Rusty Wescoatt Movies

Bernhard Wicki directed this hard-hitting World War II espionage drama. Marlon Brando plays Robert Crain, a German deserter who is coerced by British Intelligence officer Colonel Statter (Trevor Howard) to impersonate a Gestapo officer in order to get aboard a German blockade runner that is conveying a valuable rubber cargo from the Orient. Crain's assignment is to save the rubber by finding a way to deactivate the explosives that the ship's captain would use to destroy the ship if captured by the enemy. Crain finds his way aboard the ship, but the ship's commander Captain Mueller (Yul Brynner), skeptical of the Nazis, refuses to let Crain out of his sight. When survivors of a sunken vessel board the ship, and Crain realizes that his identity may be exposed by two rescued German submarine officers, he incites Mueller's officers and the new arrivals to mutiny before his true identity is revealed. ~ Paul Brenner, All Movie Guide

This tuneful romp offers about an hour of good, trashy low-budget fun as it tells the tale of wealthy teens' struggles to keep their favorite hot spot intact after they learn that a real estate dragon-lady has set her avaricious eye upon it with the hopes of building a new high-rise there. Much of the tale centers on the land magnate, Roberta Crawford, and her vivacious teen-age niece, Vicki, who visits the club with her blue-blooded, arrogant beau Roger Kelly. Vicki is in the dark concerning her aunt's machinations until she hears the club's handsome star singer Mel Hudson talking about how he is trying hard to resist Roberta's onslaught of pressure to sell. Vicki falls for Mel right away and immediately decides to help him. Trouble ensues when the club mysteriously burns down and Roberta Crawford is accused of arson. Fortunately, the truth is revealed, someone has a change of heart, and amidst much celebration, a romance blooms. Songs include: "Come to the Party," "Mad, Mad, Mad," "Come A-Runnin'," "Watusi Surfer," "Greenback Dollar," "I Can't Get You out of My Heart," and "You Pass Me By." ~ Sandra Brennan, All Movie Guide

Director John A. Bushelman makes a departure from his usual western and action films to guide this respectable, canine-centered, family film about a big dog by the name of Pete with definite separation anxiety. When the impoverished Brancato family takes off from their Nevada home to look for a better life in Los Angeles, they are forced to leave their dog in the care of a dubious-looking neighbor. Their son is heart-broken, and no one is particularly happy, especially Pete. Not willing to stand for this kind of treatment, Pete takes off to cover the hundreds of miles to L.A. and hunt down his family, meeting all kinds of hoboes, truckers, and other characters along the way. ~ Eleanor Mannikka, All Movie Guide

Scripted by Robert Presnell, Jr. from a short story by John Collier, this Twilight Zone episode focuses on Robert Shackleforth (George Grizzard), a lovestruck young man who cannot get the girl of his dreams, the ravishing Leila (Patricia Barry), to acknowledge his existence. In desperation, Robert pays a visit to the mysterious Professor Daemon (John McIntyre), who gives the young would-be romeo a potion that transforms the icy Leila into Robert's "love slave." Before long, however, Robert regrets having Leila hanging upon him like a clinging vine, leading him to contemplate using Daemon's special antidote: The dreaded "glove cleaner." Previously dramatized in 1951 on Billy Rose Television Theater, "The Chaser" made its Twilight Zone bow on May 13, 1960. ~ Hal Erickson, All Movie Guide

Roy Carter (Scott Marlowe) will hang for murder unless Paladin (Richard Boone) can reach the prison in time with news that another man has confessed. Even so, the prison's vengeful warden refuses to enact a stay of execution. It takes the combined efforts of Paladin and prison chaplain Robert April (John Larch) to see that justice is done. Without giving away the ending, it can be noted that the character of Roy Carter would reappear in a later episode, enacted on that occasion by Clu Gulager. ~ Hal Erickson, All Movie Guide

In dire need of quick money to repay a debt, Bret (James Garner) agrees to act as guide when three visiting Britishers, all members of the Belcastle family, decide to go on a bear-hunting expedition. Unfortunately, the little party is ambushed by bandits and left to die in the desert. Though Bret thinks that the best course of action would be to chase after the outlaws, the Belcastles do not agree--leading to some very unforseen complications. (Fan alert: this is James Garner's favorite Maverick episode). ~ Hal Erickson, All Movie Guide

In this reworking of the earlier episode "The Jeweled Gun", attractive widow Margaret Ross (Catherine McLeod) asks Bret (James Garner) to provide protection while she heads to a Montana bank, there to deposit a large sum of money. Margaret claims to be worried that the men who killed her husband will try to steal the cash. In the course of the journey, Bret discovers that Margaret's money is counterfeit and her story is probably bogus--a disturbing realization, especially since he has fallen in love with her. Featured in the cast is Luis Delgado, the brother-in-law of Maverick producer-creator Roy Huggins and a semi-regular as Officer Billings on James Garner's later TV series The Rockford Files. ~ Hal Erickson, All Movie Guide

W. Lee Wilder, the prolific but markedly less talented brother of Billy Wilder, both produced and directed The Big Bluff. Handsome but unscrupulous John Bromfield comes into the life of beautiful and wealthy Martha Vickers. Knowing that she has only a year to live, Bromfield marries her, then settles back to wait for his inheritence. But then she begins showing signs of recovery, forcing the caddish Bromfield to radically alter his plans. The Big Bluff was scripted by Fred Freiberger, who later served as producer of Star Trek. ~ Hal Erickson, All Movie Guide

A man with a strangely misshapen face wanders out of the desert near a small town and falls to the ground dead. The county sheriff (Nestor Paiva) tentatively identifies the dead man as Eric Jacobs, a laboratory assistant to Professor Deemer (Leo G. Carroll), a research scientist living a few miles out in the desert. But there's something strange about Jacobs; his facial features and bodily extremities are distorted to a point where he's barely recognizable. The sheriff calls in Dr. Matt Hastings (John Agar), the local physician, who makes a diagnosis of acromegalia, a glandular disorder that affects the body's growth. He also tells the sheriff that it can't possibly be acromegalia, because symptoms as pronounced as those he sees in this case take years to develop, and the man was in perfect health just three months earlier. Hastings refuses to believe the professor's account of Jacobs' rapid deterioration, but the sheriff takes the word of the scientist. Back in his laboratory, Deemer continues his work, going over tests of a chemical on various animals, all of which are jumbo-sized, including guinea pigs the size of rabbits, baby mice the size of full-grown rats, and a tarantula three feet long. Suddenly, the professor is attacked by his assistant (Eddie Parker), whose face and hands are distorted in the same manner as Jacobs, and who injects the helpless scientist with the experimental chemical before collapsing dead. A fire starts during the attack and in the confusion, the tarantula's glass cage is broken and it escapes the burning laboratory, wandering out into the desert. Weeks go by, and a new assistant, Stephanie "Steve" Clayton (Mara Corday), arrives to begin work for the professor. When Hastings gives her a ride to Deemer's home, the scientist explains to the doctor that he's been working on a radioactive nutrient, that, if perfected, could feed the entire world's population. He also says that Eric Jacobs made the mistake of testing the chemical on himself and it caused the disease that killed him. Hastings and Steve begin a romance, unaware that wandering around the desert is the tarantula from Deemer's laboratory, now grown to the size of an automobile and getting bigger with each passing day. Soon livestock and then people begin disappearing, and the sheriff is at a loss to explain any of it, or the one clue left behind in each case: large pools of what seems to be some kind of venom next to the stripped skeletons of the victims. Hastings takes some of the material in for a test; meanwhile, Steve notices that Deemer is going through some bizarre changes. His mood has darkened and his features now appear to be changing, as the acromegalia, caused by the injection, manifests itself. Hastings learns that one of the professor's test animals was a tarantula, which was presumed destroyed. When he learns that the pools near the deaths are composed of spider venom -- equivalent to what it would take many thousands of spiders to generate -- he's certain that the tarantula from the laboratory survived. By this time, the title creature is bigger than a house and ravaging the countryside, killing everything in its path and knocking down power lines and telephone poles as it moves. Hastings arrives just in time to rescue Steve from the attacking creature, which destroys Deemer's house and kills the professor. The sheriff and the highway patrol are unable to slow the creature, now the size of a mountain and moving at 45 miles an hour, even with automatic rifle fire, as it follows the road through the desert toward the town. Even an attempt to blow it up with dynamite fails when the monster walking right through the blast. Finally, the creature is poised to attack the town, when jets scrambled from a nearby Air Force base (led by a young Clint Eastwood, barely recognizable behind an oxygen mask) swoop in. When rockets fail to divert the monster from its path, the jets roar in for a second pass and drop enough napalm to incinerate the creature. ~ Bruce Eder, All Movie Guide

One of several sci-fi/fantasy efforts produced and directed by W. Lee Wilder, the film's only drawback is the inconsistency of the Colorama color process. ~ Hal Erickson, All Movie Guide

Veteran serial director Spencer Gordon Bennett keeps things moving at a hectic pace in Brave Warrior. The title character is legendary Shawnee chief Tecumseh, well-played by Jay Silverheels (better known as Tonto on TV's The Lone Ranger). Though he has every reason to distrust the White Man, Tecumseh comes to the aid of American emissary Steve Ruddell (Jon Hall) during the War of 1812. The villain is a renegade medicine man known as The Prophet, played by Michael Ansara, who later portrayed the peace-loving Cochise on the TV version of Broken Arrow. Considering that this is a typically low-budget Sam Katzman production, Brave Warrior is fairly elaborately mounted. ~ Hal Erickson, All Movie Guide

Columbia Pictures elevated stunt man Jock O'Mahoney to stardom in this 15 chapter western serial about the building of the transcontinental railroad. O'Mahoney played a railroad agent who uncovers the master criminal behind a series of sabotage attempts on the construction site. The culprit, a German villain calling himself "The Baron" (George Eldredge), bribes the local Indians into doing his dirty work. Jock O'Mahoney later changed his billing to the more streamlined Jock Mahoney and enjoyed a lengthy career as a star of run-of-the-mill westerns. ~ Hans J. Wollstein, All Movie Guide

Fury of the Congo was the sixth entry in Columbia's "Jungle Jim" series, though in most markets it was the fifth to be released. Johnny Weissmuller returns as Alex Raymond's comic strip hero Jungle Jim. The plot this time around has Jim coming to the rescue of a native tribe which has fallen under the influence of evil dope peddlers. Benumbed by drugs, the tribesmen have been ordered to hunt the Okongo, a hybrid beast that is the source of a dangerously powerful narcotic. The film builds steadily to an exciting climax in a blinding sandstorm. The villainy is handled by William Henry, Lyle Talbot and George Eldredge, while the "femme interest" is provided by shapely native girl Sherry Moreland. ~ Hal Erickson, All Movie Guide