Charles Borromel Movies

In medieval France, knight Rutger Hauer and lady fair Michelle Pfeiffer both run afoul of evil-bishop John Wood. Through the auspices of bishop's confessor Leo McKern, Hauer and Pfeiffer are placed under a curse. During the night, Hauer takes the form of a wolf, while Pfeiffer assumes the form of a hawk by day. The two lovers can only meet one another as humans at dawn and dusk. The only mortal in a position to rescue Hauer and Pfeiffer from their fate is nebbishy pickpocket Matthew Broderick, who acts as liaison between the lovers. With the help of the guilt-ridden McKern--and a convenient solar eclipse--Broderick endeavors to set things aright. ~ Hal Erickson, Rovi

This lavishly costumed historical epic had an estimated $100 million price tag. Spectacularly photographed battle action contrasts with often plodding individual scenes that bog down the plot. Fearing his growing power, European monarchs force Napoleon Bonaparte (Rod Steiger) to abdicate as Emperor and retire to Elba, and the French are concerned they will be outnumbered by a force of combined armies from many countries in Europe. Napoleon no sooner says goodbye to his loyalist troops than he begins to rally his men and prepare for another takeover. King Louis XVIII (Orson Welles) sends Marshal Michel Ney (Dan O'Herlihy) and his men to counter Bonaparte, but upon seeing his old commander (and ally), Ney thrusts his sword to the ground and takes up arms with the deposed emperor. They all return to Paris by popular demand, defying the orders of Louis (who flees from the palace) and running the monarchy tout seul. Soon England, Austria, Prussia and Russia unite to try and stop the dictator. Wellington (Christopher Plummer) readies his troops near Waterloo, refuses to retreat anymore, and waits for Prussian Marshall Blucher (Sergei Zakhariadze) and his army to join up with the British as the only hope to stop the French juggernaut. Jack Hawkins and Michael Wilding portray key military commanders Picton and Ponosby, respectively. Napoleon and his troops cut into the Prussian and British forces dramatically, weakening their power, but three problems arise. First, Ney refuses to lead his segment of the troops onward; and second, Bonaparte's men are plagued by the wet weather, which causes
the cannon brigade to become immobilized in mud (when Wellington strategically gives Bonaparte's troops the lower ground) rendering it ineffective until late in the day. And even more calamitously, Bonaparte - growing increasingly ill -- insists on leading his men from the rear, which causes the information to become outdated as soon as it gets to him. The Russian version of this film was nearly four hours long, while western audiences saw an edited version slightly over two hours long. Unfortunately, Waterloo bombed at the box office. ~ Dan Pavlides, Rovi

Gidget Goes to Rome was the third film to be inspired by the beach-happy characters created by Frederick Kohner back in the mid-1950s. This time, surfer gal Francie "Gidget" Lawrence is played by newcomer Cindy Carol. Per the title, the film finds Gidget vacationing in the Eternal City with faithful boyfriend Jeff, aka Moondoggie (James Darren). Chaperoning the pair is Aunt Albertina (Jessie Royce Landis), but that doesn't stop Gidge and Jeff from experiencing brief extracurricular flirtations in Rome. The question: how do the producers get Cindy Carol into a bikini without diverting from the plotline? The answer: a slapstick setpiece during a fashion show. The last of the theatrical Gidget features, Gidget Goes to Rome was followed by a handful of TV-movie sequels and two separate weekly sitcoms. ~ Hal Erickson, Rovi

In this adventure, a dozen imprisoned women are sent to America to become slaves. The year is 1675, and the women must sail aboard the ill-fated Albatross. A few well-heeled passengers are also aboard the ship, and among them is a political prisoner. Somehow the prisoners escape and commandeer the ship. Exciting mayhem on the high seas ensues. ~ Sandra Brennan, Rovi