Ron Weyand Movies

Woody Allen's black-and-white curiosity piece is a mixture of influences -- from German silent film expressionism to Franz Kafka's nightmare worlds to the contemporary fables of Wim Wenders. Woody Allen plays the nebbish clerk Kleinman (in a throwback to his characters from Sleeper and Love and Death), who is awakened in the middle of the night by a vigilante group who want him to help capture a serial killer on the loose. Kleinman reluctantly agrees, but when he gets to the street, the vigilantes are gone and Kleinmen spends most of the film wandering the shadowy back alleys in search of the citizen's brigade. Meanwhile, a circus is in town. When sword-swallower Irmy (Mia Farrow) catches her creepy clown husband (John Malkovich) getting familiar with trapeze artist Marie (Madonna), she packs her bags and heads for town, where she meets up with Kleinman. This meeting sets up a number of plot lines that has Irmy befriending a trio of prostitutes (Jodie Foster, Lily Tomlin and Kathy Bates) at the local brothel and accepting $700 from a university student (John Cusack) who wants to sleep with her. She finally meets up with her husband, and they then find an abandoned baby which they decide to raise as their own. ~ Paul Brenner, All Movie Guide

E. L. Doctorow's novel Ragtime was a sprawling fictional account of American manners and mores in the years between 1900 and 1913. Among the mosaic of colorful factual and fictional characters in the novel were escape artist Harry Houdini and radical Emma Goldman. Both characters are all but eliminated in the film version, which only concentrates on three of Doctorow's many plot threads: The story of an immigrant artist (Mandy Patinkin) who becomes a movie director; the saga of "Gibson Girl" Evelyn Nesbit Shaw (Elizabeth McGovern), for whose sake playboy Harry K. Thaw (Robert Joy); kills architect Stanford White (Norman Mailer) and a lone black man's (Howard Rollins Jr.) quest for justice when his car is destroyed by a racist fire chief (Kenneth McMillan). This last subplot consumes most of the film's running time, to the overall detriment of the pacing. There are also several scenes involving an unnamed upper-middle-class family (headed by James Olson and Mary Steenburgen) who are evidently meant to be the audience's eyes and ears, but are frankly not terribly interesting. Back in 1981, Ragtime was given plenty of press coverage as the "comeback" picture for James Cagney, after twenty years in retirement. The problem is that Cagney's character (a police commissioner) isn't in the book, and his inclusion not only throws the story off balance, but necessitates the removal of several potentially interesting characters and events. Another detriment is the gratuitous (and illogical) nudity in the Evelyn Nesbit scenes, which earned the film its "R" rating. An ornate misfire, Ragtime is of interest today only for its remarkable cast of veterans and stars-to-be, including Pat O'Brien and Eloise O'Brien, Donald O'Connor, Debbie Allen, Moses Gunn, Jeff Daniels and Fran Drescher. ~ Hal Erickson, All Movie Guide

This drama is based on a John Updike story and is narrated by the author. It is the tale of an angst-filled hero attending music school. The precise mathematics inherent in the musical compositions he studies is used as a metaphor for the unattainable perfection humans strive for. ~ Sandra Brennan, All Movie Guide

This detective-themed action-adventure film spoofs The Big Sleep, which was based on the novel by Raymond Chandler. Burt Reynolds plays McCoy, a hard-nosed private detective. The story has more tangles than a bowl of spaghetti, but it begins when McCoy is called to the house of Hume (Ron Weyand), an eccentric diamond dealer, and is given the task of recovering some stolen gems. McCoy is beaten by a gang of thugs to warn him off the job, and this lets him know that he's onto something really big. By the end of the film, McCoy will have hooked up with a gorgeous blonde (Dyan Cannon), driven a tank through a warehouse wall, and delivered numerous crooks to the police. ~ Clarke Fountain, All Movie Guide

George C. Scott stars as Justin Playfair, a retired, widowed judge who labors under the delusion that he's Sherlock Holmes. Feigning concern, Playfair's greedy brother Blevins (Lester Rawlins) hires psychologist Dr. Mildred Watson (Joanne Woodward) to certify that Justin is insane--and in so doing gain control of the judge's millions. Instead, Dr. Watson is drawn into Playfair's dream world, accompanying the judge on his quest to find the elusive (and imaginary) Professor Moriarty. Reality rears its head when a group of vicious blackmailers, to whom Blevins is deeply in debt, attempt to assassinate brother Justin. In a sequence originally cut from the release version but restored for television, Playfair and Watson are rescued by a group of middle-aged eccentrics, who like the judge would give anything to live the lives of their literary favorites (the most poignant of these is librarian Jack Gilford, who "wishes to God" that he were the Scarlet Pimpernel). ~ Hal Erickson, All Movie Guide

The spectacular hordes of Cossack horsemen flying across the steppes to do battle with first one enemy and then another are the highlights of this otherwise thinly scripted costume drama set in the 16th century in the Ukraine. After the Cossack leader Taras Bulba (Yul Brynner) makes a pact with the Poles to join forces against the Turks and drive them from the European steppes, victory brings betrayal as the Poles then turn on their ally and force the Cossacks into the hills. From there, Taras Bulba decides that one of his sons, Andrei (Tony Curtis), will be sent to Polish schools to better learn the nature of their enemy. While away from home and hearth, the adult Andrei falls in love with a Polish noblewoman, Natalia (Christine Kaufmann, who would become the second Mrs. Curtis). As time progresses, the tensions between father and son, loyalty and love, ethnic identity and assimilation steadily increase until they end in tragedy. Taras Bulba was nominated for a 1963 Academy Award for "Best Music", scored by Franz Waxman. ~ Eleanor Mannikka, All Movie Guide