Virginia Wetherell Movies

This TV-movie adaptation of Bram Stoker's novel of the "undead" was adapted by Richard Matheson and photographed by Oswald Morris. As the titular count, Jack Palance is a reluctant victim of an unwelcome fate, rather than a grinning bloodsucker. Nigel Davenport co-stars as Van Helsing, vampire-hunter deluxe, who pursues the count with his bagful of hammers and stakes. Much of the Stoker novel that had been eliminated in earlier versions has been restored by Matheson. Originally slated for telecast in October of 1973, Dracula was reshuffled to February 8, 1974, due to the late-breaking vice-presidential nomination of Gerald Ford. ~ Hal Erickson, All Movie Guide

Hammer Films apply their characteristic Gothic touch to this offbeat psychological thriller about a bombastic 19th-century Baron (Robert Hardy) who keeps his two adult offspring imprisoned in the family estate, convinced they are afflicted by an evil curse of madness passed down from their late mother. Unfortunately, they're not the only ones to worry about: it seems a spate of recent murders in the surrounding village are being committed by his son (Shane Briant), who is being manipulated by his father's deranged will to leave the castle and act out Dad's twisted, violent fantasies. Superb photography and good use of locations lend a rich atmosphere to this psycho-costume-drama, and Patrick Magee turns in a good performance as the family doctor (somewhat reminiscent of his role in Coppola's Dementia 13). Director Peter Sykes keeps the horror fairly subdued until the bloody "shock" ending, which seems to spoil the mood a bit. ~ Cavett Binion, All Movie Guide

Stanley Kubrick dissects the nature of violence in this darkly ironic, near-future satire, adapted from Anthony Burgess's novel, complete with "Nadsat" slang. Classical music-loving proto-punk Alex (Malcolm McDowell) and his "Droogs" spend their nights getting high at the Korova Milkbar before embarking on "a little of the old ultraviolence," such as terrorizing a writer, Mr. Alexander (Patrick Magee), and gang raping his wife (who later dies as a result). After Alex is jailed for bludgeoning the Cat Lady (Miriam Karlin) to death with one of her phallic sculptures, Alex submits to the Ludovico behavior modification technique to earn his freedom; he's conditioned to abhor violence through watching gory movies, and even his adored Beethoven is turned against him. Returned to the world defenseless, Alex becomes the victim of his prior victims, with Mr. Alexander using Beethoven's Ninth to inflict the greatest pain of all. When society sees what the state has done to Alex, however, the politically expedient move is made. Casting a coldly pessimistic view on the then-future of the late '70s-early '80s, Kubrick and production designer John Barry created a world of high-tech cultural decay, mixing old details like bowler hats with bizarrely alienating "new" environments like the Milkbar. Alex's violence is horrific, yet it is an aesthetically calculated fact of his existence; his charisma makes the icily clinical Ludovico treatment seem more negatively abusive than positively therapeutic. Alex may be a sadist, but the state's autocratic control is another violent act, rather than a solution. Released in late 1971 (within weeks of Sam Peckinpah's brutally violent Straw Dogs), the film sparked considerable controversy in the U.S. with its X-rated violence; after copycat crimes in England, Kubrick withdrew the film from British distribution until after his death. Opinion was divided on the meaning of Kubrick's detached view of this shocking future, but, whether the discord drew the curious or Kubrick's scathing diagnosis spoke to the chaotic cultural moment, A Clockwork Orange became a hit. On the heels of New York Film Critics Circle awards as Best Film, Best Director, and Best Screenplay, Kubrick received Oscar nominations in all three categories. ~ Lucia Bozzola, All Movie Guide

In this crime drama, a playboy gambler has a passionate one-night stand with a beautiful woman. During the night, he briefly leaves and when he returns, finds her dead. Not wanting his name in the papers, the man tries to avoid the police. He soon finds himself victimized by extortionists, headed by his own boss and the girl, who only feigned death. They try to force him into breaking a notorious crimelord out of prison, but he is not so easily swayed. ~ Sandra Brennan, All Movie Guide

In the third episode of the seven-part story arc "The Daleks," the Doctor (William Hartnell), Ian (William Russell), and Susan (Carole Ann Ford) join forces to rescue Barbara (Jacqueline Hill) from the mutant Daleks. In his efforts to find out why the Daleks want to resume their nuclear war with the humanoid Thals, the Doctor discovers that the mutants need radiation to survive. Unfortunately, this will require the utter descruction of Skaro by a neutron bomb. Written by Terry Nation, "The Survivors" first aired on January 4, 1964. ~ Hal Erickson, All Movie Guide

In the fourth episode of the seven-part story arc "The Daleks," the Doctor (William Hartnell) and his companions are still on the dead planet Skaro, again in the clutches of the mutant Daleks. In attempting to escape, Ian (William Russell) is paralyzed, and the Doctor and Barbara (Jacqueline Hill) are weakened by radiation sickness. It is up to Susan (Carole Ann Ford) to make her way back to the TARDIS in order to return herself and her friends back to the 20th century -- while the Daleks continue formulating their plans for mass destruction. Written by Terry Nation, "The Ambush" originally aired on January 11, 1964. ~ Hal Erickson, All Movie Guide

Joe Beckett (Alfred Lynch) forgoes working for a living in this seedy district of London. He hangs out in jazz clubs and chases women, which makes him lose what little money he has remaining. Ex-Army veteran Richard Dyce (Eric Portman) shows up at the club, and the two directionless louts begin to talk. Richard wants his Aunt killed for her money, and Joe agrees to do the deed. He travels to the Aunt's house on the South Coast, but Joe loses his nerve. He accidently pushes the woman to her death, leaving a miniature chess kit behind as evidence he was at the scene of the crime. Richard denies everything, and a stool pigeon sings like a bird to the cops, putting Joe in a gilded cage of his very own. ~ Dan Pavlides, All Movie Guide

In this drama, based on a story by Edgar Wallace, a movie mogul and a beautiful Asian actress set up a major swindle. ~ Sandra Brennan, All Movie Guide