Billie Whitelaw Movies

After the suicide of her friend and employer, who has been teaching her to be a detective, Cordelia Gray (Pippa Guard) takes over his business and begins an investigation of the apparent suicide of the son of a businessman. When the suicide turns out to be murder, what she discovers disrupts the entire family and puts Cordelia's life in danger. This off-beat British film is a moody, entertaining thriller, much in the tradition of film noir, but with an unusual and determined female detective. Nicely directed by Christopher Petit, and based on the wonderful novel of the same name by the acclaimed British mystery writer P. J. James, this film gives a fresh approach to the detective-film genre and introduces an intelligent and resourceful woman to a profession usually dominated by men. ~ Linda Rasmussen, All Movie Guide

Jim Henson ventures into Tolkien territory in his all-Muppet fantasy feature The Dark Crystal. The titular Crystal maintains equilibrium in a mythical kingdom. When the Crystal is broken, the evil Skeksis take over, killing off the good-guy Gelflings and enslaving everyone else. Two of the Gelflings have survived: Jen was raised by the all-knowing Mystics, while Kira grew up amongst the swamp-dwelling Podlings. Jen and Kira join forces to "heal" the precious Dark Crystal and restore order to their world. Adults may find the whole affair a little precious, while children may be disturbed by the film's mortality rate. ~ Hal Erickson, All Movie Guide

Lionel Jeffries directed Water Babies, a children's fantasy based on the story by Charles Kingsley that incorporates live-action and animation in the tradition of The Incredible Mr. Limpet. In Dickensian London, a 12-year-old chimney sweep's apprentice named Tom (Tommy Pender) has to put up with his boss, Grimes (James Mason), and his heavy drinking. One day, in the home of a client, Tom is accused of stealing the silverware. Tom makes a run for it and leaps into a pool, where he comes across a collection of animated characters. While submerged he helps to rescue "water babies," children held hostage by an eel and a shark. ~ Paul Brenner, All Movie Guide

Satan's son has arrived on Earth and He's not about to let human parents get in the way. When his wife Katherine's (Lee Remick) pregnancy ends in a stillbirth in a Rome hospital, U.S. diplomat Robert Thorn (Gregory Peck) substitutes another baby, whose mother died. Little Damien (Harvey Stephens) thrives, but, at his fifth birthday party, his nanny mysteriously dies; Father Brennan (Patrick G. Troughton) also expires after warning Thorn that he has adopted Lucifer's son. While sinister new nanny Mrs. Baylock (Billie Whitelaw) assiduously protects Damien, Thorn's fears escalate when photographer Jennings (David Warner) shows him pictures from Damien's party with marks suggesting how the nanny and Brennan would die. Thorn seeks out Bugenhagen (Leo McKern), an exorcist who confirms Damien's identity and tells Thorn that the only solution is to kill his adopted son. As the bodies pile up, Thorn tries to do his duty, but trust the law to get in the way of saving the world from future Armageddon. ~ Lucia Bozzola, All Movie Guide

Alfred Hitchcock entered the 1970s with his commercial reputation virtually in tatters, a far cry from his stature at the start of the 1960s. Then, he'd been in the middle of the massively successful trio of movies, North by Northwest, Psycho, and The Birds, and was a ubiquitous presence on television thanks to his anthology series Alfred Hitchcock Presents -- but the series ended, and he'd suffered three expensive box-office failures in a row, Marnie, Torn Curtain, and Topaz, in the second half of the 1960s. He redeemed himself with Frenzy, however, which marked his return not only to England for the first time in 20 years but also to the subject matter with which he'd started his career in thrillers back in 1926 -- murder, and a hunt for a serial killer in London. As the latest female victim of the "Necktie Murderer" is found in the Thames, raped and strangled, we meet Richard Blaney (Jon Finch), a bitter, belligerent ex-Royal Air Force officer who can't seem to find his way in life. He drinks too much and holds grudges too easily, and has an explosive temper, which is very near the surface as he's just lost his job. We also meet his girlfriend, a barmaid (Anna Massey); his ex-wife, a professional matchmaker (Barbara Leigh-Hunt); and his best friend, Covent Garden fruit seller Bob Rusk (Barry Foster). Their connection to the necktie murders will be clear to us in the first 30 minutes of the movie and, not coincidentally, completely misinterpreted by the police, as Chief Inspector Oxford (Alec McCowan) and his men tighten a circle around the wrong man, who rapidly runs out of options and allies.

The chase and suspense are classic Hitchcock, favorably recalling a dozen of his earlier movies, from The Lodger and The 39 Steps through Saboteur and Spellbound to Dial M for Murder and North by Northwest, with some new twists and the added energy afforded by the extensive use of actual London locations. There's also a good deal more sex and nudity here than Hitchcock was ever allowed to use in his earlier movies, owing to the relaxation of "decency" standards that had taken place in the years leading up to this production. The suspense derives from multiple interlocking and overlapping layers of uncertainty -- when will each of the two men, suspect and murderer, slip? (And which will slip first?) When and how will the police realize their mistake, and will it be in time to save the innocent man? Amid the straightforward storytelling and thriller elements, Hitchcock manages to slip in a few bravura cinematic moments, the best of them a pullback shot down a flight of stairs into a busy street as the killer invites his next victim into his home, as well as a scene aboard a truck, with a murderer desperately wrestling with a corpse hidden in a sack of potatoes. Frenzy was adapted from Arthur La Bern's novel Goodbye Picadilly, Farewell Leicester Square by mystery aficionado Anthony Shaffer, but for all of that and its decidedly modern trappings of sex and violence, it bears the indelible stylistic stamp of Alfred Hitchcock. ~ Bruce Eder, All Movie Guide

Television veteran Fielder Cook brings a TV-like intimacy to his direction of Eagle in a Cage. This underrated film stars Kenneth Haigh as Napoleon Bonaparte, in his years of exile on St. Helena. The story is told from the point of view of the island's governor (John Gielgud), a former schoolteacher who finds greatness thrust upon him upon becoming Napoleon's jailer. By necessity, the emphasis is on conversation rather than action, but it holds the ear throughout. Eagle in a Cage is one of a handful of theatrical films released by the American broadcasting firm of Group W. ~ Hal Erickson, All Movie Guide

Two French peasants are mistaken for a pair of aristocratic nobles in this historical situation comedy. Gene Wilder and Donald Sutherland play the dual roles. Happy to be taken for nobles, the pair soon runs to escape the guillotine in the wake of the French Revolution's blood purge of the upper class and royalty. Hugh Griffith play Louis XVI, with Billie Whitelaw as the amorous Marie Antoinette. The pair are chased by the evil Duke d'Escargot (Victor Spinetti). Orson Welles appears at the beginning and the end of the film as the narrator. Wilder and Sutherland encounter a variety of comical situations in their dual roles of peasants and blue-blooded eccentrics. ~ Dan Pavlides, All Movie Guide

In this made-for-television version of Stevenson's classic tale of terror and suspense, a crazy doctor develops a formula that turns him into a madman. ~ Sandra Brennan, All Movie Guide

Albert Finney both directs and stars in the "alienation" comedy-drama Charlie Bubbles. The eponymous Bubbles (Finney) is a trendy and fabulously wealthy novelist. Indulged at every turn, and able to indulge in his wildest fancies, Charlie is bored by his privileged existence. He staves off ennui by drinking and carousing with best-buddy Smokey Pickles (Colin Blakely) and by having a fling with his secretary Eliza (Liza Minnelli, in her screen debut). Billie Whitelaw delivers the film's best performance as Charlie's vitriolic wife. Directed in the "mod" fashion popular at the time, Charlie Bubbles sometimes resembles a music video without the music. ~ Hal Erickson, All Movie Guide

The Devil's Agent is Peter Van Eyck in this economical espionager. A Viennese wine merchant, Van Eyck becomes the unwilling dupe for the Russians. In retaliation, he offers to become a double agent for the United States. The better-than-average cast includes Macdonald Carey, Christopher Lee, Billie Whitelaw, Marius Goring and Helen Cherry. Somewhat lost amidst the flashier James Bond clones of the late 1960s, The Devil's Agent holds up pretty well when seen today. ~ Hal Erickson, All Movie Guide

Mr. Topaze was based on a play by Marcel Pagnol, previously filmed twice before with John Barrymore and Fernandel. Peter Sellers stars as a French college professor, known far and wide for his integrity. He refuses to improve a grade on the paper of one student, whose influential father sees to it that Sellers is fired. Cast adrift in the business world, Sellers is hired by a crooked liquor executive (Herbert Lom) to act as "front" for the benefit of the authorities. When Sellers catches on how much money there is in the business, his honesty evaporates and he becomes as underhanded as the next fellow. The love of Joan Sims enables Sellers to change his ways before his dishonesty can become disastrous. Mr. Topaze was rereleased in 1963 as I Like Money; once again, however, no one wanted to see a "straight" Peter Sellers in a role that called out for the broad comedy he did so well. ~ Hal Erickson, All Movie Guide

Mania is the venerable Burke and Hare story, previously cinematized by producer Val Lewton as The Body Snatcher. Peter Cushing plays a respectable 19th-century Edinburgh doctor who needs fresh cadavers in order to continue his crucial research. Since the exhuming of bodies for medical purposes is illegal, Lee must rely upon grave-robbers George Rose and Donald Pleasance for his corpse supply. What Lee doesn't know is that Rose and Pleasance frequently cut out the middleman by "creating" their own corpses. The good doctor catches on when the latest cadaver turns out to be his own fiancee. Its excessively violent climax has prevented Mania from being shown completely intact on commercial television. ~ Hal Erickson, All Movie Guide

Peter Finch plays Johnnie Byrne, a British member of parliament. When Johnnie loses out on an important cabinet post, he's hardly surprised; he's been a loser so long that it's par for the course. Treated shabbily by his communistic wife Rosalie Crutchley, Johnnie begins an affair with fashion-model Mary Peach. His ardor causes him to miss an important House of Commons meeting, which subsequently leads to his disgrace in the eyes of his leftist political associates. A chance at a reconciliation with his wife is scuttled when Johnnie finds that he will lose a much-coveted cabinet seat if he does not sever his communist ties, both professional and personal. No Love for Johnnie was based on a novel by Wilfred Fienburgh, himself a Socialist MP who evidently knew whereof he spoke. ~ Hal Erickson, All Movie Guide