Charles "Slim" Whitaker Movies

In this western, a frontier detective disguised as an entertainer performs for the leader of an outlaw gang. At the same time, he learns the whereabouts of the outlaws' hideout. Unfortunately, his true identity is revealed and he must escape if he is to bring the gang to justice. ~ Sandra Brennan, All Movie Guide

With its slight resemblance to Destry Rides Again (1939) -- probably not entirely coincidental -- this rousing Western from Republic Pictures remains a joy throughout. John Wayne plays Tom Craig, a mild-mannered druggist from Boston who opens a shop in wild and woolly Sacramento shortly before the Gold Rush. The town is "owned" by the Dawson brothers, Britt (Albert Dekker) and Joe (Dick Purcell), who poison Craig's tonic when saloon hostess Lacey Miller (Binnie Barnes) takes too much of an interest in the handsome newcomer. Town drunk Whitey (Emmett Lynn) has one drink too many, and all of Sacramento is soon in a lynching mood. The news of "gold in them thar hills" saves the druggist in the nick of time, but his business is destroyed. While everyone is heading for the gold fields, Craig prepares to leave town with snobbish debutante Ellen Sanford (Helen Parrish), whom he intends to marry. News of typhoid fever among the prospectors changes his mind, however, and the man once referred to as "a human hitchin' post instead of a two-legged man," risks his own life to save the suffering populace. The Dawson brothers, meanwhile, plan to hijack the medical supplies and sell them to the highest bidder, but when Britt Dawson learns that Lacey is helping the sick and may be stricken with the disease herself, he has a change of heart and eventually confesses to spiking Craig's medicine. Cast against type for most of the film, John Wayne fails to make his amiable druggist entirely believable but remains simply John Wayne throughout -- which is as it should be. Binnie Barnes is rowdy and fun whether leading a chorus of "California Joe" by Johnny Marvin and Fred Rose, or jealously interrupting a tête-à-tête between Wayne and 19-year-old Helen Parrish. Usually cast as glacial "other women" in Hollywood films, the British-born Barnes had actually begun her professional career touring Europe and South Africa with bucolic American headliner Tex McLeod, which was as good a preparation as any to play In Old California's saloon belle. Patsy Kelly, who shoots down her laundry with a Winchester, and Edgar Kennedy, as Wayne's tooth-ache plagued sidekick, add to the general fun. ~ Hans J. Wollstein, All Movie Guide

It should be obvious to fans of husky, muscle-bound cowboy star Johnny Mack Brown that he does not play the title role in Little Joe, Wrangler. That honor goes to Brown's perennial comic sidekick, Fuzzy Knight. Neither Brown nor Knight are the focal point of the story, however: Instead, Tex Ritter carries the dramatic weight of the yarn as a sheriff facing expulsion because of his inability to capture a notorious bandit. Wrongly arrested as that bandit, Johnny Mack Brown teams with Ritter to hunt down the genuine culprit. Meanwhile, Fuzzy Knight and the Jimmy Wakely Trio combine their musical talents to warble the title song. ~ Hal Erickson, All Movie Guide

Congress suddenly changes the boundary between Texas and Mexico and the rangers leave the territory to the U.S. cavalry in this fine entry in Republic Pictures long-running Three Mesqueteers western series. Left to fend for himself, the commanding officer, Colonel Langley (Forbes Murray), makes the mistake of trusting LeRoque (Peter George Lynn), a half-breed interpreter who in reality is the feared Commanche renegade Waneeche. Nothing the Three Mesqueteers, "Stony" Brooke (Robert Livingston), "Tucson" Smith (Bob Steele) and "Lullaby" Joslin (Rufe Davis), do or say dissuades Langley from walking straight into a trap and only by taking a typically daring approach are the Mesqueteers able to prevent wholesale slaughter. Gale Storm plays the nominal female lead as the colonel's cheery daughter and comedy relief is provided by spinster-ish Ellen Lowe, as Aunt Amanda, a scalp-hungry Glenn Strange and rube comic Rufe Davis. The latter also performs Smiley Burnette's "Just Imagine That" backed by cowboy swing fiddler Spade Cooley. ~ Hans J. Wollstein, All Movie Guide

Buster Crabbe makes his first appearance as frontier do-gooder Billy Carson in PRC's Billy the Kid Wanted. The film also marked the first teaming of Crabbe with ineluctable comedy sidekick Al St. John. Like the previous "Billy the Kid" oaters with Bob Steele, this one begins with Billy and Fuzzy being accused of a crime they didn't commit. Together with fellow fugitive Jeff (Dave O'Brien), our heroes seek refuge with a group of sympathetic ranchers. From this vantage point, Billy is able to plan his strategy to expose land-grabber Saunders (Charles King) as the genuine culprit. Though shabbily produced, Billy the Kid Wanted coasted by on the star power of Crabbe and St. John. ~ Hal Erickson, All Movie Guide

Tim Holt and sidekicks Ray Whitley and Emmett Lynn join an outlaw gang in this RKO Western filmed on-location at Victorville, CA, and at the Walker and Jauregui movie ranches. When their friend Pop Edwards is shot (in the back, no less) by Doc Randall (Robert Fiske) and his crew, Jeff (Holt), Smokey (Whitley), and Whopper (Lynn) take it upon themselves to avenge him. They do so by infiltrating the gang, and, in time, are awarded assistance by the sheriff (Hal Taliaferro) and café singer Mary Loring (Betty Jane Rhodes). The latter sings "My Grand Pap" and "Old Monterey Moon," both by Whitley and Fred Rose. ~ Hans J. Wollstein, All Movie Guide

Buster Crabbe is Billy Carson and Al St. John is Fuzzy Q. Jones in this formula PRC western. Riding into a wide-open town, Billy, Fuzzy and their saddle pal Jeff (Carleton Young) befriend crusading newspaper editor Dan (John Elliott). The villains have run out of methods to intimidate Dan into silence, so they resort to the old reliable ploy of kidnapping the editor's pretty daughter Betty (Joan Barclay). It must then follow that Billy, Fuzzy and Jeff all gallop to Betty's rescue. With Glenn Strange and Charles King in the cast, there's absolutely no mystery concerning the identity of the "bad guys". ~ Hal Erickson, All Movie Guide

Johnny Mack Brown saves the day in the Universal western programmer Law of the Range. Finding himself in the middle of a family feud, Brown endeavors to unruffle the combatants' feathers for the sake of leading lady Nell O'Day. He proves that there's nothing for the families to fight over when he corrals the instigator of the feud, "outsider" Alan Bridge. Brown wields his six-shooters, Ms. O'Day displays some fancy riding and roping skills, Riley Hill (billed as Roy Harris) makes an impressively nasty screen debut, and comic relief Raymond Hatton provides...comic relief. Law of the Range is a remake of the 1935 Buck Jones vehicle The Ivory-Handled Gun. ~ Hal Erickson, All Movie Guide

A remake of the 1933 RKO western of the same name, Come on, Danger! stars Tim Holt in the role originally essayed by Tom Keene. Holt goes after a gang of rustlers, commandeered by an attractive young woman (Julie Haydon in the original, Frances Neal in the remake). The girl has been accused of murder, but the actual culprit is the miscreant who drove the girl into a life of crime in the first place. Leading lady Frances Neal displayed an embryonic star quality in this film, but she retired shortly afterward to marry Van Heflin. Come on Danger was a bit longer than the 1933 version, principally because of the three songs warbled by supporting actor Ray Whitley. ~ Hal Erickson, All Movie Guide

Unique among the Gene Autry starrers of 1940, Ride Tenderfoot Ride actually contains more action than music. In this one, Autry falls heir to a meat-packing firm which has been targetted for a hostile takeover by the villains. June Storey plays Ann Randolph, owner of a rival meat concern, who is unaware until the last reel that her subordinates have been plotting to ruin or murder our hero. By the time Gene and Ann decide to merge-both professionally and romantically---the bad guys have been soundly trounced by Autry and his saddle pal Frog (Smiley Burnette). Legendary Broadway entertainer Joe Frisco is somewhat wasted in a minor role as a stuttering haberdasher. ~ Hal Erickson, All Movie Guide

George O'Brien's first 1940 western release, Legion of the Lawless uses its frontier trappings for a plea against vigilante justice-specifically, lynching. A group of masked night riders terrorize the homesteaders in the 19th century village of Iveston, all the while insisting that they're merely bringing law and order to the territory. Lawyer O'Brien thinks otherwise, and soon he's championing the cause of the beleaguered villagers. After exposing the criminal conspiracy in charge of the vigilantes, O'Brien throws the rascals out in a hale of gunfire. The film's highlight is a fistfight between hero O'Brien and secondary villain Monte Montague, which lasts a full two minutes! ~ Hal Erickson, All Movie Guide

This Roy Rogers vehicle is a followup (though not a sequel) to 1940's Young Buffalo Bill. Definitely a "premature anti-fascist", singing frontiersman Bill Hickok (Roy Rogers) tries to thwart the takeover of West by foreign invaders. John Miljan is frontier fuhrer Nicholas Tower, who hires a gang of storm troopers-er, henchmen-to do his dirty work. Southern belle Louise Mason (Jacqueline Wells) initially aligns herself with Tower because he is ostensibly anti-Damyankee, but she finally turns against him when she realizes what he's up to. Calamity Jane also appears in the person of comic actress Sally Payne, while Gabby Hayes shows up as a character named-but of course-Gabby. ~ Hal Erickson, All Movie Guide