Alan J. Wendl Movies

Iconoclastic satirist John Waters bites the hand that (periodically) feeds him in this humorous look at the underside of the film industry. Self-styled guerrilla filmmaker Cecil (Stephen Dorff) leads a Baltimore movie-making collective/street gang called the Sprocket Holes, which includes Cecil's girlfriend and frequent leading lady, a low-rent porn actress named Cherish Oh Lordy (Alicia Witt). Desperate for attention, they kidnap famous Hollywood actress Honey Whitlock (Melanie Griffith) during a Baltimore publicity stop and force her at gunpoint to star in their latest production, Raving Beauty. Before long, Honey comes down with a severe case of Stockholm syndrome and joins the Sprocket Holes in their bid to destroy the mainstream film industry. Waters regulars Ricki Lake, Patty Hearst, and Mink Stole highlight the supporting cast, and techno star Moby contributes to the soundtrack. ~ Mark Deming, All Movie Guide

Beverly Sutphin (Kathleen Turner) is the perfect suburban housewife and mother. She likes to cook, her home is immaculately clean, she's always well-groomed and cheerful, and she loves her husband Eugene (Sam Waterston) and her two children, Misty (Ricki Lake) and Chip (Matthew Lillard). There's just one problem with Beverly -- if you do anything to make someone in her family feel bad, you're dead meat on a stick. While she does a great job of hiding it, Beverly has a vicious and vengeful streak, and when she's not making obscene prank calls to the neighbors or bribing her garbagemen to save embarrassing items from her neighbors' trash, she's mowing down whoever would be so rude as to make her husband go into his office on a Saturday, break up with her daughter, or suggest that her son watches too many horror movies. Taking John Waters back to R-rated territory after the relatively sedate Hairspray and Cry Baby, Serial Mom captures a comfortable middle ground between Hollywood professionalism and Waters' subversive sense of humor, and Kathleen Turner has a field day as the sweet-on-the-outside, evil-on-the-inside Beverly. The supporting cast includes such Waters favorites as Patty Hearst, Traci Lords, Mink Stole, and Susan Lowe; Joan Rivers and Suzanne Somers appear as themselves, and all-female grunge-metal band L7 plays the all-female grunge-metal band Camel Toe. ~ Mark Deming, All Movie Guide

Real-life sweethearts and film directors Ken Kwapis and Marisa Silver co-directed this throwback to the silver-screen romantic comedies of the 1940s, examining the different ways men and women view reality. Kwapis takes the male character's point of view, recalling a burgeoning relationship. Silver then takes a crack at the same story, recalling the same events from the woman character's point of view. Unfortunately, both perspectives are not that much different. Kevin Bacon and Elizabeth Perkins star as Dan Hanson and Lorie Bryer, two reporters from the Baltimore Sun who are assigned to share space on the editorial page debating opposing viewpoints. Dan is the conservative philanderer. Lorie is the sensitive liberal. The new column becomes a big hit -- a shop owner exclaims, "Hey, it's the people who argue!" Although originally antagonists, Dan and Lorie become lovers. As their relationship grows, so does their popularity, and they end up hosting a popular television program. But Lorie wants commitment, and Dan doesn't. Frustrated, Lorie shies a coffee cup off Dan's noggin live on the air. Their ratings soar. And then the whole routine is played out again. ~ Paul Brenner, All Movie Guide

Weighed down by her late husband's debts, widow Beth Macauley (Jessica Lange) is compelled to sell her home and move to a less costly locale. She relocates in Baltimore with her resentful sons Chris (Chris O'Donnell) and Matt (Charlie Korsmo) and takes a job at a ramshackle gourmet food store managed by Lisa Coleman (Kathy Bates). Men Don't Leave offers in Beth an extremely vulnerable, easily discouraged person who can't seem to get a grip on her reduced circumstances. Even so, she and her sons eventually pull themselves together, despite many side trips with Wrong Lovers and False Friends. Some of the film's best moments involve Joan Cusack, playing a mixed-up nurse with whom Chris falls in love. Representing the comeback of director Paul Brickman after a seven-year gap, Men Don't Leave is a slightly more upbeat American version of the French film La Vie Continue. ~ Hal Erickson, All Movie Guide

Pudd'nhead Wilson, Mark Twain's attack on racial prejudice in the guise of a mystery tale, was adapted for television in 1984 by Philip Reisman Jr. Ken Howard plays lawyer "Pudd'nhead" Wilson, so named because of his silly behavior and foolish appearance. Wilson, however, has a lot more on the ball than anyone suspects. He proves as much by unraveling a murder case that begins taking shape when mulatto slave Roxane (Lisa Hilboldt) switches her baby with one belonging to a prominent white family. Filmed on location at Harper's Ferry, West Virginia, Pudd'nhead Wilson premiered January 24, 1984, on PBS television's American Playhouse. ~ Hal Erickson, All Movie Guide