Gwen Welles
- 1997
Donna Deitch directed this documentary about the illness and death of her friend, actress Gwen Welles (Nashville). Diagnosed with an cancerous tumor in 1992, Welles chose not to go for conventional treatments, and the film shows her deterioration. Shot on video with a later transfer to 16mm, this film was shown at the 1998 Berlin Film Festival. ~ Bhob Stewart, All Movie Guide
- Starring:
- Gwen Welles
The title of Henry Jaglom's stream-of-consciousness Eating says it all. Three women (Lisa Blake Richards, Mary Crosby and Marlena Giovi), each celebrating a "milestone" birthday, decide to throw a joint party. Attending the revelries is French documentary filmmaker Martine Nely Alard, who becomes fascinated when none of the guests will touch the meticulously prepared birthday cake. As Martine begins interviewing the partygoers, she discovers the importance that food holds in each of their lives. One of the most revelatory improvisational monologues is delivered by a matriarch portrayed by Frances Bergen, the real-life widow of Edgar Bergen and the mother of Candice. Though Eating is not for everyone's taste, for those in tune with the fiercely independent Jaglom, the film is a cinematic smorgasbord. ~ Hal Erickson, All Movie Guide
- Starring:
- Lisa Richards, Mary Crosby, (more)
Filmmaker Henry Jaglom plays the leading male role in his characteristically gabby New Year's Day. Jaglom is a writer who insists upon asking disturbing and intrusive questions to the revellers at a New Year's Eve party. His inclusion in the story is explained by having him sublet a California apartment where the previous attendants show no signs of leaving. The crazy-quilt Dramatis Personae include lesbian PR-agent Gwen Welles, erstwhile actress/activist Maggie Jakobson, and lustful fashion-photographer Melanie Winter. Periodically interrupting the steady stream of spontaneous-sounding conversation between these three is Jakobson's randy boyfriend David Duchovny and famed Czech director Milos Forman as a janitor (!). As always, Henry Jaglom is a matter of taste, but you'll very likely want to see New Year's Day for a glimpse at a pre X-Files David Duchovny. ~ Hal Erickson, All Movie Guide
- Starring:
- Maggie Jakobson, Gwen Welles, (more)
- 1988
- PG
This screwball urban comedy is about two dippy roommates, struggling musicians Lolly (Melanie Mayron) and Hattie (Helen Slater), who are asked by an equally spacey, drug-dealing friend-of-a-friend Diane (Loretta Devine) to baby-sit a bag containing nearly a million dollars while she scoots out of town in order to avoid trouble. Once the money is in their possession, however, temptation proves too much for Lolly and Hattie, who use the ill-gotten cash to pay the rent, buy new instruments, and embark on a shopping spree for earrings, clothes, and shoes. While the girls dig themselves deeper into trouble with every dollar spent, they also encounter a variety of eccentric characters, including a fellow musician (Danitra Vance), their ailing landlady (Eileen Brennan), Lolly's boyfriend (Christopher Guest), and a parking lot attendant (Stephen McHattie). The latter, however, is actually a cop who's keeping surveillance on them from across the street. Mayron co-wrote the script for Sticky Fingers (1988) with actress and first-time director Catlin Adams. ~ Karl Williams, All Movie Guide
- Starring:
- Helen Slater, Melanie Mayron, (more)
- 1986
- R
Based on a 1981 book by Leonard Michaels, focuses on a lawyer (Richard Jordan) who brings together a singularly dysfunctional group of men in a kind of venting, loquacious therapy session. All that talk brings out the worst in everyone. Cavanaugh (Roy Scheider) is a retired baseball star whose wife wants to leave him, Harold (Frank Langella) is an uptight lawyer, Terry (Treat Williams) is a self-centered doctor, Phillip (David Dukes) is the stereotypical, irritating college professor, and Solly (Harvey Keitel) is a blue-collar worker with a warm heart, the closest to normal among the lot. ~ Eleanor Mannikka, All Movie Guide
- Starring:
- Roy Scheider, Frank Langella, (more)
This sharp drama is about the trials and tribulations of a young woman defeated by her past, yet tempted to overcome it through a meaningful relationship. Cassie (Rosanna Arquette) works as a waitress in a southwestern town. Not that long ago, she stabbed her lover (and the father of her baby) in public, and even though he recovered, she did not. The most immediate result of her action is that she gave away her baby, and the next, more severe result is that she lost all of her self-respect. Now she takes care of her mother and younger, offensive brother and also dallies on and off with her ex-lover -- who is married. Then Riley (Eric Roberts) comes into town for awhile with a theatrical troupe and he falls for Cassie. He is only in town for a short period of time and that may or may not be enough to convince Cassie to leave with him when he goes. ~ Eleanor Mannikka, All Movie Guide
- Starring:
- Rosanna Arquette, Eric Roberts, (more)
Director Donna Deitch makes a strong impression in her first feature film, a simple story of a lesbian love affair, based on Jane Rule's 1964 novel Desert of the Heart. Helen Shaver stars as Vivian Bell, an uptight 35-year-old Columbia University professor who travels to Reno to get a divorce. She arrives in Reno on her way to Frances Parker's (Audra Lindley) ranch, where she is staying to establish six weeks of residency in order to obtain the divorce. Once at the ranch, Vivian catches the fancy of Frances's adopted daughter Cay (Patricia Charbonneau), a casino worker ten years younger than herself. Vivien tries to remain unruffled as Cay makes unabashed overtures to her. Cay thinks that all Vivian needs is the love of another woman, and soon enough the two are in each other's arms. ~ Paul Brenner, All Movie Guide
- Starring:
- Helen Shaver, Patricia Charbonneau, (more)
- 1977
- R
Director Joan Micklin Silver's follow-up to her acclaimed debut, Hester Street, is a more ambitious film that manages to be both an entertaining comedy and a pointed look at the corrupting power of money on an idealistic enterprise. Writer Fred Barron's characters are all associated with a weekly alternative newspaper in Boston, modeled after the Phoenix. (Silver did once work on the Village Voice, but this enterprise is several rungs below that esteemed paper.) Harry (John Heard) is an ambitious reporter romantically involved with Abbie (Lindsay Crouse), the paper's star photographer. Michael (Stephen Collins) is a writer trying to work on a novel and stay faithful to his loving wife, Laura (Gwen Welles), while Max (Jeff Goldblum), the paper's rock critic, shamelessly uses his job to try to pick up women. Lynn (Jill Eikenberry), a typist who is the paper's mother-hen figure, is also its most principled employee. When a publishing mogul (Lane Smith) buys the paper and promises changes that will compromise its aggressive political stance in favor of more "lifestyle" articles, Lynn resigns, and it's clear to the group that their carefree days are behind them. ~ Tom Wiener, All Movie Guide
- Starring:
- John Heard, Lindsay Crouse, (more)
Following 24 characters through 5 days in the country music capital, Robert Altman's 1975 epic presents a complexly textured portrayal (and critique) of American obsessions with celebrity and power. Among the various stars, aspirants, hangers-on, observers, and media folk are politically ambitious country icon Haven Hamilton (Henry Gibson) and his fragile star protegée Barbara Jean (Ronee Blakley); Tom (Keith Carradine), a self-absorbed rock star who woos lonely married gospel singer Linnea Reese (Lily Tomlin); Sueleen Gay (Gwen Welles), a talentless waitress painfully humiliated at her first singing gig; Albuquerque (Barbara Harris), a runaway wife with dreams of stardom; nightclub owner Lady Pearl (Barbara Baxley), who reminisces about "those Kennedy boys"; single-minded groupie L.A. Joan (Shelley Duvall); vapid BBC commentator Opal (Geraldine Chaplin); and campaign guru John Triplette (Michael Murphy), who is trying to organize a concert rally for the unseen but always heard populist presidential candidate-cum-demagogue Hal Phillip Walker. Everything comes to a head during a climactic concert at Nashville's replica of the Parthenon temple, as the entertainment-hungry audience is momentarily woken out of its stupor by unexpected violence, only to be lulled into a restorative sing-along to "It Don't Worry Me." ~ Lucia Bozzola, All Movie Guide
- Starring:
- Henry Gibson, Barbara Baxley, (more)
The most narratively loose of Robert Altman's '70s films, California Split details the haphazard lives of two compulsive gamblers searching for that ever-elusive big score. Newly single and soon-to-be-unemployed Bill (George Segal) joins live-wire pal Charlie (Elliott Gould), as the pair moves from Fruit Loops with Charlie's hooker roommates Sue (Gwen Welles) and Barbara (Ann Prentiss) to bets on horses, backroom card games, boxing, and basketball. They make it to Reno, but Bill comes to realize that even the big score may not be the answer to the meaning (or meaninglessness) of life. For Charlie, however, that's all there is. ~ Lucia Bozzola, All Movie Guide
- Starring:
- George Segal, Elliott Gould, (more)
- 1973
- R
In Sidney J. Furie's interminable caper film, Billy Dee Williams is a federal agent who takes matters into his own hands after the government refuses to do anything about French drug trafficking. After his daughter dies of an overdose of heroine and the authorities seem unconcerned, Nick Allen (Williams) takes it upon himself to organize a small independent task force of mercenaries to travel to France in order to kill the nine leaders of a Marseilles drug syndicate. This motley group of angry American citizens who are out for blood include the rabid Mike Willmer (Richard Pryor); the sedate Sherry Nielson (Gwen Welles); the robust Dutch Schiller (Warren Kammerling); and the kindly old Jewish couple, Ida (Janet Brandt) and Herman (Sid Melton), who want to inflict Old Testament revenge upon the dope peddlers. ~ Paul Brenner, All Movie Guide
- Starring:
- Billy Dee Williams, Richard Pryor, (more)
- 1972
Despite his best efforts, Julian (Bruo Bradei) cannot resist goading his younger brother Fabrice (Didier Haudepin) into doing something dumb. They are returning together to their mother's country home for a holiday break. Julian fought in Indochina when it was still French, and the war still haunts him. His brother isn't out of school yet and has yet to bed his first woman. These two make poor company for their mother, who is about to lose her heart over yet another man. ~ Clarke Fountain, All Movie Guide
- 1971
A Safe Place, writer/director Henry Jaglom's feature film debut, is a time-fractured, hallucinatory fantasy, featuring Tuesday Weld as a lonely and confused woman named, at times, Susan and at other times Noah, who comments that "Tomorrow is where the past is." Too delicately ethereal to cope with either the hussle and bustle of a 1970 New York City or her un-hip boyfriend, Fred (Philip Proctor), Susan/Noah escapes into another reality, presided over by The Magician (Orson Welles with a cheap Yiddish accent). As she flits back and forth between past and present, fantasy and reality, Susan encounters Mitch (Jack Nicholson), an old lover who might also be her brother, and Bari (Gwen Welles) who delivers a soliloquy concerning New York City mashers. Opinion about this film was so divided when it was shown at the 1971 New York Film Festival, that the audience broke out into shouting matches which nearly led to a brawl. One highlight of the film is the wide assortment of popular music in its soundtrack. ~ Paul Brenner, All Movie Guide
- Starring:
- Tuesday Weld, Orson Welles, (more)
- 1969
Eve (Barbara Anderson) is upset that her niece Kimberly (Susan O'Connell) has been arrested on a marijuana possession charge--especially since it is the girl's second offense. Though she knows she will be institutionalized unless she reveals her supplier, Kimberly refuses to talk. In order to save the girl, Ironside conducts an investigation which leads him to Kimberly's high school--and a near-impenetrable wall of silence. In typical late-1960s fashion, the adult "enablers" are proven to be just as culpable as the pot-smoking kids. ~ Hal Erickson, All Movie Guide
