Gayne Whitman Movies

Clemson Reade (Cary Grant) is the kind of man who wants to marry an old-fashioned girl, one who will stay home and take care of her husband. However, he's fallen in love with Priscilla "Effie" Effington (Deborah Kerr), who has an exciting career with the State Department that she has no intention of giving up. Clemson has the poor timing of proposing marriage to Effie just as she's in the middle of trying to resolve a major political crisis with the Middle Eastern nation of Bukistan; the United States wants to stay on Bukistan's good side, thanks to their plentiful reserves of oil. Tired of waiting for Effie, Clemson decides that he needs to find a potential bride who will follow his lead instead of her own, and he soon meets Princess Tarji (Betta Saint John), daughter of the King of Bukistan, who has spent her life learning to faithfully serve her man. Clemson half-seriously sends a telegram proposing marriage to Tarji, which touches off a political tempest in a teapot when Tarji responds by visiting the United States. The State Department decides that someone should look after Tarji while she's in America, and who should be given the assignment but Effie; to Clemson's chagrin, Effie uses her time with Tarji to enlighten her about the more liberated status of women in the West. By the way, don't bother looking for Bukistan in your atlas, the country doesn't really exist. ~ Mark Deming, All Movie Guide

The third of actor Hugo Haas' endeavors as producer-director, Strange Fascination is at least superficially better and more original than the first two. While it's true that Haas once more deploys the theme of a middle-aged man falling hopelessly in love with a much-younger woman, he eschew his usual fondness for melodrama in favor of sentiment. Haas plays Paul Marvan, an international renowned concert pianist. Marvan's career goes into eclipse almost immediately after his marriage to the beautiful Margo (Cleo Moore, in the first of her many Hugo Haas films). It isn't anyone's fault, really: it is simply that Cruel Fate is dead set against Mr. and Mrs. Marvan ever enjoying true happiness. The grimly ironic finale of Strange Fascination is proof positive that there is, indeed, a long long time from May to December. ~ Hal Erickson, All Movie Guide

Louis Calhern repeats his Broadway role as Chief Justice Oliver Wendell Holmes in this 1950 cinemazation of Emmet Lavery's stage play The Magnificent Yankee. The film is for the most part confined to the Holmes home in Washington, where the good gray judge parries affectionately with his level-headed wife Fanny (Ann Harding). A steady stream of historical personages parade through the Holmes manse, including jurist Louis Brandeis (Eduard Franz) and novelist Owen Wister (Philip Ober). The death of his wife devastates Holmes, but only briefly; he ends up serving his country for nearly forty years. The British title of Magnificent Yankee was The Man With Thirty Sons, a somewhat misleading reference to the Harvard Law graduates whom Oliver Wendell Holmes sponsored. Also available on videocassette is a 1965 TV production of Magnificent Yankee, starring Alfred Lunt and Lynn Fontanne. ~ Hal Erickson, All Movie Guide

The overcrowding in WWII-era Washington, D.C., provided the concept for this comedy, as well as another film from the previous year, The More the Merrier (1943). Lee Stevens (Fred MacMurray) is an executive from a toy company owned by T.J. Todd (Edward Arnold). In hopes of landing a lucrative wartime production contract, Todd has dispatched Stevens and Jane Rogers (Paulette Goddard), a secretary, to Washington, D.C., for a meeting with a political fat cat. Once there, Jane foolishly cancels their hotel reservations, unaware that the capitol is so jammed that there is nowhere else to stay. She devises a plan -- she and Lee will pose as servants in the home of wealthy Ira Cromwell (Roland Young), where their lodging will be part of their salary. Lee is a disaster as a domestic, and when the very same politician they've come to meet arrives for a formal dinner, disaster looms. Standing Room Only (1944) was the third of five films in which MacMurray and Goddard would appear together. ~ Karl Williams, All Movie Guide

Universal's My Gal Loves Music is an agreeable derivation of Paramount's The Major and the Minor, with a bit of Nothing Sacred thrown in. Grace McDonald plays pretty and talented Judy Mason, who poses as a 14-year-old child prodigy to pep up business for snake-oil peddler Dr. Bilbo's (Walter Catlett) medicine show. As an upshot of this deception, Judy is brought to New York to sing on a network radio program, with Bilbo-who happens to be her uncle-in tow. Mel Murray (Bob Crosby), bandleader on the radio show, decides to protect "little" Judy during her visit to the big city. He finds himself falling in love with the girl despite the presumed difference in their ages, leading Judy to seriously consider telling the truth for the first time in the picture. Featured in the cast of My Gal Loves Music are genuine kiddie performers Freddie Mercer and Paulina Carter. ~ Hal Erickson, All Movie Guide

In this murder mystery, a re-working of The Sphinx, a distract attorney is determined to prove that the community's most respected member, a deaf-mute philanthropist, is a cold-blooded killer. When the prominent fellow is acquitted, the disgusted DA quits his job and begins investigating the murder himself. His investigation takes an unexpected turn when he learns the truth about the killing--the suspect is both guilty and not guilty. ~ Sandra Brennan, All Movie Guide

Unable to convince their isolationist New York editor (Charles Dingle) that America must be alerted to the threat of encroaching Nazism, pugnacious war correspondents Johnny and Kirk Davis (Clark Gable and Robert Sterling) are relieved of their European assignments. Back in the USA, Johnny inagurates a rogueish flirtation with Paula Lane (Lana Turner), an aspiring reporter who has harbored a long-standing crush on Johnny. Even so, Paula enters into a romantic relationship with Kirk, prompting Johnny to break up the affair-for Kirk's own good, of course. Paula's hopes for a lasting romance with Johnny are crushed when he refuses to discourage her from accepting an assignment in IndoChina. Later on, both Johnny and Kirk are sent off to cover the war in the Far East, where they are reunited with Paula, now busily shepherding Chinese war orphans to safety. The action moves to Bataan, where Kirk is killed in service of his country, leaving Johnny to write a passionate tribute to his brother-and, by extention, everyone else who has lain down his or her life for the cause of Democracy. During production of Somewhere I'll Find You, Clark Gable's actress-wife Carole Lombard was killed in a plane crash while participating in a war-loan drive; the impact of the tragedy is painfully obvious in Gable's performance, which becomes abruptly less playful and more somber in the final reels. New MGM recruits Van Johnson and Keenan Wynn make impressive appearances in uncredited roles. ~ Hal Erickson, All Movie Guide

Misbehaving Husbands was intended as a comeback vehicle for silent-film comedy great Harry Langdon, who after his fall from grace in the 1920s had to content himself with cheap 2-reelers, featured roles and screenwriting assignments. Langdon plays henpecked store-owner Henry Butler, who decides to save money by designing his window displays himself. When Henry's wife (Betty Blythe) spots him in an innocent but compromising situation with one of his underdressed models, she walks out on him and files for divorce. Making matters worse, poor Henry is accused of murder when he's seen carrying a store dummy into his house. It's all strictly short-subject material, but Langdon carries off his assignment with finesse, proving that he was still capable of carrying a feature film if given half a chance. Others contributing to the general merriment are statuesque Esther Muir, Langdon's longtime screen partner (and close friend) Vernon Dent, Ralph "Dick Tracy" Byrd and veteran western heavy Richard Cramer (who'd previously appeared in the Langdon-scripted Laurel&Hardy vehicle Saps at Sea). ~ Hal Erickson, All Movie Guide

(Preston Sturges) wrote and directed this classic romantic comedy starring Henry Fonda and Barbara Stanwyck, who are involved in a scintillating battle of the sexes, as Sturges points up the terrors of sexual passion and the unattainability of the romantic ideal. Henry Fonda plays Charles Pike, the heir to the Pike Ale fortune ("The Ale That Won for Yale"). An ophiologist (a snake expert), he just spent a year "up the Amazon" looking for rare snakes with his cynical and protective guardian/valet Muggsy (William Demarest). He arrives to board the S.S. Southern Queen bound for New York, and immediately becomes the main order of business for a collection of single women looking to nab the eligible bachelor. Amongst those watching Charles board are a trio of con men and cardsharps -- Colonel Handsome Harry Harrington (Charles Coburn), his partner Gerald (Melville Cooper), and the Colonel's daughter Jean (Barbara Stanwyck). All three see Charles as a pushover and at dinner, while all the women are ogling Charles, Jean wins the day by sticking out her foot and tripping him. Complaining to Charles that he should watch where he is going, she gets him to escort her to her cabin so that she can replace her broken heel. Charles is sexually attracted to Jean, but when Charles is about to make a pass at her, she pulls back, telling him, "You ought to be put in a cage." Back in the dining room, Charles is introduced to the Colonel and the three play cards, Charles winning $500 from the Colonel and $100 from Jean. But Charles is merely being set-up for the next game when the Colonel will come in for the kill. Back at Jean's cabin, Charles and Jean sit close and something happens she hadn't planned -- she becomes attracted to Charles too. The next morning, Muggsy warns Charles that the Colonel and Jean are cardsharks, but Charles won't hear of it. Meanwhile, the Colonel is looking forward to fleecing Charles, but Jean doesn't want any part of it. Jean participates in the card game between Charles and the Colonel, making sure than the Colonel doesn't cheat. But while Jean waits on deck for Charles after the game, the Colonel plays Charles a game of double-or-nothing, with Charles losing $32,000. Jean, angry with her father, makes the Colonel tears up Charles' check. The next morning, Muggsy proves to Charles the three are con artists. Devastated, Charles shows Jean the photograph, claiming he knew she was a criminal the morning after he met her. Jean is determined to get even with Charles ("I hate that mug!"). Docking in New York, the Colonel reveals he merely palmed the $32,000 check. But that's not enough revenge for Jean. Impersonating an aristocratic English woman, Lady Eve Sidwich, Jean has herself introduced to Charles. Planning to make Charles to fall in love with her again, she intends to break his heart like he broke her own. As she explains, "I've got some unfinished business with him -- I need him like the axe needs the turkey." ~ Paul Brenner, All Movie Guide

This soapy drama stars Hedy Lamarr as a would be model who meets a research doctor en route to the US from Europe. They meet when Dr. Spencer Tracy prevents her from taking a suicidal plunge from the upper decks of the ocean liner. It seems that Lamarr had been involved with married man Kent Taylor. When he reneged on his promise to divorce his wife Mona Barrie, she decided to end it all. Finding her extraordinarily beautiful, the doctor suggests she join him in his research. The two end up at a slum clinic and it doesn't take long for the doctor to fall completely in love with her. He convinces her to marry him and soon after the wedding, he exchanges life in the clinic for an upscale practice uptown. Servicing the rich is lucrative and soon he has provided his high maintenance wife with a luxurious life. Unfortunately for him, she appreciates his work and sacrifices not a whit, and as soon as she can attempts to respark a romance with Taylor whom she has never stopped loving. Fortunately for the doctor, Lamarr eventually comes to her senses and marital bliss ensues. This film had a troubled history with all of it due to Louis B. Mayer's obsession with making Lamarr the brightest star in the MGM galaxy. Originally the film was directed by Joseph von Sternberg, but he grew frustrated and tired by Mayer's constant interference and quit the film as did the next director, Frank Borzage. As a result an enormous amount of footage was discarded. Finally reliable W.S. Van Dyke was placed on the production and it was completed. Unfortunately, despite all that effort, the film bombed at the box office. ~ Sandra Brennan, All Movie Guide

Previously filmed in 1930 with Lawrence Tibbett and Grace Moore, the robust Sigmund Romberg operetta New Moon was given another airing in 1940 as Nelson Eddy-Jeanette MacDonald vehicle. Set in 18th century Louisiana, the story concerns the relationship between haughty plantation owner Marianne de Beaumanoir (MacDonald) and her handsome bondservant Charles (Eddy). Actually a French nobleman in disguise, Charles leads his fellow bondsman in revolt, commandeering a ship and heading out to sea. He ends up capturing a vessel carrying Marianne and a cargo of mail-order brides. Though the bondsmen and the brides get along just fine, the romance between Marianne and Charles is noticeably strained, but the French Revolution comes along to solve everyone's problems. The soaring Romberg musical score includes such favorites as "One Kiss", "Stout-Hearted Men" and "Lover Come Back to Me", all performed con brio by the stars. Comedian Buster Keaton, whose supporting role was cut from the final release print of New Moon, can still be glimpsed among the bondsmen. ~ Hal Erickson, All Movie Guide