Charles "Slim" Whitaker Movies

Beautifully restored to its original theatrical length of 84 minutes by the Gene Autry Foundation, Melody Ranch is a bright, tuneful, and at times quite action-packed piece of B-Western extravaganza, Republic style. The victim of both a drop in ratings and a tardy leading lady, radio star Gene Autry is only too happy to oblige when old friend Pop Laramie (George "Gabby" Hayes) proposes that he return to his hometown of Torpedo as honorary sheriff during the upcoming Frontier Day celebration. With leading lady Julie Shelton (Ann Miller), city slicker announcer Cornelius Courtney (Jimmy Durante), and bemused sponsor Tommy Summerville (Jerome Cowan) in tow, Gene takes Torpedo by storm. That is, everyone except the Wildhack brothers (Barton MacLane, Joe Sawyer, and Horace MacMahon), old enemies who take umbrage to Gene's lampooning them on his daily broadcast. Julie, meanwhile, falls in love with the Wild and Woolly West in general and Gene in particular, and when the crooner proposes to leave show business and run for the office of sheriff for real, she decides to stay as well. The Wildhack brothers, meanwhile, attempt to sabotage the election, but Gene and his pals persevere against the odds. Produced at a cost of 500,000 dollars, Melody Ranch was the first Autry Western to be booked into first-run theaters, which had been Republic Pictures' goal all along. Autry, Ann Miller, Jimmy Durante, Mary Lee, and Bob Wills and His Playboys perform "Melody Ranch," "We Never Dream the Same Dream Twice," "Call of the Canyon," My Gal Sal," "Torpedo Joe," What Cowboys Are Made Of," and "Rodeo Rose," all by Jule Styne and Eddie Cherkose, and a good time is had by all. ~ Hans J. Wollstein, All Movie Guide

In this western, a U.S. marshal impersonates an outlaw and rides to Texas to find the looters who have been raiding supply shipments. He finds them and infiltrates their gang. He soon finds out that the desperadoes have commandeered a ranch and are holding the rancher and his family prisoner while they await the next shipment. Trouble erupts, but justice prevails as the marshal captures the badguys and frees the frightened family. ~ Sandra Brennan, All Movie Guide

In this exciting western, a mysterious masked hero helps tired settlers protect their lands from the wicked land-grabbers. One of the grabbers attempts to kill the crusader by offering a substantial reward for his capture. He does this so he can grab the land of one homesteader who is unknowingly sitting upon a mother lode of gold. To access the land, he tries to convince his own son to marry the settler's daughter. Fortunately the hero intervenes and the villain fails all-around. ~ Sandra Brennan, All Movie Guide

Former outlaw Charles Starrett goes straight and becomes a sheriff. In this capacity, he tries to bring his old partners in crime to justice. They don't cotton to this, and thereby hang the conflict. Everything is solved in a climactic fistfight with all-around villain Dick Curtis. Iris Meredith is the heroine, Hank Bell is the comedy relief, Edward LeSaint is the local authority figure, Bob Nolan provides the musical interludes, and Sam Nelson directs. In other words, Thundering West is virtually indistinguishable from the previous entries in Columbia's Charles Starrett western series. ~ Hal Erickson, All Movie Guide

In this mildly entertaining Tex Ritter music Western, a crooked attorney, Watkins (Harry Harvey), attempts to drive the ranchers off their land by depriving them of water. Rancher Lawson (Herbert Corthell) takes matters into his own hands and aligns himself with Tex. In retaliation, Watkins' patsies Haines (Charles King) and Sheriff Slim (Hank Worden) accuse Tex of murder but he manages to get away with the assistance of Betty Lawson (Dorothy Fay). The villains quickly seize Lawson, who is also accused of a non-existent crime. About to be lynched, Lawson is rescued in the nick of time by Tex and his sidekick, Missouri (Horace Murphy), who force Watkins to confess his misdeeds. Rollin' Westward was the third of four Westerns teaming Ritter with his future wife, Dorothy Fay. A former radio crooner, Ritter sang Westward, by Ted Choate and Bert Pellis; Back in '67, by Johnny Lange and Lew Porter, and Out in the Golden West, by Rudy Sooter. ~ Hans J. Wollstein, All Movie Guide

A remake of sorts of the 1935 western The Arizonian, this fine George O'Brien oater features Leon Ames as Sheriff Judd Cronan, a slick lawman running Mesa City as if he owns the place. When schoolmarm Virginia King (Virginia Vale) has had enough of both Cronan's capriciousness and his advances and decides to leave town, the sheriff arranges for his henchman Pete (Joe McGuinn) to commit a bit of kidnapping. Unhappily for Cronan and his cronies, Cliff Mason (O'Brien), a retired lawman, happens by and is easily persuaded to stick around and do something about the general lawlessness of the area. Cornered, the sheriff sends for Duke Allison (Henry Brandon), a hired killer. Marshal of Mesa City was the first of six westerns teaming George O'Brien with RKO starlet Virginia Vale, formerly Dorothy Howe and the winner of the "Gateway to Hollywood" radio contest. ~ Hans J. Wollstein, All Movie Guide

Gene Autry goes up against another "protection" racket in this tuneful series entry, which also features country & western singer Patsy Montana and the CBS-KMBC Texas Rangers. Doc Blair (Robert Barrat), a crooked veterinarian, is doing a good business terrorizing the local dairy farmers into paying for not having their deliveries destroyed -- until, that is, Gene and Frog Millhouse (Smiley Burnette) move in. Blair, as it turns out, does not even shy away from murdering the local sheriff (William Farnum) and attempts to get his own stooge, Dave Haines (Buster Crabbe), elected in his stead. But Gene takes up the fight and wins the election. Now he only has to win over Haines' innocent sister, radio announcer Carol Haines (June Storey), whom Blair has used to relay coded messages to his henchmen over the air waves. Autry, Burnette, Patsy Montana, and the CBS-KMBC Texas Rangers perform "Colorado Sunset," "On the Merry Way Back Home," "I Want to Be a Cowboy's Sweetheart," "Poor Little Doggie," "Beautiful Isle of Somewhere" and "Seven Years with the Wrong Woman," all by Con Conrad and L. Wolfe Gilbert. The Gene Autry debut of producer William Berke, Colorado Sunset was filmed on location at Keen Camp near Hemet, CA. ~ Hans J. Wollstein, All Movie Guide

Featuring the husband-and-wife team of Jack Randall and Louise Stanley, this lukewarm Monogram Western eschewed the musical interludes that had been a Randall trademark thus far. Randall (the lesser known brother of B-Western star Robert Livingston) plays Jack Lane, a drifter who comes to the aid of an Eastern girl, Nola Day (Stanley). The girl travels West to meet her new guardian, Uncle Moose Walters (Henry Rocquemore), but Uncle Moose has been murdered by saloon owner Bill Larsen (John Merton) and it is Larsen posing as Moose who greets the young lady upon arrival. Jack senses that "Uncle Moose" may not be all he claims but Nola is blissfully unaware of Larsen's deception and becomes furious over the newcomer's interference. The evil Larsen is caught red-handed, of course, and Lola discovers that she has fallen in love with Jack. Al St. John, in between his Westerns with Fred Scott and Bob Steele, did his usual shtick as Randall's sidekick. Gunsmoke Trail was directed by Sam Newfield, one of the busiest -- and most careless -- B-Western directors of all time. ~ Hans J. Wollstein, All Movie Guide

One thing was always certain in Columbia's Jack Luden westerns: the supporting cast would include Hal Taliaferro, or Harry Woods, or both. In Pioneer Trail, Taliaferro is fifth-billed as "Smokey", a non-villainous role for a change. The film's chief heavy is Slim Whittaker, playing the leader of an outlaw gang which has been preying on cattle drives. Captured by Whittaker, hero Luden is offered his freedom in exchange for leading a particularly valuable herd of cattle into the rustlers' hands. Luden turns down the offer, and with the help of "wonder dog" Tuffy he escapes to warn the cattlemen of Whittaker's impending attack. The film ends with a spectacular cattle stampede which looks as though it was lifted from an earlier film. ~ Hal Erickson, All Movie Guide

Columbia Pictures' year-long effort to turn utility actor Jack Luden into a western star sputtered onward with Stagecoach Days. Luden is okay in the lead, but the story, about a deadly rivalry between two stage lines, is an exercise in tedium. Things pick up tremendously during the final reel, with the good guys pitted against the bad guys in a thrill-packed stagecoach race. Hal Taliaferro and Harry Woods, both regulars in the Luden series, go through their usual villainous paces, while Eleanore Stewart is the heroine. After the Jack Luden series ran its course, Columbia managed to find a more than suitable replacement in the person of "Wild Bill" Elliot. ~ Hal Erickson, All Movie Guide

Orphan of the Pecos is one of the eight Tom Tyler westerns produced by Victory Pictures during the 1937-38 season. Victory was owned by legendary fast-buck entrepreneur Sam Katzman, who also directed this particular film. Tyler is cast as Tom Wade, an agent of the Cattlemen's Protection Agency; this time, he's after the man who killed his parents. Like most of the Victory productions, Orphan of the Pecos has a script seemingly made up on the spur of the moment, compelling Tyler to mouth some bizarre ad-libs. Tom Tyler was seen to better advantage in later years as a character actor and villain in both westerns and contemporary films. ~ Hal Erickson, All Movie Guide

In this western, a looter finds an abandoned, empty mine and begins claiming that he has found the mother lode. Soon, gold-hungry prospectors are giving every penny for a chance to work the mine until the hero rides into town and gets suspicious. Fate intervenes: the hero and the duped miners really do find a mother lode in the "worthless" mine. When they go to stake their claim, the outlaw tries to stop them. He fails and justice prevails. ~ Sandra Brennan, All Movie Guide

The "Three Mesquiteers"--John Wayne, Ray Corrigan and Max Terhune--find themselves in the modern-day west in Overland Stage Raiders. The "stages" being raided are actually Greyhound buses, bearing gold shipments to the east. Airborne hijackers steal the gold, but the Mesquiteers vanquish the crooks, then parachute to safety. Overland Stage Raiders represents John Wayne's second appearance in Republic's Three Mesquiteers series, but never mind that. The film's leading lady was former silent star and future cult- figure Louise Brooks, the hauntingly beautiful leading lady of G.W. Pabst's Diary of a Lost Girl and Pandora's Box, here making her last film appearance. When asked in later years why she would accept such an unprepossessing project, the no-nonsense Brooks replied that she needed the three hundred dollars. ~ Hal Erickson, All Movie Guide