Jane Alden Movies

Dinner at Eight is a TV remake of the 1933 MGM film of the same name; both films were adapted from the play by George S. Kaufman and Edna Ferber. While the basic plot point of a social-climbing woman (Marsha Mason) throwing a "best people" dinner party has not dated all that much, other elements prevalent in the 1933 version were due for an overhaul 56 years later. The aging, near-impoverished stage actress played con brio by Marie Dressler in the original becomes a jet-setting "literary raconteur" (read: "trash novelist") in the form of Lauren Bacall. And the alcoholic matinee idol portrayed by John Barrymore in 1933 is transformed into a Pacino type (Harry Hamlin) with a drug and attitude problem for the 1989 version. While not exactly improvements, these alterations do not stand out like sore thumbs, as do many past attempts at updating old material. Only Ellen Greene, in Jean Harlow's role as the floozielike wife of a corrupt businessman, falls short of the original. Produced by actress Shelley Duvall, the 1989 Dinner at Eight was first shown on December 11, 1989 over the TNT Cable network. ~ Hal Erickson, Rovi

In this romantic drama set on the Hawaiian Islands, a police detective pursues both some ruthless criminal and a comely prosecuting attorney. ~ Sandra Brennan, Rovi

Left at home while Carol (Tracey Gold) and Maggie (Joanna Kerns) head for a vacation resort, the Seaver men must handle things when Chrissy (Ashley Johnson) comes home from school with head lice. As for the Seaver women, they find themselves reluctant cats among some very eager pigeons as a "singles" convention converges at the resort. Christopher Burgard makes his first series appearance as Carol's boyfriend Dwight. ~ Hal Erickson, Rovi

In this made-for-cable thriller an unemployed actor makes a little cash running acting classes. His troubles begin when the student he has been sleeping with calls him one day and says that she has been kidnapped. The next thing he knows, he is being framed for embezzlement and murder. ~ Sandra Brennan, Rovi

A young pig fights convention to become a sheep dog -- or, rather, sheep pig -- in this charming Australian family film, which became an unexpected international success due to superior special effects and an intelligent script. The title refers to the name bestowed on a piglet soon after his separation from his family, when he finds himself on a strange farm. Confused and sad, Babe is adopted by a friendly dog and slowly adjusts to his new home. Discovering that the fate of most pigs is the dinner table, Babe devotes himself to becoming a useful member of the farm by trying to learn how to herd sheep, despite the skepticism of the other animals and the kindly but conventional Farmer Hoggett (James Cromwell). Because technically impeccable animatronics and computer graphics allow the farm animals to converse easily among themselves, first-time director Chris Noonan can treat the film's menagerie as actual characters, playing scene not for cuteness but for real emotions. The result is often surprisingly touching, with Noonan and George Miller's script, based on Dick King-Smith's children's book and, indirectly, a true story, seamlessly combining gentle whimsy and sincere feeling. These same qualities are embodied by in Cromwell's beautifully understated performance as Farmer Hoggett, which anchors the film. Despite its unlikely premise and low profile, Babe's inspirational story was embraced by audiences and critics, and the movie became an international sleeper that won an Academy Award nomination for Best Picture. It was followed in 1999 by the less successful Babe: Pig in the City. ~ Judd Blaise, All Movie Guide

This rental contains both Babe and Babe: Pig in the City