Paul Whiteman Movies
Roly-poly bandleader Paul Whiteman was born in Denver, where his father was music supervisor for the city's public school system. After playing viola in his hometown symphony orchestra, Whiteman led a U.S. Navy band then formed his own group in San Francisco. A recording artist from 1919, he scored a hit with the 1920 tune "Whispering," and soon became a staunch proponent of what he called "symphonic jazz." He was embraced by the intelligentsia in 1924, when he introduced George Gershwin's "Rhapsody in Blue," specially arranged for Whiteman's 35-piece orchestra by the conductor's right-hand man Ferde Grofe. Designated "The King of Jazz" by fans and critics alike, Whiteman starred in a lavish, Technicolor film bearing that title in 1930. Also appearing in King of Jazz was Whiteman's newest discovery, Bing Crosby, one of many rising stars who worked with the Whiteman band over the years. Other Whiteman film appearances include Thanks a Million (1935), Strike Up the Band (1940), and, inevitably, Rhapsody in Blue (1945). Officially retiring from bandleading in 1943, Paul Whiteman nonetheless became a fixture of early television, headlining such variety series as TV Teen Club (1949-1954) and The Paul Whiteman Goodyear Revue (1949-1952). ~ Hal Erickson, All Movie Guide
Based on the lives of big-band stars Tommy and Jimmy Dorsey, this biographical chronicle begins with their childhood in an industrial Pennsylvania town. Encouraged in their musical talents by their father, the Dorsey brothers' sibling rivalry proves to be a stumbling block until the their father's death gives them the momentum they need to rise to fame, and they are eventually considered to be among the best bandleaders of the swing era. Appearances by Charlie Barnet, Art Tatum, and Bob Eberly jazz up the musical numbers, featuring such songs as "Green Eyes," "Everybody's Doin' It", "Marie," and "I'll Never Say Never Again." ~ Iotis Erlewine, All Movie Guide
- Starring:
- Sara Allgood, William Bakewell, (more)
- 1944
Definitely no relation to the 1980 Louis Malle film of the same name, 1944's Atlantic City is a tuneful Republic musical, not quite an "A" picture but certainly not a "B". Brad Taylor (who formerly acted at Columbia under the name of Stanley Brown) stars as Brad, an early-20th-century entrepreneur who decides to transform the sleepy oceanside community of Atlantic City, New Jersey into a mecca for vacationers and thrill-seekers. One of Taylor's visionary notions is the creation of a bathing-beauty contest, and that's where prim-and-proper heroine Marilyn Whitaker (Constance Moore) comes in. The plot is essentially an excuse to trot out several venerable entertainers doing their tried-and-true specialties. Guest stars include Belle Baker, Paul Whiteman, Louis Armstrong, Buck & Bubbles, and Joe Frisco, not to mention Al Shean (of Gallegher and Shean) and Gus Van (of Van and Schenck). Also adding to the general frivolity are Jerry "Ahhh, Yes!" Colonna and up-and-coming Dorothy Dandridge. Atlantic City demonstrated that Republic could make a 20th Century-Fox style musical even without Betty Grable. ~ Hal Erickson, All Movie Guide
- Starring:
- Constance Moore, Brad Taylor, (more)
- 1930
Intended as Universal Pictures' entry in the "all-star musical" cycle of the early talkie era, King of Jazz is certainly the most elaborate of the bunch, though far from the most successful financially. Staged by Broadway impresario John Murray Anderson, the film is held together by the charismatic personality of rotund bandleader Paul Whiteman. The show begins with a Walter Lantz cartoon wherein it is recalled how Whiteman earned the title of the King of Jazz (Lantz's animated star Oswald Rabbit makes a brief appearance). Then Whiteman appears in the flesh (and plenty of it), coaxing his miniaturized orchestra out of a small box. The film then assumes the traditional revue format, with brief comedy sketches featuring such Universal contractees as Laura LaPlante and Slim Summerville interspersed with some of the most spectacular production numbers ever captured on film. The musical talent includes John Boles, the Rhythm Boys (with Bing Crosby), and "swing" violinist Joe Venuti. Highlights include a full-length "picturization" of Gershwin's "Rhapsody in Blue" (with Gershwin look-alike Roy Bargy at the piano), the surrealistic "Happy Feet", the splendiferous "Bridal Veil", and the gargantuan "Melting Pot" finale. The current Technicolor negative of King of Jazz, lovingly assembled from pristine original prints and battered dupes, runs 93 minutes -- some 12 minutes short of the film's original length. ~ Hal Erickson, All Movie Guide
- Starring:
- Paul Whiteman, John Boles, (more)
- 1924
Ultra suave Adolph Menjou plays an urbane, filthy rich bachelor who finds himself falling for a socialite just as carefree as he. At first he is delighted by her gadabout ways, but after a while her cocquettish ways towards others begin to grate upon him. Deciding he needs a break from shallowness he lets a room in a boarding house for theater people. There he meets a struggling ex-convict. Her prison record causes her to lose her job. Smitten by her beauty and earthiness, the playboy takes her in and tries to help her integrate into his glittering world by telling people that she is his ward. things are finally looking up when a crooked detective appears and tries to blackmail her. Fortunately, her millionaire hero isn't about to let her life be destroyed again. ~ Sandra Brennan, All Movie Guide
- Starring:
- Adolphe Menjou, Norma Shearer, (more)
