Martin West Movies

Manhunt: Search for the Night Stalker was a made-for-TV factual drama about the elusive killer who terrorized Southern California in the summer of 1985. Richard Jordan and A. Martinez star as the two LA detectives heading up the investigation. So much time is taken up with police procedure that the Night Stalker himself is virtually a bit player in his own movie. The suspect, one Richard Ramirez (watch the film to find out who plays him), makes up for his long absences with a bravura closing scene. The film utilizes the clever (and tasteful) approach of showing the victims going about their everyday activities just before the murderer strikes, without resorting to re-enacting the murders themselves. By accident or design, Manhunt: Search for the Night Stalker was telecast November 12, 1989--the very day that Richard Ramirez was sentenced to the gas chamber. ~ Hal Erickson, Rovi

Brian Dennehy plays a Wambaugh-type cop who has flourished as a novelist. At the moment, however, Dennehy is suffering from a profound case of writer's block. Coming to the rescue, as it were, is professional hit man James Woods. Recently dumped by his boss, above-suspicion business executive Paul Shenar, Woods is anxious to tell his life story to Dennehy, in hopes of striking it rich with a tell-all bestseller. Shenar, however, takes a dim view of Woods' indiscretions, and for a while it looks as though it's curtains for both Dennehy and his teenaged daughter Allison Balson. Screenwriter Larry Cohen has claimed that Best Seller was based on Strangers on a Train. ~ Hal Erickson, Rovi

After a long separation, a young girl finds her mother (Loni Anderson) and is surprised to find that she's working as a high-class call girl. ~ John Bush, Rovi

Cops, secretaries, and prisoners stuck in a soon-to-be-shuttered L.A. police station fight off a horde of murderous gang members in director John Carpenter's homage to Howard Hawks. When police officer Bishop (Austin Stoker) is left in charge of Precinct 13 on the last day it's open, he isn't prepared for the onslaught of a murderous street gang who have come into the possession of an enormous arsenal of guns. Finding himself trapped in the precinct with a pair of secretaries (Laurie Zimmer and Nancy Loomis), a few civilians and a handful of prisoners, Bishop is unable to call for help because the phones have already been disconnected and the precinct is in a run-down, out-of-the-way neighborhood. Holding out for a rescue, he and his fellow prisoners band together to barricade themselves in and hold the bandits at bay. But as the casualties mount and the supplies run low, they must choose between a daring escape attempt, a fiery offensive, or certain death. The sophomore feature from auteur-in-the-making John Carpenter, Assault on Precinct 13 reunited the director with Douglas H. Knapp, his cinematographer on 1974's Dark Star. ~ Brian J. Dillard, Rovi

A cavalry unit in Colorado is conducting two important cargoes to Fort Reunion, home of the 11th Colorado Volunteers: Cresta Marybelle Lee (Candice Bergen), the fiancée of an officer in the unit until two years ago, when she was taken by the Cheyenne, and who just escaped; and Captain Battles (Dana Elcar), the paymaster, with a strongbox containing gold. The men are tired -- almost asleep in their saddles -- and frustrated, and doubly so by the presence of Cresta, whose beauty and reputation (by virtue of living two years with "savages") is driving them to distraction; all except for Honus Gant (Peter Strauss), a neophyte trooper and wide-eyed innocent. The detachment is ambushed by a Cheyenne war party and the only survivors are Cresta and Honus, who learn to tolerate each other as they struggle across the wilderness and the desert in search of help. An encounter with white trader Isaac Q. Cumber (Donald Pleasence), a profiteer who is running guns to the Indians, nearly results in their deaths, and Honus is seriously wounded.

Cresta goes off in search of help and is picked up by a cavalry scout and brought to the 11th Colorado, whose commanding officer, Col. Iverson (John Anderson), is planning a punitive strike against a peaceful Cheyenne encampment over the massacre of the paymaster's party. Cresta tries to secure help for Honus but Iverson is too busy planning bloodshed, and her fiancé, Lt. McNair (Bob Carraway), is just too eager to pick up where he left off with her to listen to her warnings. She rides out on her own and returns to the village where she'd spent the previous two years, while Honus manages to survive to reach Iverson. He ends up along for the assault on the village, which takes place despite the chieftain Spotted Wolf (Jorge Rivera) flying a flag of truce and an American flag given him at a previous negotiation with the whites. The Native Americans defend themselves when fired upon with artillery and rifles, and all hell breaks lose -- virtually all of the men in the village are killed in the first assault, and then the soldiers spot the women, children, and old men, and there begins an orgy of rape, mutilation, beheadings, dismemberment, and torture before Honus' horrified eyes by joyously shrieking soldiers. Cresta kills a soldier who tries to rape her and intends to die with her Native American family but is pulled out, only to watch the slaughter continue. In the end, Honus is left to be marched back to Fort Reunion as a prisoner for trying to stop the killing, and Iverson expresses pride and satisfaction at what he's done, while Cresta and a tiny handful of survivors -- almost all old men and women -- watch in mute horror and anger. ~ Bruce Eder, Rovi

Sarah Deever (Sandy Dennis) is an idealistic young woman living in Brooklyn. Her altruistic nature finds her taking in visitors for a month at a time to help them in their time of need. Charlie Blake (Anthony Newley) is her latest reclamation project, a cardboard-box factory worker and owner of an annoyingly loud alarm on his wristwatch. Charlie gains entrance to her apartment and eventually her heart when he reveals he always wanted to be a poet. Sarah seeks to overcome her own problems by helping those in need, but her need for Charlie's love soon supersedes her initial intentions. He is allowed to stay for the month of November as she adheres to her traditional deadline on guests. ~ Dan Pavlides, Rovi

An intelligent, eccentric high school senior devotes his life to indulging the every whim of the beautiful girl he adores in this quirky, dark-humored comedy. Roddy McDowall plays Alan Musgrave, an odd duck who immediately falls for the school's new student, Barbara Ann Greene (Tuesday Weld). Using his quick wits, he helps her win acceptance amongst the popular girls and a cushy job in the principal's office. Never demanding anything in return, Alan doesn't even complain when she falls for an upper-class college boy, and he does everything he can to bring the two together. However, as time passes, this seemingly well-intentioned dedication spins out of control, with results that become increasingly bizarre and even potentially fatal. The irreverent attitude and erratic tone may be an acquired taste, but the film's audacious humor and idiosyncratic approach have won it a cult following. ~ Judd Blaise, Rovi

The Beatles are coming! The Beatles are coming! Or so the members of the Alpha Beta sorority who are trying to raise $10,000 during Spring Break to save their sorority house believe. When the Fab Four do not show, the ingenious girls must create a passable imitation by imitating them themselves. The Beach Boys also appear in this film with an especially choice scene of Brian Wilson singing around a campfire. Songs in this musical comedy include: "Leave Me Alone," "It's Gotta Be You," "I Don't Want to Be a Loser" (sung by Lesley Gore), "Lonely Sea, La Bamba" (performed by the Crickets), "Girls On the Beach," and "Little Honda" (sung by the Beach Boys). ~ Sandra Brennan, Rovi

Featuring plenty of rock & roll, such artists as Gary Lewis and the Playboys, The Righteous Brothers and the Rip Chords, this fun-filled bit of fluff tells the story of a trio of teens who try to scare up summer cash by running a dance pavilion at a lakeside resort. Raquel Welch made her acting and singing debut in this film. ~ Sandra Brennan, Rovi

In this curiously Brechtian drama, a government official (Lewis Martin) secretly hires Paladin to bring murder suspect Billy Joe (Martin West) to trial. The reason for the secrecy is that Billy Joe is the son of Paladin's client. Upon capturing Billy Joe, Paladin is unable to turn over boy to the authorities thanks to the interference of a wandering band of saloon bums (male and female). ~ Hal Erickson, Rovi

Juvenile delinquency invades the Wild West in this episode, wherein three young punks named Sim (Richard Rust), Bunk (Martin West) and Burt (Ralph Reed) gleefully terrorize a small town. The local sheriff (Stephen Roberts) refuses to intervene, and Paladin (Richard Boone) wants to find out why. Meanwhile, the three hooligans attempt to goad Paladin into a gunfight, but he is reluctant to kill anyone so young and relies upon barbed insults to keep the trio at bay--a strategy that obvious will not work forever! ~ Hal Erickson, Rovi