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Lockwood West Movies

British actor Lockwood West spent nearly six decades in the entertainment industry and worked on stage, television, and occasionally in feature films. He made his stage debut in 1926. A small-boned man with delicate features, he was frequently cast as an eccentric. ~ Sandra Brennan, Rovi
1987  
 
Author Tom Sharpe's outrageous best-seller about the power struggle that emerges when the dean of a Cambridge University dies before naming his successor gets the big screen treatment in director Robert Knights' four-part comedy. Porterhouse College is an institute of higher education steeped in five hundred-years of tradition, so when the Head Master passes away and his reform-minded replacement Sir Godber Evans (Ian Richardson) arrives to take his place the staff is outraged. Head Porter Skullion (David Jason) in particular seems hell-bent on subverting Sir Evans' every decree. ~ Jason Buchanan, Rovi

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Starring:
David JasonIan Richardson, (more)
 
1985  
PG13  
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Also released under the title Young Sherlock Holmes and the Pyramid of Fear, this film follows the adventures of young John Watson (Alan Cox) when he is shipped off to boarding school and meets up with the brilliantly bizarre Sherlock Holmes (Nicolas Rowe). The two boys strike up a friendship and promptly become involved in the investigation of a number of mysterious murders. When their curiosity gets them into trouble with a dangerous religious cult, Watson and Holmes must struggle to avoid capture while attempting to notify the authorities. ~ Iotis Erlewine, All Movie Guide

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Starring:
Nicolas RoweAlan Cox, (more)
 
1984  
 
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This British Merchant-Ivory look-alike was adapted from a novel by Isabel Colgate. In the summer before World War I, British nobleman James Mason invites an assorted group of acquaintances for a weekend shooting party on his huge estate. Among the participants are longtime rivals Edward Fox and Rupert Frazer, Fox's occasionally unfaithful wife Cheryl Campbell, and staunch anti-hunting advocate John Gielgud. The film unfolds in a carefully calculated but seemingly spontaneous fashion, in the manner of its 1938 ancestor Rules of the Game. Also like the earlier film, The Shooting Party casts a jaundiced eye towards class consciousness--and ends with a sudden, senseless but not altogether unexpected tragedy. ~ Hal Erickson, Rovi

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Starring:
Edward FoxCheryl Campbell, (more)
 
1983  
PG  
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The complicated relationship of two men who have given their lives to the theater forms the basis for this acclaimed drama. During World War II, an aging but once famous Shakespearean actor, addressed by his cast and crew only as "Sir" (Albert Finney), continues to tour the British theater circuit with a rag tag group of elderly and handicapped actors who are exempt from military service. Sir has grown frustrated, senile, and is on the verge of a nervous breakdown; he's come to rely upon his dresser Norman (Tom Courtenay), an endlessly loyal homosexual who would do anything for the man he's come to love. Norman tries to guide Sir through yet another tour of the hinterlands in The Tempest. This expanded film adaptation of Ronald Harwood's award-winning stage drama also stars Edward Fox as Oxenby, an unhappy member of Sir's company; Sir was said to be based on real-life actor Donald Wolfit. ~ Mark Deming, Rovi

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Starring:
Albert FinneyTom Courtenay, (more)
 
1973  
R  
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The final installment in Hammer Studios' Dracula series is also the least interesting of the lot. A fairly direct follow-up to Dracula A.D. 1972, this sequel finds the Count (Christopher Lee) developing a potent strain of bubonic plague which he and his devil-worshipping disciples plan to release from 1970's London to wipe out nearly all life on earth. His efforts are challenged once again by the dedicated Dr. Van Helsing (Peter Cushing), leading to a rather uninvolving climax. Despite the always-welcome presence of Lee and Cushing, this installment plays too flagrantly with the time-honored Hammer Gothic formula, giving Dracula actual dialogue and surrounding the leads with a dull, amateurish supporting cast -- with the possible exception of Joanna Lumley (later of BBC-TV's Absolutely Fabulous). This also marked Lee's final performance as the Count and signaled the beginning of the end for Hammer's horror heyday. Also known as Satanic Rites of Dracula and Dracula is Dead and Well and Living in London. ~ Cavett Binion, Rovi

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Starring:
Christopher LeePeter Cushing, (more)
 
1970  
 
A well-to-do widower with a cozy mistress and a country estate falls for his young houseguest, the inexperienced daughter of a friend of his, and marries her. This causes his daughter, who is the same age, no little distress. While the relationship of the father and daughter grows rancorous, the young bride grows attached to a handsome next-door neighbor, a farmer who is her own age. ~ Clarke Fountain, Rovi

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1968  
 
Director Anthony Mann's final film (Mann died during the filming, and the production was completed by the film's star, Laurence Harvey) is a kitchen-sink espionage drama with Harvey as Eberlin, a Russian spy and double-agent, homesick and pining for the Russian steppes. It is in this risky mood that Eberlin falls in love with the emaciated Caroline (Mia Farrow). Complications arise when he is directed to kill a Russian spy -- but the Russian spy happens to be himself. ~ Paul Brenner, Rovi

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Starring:
Laurence HarveyTom Courtenay, (more)
 
1968  
 
Regarded by many as the best-ever episode of The Prisoner, "Do Not Forsake Me Oh My Darling" was written by Vincent Tilsley. Number Six awakens with the belief that he is actually another man -- to be exact, an Army colonel (Nigel Stock). Failing to recognize his own face in his own mirror, the confused protagonist also learns that "The Colonel" has been missing for a full year. The answer to the mystery rests in the hands of one Professor Seltzman (Hugh Schuster), the inventor of an insidious intellect-transfer machine. Clues essential to the action include a reference to Number Six's former fiancée, and an inventory of the former intelligence agent's code names. Also appearing are Zena Walker as Janet and Clifford Evans as the new Number Two. As originally conceived, "Do Not Forsake Me Oh My Darling" was supposed to have been the series' ninth episode, but instead was rescheduled as episode 13 on British television, making its first appearance on January 7, 1968. When The Prisoner was rebroadcast in America on CBS, the intended episode chronology was restored, and "Do Not Forsake Me Oh My Darling" was properly shown right after episode number eight ("Dance of the Dead") on August 3, 1968. ~ Hal Erickson, Rovi

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1968  
 
Based on a popular British novel by Nell Dunn, Up the Junction was a made-for-TV movie in 1965 before being remade for theatrical release in 1968. It features Suzy Kendall as Polly, an upper-class Chelsea girl who decides to relieve her boredom by slumming in a working-class section of London called Battersea. She gets a job in a candy factory and becomes friends with co-workers Rube (Adrienne Posta) and Sylvie (Maureen Lipman), two sisters. Polly takes up with Peter (Dennis Waterman), who dreams of leaving Battersea and becoming rich. ~ Michael Betzold, Rovi

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Starring:
Suzy KendallDennis Waterman, (more)
 
1968  
PG13  
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Falling somewhere between the Beyond the Fringe school and the Monty Python league, Bedazzled is an irreverent Faust take-off, written by and starring Peter Cook and Dudley Moore (Moore also composed the music). Moore plays a short-order cook at a London Wimpyburger restaurant, who falls hopelessly in love with waitress Eleanor Bron. About to commit suicide, the broken-hearted Moore is approached by Satan (Peter Cook). The Fallen Angel offers to purchase Moore's soul in exchange for seven wishes--the first of which is squandered when Satan buys Moore an ice cream bar (something over which the two stars quarrel throughout the film). Enticed by living personifications of the Deadly Sins--Raquel Welch, wearing next to nothing, is "Lillian Lust"--Moore allows Satan to grant him his heart's desire, utilizing the magic words, "Julie Andrews!" But with each wish, Satan, being Satan, can't help but gum up the works with a double-cross. The desperate Moore ultimately wishes to be allowed to spend the rest of his life with Eleanor in an environment with no other men--whereupon Satan transforms both Eleanor and Moore into nuns! Finally Satan has a change of heart, allowing Moore and Eleanor to fall in love in more orthodox surroundings and permitting Moore to regain his soul. Satan hopes that God will appreciate this good deed and allow him to re-enter Heaven. But God doesn't buy this; He's satisfied with Satan remaining mankind's "necessary evil". ~ Hal Erickson, Rovi

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Starring:
Peter CookDudley Moore, (more)
 
1965  
 
In this political thriller, the trouble begins when a prominent politician finds himself entangled with some shady dealings that threaten to destroy his carefully constructed career. ~ Sandra Brennan, Rovi

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1963  
 
Dot (Rita Tushingham) is a girl who marries motorcycle maven Reggie (Colin Campbell) to escape her parents' influence. The marriage gets off to a rocky start and completely slides downhill after the honeymoon is plagued by bad weather. Dot refuses to have anything to do with household responsibilities and cooks only canned beans. Reggie loses interest in sex with Dot because of her actions, and after moving in with his grandmother, he begins to hang around Pete (Dudley Sutton). The two friends ride their motorcycles and begin to spend even more time together, and eventually Reggie realizes that Pete is a homosexual. Dot tells Reggie she is pregnant in an attempt to get him back -- with no result, but when Reggie comes home to find his wife in bed with another man, he decides to go off to sea with Pete. Pete leaves Reggie shaken and alone when he goes off with a group of sailors out to satisfy their same-sex lust. The film was controversial at the time of its initial release. ~ Dan Pavlides, Rovi

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Starring:
Rita TushinghamColin Campbell, (more)
 
1963  
 
Based upon a novel by Shelley Smith, The Running Man opens at the memorial service for Rex Black (Laurence Harvey), the owner of a small air transport company who is believed to have drowned in a recent glider accident. It soon turns out, however, that Black is very much alive; he faked his death as a means of getting back at the insurance company who denied an earlier claim because he was one day late in making his payment. He has enlisted the cooperation of his wife Stella (Lee Remick) in this scheme. While she waits for the insurance company to approve the claim, he disguises himself, assumes a new identity (that of Charles Erskine, a shoe salesman) and goes to wait for Stella in Spain. Once there, he meets drunken Australian millionaire Jim Jerome in a bar; when Jerome inadvertently leaves his passport at the bar, Rex confiscates it and hatches a new plan to collect on Jerome's insurance as well. In the meantime, Stella has met with insurance representative Stephen Maddox (Alan Bates), who eventually approves her claim. She journeys to Spain, but finds Rex a changed man, and isn't comfortable with either his new personality or his latest scheme. To make matters worse, Maddox shows up. Is it a coincidence or is he suspicious? The rest of the film hinges on the answer to this question, as well as what Maddox's plans are in either case. ~ Craig Butler, Rovi

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Starring:
Laurence HarveyLee Remick, (more)
 
1962  
 
An effective, low-budget crime drama about a bank robbery gone wrong, this tale begins when three men get together to plan the bank heist over a long weekend. What they do not count on is the presence of two cleaning women who tragically alter their plans. The thieves end up locking the bank manager and a female teller in the air-tight vault -- thereby dooming them to death by suffocation. After the thieves leave the bank, they agree that one of them should call the police and leave the keys to the vault next to the phone. But that plan is ruined when the lone thief is killed in a traffic accident. Caught between the desire to save the two people in the vault and the need to escape, the remaining two thieves are caught in a serious dilemma. ~ Eleanor Mannikka, Rovi

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Starring:
Colin GordonJohn Chappell, (more)
 
1960  
 
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Two excellent actors shine in powerful roles in this drama by Ronald Neame that pits one Scottish army colonel against another. Alec Guinness is Lt. Col. Jock Sinclair, a man who temporarily takes over command of a regiment until his replacement, Col. Basil Barrow (John Mills) arrives. Sinclair comes from the lower echelons of the social order but was at least able to work himself up the echelons in the military hierarchy. He is fairly well-liked though still a little rough around the edges for some. When Barrow takes over, the two men clash almost at once. Barrow is from the upper crust, went to all the "right" schools, and believes in discipline and then a little more discipline, as well as efficient and proper bureaucratic processes. The differences between the two men threaten to rupture the unity of the regiment, especially after Sinclair assaults a soldier he finds in the company of his daughter. Barrow opts to report his behavior, leading to a climactic series of events. ~ Eleanor Mannikka, Rovi

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Starring:
Alec GuinnessJohn Mills, (more)
 
1959  
 
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After emerging as a potent force in the genre with Horror of Dracula, Hammer Films added their handsome Gothic touch to this lesser-known remake of the 1944 suspenser The Man in Half Moon Street (itself adapted from a play by Barre Lyndon). Anton Diffring stars as a century-old artist who maintains a youthful appearance by regularly replacing certain glands -- in transplants that he receives thanks to the unwilling participation of healthy donors. Despite his outward physical vitality, his advanced years lead to an increasing mental instability, evinced by his mad obsession with an old flame (Hazel Court) whose newfound love for a suave doctor (Christopher Lee) compels Diffring to commit acts of diabolical cruelty that ultimately become his grisly undoing. Directed by Hammer regular Terence Fisher, who applies a high polish to this atmospheric period thriller. ~ Cavett Binion, Rovi

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Starring:
Anton DiffringHazel Court, (more)
 
1957  
 
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Filmed on location in Africa, Mark of the Hawk stars Sidney Poitier as a London-educated African who returns to his homeland to take a political post. Poitier's brother Clinton Macklin is in charge of a rebel organization, determine to topple the white-dominated government. Poitier must choose between seeking out racial equality through peaceful means, or casting his lot with Macklin: it is (at least in this film) a struggle of Right against Right. Eartha Kitt is top-billed, but her role is decidedly secondary to Poitier's. Released in Britain as Accused, Mark of the Hawk has been retitled Shaka Zulu on video, though it should not be confused with the 1985 TV miniseries of the same name. ~ Hal Erickson, Rovi

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Starring:
Eartha KittSidney Poitier, (more)
 
1957  
 
The Birthday Present is a bitter half-hour anecdote stretched to 100 minutes. Tony Britton plays a British toy salesman who purchases a watch for his wife's birthday while visiting the Continent. Not wishing to pay the customs duties, he hides the watch upon his return to England. Britton is caught with the goods, and his life is never the same afterwards. Intended as a slice of raw realism, Birthday Present plays more like a cautionary social studies film. ~ Hal Erickson, Rovi

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Starring:
Tony BrittonSylvia Syms, (more)
 
1956  
 
The Boulting Brothers enjoyed one of their biggest box-office successes of the 1950s with the wry service comedy Private's Progress. Though billed fourth, Ian Carmichael plays the central character, feckless British soldier Stanley Windrush. Interrupting his college education to serve his country, Windrush flunks out of officer's candidate school and is demoted to private. Much of the humor arises from the bookish hero's confrontation with the ruder and cruder side of army life, as represented by rough-hewn fellow private Cox (Richard Attenborough). As Major Hitchcock, Terry-Thomas offers a brilliant parody of the "Mad Dogs and Englishmen" school of military service, while Dennis Price is equally amusing as a nonplussed commanding officer named Tracepurcel (!) Also worth watching is future "Dr. Who" star William Hartnell as a loudmouthed sergeant. Halfway through the film, the plot rears its ugly head as the protagonists become involved with the covert reclamation of art treasures confiscated by the Nazis during WW2. ~ Hal Erickson, Rovi

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Starring:
Richard AttenboroughDennis Price, (more)
 
1953  
 
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Jeffrey Hunter plays a young British sailor, the out-of-wedlock son of a high-ranking naval officer (Michael Rennie). Hunter's ship is torpedoed, leaving him stranded on a German-occupied island. Armed with only a rifle, Hunter is able to shoot at a German cruiser docked for repairs, and to slow down its departure. The British Navy then moves in and sinks the ship. Hunter is decorated for valor by the squadron commander--his own father. Though set during World War II, Sailor of the King was adapted from C. S. Forester's World War I novel Brown on Resolution (previously filmed in 1935, with John Mills in the lead). This 1953 20th Century-Fox production was released in Britain as Single Handed. ~ Hal Erickson, Rovi

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Starring:
Michael RennieWendy Hiller, (more)
 
1952  
 
The Oracle stars Robert Beatty as a weary British reporter sent on assignment to Ireland. While in a remote village, Beatty hears a man's voice emanating from a deep well. The voice turns out to be a modern-day oracle, gifted with the ability to foresee the future. Needless to say, the once-sleepy village becomes a hub of activity for fortune seekers, speculators and all-around gawkers. A lesser comedy of the Ealing school (though not from the Ealing studios), The Oracle was released to the US as The Horse's Mouth (not to be confused with the 1959 Alec Guinness vehicle of the same name). ~ Hal Erickson, Rovi

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Starring:
Robert BeattyMervyn Johns, (more)
 
1952  
 
In this detective story, based on a novel by John Creasey, a smooth-talking detective helps a young woman solve her uncle's murder. When the Robin Hood-like thief accused of the crime is proved innocent, everyone breathes a sight of relief. ~ Sandra Brennan, Rovi

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1951  
 
High Treason is a British espionage thriller filmed in the style of such American "docudramas" as The House on 92nd Street. Enemy saboteurs infiltrate the industrial suburbs of London, intending to plant high-powered bombs at several factory sites. Their motivation is to cripple the British economy and enable subversive forces to insinuate themselves in the government. The saboteurs are thwarted not by the traditional counterintelligence agents but by workaday London police officers. Director Roy Boulting also cowrote the screenplay of High Treason, which moves swiftly enough for its plot inconsistencies to be ignored. ~ Hal Erickson, Rovi

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Starring:
Liam RedmondAndre Morell, (more)
 
1950  
 
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Informed that he has only a short time to live, salesman Alec Guinness decides to enjoy his last months to the fullest. He withdraws all his savings from the bank and heads to a posh hotel. Here he makes more contacts and opens more professional doors than he'd ever done before, thanks to his willingness--at long last--to take risks. He also spends every penny that he's earned in life. Then he discovers that the doctor's diagnosis was in error, and that he's in no danger of imminent death. An ironic ending caps this fast-paced black comedy. Last Holiday was co-written and co-produced by J. B. Priestly, author of many other "if I had to do it all over again" pieces, notably An Inspector Calls. ~ Hal Erickson, Rovi

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Starring:
Beatrice CampbellKay Walsh, (more)
 
1950  
 
Jennifer (Janette Scott) is the 12-year-old daughter of divorcing couple William (Leo Genn) and Paula (Beatrice Campbell). Though both parents profess their love for Jennifer, both mentally abuse the poor girl during the custody tug-of-war. Unable to withstand the pressure, Jennifer runs away from home. She ultimately finds happiness with another family, where game-playing is not part of the agenda. Based on No Difference to Me, a novel by Phyllis Hambleton, No Place for Jennifer concentrates more on the sentimental aspects of the story than its does on the psychological effect a divorce has on an innocent child. ~ Hal Erickson, Rovi

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Starring:
Leo GennRosamund John, (more)