Ann Weldon Movies

Death & Texas mixes humor and drama in order to tell the story of a football player who ends up on death row. However, when his team begins to lose without him there is a movement to get him released. ~ Perry Seibert, All Movie Guide

Kenyan-born, London-educated Indian filmmaker Gurinder Chadha follows up on her debut hit Bhaji on the Beach (1994) with this gentle look at multiculturalism in Los Angeles. The film details the lives of four ethnically diverse families -- black, Latino, Jewish, and Asian -- during one frantic Thanksgiving. The film opens with Ronald (Dennis Haysbert), an African-American who works as a spin doctor for the Republican politico; he and his wife Audrey (Alfre Woodard) are in the midst of preparing for their white dinner guests. Meanwhile, at the Latino household, young Anthony Avila (Douglas Spain) invites his womanizing father for Thanksgiving dinner, unbeknownst to his schoolteacher mother Elisabeth (Mercedes Ruehl). At the same time, the Seeling family is confronted with their daughter Rachel's (Kyra Sedwick) lesbianism, when she brings home her lover Carla (Julianna Margulies). Finally, Vietnamese immigrant Trinh Nguyen (Joan Chen) struggles to understand her Americanized children after she discovers condoms in her eldest daughter's jacket and a gun in her son's room. ~ Jonathan Crow, All Movie Guide

Though Ross (George Clooney) has been redeemed in the eyes of his superiors thanks to his heroic rescue of a 12-year-old trapped in a flooded culvert, he still gets into a violent argument with Greene (Anthony Edwards), who, it is learned, is suffering from problems above and beyond professional pressures. Elsewhere, Carol Hathaway (Julianna Marguiles), who the previous year had attempted suicide, forms a close bond with a 17-year-girl (Miriam Reichmeister) who has likewise tried to end her life -- and in the process, a serious wedge is driven between Carol and Shep (Ron Eldard). Lewis (Sherry Stringfield) discovers that the woman (Angela Paton) she is considering as Suzy's babysitter is suffering from a terminal blood disease. And Benton (Eriq La Salle) finds out that Jeanie (Gloria Reuben) has not quite divorced her husband, Al. ~ Hal Erickson, All Movie Guide

In this drama, a woman attempts to recovering following a bout of schizophrenia. ~ Sandra Brennan, All Movie Guide

Corbin Bernsen, fresh out of LA Law, plays a real-life attorney in Line of Fire: The Morris Dees Story. As Dees, Bernsen goes head to head with the Ku Klux Klan in the Alabama of the 1980s. Despite having his name included on the "hit list" of every wacko white supremacist in the Nation, Dees manages to break the back of the KKK is his own particular corner of the world. Line of Fire is elaborately produced and hits all the right emotional buttons, but falls short of perfection thanks to stereotypical villains and excessive melodrama. The film was first telecast on Martin Luther King Day in 1991. ~ Hal Erickson, All Movie Guide

Forest Whitaker stars as the brilliant jazz saxophonist Charlie "Bird" Parker in this elegiac biopic. Director Clint Eastwood pays full homage to Parker's musical genius, but also devotes ample time to the musician's twin demons--drugs and alcohol-which accelerated his death at the age of 34. In his struggles to gain widespread acceptance for his music, "Bird" is forever stymied by his own self-destructiveness, and forever bailed out by the love of his life, Chan Richardson Parker (Diane Venora). The film bemoans the decline of the brand of jazz fathered by Parker, which came to be replaced by more conventional material -- as illustrated by the "descent" into the mainstream of Parker's mentor Buster Franklin. Also starring in Bird is Samuel E. Wright as Dizzy Gillespie. That's the real Charlie "Bird" Parker on the film's soundtrack, though most of the background music has been re-orchestrated. ~ Hal Erickson, All Movie Guide

Jill Clayburgh plays, as one character calls her, "a pill-popping dingbat" in this film adaptation of television producer Barbara Gordon's autobiographical account of her addiction to prescription drugs. Clayburgh plays Gordon in the film as a successful television documentary filmmaker whose mounting pressures force her to pop a Valium or two for nerves. She then ingests a few more pills after an argument with boyfriend Derek Bauer (Nicol Williamson). And thus begins her slow and steady compulsion to keep taking more and more Valium. Finally realizing her addiction, Gordon makes a disastrous attempt to go cold turkey but fails miserably, finally having to undergo a painful rehabilitation in an institution. ~ Paul Brenner, All Movie Guide

There are no cliff-hanging moments in Serial, but there's plenty of laughs in this trenchant comedy comment on 1970s lifestyles. Martin Mull plays the father of a Marin County family that succumbs to every silly fad coming down the pike. Mull tries to distance himself from his family's idiocies, but it's always the man who pays the piper. The film, based on a collection of newspaper essays by Cyra McFadden, is neatly tied up with a Capraesque ending allowing Mull to finally prevail. Some of the best moments involves Mull's tiltings with his trend-happy neighbor Bill Macy. ~ Hal Erickson, All Movie Guide

Twenty-year-old LeVar Burton followed up his spectacular television debut in Roots with the made-for-TV film Billy: Portrait of a Street Kid. As can be gathered by the title, Billy (Burton) is a ghetto youth with little chance for a bright future. He gets his chance to escape his dead-end existence when he's hired as an assistant to veterinarian Ossie Davis. Roxie Roker of The Jeffersons fame (and the mother of pop singer Lenny Kravitz) co-stars as Billy's worn-out mom. Based on a novel by Robert C. S. Downs, Billy Portrait of a Street Kid first aired September 12, 1977. ~ Hal Erickson, All Movie Guide

While Beth (Gretchen Corbett) is stuck in jail on a contempt-of-court charge, Jim agrees to do some leg work on behalf of Beth's client Arnold Bailey (Joseph Campanella), who has been accused of income-tax evasion. Unfortunately for both Jim and Beth, Bailey is connected with the Mob. . .and has been systematically stealing funds from the "organization". Tied in with all this chicanery is corrupt union official Fred Metcalf (Richard Venture), whose murder may well be a prologue for Jim's own demise. In a neat bit of casting, the head mobster in this episode is played by Frank Campanella, the brother of guest star Joseph Campanella. ~ Hal Erickson, All Movie Guide

A frankly adult comedy about the sex lives of the aimless and the rich, Shampoo is also a pointed commentary on the demise of 1960s idealism at the dawn of the Nixon era. It is Election Day, 1968, and randy Beverly Hills hairdresser George Roundy (Warren Beatty) is too worried about attending to all of his women's tonsorial and sexual needs, while trying to swing a bank loan to fund his own salon, to notice the fateful Presidential race. As George juggles the demands of girlfriend Jill (Goldie Hawn) and mistress Felicia (Lee Grant), not to mention Felicia's daughter (Carrie Fisher), he meets Felicia's husband Lester (Jack Warden) to get money for the salon and discovers that his beloved ex-girlfriend Jackie (Julie Christie) is now Lester's mistress. Lester asks George to escort Jackie to a banquet for Nixon supporters, leading to a series of climactic confrontations at the dinner and a Hollywood orgy that expose the conflicting demands of sex, love, and security among these terminally narcissistic L.A. denizens. As Nixon's victory speech drones in the background the following day and Paul Simon's mournful '60s music plays on the soundtrack, George's free-wheeling world collapses around him for reasons that he can barely begin to comprehend. Produced and co-written (with Chinatown scribe Robert Towne) by its star Warren Beatty, Shampoo became Beatty's second critical and popular success as a producer after Bonnie and Clyde, and it bolstered Hal Ashby's track record as director. Shampoo earned Grant an Oscar for Best Supporting Actress, as well as a Supporting Actor nomination for Warden and Beatty's first nomination as writer. With Nixon's 1974 Watergate disgrace adding an extra edge to the humor for 1975 audiences, this tragic bedroom farce became one of the highest-grossing films in Columbia Pictures' history at the time. ~ Lucia Bozzola, All Movie Guide