Billie Whitelaw Movies

A murder investigation at a cloistered boy's school is the subject of this British made-for-television adaptation of John Le Carre's novel. Le Carre's famous detective-hero George Smiley (Denholm Elliott) returns from retirement to look for answers in a mysterious murder at a boarding school, where secret societies, rituals and abuse are the norm. ~ Bernadette McCallion, All Movie Guide

After the suicide of her friend and employer, who has been teaching her to be a detective, Cordelia Gray (Pippa Guard) takes over his business and begins an investigation of the apparent suicide of the son of a businessman. When the suicide turns out to be murder, what she discovers disrupts the entire family and puts Cordelia's life in danger. This off-beat British film is a moody, entertaining thriller, much in the tradition of film noir, but with an unusual and determined female detective. Nicely directed by Christopher Petit, and based on the wonderful novel of the same name by the acclaimed British mystery writer P. J. James, this film gives a fresh approach to the detective-film genre and introduces an intelligent and resourceful woman to a profession usually dominated by men. ~ Linda Rasmussen, All Movie Guide

Set in an Italian P.O.W. camp during World War II, this conventional escape drama shines the most in the portrayals of the various prisoners. Richard Todd is Lt. Col. David Baird, intensely and single-mindedly set on escaping. Bernard Lee is Lt. Col. Huxley who is the careful senior British officer with a view of the entire situation. Michael Wilding plays the deceptively dashing Major Charles Marquand, and some comic relief is provided by Dennis Price, an actor-prisoner more devoted to his production of Hamlet than leaving before the curtain goes up. The hitch in the plans to escape is insidious -- there is a traitor among the prisoners and before they can succeed, they have to find him. ~ Eleanor Mannikka, All Movie Guide

The true story of Violette Szabo, a heroine of the Second World War for her espionage activities on behalf of the British government. Born Violette Bushell (Virginia McKenna) to a French mother and an English father, she chances to meet Etienne Szabo (Alain Saury), a French officer, whom she later marries. They have a child, Tania, but Etienne is fatally wounded in the Battle of El Alamein. Violette is already contributing to the war effort at home, but soon discovers that her bi-lingual skills make her a potentially valuable member of England's Special Operations Executive, the country's wartime overseas espionage unit. She agrees to join and, after extensive training, is sent into France in the spring of 1944, on a mission to salvage a resistance unit in Rouen area. Szabo completes that mission successfully and returns home, intending to resume her life as a mother raising her daughter -- but she is offered a second mission in France, immediately after the Normandy landings, and accepts, with tragic consequences. ~ Bruce Eder, All Movie Guide

Albert Finney both directs and stars in the "alienation" comedy-drama Charlie Bubbles. The eponymous Bubbles (Finney) is a trendy and fabulously wealthy novelist. Indulged at every turn, and able to indulge in his wildest fancies, Charlie is bored by his privileged existence. He staves off ennui by drinking and carousing with best-buddy Smokey Pickles (Colin Blakely) and by having a fling with his secretary Eliza (Liza Minnelli, in her screen debut). Billie Whitelaw delivers the film's best performance as Charlie's vitriolic wife. Directed in the "mod" fashion popular at the time, Charlie Bubbles sometimes resembles a music video without the music. ~ Hal Erickson, All Movie Guide

A disturbed woman starts getting friendly advice from some of the great murderers of history in this black comedy from Great Britain. Introverted Jody Greenwood (Jane Horrocks) and her bolder sister Beth (Imelda Staunton) both live under the thumb of their domineering mother Iris (Brenda Fricker). Jodie has romantic feelings for Dr. Ted Phillips (Jonathan Pryce), a local physician at least twenty years her senior, while Beth has become involved with a hunky male stripper, but both sisters feel paralyzed to do much about their relationships while Iris is still around. One night, Jody is visited by the ghost of Maj. Herbert Armstrong (Edward Woodward), a locally infamous man who made his small town famous with the spectacular murder of his wife. After he passes on some advice about how to achieve personal freedom, Jody kills Iris with an axe and hides the body with Beth's help. However, bad blood arises between Jody and Beth, and, after a nocturnal visit from well-known murderer Dr. Crippen (Hywel Bennett), Jody is inspired to pick up the hatchet again, doing away with Beth and her stripper. Jody beats the case against her in court and wins the heart of Dr. Phillips, but unfortunately she starts getting visits again ... . Jane Horrocks's performance as Jody won her the Best Actress award at the 1994 Catalonian International Film Festival. ~ Mark Deming, All Movie Guide

Television veteran Fielder Cook brings a TV-like intimacy to his direction of Eagle in a Cage. This underrated film stars Kenneth Haigh as Napoleon Bonaparte, in his years of exile on St. Helena. The story is told from the point of view of the island's governor (John Gielgud), a former schoolteacher who finds greatness thrust upon him upon becoming Napoleon's jailer. By necessity, the emphasis is on conversation rather than action, but it holds the ear throughout. Eagle in a Cage is one of a handful of theatrical films released by the American broadcasting firm of Group W. ~ Hal Erickson, All Movie Guide

Alfred Hitchcock entered the 1970s with his commercial reputation virtually in tatters, a far cry from his stature at the start of the 1960s. Then, he'd been in the middle of the massively successful trio of movies, North by Northwest, Psycho, and The Birds, and was a ubiquitous presence on television thanks to his anthology series Alfred Hitchcock Presents -- but the series ended, and he'd suffered three expensive box-office failures in a row, Marnie, Torn Curtain, and Topaz, in the second half of the 1960s. He redeemed himself with Frenzy, however, which marked his return not only to England for the first time in 20 years but also to the subject matter with which he'd started his career in thrillers back in 1926 -- murder, and a hunt for a serial killer in London. As the latest female victim of the "Necktie Murderer" is found in the Thames, raped and strangled, we meet Richard Blaney (Jon Finch), a bitter, belligerent ex-Royal Air Force officer who can't seem to find his way in life. He drinks too much and holds grudges too easily, and has an explosive temper, which is very near the surface as he's just lost his job. We also meet his girlfriend, a barmaid (Anna Massey); his ex-wife, a professional matchmaker (Barbara Leigh-Hunt); and his best friend, Covent Garden fruit seller Bob Rusk (Barry Foster). Their connection to the necktie murders will be clear to us in the first 30 minutes of the movie and, not coincidentally, completely misinterpreted by the police, as Chief Inspector Oxford (Alec McCowan) and his men tighten a circle around the wrong man, who rapidly runs out of options and allies.

The chase and suspense are classic Hitchcock, favorably recalling a dozen of his earlier movies, from The Lodger and The 39 Steps through Saboteur and Spellbound to Dial M for Murder and North by Northwest, with some new twists and the added energy afforded by the extensive use of actual London locations. There's also a good deal more sex and nudity here than Hitchcock was ever allowed to use in his earlier movies, owing to the relaxation of "decency" standards that had taken place in the years leading up to this production. The suspense derives from multiple interlocking and overlapping layers of uncertainty -- when will each of the two men, suspect and murderer, slip? (And which will slip first?) When and how will the police realize their mistake, and will it be in time to save the innocent man? Amid the straightforward storytelling and thriller elements, Hitchcock manages to slip in a few bravura cinematic moments, the best of them a pullback shot down a flight of stairs into a busy street as the killer invites his next victim into his home, as well as a scene aboard a truck, with a murderer desperately wrestling with a corpse hidden in a sack of potatoes. Frenzy was adapted from Arthur La Bern's novel Goodbye Picadilly, Farewell Leicester Square by mystery aficionado Anthony Shaffer, but for all of that and its decidedly modern trappings of sex and violence, it bears the indelible stylistic stamp of Alfred Hitchcock. ~ Bruce Eder, All Movie Guide

Part spoof and part "straight," Gumshoe comes off as an affectionate tribute to the hard-boiled detective films of yore. Albert Finney stars as Eddie Ginley, a Liverpool bingo-caller and erstwhile comedian who has been weaned on the novels of Raymond Chandler and Dashiel Hammett. Fancying himself an ace detective, Ginley quits his job to form his own agency. Before long, he is involved in a complex mystery with decided echoes of The Maltese Falcon and The Big Sleep, replete with femme fatale (Janice Rule) and sinister fat man (George Silver). Armed with little more than a slick line of patter, Ginley plunges into this baffling case, while his level-headed brother (Frank Finlay) and sister-in-law (Billie Whitelaw) try to talk him out of it. Despite its satirical content, Gumshoe turns out to be a fascinating mystery yarn on its own terms. Albert Finney also produced the film, while none other than Andrew Lloyd Webber supplied the musical score. ~ Hal Erickson, All Movie Guide

A top London cop who is so good at his job that he makes his fellow officers look like slackers by comparison is "promoted" to serve in the sleepy village of Sandford in this contemporary action comedy from the creators of Shaun of the Dead. Police constable Nicholas Angel (Simon Pegg) always gets his man, but these days his impeccable record seems to be more indicative of his fellow officers' shortcomings than his own formidable skills as a keeper of the peace. Loathe to stand idly by as their once respectable track record is steadily soiled by the hyper-competent actions of one lone overachiever, Sergeant Angel's superiors at the Met soon determine to remedy their problem by relocating the decorated constable to the West Country village of Sanford -- where tranquil garden parties and neighborhood watch meetings stand in stark contrast to the violent crime and heated gunplay of the city. As Sergeant Angel does his best to adjust to the relative calm of his new environment, his oafish new partner Danny Butterman (Nick Frost) strives to gain the respect of his fellow constables while sustaining himself on fantasies of his favorite action films and police shows. Later, just as it begins to appear as if Sergeant Angel has been relegated to an uneventful existence in the relative calm of the countryside, a series of horrific "accidents" lead him to suspect that the tranquil hamlet of Sanford has fallen prey to a sinister plot which reeks of foul play. Jim Broadbent, Timothy Dalton, Steve Coogan, and Martin Freeman co-star in the Edgar Wright film. ~ Jason Buchanan, All Movie Guide

This made-for-TV remake of the Alfred Hitchcock adventure stars Patrick McGoohan as the head of a crew of smugglers; Jane Seymour plays his niece, who discovers the secret history of the title inn. ~ Jason Ankeny, All Movie Guide

Mary (Patricia Kerrigan) is a battered wife with two small children, living in a grim section of Dublin. Unable to stand the abuse any longer, she runs away from home, leaving her kids behind. Without money or a place to stay, she's befriended by a somewhat shady character named Perky (Andrew Connolly). He steals a car, and together they go to the coastal town where she'd honeymooned years earlier. Mary and Perky argue constantly, and since she's determined to never let a man abuse her again, she leaves him and gets a job at a dance hall. At the dance hall she encounters a singer (Billie Whitelaw) who she'd idolized as a child. The singer is now a pathetic alcoholic, so another one of Mary's illusions is shattered. On top of that, the dance-hall manager is making unwanted sexual advances to her. Perky returns to rescue her, and they briefly find happiness on a farm owned by a wryly philosophical old widower ($David Kellly. The film ends on a somewhat upbeat note, as they rescue one of Mary's daughters from a Dublin orphanage, but we're left in doubt as to whether Mary and Perky have a future together. Joyriders was the first effort by female director Aisling Walsh. It was financed by the Irish Film Board. ~ Clarke Fountain, All Movie Guide

The Harlequin Romance Publishing company produced this weeper about an English lass (Susan Penhaligon) who falls for a reclusive former race car driver (Keir Dullea). ~ Jason Ankeny, All Movie Guide