James Westerfield

Filmed largely on-location in Salem, MA this lively episode of Bewitched was written by Richard Michaels. Misinterpreting her orders from the Witches Council, Esmerelda zaps Samantha back to 17th century Salem -- where she is promptly put on trial for witchcraft. Likewise hurtled back to the past, Darrin tries to save Sam from the stake, even though she has no idea who he is (nor, for that matter, whom she is). Frequent series supporting players Ronald Long, James Westerfield, and Maudie Prickett are cast respectively as the Magistrate, innkeeper Mr. Farley, and Mrs. Farley. The final episode of an eight-part story arc, "Samantha's Old Salem Trip" originally aired on November 12, 1970. ~ Hal Erickson, All Movie Guide

In fine Hollywood tradition, John Wayne had to play a "one-eyed fat man" before the Motion Picture Academy considered him worthy of an Oscar. In True Grit, Wayne plays grumpy, pot-bellied U.S. marshal "Rooster" Cogburn, hired by 14-year-old Mattie Ross (Kim Darby) to find Tom Chaney (Jeff Corey), who killed her father. The headstrong Mattie could have had her pick of lawmen, but selects the aging Cogburn because she believes he has "true grit" (she talks this way all through the picture, so be prepared). Also heading into Indian territory in search of Chaney is Texas Ranger La Boeuf (Glen Campbell), who wants to collect the reward placed on the fugitive's head for his earlier crimes. Complicating matters are Chaney's scurrilous cronies Ned Pepper (Robert Duvall), Quincy (Jeremy Slate), and Moon (Dennis Hopper), who have no qualms about killing a troublesome teenaged girl like Mattie. While the plot of True Grit, adapted (and streamlined) by Marguerite Roberts from the novel by Charles Portis, maintains audience interest throughout, the glue that truly holds this Western together is John Wayne, delivering one of his finest performances (though some believe he was better in She Wore a Yellow Ribbon). Wayne's casual charisma is infinitely more effective than the mannered method acting of Kim Darby and the floundering non-acting of poor Glen Campbell. And who could not love the climatic face-off between Duvall and company and John Wayne, whose "Fill your hand, you son of a bitch!" is not only a classic bit of dialogue, but the apotheosis of the Wayne mystique. In 1975, Wayne repeated his True Grit characterization opposite Katharine Hepburn in Rooster Cogburn, but the film failed to match its predecessor and the overall effect was blunted. ~ Hal Erickson, All Movie Guide

This routine western finds Gannon (Tony Franciosa) as a lone drifter on the Kansas plains. He never looks for any trouble because trouble always manages to find him. Gannon takes on a young Eastern dude named Jess (Michael Sarrazin) and teaches him the ropes of being a cowboy. The two end up in conflict with the widow Beth (Judy West) when she desires to erect a barbed wire fence to corral the cattle. The widow also wishes to corral Gannon before he is befriended by Mattie (Susan Oliver), the local hooker with a heart of gold. ~ Dan Pavlides, All Movie Guide

Ex-lawman turned rancher Jed Cooper (Clint Eastwood) is moving a small herd of cattle when a group of nine men on horseback, led by Captain Wilson (Ed Begley Sr.), ride up and accuse him of having stolen the cattle and killed their owner. Refusing to believe his account, they string him up by the neck and leave him for dead, but they don't do the job right. Cooper is dangling there, barely alive, a few minutes later when Deputy U.S. Marshal Bliss (Ben Johnson) spots him and cuts him down. He survives the next few days in Bliss' tumbleweed wagon with the other prisoners, and is later cleared of any wrongdoing and released by Judge Fenton (Pat Hingle), just in time to witness the hanging of the man who really murdered the owner of the cattle and took Cooper's money. Cooper still wants revenge on the nine men who tried to hang him, but Fenton insists that he leave the bringing of them to justice to his deputy marshals. As it happens, Fenton is in desperate need of deputy marshals for the territory that he oversees, and he also knows that Cooper was a good lawman. Cooper, in turn, is now broke and in need of a job, and does want to see justice done. They strike an uneasy bargain, Cooper agreeing to wear a badge and bring in the men he's looking for -- alive -- for trial. The latter proves easier said than done, however, when the first of them that he spots tries to draw on him when he makes the arrest. One of the hanging party, Jenkins (Bob Steele), soon turns himself in and provides the names of the others. Cooper takes Stone (Alan Hale Jr.) alive, but the hapless blacksmith is later shot by the local sheriff (Charles McGraw) while trying to escape. The other men, led by Wilson, have no intention of dying, or even being brought to trial, without a fight. Two of them go on the run out of the territory, while Wilson and two of the others decide to take the law into their own hands once again. Meanwhile, Cooper becomes a hero when he single-handedly brings back a trio of rustlers who are also guilty of murder. This leads to Cooper's first confrontation with Judge Fenton, who, in a gripping scene, explains why it is essential that he be as seemingly quick to hang a man as he is. Unless the people are convinced that the law will do its job -- including hanging men who deserve it -- they will keep taking the law into their own hands and there will be more lynch mobs like the one that tried to kill Cooper. In the course of his quest for justice, Cooper also makes the acquaintance of Rachel (Inger Stevens), a young woman with her own search for justice, haunted by her own ghosts, and the two of them are drawn together, no more so than when Wilson and two of the others try to gun Cooper down in cold blood. The final confrontation between Cooper and Wilson escalates in violence to its savage, irony-laced conclusion. ~ Bruce Eder, All Movie Guide

The title character in this episode is one Amos Hogg, played by James Westerfield. Upon learning that their home-town mayor has arrived in Beverly Hills, the Clampetts extend their usual hospitality. Little do they know that Mayor Hogg has absconded with the city funds -- and he needs some of the Clampett millions to cover the loss. "The Mayor of Bug Tussle" made its initial network TV appearance on January 4, 1967. ~ Hal Erickson, All Movie Guide

James Westerfield hams it up as Dr. Marvello, the pitchman for a travelling space circus that shows up to entertain the Robinsons--in exchange for a meal. Unfortunately, the food supply is perilously low, so Marvello ends up seeking another form of payment. The crafty showman sets his sights on Will Robinson (Billy Mumy), who has suddenly attained the power to materialize whatever he wants--and as such would be a wonderful attraction in Marvello's freak show. ~ Hal Erickson, All Movie Guide

In this romantic comedy, an aspiring actress pays her bills by working as a maid for various households. One of her employers is a wealthy and prominent publisher. After accidentally running into each other a number of times on the New York streets without recognizing each other, they begin to fall in love. She wants to take him home, but she is ashamed of her humble quarters. Believing that the publisher is out of town, she decides to take the lover to that apartment and pretend that it is hers. The lover/ publisher did have a business trip, but it was canceled. He decides to go along with her ruse and pretends that he has never been in his own apartment before. The trouble is, he now has no home to go home to; instead, he begins bunking with his business partner. In the end, both would-be lovers learn the truth, but they still refuse to tell each other that they know. Things get a little crazy, especially when the maid has all her girl friends dress up as hookers and come for a wild party at his apartment. He has the last laugh when they end up in jail. ~ Sandra Brennan, All Movie Guide

The Taylor household is turned on its ear when Aunt Bee's sister Nora (Maudie Prickett), brother-in-law Ollie (James Westerfield) and their obnoxious children arrive for an extended visit. Andy Taylor's patience is sorely tested by Ollie's constant bragging, especially when the big blowhard claims that he'd make a better lawman than Andy. A convenient jailbreak-fabricated by Andy and his pals-has the salutary effect of shutting Ollie up once and for all (or so we hope!) First telecast on October 5, 1964, "Family Visit" was written by Jim Fritzell and Everett Greenbaum. ~ Hal Erickson, All Movie Guide

Roger Willoughby (Rock Hudson) is a super salesman of sporting goods who sells fishing equipment but knows nothing about the sport. Roger's boss Cadwalader (John McGiver) gets an idea from publicity director Abigail (Paula Prentiss) to enter him in a fishing contest, and the inept angler has a series of comic consequences before he wins the contest with some help from a bear. When Roger admits that his winning the event was merely luck, he turns in the prize and loses his job. Roger eventually wins Abigail's heart and gets his job back. Howard Hawks directs this slapstick comedy with his typical flair -- witty dialogue and effective sight gags included. ~ Dan Pavlides, All Movie Guide

In this film based on a true story, Burt Lancaster plays Robert Stroud, a withdrawn prison inmate who cures a sick bird that flies into his cell and eventually becomes a world-renowned ornithologist -- all while serving a life sentence. An overbearing warden (Karl Malden) eventually transfers Stroud to the notoriously brutal prison on Alcatraz, but he is able to continue his research, abort a riot, start a romance, and eventually get his story out through a determined reporter (Edmond O'Brien). Directed with his usual solid craftsmanship by John Frankenheimer, Birdman Of Alcatraz tells a quietly moving tale for which Lancaster, Telly Savalas (as one of Stroud's fellow inmates), and Thelma Ritter (as Stroud's mother) all received Oscar nominations. ~ Don Kaye, All Movie Guide

Homicidal represents producer/director William Castle's slant on Hitchcock's Psycho. The film concerns a young woman named Miriam Webster (Patricia Breslin) who seemingly has everything a girl could want - including a successful flower shop business, and a handsome beau, Karl (Glenn Corbett), who works as a pharmacist. Events take a turn for the worse, however, when Miriam's half-brother, Warren, returns from Europe - with a rather unpleasant friend in-tow: a blonde named Emily (Jean Arless). Emily promptly sets about destroying Miriam's life: the newcomer attempts to wheedle Karl away from Miriam, then rips the flower shop to pieces, then ultimately reveals a little taste for knife-wielding that directly threatens Miriam's safety. Like The Tingler and other Castle outings, this one originally featured a gimmick, preserved in the video release: a "fright-break" just prior to the climax, which allowed terrified audience members approximately 45 seconds to get out of their seats and leave the theater - to avoid the prospect of being "frightened to death." One look at Jean Arless's credit in the cast listing betrays the final twist in this one, directly (and unapologetically) lifted by Castle from Psycho. ~ Hal Erickson, All Movie Guide

Peter Caine (Douglas Dick), the dissolute son of prominent building engineer William Harper Craine (John Hoyt), is being blackmailed by Debra Bradford (Diana Millay), who claims that Peter was involved in a hit-and-run accident while drunk. This act of extortion is somehow tied in with the murder of building contractor Roger Quigley (James Westerfield), for which Peter's father is charged. Initially hired by a citizen's group to prevent the construction of an aqueduct named after William Harper Crane, Perry Mason (Raymond Burr) ends up defending the man in court. ~ Hal Erickson, All Movie Guide