Wendell Wellman Movies

This Americanized remake of the French classic The Return of Martin Guerre (1982) transports the story's setting from the 16th century Gallic countryside to 19th century Tennessee at the conclusion of the U.S. Civil War. Richard Gere stars as Jack Sommersby, a wealthy landowner who returns to his small cotton farming town of Vine Hill three years after the Civil War's end. The defeated Confederate soldier is ready to resume his past life with his young wife Laurel (Jodie Foster). Thinking her husband long dead, however, Laurel has become engaged to Orin Meecham (Bill Pullman), an arrangement she quickly calls off, enraging and embittering Orin. Soon it becomes evident that his experiences have changed Jack thoroughly. A callous and cruel man widely feared before the war, he is now charming and sensitive, offering financial opportunities to an ex-slave and caring for Laurel and his young son. Jack even persuades the town's citizenry that he can rescue their fortunes by pooling resources and switching Vine Hill's chief crop from cotton to tobacco. Jack's scheme works, but Orin becomes increasingly convinced that Jack is in fact an impostor masquerading as the wealthy Sommersby, a suspicion that the smitten and quickly pregnant Laurel secretly shares. When Jack is arrested and charged with a murder he drunkenly committed years before, the court trial leads to some startling revelations about the past. ~ Karl Williams, All Movie Guide

After late-night carousing on too many weekends and having her parents impose a curfew upon her, a teen-age girl (Kyle Richards) speeds home to keep from winding up in hot water again but finds when she gets home that two escaped convicts (Wendell Wellman, John Putch) have taken her family hostage. ~ John Bush, All Movie Guide

In this fourth installment of the Dirty Harry series, Harry has been banished temporarily from San Francisco because his superiors are uncomfortable about his feud with a local crime boss. He goes to an oceanside small town for a little rest and recuperation but finds the town has been traumatized by a series of brutal murders. Harry meets and falls in love with Jennifer Spencer (Sandra Locke), a young artist. Jennifer and her sister were brutally raped a few years previously by a group of men, leaving her sister catatonic and Jennifer filled with a rage that is expressed in her disturbing artworks. Harry investigates the killings and the rapes, and one by one he dispatches Jennifer's rapists, one of whom is the son of the local police chief (which explains why the police have done little investigating). Finally, Harry finds out that Jennifer also dispenses her own brand of justice because she cannot rely on the criminal justice system. ~ Michael Betzold, All Movie Guide

The setting is Atoka County, Alabama -- the time is somewhere after the peak of the civil rights movement, after cities such as Birmingham, Alabama were out of the headlines. The movement is coming to the sticks, including Atoka County, and a lot of the white residents don't like it and are prepared to commit felonious assault, rape, or murder to get their point across. In the middle of this powder keg are two men on either side of a very dangerous line -- County Sheriff "Big Track" Bascomb (Lee Marvin) and Mayor Hardy (David Huddleston). Each man is playing both ends against the middle in the impending race war -- Bascomb wants to keep the peace as best he can, blocking the local klavern of the Ku Klux Klan from their worst excesses and making sure that the Klan's business and the county's business remain separate; Hardy, who also owns the lumber company that employs most of the county and the bank on which most of the residents depend, wants a good environment for business, which includes keeping enough poor blacks around to do the most menial work for the miserable pay he's willing to fork over; this, in turn, requires that they be too scared to ask for too much, including better treatment, but not so scared that they leave the county altogether, which would wipe out his business. Between them is Breck Stancill (Richard Burton), an eighth-generation resident with lots of land but little money and even fewer friends; a wounded war veteran and loner, he still resents the lynching of his grandfather and no longer respects what the white south purports to stand for -- he's even allowed dispossessed blacks to live for free on his property, angering the poor whites around him even more. Bascomb would like Stancill to be a little less high profile, while Hardy would like him to sell out and disappear, and wouldn't mind it if the local Klan helped that process along by trying to kill him. Bascomb's balancing act fails because of two events -- Nancy Poteet (Linda Evans) is raped one night, apparently by a black man, which precipitates the murder of a black teenager and her being violently ostracized by the white community; and a civil rights rally is planned for the town, bringing in lots of "outside agitators" and getting the local klavern eager to act against them. The prime mover in all of this is Big Track's deputy, Butt Cut Bates (Cameron Mitchell), a hardcore klansman who won't be reined in by Hardy and who is not above raping a black woman prisoner (Lola Falana) that he's arrested illegally, or trying to kill Stancill; directly opposed to him is Garth (O.J. Simpson), a young black man who witnessed a Klan murder and, in response, gets a rifle and starts meting out justice on his own. Before it's over, a major part of the county is at war and the bodies are falling everywhere. ~ Bruce Eder, All Movie Guide