Lynn Whitney Movies

A science project goes awry and the world is threatened by giant cockroaches in this horror outing. ~ Sandra Brennan, Rovi

The sequel to Saturday the 14th, this horror-comedy traces the adventures of nice-guy teen Eddie Baxter (Jason Presson) as he saves the world from the brink of supernatural destruction. After moving into a decrepit, inherited mansion with his family -- a collection of oddballs who eat nothing but junk food yet cling to a Leave It to Beaver sense of normalcy -- Eddie is the only one to notice the mysterious mists that spill up from the basement and engender odd behavior in everyone but himself and lovable old Gramps (Ray Walston). The entire family, from Eddie's dad (Avery Schreiber) to his freeloading Aunt Alice (Rhonda Aldrich), soon begins conducting late-night chocolate-fudge sculpture classes in the kitchen. Chairs begin eating people, Aunt Alice spouts werewolf-style facial hair, and monsters begin issuing forth from a crack in the basement floor. Soon, a leggy blond vampire named Charlene (Pamela Stonebrook) has taken up residence in the Eddie's room; she tells the boy he's set to inherit the mantle of darkness from a fiend known as The Evil One (Leo V. Gordon) at the stroke of midnight on Saturday the 14th. As signs and portents proliferate, Eddie must decide whether to reject temptation or bask in his newfound powers. Help arrives unexpectedly in the form of Leonard Cavendish (Phil Leeds), Gramps' deceased best friend. Saturday the 14th Strikes Back co-star Avery Schreiber spent much of the '80s being distracted by the hearty crunch of Doritos snack chips in a long-running series of TV commercials. Audiences will remember Ray Walston from his role as Uncle Martin in the '60s TV show My Favorite Martian, while veteran comedy player Phil Leeds would go on to play tooth-obsessed Judge Happy Boyle on the '90s Fox comedy Ally McBeal. ~ Brian J. Dillard, Rovi

In Storm Warning, Ginger Rogers stars as a model visiting relatives in an unnamed small town. She happens to witness the beating death of a man at the hands of the KKK. Rogers soon discovers that the whole town is controlled by this vigilante group, and that her loutish brother-in-law Steve Cochran is one of the group's members. D.A. Ronald W. Reagan is the man who breaks the stranglehold of the hooded terrorists--through the simple expedient of walking into one of their meetings and calmly identifying each of them by name. ~ Hal Erickson, Rovi

"This boy...and this girl...were never properly introduced to the world we live in." With this superimposed opening title, director Nicholas Ray inaugurates his first feature, They Live by Night. Farley Granger and Cathy O'Donnell play a "Bonnie and Clyde"-type fugitive couple, who in trying to escape their past are hell-bent down the road to Doom. Despite their criminal activities, Bowie (Granger) and Keechie (O'Donnell) are hopelessly naïve, fabricating their own idyllic dream world as the authorities close in. The entrapment -- both actual and symbolic -- of the young misfit couple can now be seen as a precursor to the dilemma facing James Dean in Ray's 1955 film Rebel Without a Cause. A box-office disappointment upon its first release, They Live by Night has since gained stature as one of the most sensitive and least-predictable entries in the film noir genre. The film was based on a novel by Edward Anderson, and in 1974 was filmed by Robert Altman under its original title, Thieves Like Us. ~ Hal Erickson, Rovi

Screenwriter Herman J. Mankiewicz adopts the same prismatic-flashback technique he'd used so well in Citizen Kane for the 1949 filmic soap opera A Woman's Secret. Based on a novel by Vicki (Grand Hotel) Baum, the film begins with the shooting of nightclub singer Susan Caldwell (Gloria Grahame). Marian Washburn (Maureen O'Hara), who'd coached Susan into the Big Time, confesses to the shooting. Neither Marian's piano-player friend Luke Jordan (Melvyn Douglas) nor police inspector Fowler (Jay C. Flippen) completely buy her story, and it is their probing investigation of the facts that sparks the flashback parade. The film details in sometimes clever, sometimes maudlin fashion the perils of living one's life vicariously through the accomplishments of others. Though filmed before director Nicholas Ray's "official" debut feature They Live by Night, A Woman's Secret was released afterward. ~ Hal Erickson, Rovi

One of two con-artists ends up arrested and given five days of freedom before he must go to jail. This comedy chronicles those five days. The man loves to eat; knowing that prison food is lousy, he decides to spend his days stuffing himself with the finest foods available. He is accompanied to numerous 4-star restaurants by his partner and the arresting officer. Each of these two are interested in learning where he stashed a half-million dollars in loot. Eventually the man begins looking at his lovely partner and thinking of things other than his stomach. This leads to marriage. After serving his time, he and his bride go on to lead honest lives. ~ Sandra Brennan, Rovi

The 1922 silent comedy Don't Write Letters was updated to the war years and remade as A Letter for Evie. Marsha Hunt is the title character, a girl who does her patriotic bit by sending affectionate letters to a soldier overseas. The soldier (Hume Cronyn) comes to visit on leave, accompanied by his best friend (John Carroll). Evie wants to be loyal to her pen-pal, but the pen-pal's pal is so doggone cute. Letter for Evie represents one of the earliest feature film assignments for Jules Dassin, who would eventually contribute such notable films as Rififi and Never on Sunday. ~ Hal Erickson, Rovi