amends to his estranged son. Complicating matters are the divergent emotions of Lawrence's mother's new husband, and his father's new wife. Though the title would suggest that Ritter is forced to mature, it is in fact Lawrence who comes of age before the final fadeout. The Summer My Father Grew Up was first telecast March 3, 1991, where it lost the ratings war hands-down to a rerun of RoboCop. ~ Hal Erickson, All Movie Guide

Inheriting the Cleveland Indians baseball team from her late husband, covetous ex-showgirl Margaret Whitton wants to move the franchise to Miami, primarily to take advantage of the many personal perks she's been promised by that city. But Cleveland won't yield its lease on the Indians unless the year's attendance falls below 800,000. Figuring that chances for this are already good given Cleveland's inability to win a pennant, Whitton tries to make doubly certain that the fans won't turn out by ordering the club manager to put together the worst team possible. The new players include hasbeen Tom Berenger, blind-as-a-bat pitcher Charlie Sheen, self-protective free agent Corbin Bernsen, and Wesley Snipes, who is constitutionally incapable of hitting straight. Surprisingly, this band of misfits begins winning games, so Whitton decides to break their spirit by forcing them to fly from game to game in a World War II prop plane, assigning them a rickety old bus for road games, and divesting them of their precious whirlpool. Still, the team's talent and esprit de corps grows, especially after "Wild Thing" Sheen dons a pair of glasses and is able to see where he's lobbing his 100-mile-an-hour pitches. Once the players are told that Whitton plans to dump them all whether they win the pennant or not, the team defiantly adopts an "us against the you-know-what" attitude. In a nailbiting 20 minute climax, the Indians face down their hated Yankee rivals in the pennant playoff game. The film's conclusion ties up several loose plot ends, notably the off-and-on romance between the irresponsible Berenger and his "ex" Rene Russo. Though set in Cleveland, Major League was filmed virtually in its entirety in Milwaukee, with the Brewers' play-by-play announcer Bob Uecker giving a terrific performance as the Indians' drink-besotted color commentator. The film represented not only the fictional comeback of the Cleveland Indians, but the actual comeback of producer/director David S. Ward, who'd been in a professional slump for several years. Though containing few surprises, Major League was a box-office smash, inspiring a 1992 sequel, inventively titled Major League II. ~ Hal Erickson, All Movie Guide

Based on the William Kennedy novel of the same name Ironweed is set in the waning years of the Depression. Jack Nicholson plays Francis Phelan, a washed-up ballplayer (a onetime infielder for the Washington Senators) who deserted his family back in the 1910s when he accidentally killed his infant son by dropping him. Since that time, Phelan has been a shabby barfly, living from drink to drink; he spends his days palling around with Rudy (Tom Waits), with whom he works a motley series of jobs in exchange for a place to lay his head and an occasional jug of wine. Wandering into his hometown of Albany, New York, Phelan blearily seeks out his girlfriend and erstwhile drinking companion of nine years, Helen Archer (Meryl Streep), who has begun prostituting herself for drink and lodging. The two derelicts touch base in a mission managed by minister James Gammon, and later in Fred Gwynne's squalid gin mill. Over the next few days, Phelan takes a few minor jobs to support his habit, while his mind wavers between past and present. Eventually, a chance for a reconciliation with his wife (Carroll Baker) emerges. Directed by Hector Babenco following his enormous success with Kiss of the Spider Woman , Ironweed netted Oscar nominations for Nicholson and Streep. ~ Hal Erickson, All Movie Guide

The title refers to the duration of the relationship between self-absorbed Wall Street shark Mickey Rourke and divorced art gallery owner Kim Basinger. Kim is looking for true love, while Mickey is searching for...gosh knows what. His notions of lovemaking include blindfolds, ice cubes, chocolate syrup, and rolling around on spent peanut shells. When the alotted 9 1/2 weeks are up, Kim has finally come to realize that Rourke has been using her. We could have told her that twenty minutes into the film. One of the definitive works in the Mickey Rourke ouevre, 9 1/2 Weeks is deliciously awful, and as such will probably endure as a Camp Classic for the next hundred years. The film is available in both R-rated and unrated versions; either way, it's a hoot. ~ Hal Erickson, All Movie Guide

Based upon the true story of a woman's battle to raise her baby in prison after having become pregnant by a prison guard while serving a twenty-year stretch for robbery, Amy Madigan, in her debut film, delivers an impressive intensity and range as Terry Jean Moore, a wild young woman with a chip on her shoulder. The story begins as Terry is hitchhiking with her equally wild cousin Jesse (Lewis Smith). They are picked up by a passing motorist and Jesse tries to rob the motorist of five dollars. When they are caught, Jesse takes the rap for her cousin and winds up in jail. Her temperament does not endear her to the prison authorities, although she is befriended by a young lesbian, J.J. (Mackenzie Phillips), and a sympathetic guard, Jack Hensen (Beau Bridges). Jack and Terry fall in love and have an affair in prison. Terry becomes pregnant and fights to raise her child in prison. At the same time, being pregnant forces Terry to reconsider her life and adopt a more responsible attitude. ~ Paul Brenner, All Movie Guide

Based on the true story of Sergeant-Major Charlie Coward (played by Dirk Bogarde) during World War II, this conventional wartime drama does not convincingly put across Coward's heroism, or his seemingly impossible exploits. A German POW and leader in Stalag 8B, Coward finds ways to humiliate his German captors whenever he can, but most importantly he and the men under him are working out an escape. They have already dug out a 280-foot tunnel, and now Coward has to somehow reach the Polish resistance fighters in order to get the necessary maps and money before exiting through the tunnel. To that end, he gets put in charge of prisoners at a lumber yard, burns the place down, blames it on a German officer, and manages to get an afternoon off in town if he does not rat on the officer. That time off allows him to contact the resistance movement and get the supplies he needs. And this is only the beginning of several adventures that Coward somehow survives. ~ Eleanor Mannikka, All Movie Guide