Ernest Whitman Movies
The real Frank and Jesse James were murderous thugs, light years away from the Robin Hood image imposed on them by revisionist dime novelists. But in 1939, 20th Century-Fox wasn't about to build an expensive Technicolor feature around the exploits of a couple of low-lives, thus Jesse James upholds the mythos, offering us the standard whitewashed version of the James boys. According to Nunally Johnson's irresistibly entertaining screenplay, Jesse (Tyrone Power) and Frank (Henry Fonda) become train and bank robbers to avenge the death of their mother (Jane Darwell), killed at the behest of greedy railroad interests. Once he feels his work is done, Jesse settles down to a life of marital domesticity--only to be shot in the back by cowardly Bob Ford (John Carradine). Frank James is left alive at film's end, paving the way for the 1941 sequel The Return of Frank James. Director Henry King stages the action sequences in glorious outsized fashion, notably the famous bank-robbery scene in which Jesse rides his horse through a plate glass window. The scenes involving both James brothers are stolen hands-down by Henry Fonda, not so much because he was a better actor than Tyrone Power but because his character had all the best lines. Jesse James was filmed largely on location in Missouri, resulting in crowd-control nightmares for the picture's beleaguered assistant directors. ~ Hal Erickson, All Movie Guide
- Starring:
- Tyrone Power, Henry Fonda, (more)
"This is New York, Skyscraper Champion of the World...Where the Slickers and Know-It-Alls peddle gold bricks to each other...And where Truth, crushed to earth, rises again more phony than a glass eye..." With this jaundiced opening title, scripter Ben Hecht introduces his classic comedy Nothing Sacred. Fredric March plays Wally Cook, a hotshot reporter condemned to writing obituaries because of his unwitting complicity in a fraud. Anxious to get back in the good graces of his editor Oliver Stone (Walter Connolly), Cook pounces on the story of New England girl Hazel Flagg (Carole Lombard), who is reportedly dying from radiation poisoning. Actually, Hazel isn't dying at all; she's been misdiagnosed by Moscow's eternally drunk doctor (Charles Winninger). But when Cook offers to take her on an all-expenses-paid trip to New York in exchange for her exclusive story, it's too good an offer to pass up. Once in the Big Apple, Hazel is feted as a heroine by the novelty-seeking populac; she enjoys the adulation at first, but soon (and with the help of gallons of alcoholic beverages) suffers the pangs of conscience. She confesses her deception to Cook, who by now has fallen in love with her. Cook and Stone conspire to keep the public from discovering the truth, eventually dreaming up a phony suicide. Travelling incognito to avoid arrest, Wally and Hazel marry and go on a honeymoon, secure in the knowledge that New York City has forgotten all about her and moved on to their next fad. Brimming with witty, acerbic dialogue and hilarious bits of physical business, Nothing Sacred is among the best "screwball" comedies of the 1930s. The musical score by Oscar Levant both mocks and celebrates the George Gershwinesque musical style then in vogue. As an added bonus, the film is lensed in Technicolor (avoid those two-color reissue prints), allowing modern viewers to see what New York City looked liked back in 1937. Nothing Sacred was later adapted into a Broadway musical, Hazel Flagg, which in turn was filmed by Dean Martin and Jerry Lewis as Living It Up (1954), with Lewis in the Carole Lombard role. ~ Hal Erickson, All Movie Guide
- Starring:
- Carole Lombard, Fredric March, (more)
- 1937
In this WW II era drama, a timid, pacifistic clerk is befriended by a gutsy circus barker while they are in the military. Tensions arise between the friends after they fall for the same woman. The circus man is captured by the Germans and shortly thereafter, the clerk marries the girl. In time, the clerk finds courage he never knew he had and becomes a legendary hero. The war ends, but by the time, the clerk is returned to civilian life, he has come to like killing others. Unable to adjust, he becomes a gangster, something he conceals from his wife. Years pass and he runs into his old friend the circus barker, who has become the owner of his own circus. By this time the gangster's wife has learned of his profession and she teams up with the ringmaster to help straighten him out. When all else fails, she turns him into the cops. To earn money while he serves his time, the woman joins the other man's circus. It's all innocent, but the gangster, having just busted out of prison, doesn't realize this. ~ Sandra Brennan, All Movie Guide
- Starring:
- Spencer Tracy, Gladys George, (more)
- 1937
Anna May Wong, who cornered the 1930s market in Eurasian heroines, stars in Daughter of Shanghai. Wong is on the trail of the criminals who murdered her father. The villains are running an illegal-alien operation, smuggling cheap Chinese and Mexican labor into San Francisco and killing those unlucky souls who prove "inconvenient". Wong takes a job as an exotic dancer in a Central American nitery, hoping to trap the murderers in the act. Though J. Carroll Naish and Buster Crabbe are top-billed, the actual hero of Daughter of Shanghai is Chinese actor Philip Ahn, playing an FBI agent protecting Wong from the bad guys. ~ Hal Erickson, All Movie Guide
- Starring:
- Anna May Wong, Philip Ahn, (more)
- 1936
To finance such major productions as Ramona and Lloyds of London, 20th Century-Fox had to maintain a quota of such minor but entertaining potboilers as White Hunter. Warner Baxter plays the title character, Captain Clark Rutledge, a safari guide who can't stop brooding over the long-ago death of his father. When he is hired by Michael Varek (Wilfred Lawson), the man responsible for his father's demise, Rutledge at first seeks revenge. He is deflected from his murderous course when he falls in love with Varek's daughter Toni (June Lang). Though set in Africa, White Hunter was filmed in its entirety at Fox's Western Avenue backlot. ~ Hal Erickson, All Movie Guide
- Starring:
- Warner Baxter, June Lang, (more)
The Green Pastures began life as a group of "revisionist" Biblical stories titled Ol' Man Adam and His Chillun, written in exaggerated Negro dialect by white humorist Roark Bradford. These Old Testament stories were purportedly told from the point of view of an elderly black Sunday School teacher, who translated the Biblical prose into words that his congregation ("untutored black Christians" was Bradford's description) could readily understand. Thus, "De Lawd" behaves very much like a Southern black Baptist preacher; Heaven is a wondrous bayou-like land of big cigars and eternal fish fries; "Cap'n" Noah is a languid ferryboat skipper who argues with De Lawd over the advisability of bringing along a couple of kegs of liquor on the Ark; and the court of the Pharoah is redefined as a "Mystic Knights of the Sea" type lodge hall, with Moses introduced as a "conjure man". It is, of course, a white man's perspective on black life, but both the original "Ol' Man Adam", and the subsequent Pulitzer Prize-winning stage version written by Marc Connelly and retitled Green Pastures, have a lot more clarity, profundity and spiritual reverence than most "serious" Biblical adaptations. In this 1936 film version of the Connelly play, Rex Ingram is nothing less than brilliant as De Lawd, speaking the most ludicrous of lines with dignity and quiet authority. Others in the all-black cast include Eddie "Rochester" Anderson as Noah, Frank Wilson as Moses, George Reed as Rev. Deshee, and Oscar Polk as Gabriel, who has the film's single most stirring line: "Gangway! Gangway for de Lawd God Jehovah!" Unlike many other so-called racist films of decades past, The Green Pastures nearly always charms and captivates its modern-day audiences; even the most adamant of "P.C" advocates will probably thoroughly enjoy the experience. Playwright Marc Connelly is credited as director of Green Pastures, as he was for the original stage version, but co-director William Keighley and director of photography Hal Mohr deserve most of the credit for the film's strong cinematic sense. ~ Hal Erickson, All Movie Guide
- Starring:
- Rex Ingram, Oscar Polk, (more)
Warner Baxter plays Dr. Samuel Mudd, American history's most famous victim of circumstance. In 1865, Dr. Mudd, a known Confederate sympathizer, sets the broken leg of a mud-caked stranger who stumbles into his home. The injured man turns out to be John Wilkes Booth, and Mudd is accused of conspiring to murder President Lincoln. Sentenced to hang with the genuine conspirators, Mudd finds his sentence commuted to life imprisonment at the very last moment. He is shipped to Shark Island, a brutal penal colony. Subject to the cruelties of a guard (John Carradine) who hates Mudd because of his "complicity" in Lincoln's death, the doctor suffers the torments of the damned, while outside Shark Island his wife (Gloria Stuart) campaigns desperately to get her husband pardoned. During a Yellow Fever breakout on Shark Island, Dr. Mudd performs heroically to save the survivors. For his humanitarian efforts, Mudd is finally released and reunited with his wife. While the script glosses over the fact that Dr. Mudd had never been officially pardoned by the US government (the pardon wouldn't be granted until years after this film was made), Prisoner of Shark Island strives long and hard to exonerate the man for whom the phrase "your name is mud!" was coined. Dr. Samuel Mudd's story was retold in the 1952 feature Hellgate, with Sterling Hayden as a (fictional) doctor, and in the 1980 TV movie The Ordeal of Dr. Mudd, starring Dennis Weaver in the title role. ~ Hal Erickson, All Movie Guide
- Starring:
- Warner Baxter, Gloria Stuart, (more)
