Stuart Whitman Movies

Madeleine Stowe, Mary Stuart Masterson, Andie MacDowell, and Drew Barrymore are the stars of this Western whose main gimmick is making heroes into heroines. They all start out as prostitutes, as Cody (Stowe) shoots a drunken colonel who attempts to molest Anita (Masterson). She is about to be lynched for defending her friend when the other "bad girls" ride in and rescue her, pursued by detectives. The rest of the film follows their adventures as they get caught up in hostage situations, bank robberies, shootouts, and romantic interludes with handsome young cowboys with never a hair out of place or an unsightly smudge of Western dust. Amazingly, all four former prostitutes are able to ride, shoot, rope, and fight as well. Bad Girls is not likely to be thought of as a realistic view of how women lived in the Old West. ~ Don Kaye, All Movie Guide

In this violent actioner, a misanthropic Ottawa police captain searches for the person who poisoned his little sister, who was attending the university in Montreal. So desperate is he for vengeance that he casts protocol to the winds and begins using his own brutal methods to find the killer. Soon he discovers that his "innocent" kid sister was involved in the theft of a valuable string of pearls and that she had been hanging around an appalling assortment of creeps and weirdos. The story was originally titled Blazing Magnum. The new title has nothing to do with the film. ~ Sandra Brennan, All Movie Guide

Pia Zadora stars in an over-cooked melodramatic adaptation of the 1946 James M. Cain novel that is every bit as smutty and sleazy as Zadora's vampish character of Kady. The location of the novel has been switched from Appalachia to the barren lands of Arizona and Nevada in 1937. Stacy Keach plays Jess Tyler, a desert hermit who has spent years guarding an abandoned silver mine. Suddenly, Jesse is confronted by his very grown-up and sexy daughter, who, when she was a baby, had been taken away from him by his wife, Belle (Lois Nettleton). Kady, it so happens, hasn't come home for a family reunion -- she has just been dumped by a rich young man who is the father of her illegitimate child and whose family owns the very silver mine that Jess is guarding. Kady hopes to use her feminine wiles to seduce Jess and reopen the mine and extract the money from the earth that she feels is due her from the family. As if his seductive daughter walking around bare-breasted in front of him isn't enough, Jess must also deal with the sudden return of his older daughter, Janey (Ann Dane), who appears with Kady's son; Belle, who comes back to Jess dying of tuberculosis; and Moke Blue (James Franciscus), the man who stole Belle away from Jess years ago. Also squeezing his way into Jess's shack is Wash Gillespie (Edward Albert), the father of Kady's child, who now wants to marry her. Butterfly also features Orson Welles as Judge Rauch. ~ Paul Brenner, All Movie Guide

A Native American working for the government must investigate the Indian Commissioner's death. Soon he uncovers the schemes of a wealthy land owner and an assassination plot which will further victimize the local natives. ~ Kristie Hassen, All Movie Guide

Irwin Allen, praised in some circles as a science fiction genius and damned in others as a shameless schlockmeister, produced and directed this fanciful TV-movie. Set in the 21st century, the film concentrates on a group of colonists dwelling in a modernistic underwater city called Pacifica. The emphasis is on drama rather than special effects, as we see the deep-sea denizens struggling to cope with the pressures of their new existence--and their own personal animosities. Stuart Whitman heads a large cast of TV veterans, including Time Tunnel regulars James Darren, Robert Colbert and Whit Bissell, and onetime Voyage to the Bottom of the Sea star Richard Basehart (as the US President). Expanded from a short "demo" pilot film, City Beneath the Sea is the one Irwin Allen project that could have matured into a truly worthwhile TV series; unfortunately no network was interested in subsidizing this expensive effort. ~ Hal Erickson, All Movie Guide

Based on the autobiography of convicted killer John Resko (played here by Ben Gazzara), this routine biographical drama looks at the crucial years between 1931 and 1949 in the convict's life. That period begins when Resko is convicted of killing a store owner and is sentenced to life in prison. After his arrival in prison Resko eventually gets involved in creating art, an activity that leads to a transformation in his character. That change became evident enough to garner the attention of the powers-that-be and by 1949, Resko receives a pardon. The prison system is shown as improving between the killer's first internment and his release, which in itself might make some viewers wonder what happened then, in the years between 1949 and the present. ~ Eleanor Mannikka, All Movie Guide

Kathy Ferguson (Barbara Stanwyck) is a cynical newspaper columnist in San Francisco, handling women's advice -- by chance one day, the paper's city editor assigns her to cover the woman's angle on the arrival of a pair of L.A. police detectives, Capt. Manny Alidos (Royal Dano) and Lt. Bill Doyle (Sterling Hayden), on the hunt for a murder suspect known to be hiding somewhere in the city. They're both pretty button-down types and seem like fish-out-of-water in the more easy-going Frisco, and Kathy quickly clashes with them both, especially when her column appealing to the missing suspect as a woman yields serious dual results -- not only does Kathy boost her profile and readership, but the missing suspect makes contact and is ultimately brought in; in the process, Kathy goes from journalistic back-bencher to media star. That would be the end of the issue, except that Kathy and Bill have become attracted to each other amid their clashes, parries, and thrusts, and decide to get married -- she spurns the offer of a job in New York to move to Los Angeles and settle down to the life of a wife and homemaker. But that proves impossible -- Kathy quickly chafes at what she regards as the empty vacuous chatter of her fellow detective wives' lives and social interactions, and also her place in their pecking order as determined by their husbands' ranks and assignments (and Bill just doesn't rate high enough). Her own life suddenly cut off from career and ambition, and an ability to act on either, she becomes fixated on Bill's career and advancing it and him as a substitute. She contrives to cross paths socially with Alice Pope (Fay Wray), the wife of Inspector Tony Pope (Raymond Burr), who is both the head of an elite detective unit and the top man in her husband's division, and is soon not only getting Bill invited to parties with Pope and the police commissioner, but also cutting her husband's boss Manny Alidos and his wife Sara (Virginia Grey), to whom she's taken a special dislike, out of those same events.
It's not quite enough, however, and Kathy starts socializing on her own with Tony Pope, on Bill's behalf, and the two soon have their own relationship. Bill is still too much of a nice guy, and not careerist enough or assertive enough -- until she feigns distress at receiving poison-pen letters accusing her of having an affair with Pope, and blames Manny and Sara. This drives Bill to confront and assault Alidos, leading to a hearing in Pope's office where the chief of the division -- now very much beholden to Bill for Kathy's sake -- comes down on Bill's side. When the smoke clears, Manny is bounced back into uniform and Bill is made acting captain and put in charge of the homicide unit that Alidos formerly headed. Bill is on his way, and so is Kathy and Pope's relationship. But Pope proves to be a distressingly honorable and loyal man -- when his wife's health takes a turn for the worse, he decides to put in for retirement, and Kathy wants him to recommend Bill as his replacement. He considers it but decides that regardless of what he's done outside of his marriage, the department is too important to compromise the detective division, and that Bill just doesn't have what it takes to head it. Kathy is too deep in her strategy to back off, and also feels betrayed by Pope; now pushed over the edge, she contrives to threaten him with a gun, and is prepared to make good on her threat. Ironically enough, Bill may get his shot yet at heading the division, as he's head of homicide and takes personal charge of the biggest case the department has seen in years -- bringing in Tony Pope's killer. The only question is if and how he can put together the clues and pieces of the puzzle leading back to Kathy. ~ Bruce Eder, All Movie Guide

James Garner stars as WWII hero Major William Darby in this characteristically gusty William Wellman combat film. Darby organizes a highly-trained group of rangers, to be deployed in behind-the-lines activities in Italy and Northern Africa. The first portion of the film details the training, with time out for a few comic and romantic interludes; the second part shows Darby's Rangers in full, ferocious action. In addition to Garner, Warner Bros. used Darby's Rangers to spotlight another of its TV stars, Edd "Kookie" Byrnes; Bill Wellman Jr. also shows up in the supporting role of Eli Clatworthy. The film was adapted from the book by Major James Altieri. ~ Hal Erickson, All Movie Guide

In this "B" grade film noir wannabe, the U.S. government releases David Fox (Richard Lynch) from prison on the condition that he help them trap a tax-shelter specialist working for the mob. Armed with $1,000,000 in hot money, Fox is chased all over Miami and back as he vacillates between fulfilling his obligation and finding the man who killed his brother. On the way, he unintentionally picks up Karen (Priscilla Barnes) via the unlikely method of stealing her landscaping truck, and she soon joins him as the adventure continues to the final showdown, back in Miami. ~ Eleanor Mannikka, All Movie Guide

Lana Turner stars as Diane in this opulent costume drama. Set in 16th century France, the film finds the gorgeous Diane de Pottiers rising to a position of absolute power through her manipulation of the men in her life. Those men include King Francis I (Pedro Armendariz), Prince Henri (Roger Moore) and Diane's husband, the Count de Breze (Torin Thatcher). Diane's principal foe is the scheming Catherine de Medici (Marisa Pavan), who for the first time in her life has met her match in Our Heroine. Christopher Isherwood's screenplay is literate to a fault, though the film could have used a few more action highlights. The tepid box-office receipts of Diane hastened the end of Lana Turner's long association with MGM. ~ Hal Erickson, All Movie Guide