Tuesday Weld Movies
A leading teen ingénue of the 1950s and 1960s, Tuesday Weld later emerged as one of the more intriguing actresses in Hollywood, delivering a string of well-received performances in the kinds of offbeat and idiosyncratic projects rarely visited by performers of her beauty and glamour. Born Susan Weld August 27, 1943, in New York City, the name "Tuesday" was an extension of a girlhood nickname, "Tu-Tu." She began working as a child model at age four to help support her family after the death of her father, quickly moving from mail-order catalogues to television commercials. She made her film debut in 1963's Rock, Rock, Rock before understudying in Broadway's 1957 production of The Dark at the Top of the Stairs. Upon signing a seven-year contract with 20th Century Fox, Weld was labeled by the press as "Fox's answer to Sandra Dee," but after just one film, 1959's Rally 'Round the Flag, Boys!, the studio dropped her.Weld shot to prominence through her work in the television comedy The Many Loves of Dobie Gillis, which premiered in 1959. That same year she appeared on the silver screen opposite Danny Kaye in The Five Pennies, followed in 1960 by the campus drama Because They're Young. Also in 1960, Weld began appearing under schlockmeister Albert Zugsmith, first in Sex Kittens Go to College and later in the following year's The Private Lives of Adam and Eve. Successive roles in Return to Peyton Place and the Elvis Presley vehicle Wild in the Country further crippled her attempts to mount a serious acting career, although her turn in the 1962 Frank Tashlin comedy Bachelor Flat showed signs of life. Weld then turned down the seemingly tailor-made title role in Stanley Kubrick's Lolita in order to study her craft at the Actors' Studio, and after holding her own opposite Steve McQueen and Jackie Gleason in 1963's Soldier in the Rain, she announced she would no longer accept teenage roles.
However, teen roles were all that continued to come Weld's way, and after a two-year absence from the screen she resurfaced in 1965's I'll Take Sweden as the young daughter of star Bob Hope. She followed with an appearance in the McQueen gambling drama The Cincinnati Kid, and in 1966 delivered her strongest performance to date in George Axelrod's little-seen satiric gem Lord Love a Duck. That same year Weld married, later giving birth to her first child. Motherhood brought a temporary halt to her career, forcing her to turn down plum assignments including Bonnie and Clyde, Cactus Flower, True Grit, and Bob & Carol & Ted & Alice. She returned to work in 1968's Pretty Poison, again earning strong critical notices, but after 1970's I Walk the Line, it was reported that she had moved to Britain and retired from film.
The move was not permanent, for in 1971 Weld appeared in her friend Henry Jaglom's A Safe Place. After 1972's Play It As It Lays, she returned to television work, starring in the TV films Reflections of Murder and F. Scott Fitzgerald in Hollywood. In 1977, Weld appeared in Looking for Mr. Goodbar, and a year later she starred in Who'll Stop the Rain? From 1980 to 1985, Weld was married to Dudley Moore, a period during which she appeared in Michael Mann's 1981 thriller Thief and Sergio Leone's 1984 classic Once Upon a Time in America. In the latter half of the decade, however, she appeared more infrequently before the camera, with only a pair of TV-movie credits, 1986's Something in Common and Circle of Violence: A Family Drama, and a lead role in the 1988 feature Heartbreak Hotel. In the 1990s, Tuesday Weld sightings were even more rare, including only 1991's Mistress, 1993's Falling Down, and 1996's Feeling Minnesota. ~ Jason Ankeny, All Movie Guide
A group of bohemian intellectuals struggle to have an intelligent discussion of perhaps the world's most emotional subject in this comedy-drama from director Alan Rudolph. Edgar (Dermot Mulroney) is an artist living in Paris during the 1920s who believes that sex is a subject of vital importance, but almost no one discusses it with the gravity it deserves. With this in mind, Edgar gathers together a panel of fellow creative types at the home of a wealthy tycoon (Nick Nolte) and his oddly accented spouse (Tuesday Weld) for an evening in which they will discuss their erotic lives without self-serving wit or exaggeration. Joining Edgar for this experiment is an artist from Germany (Til Schweiger), an arrogant film director (Jeremy Davies), a self-obsessed painter (Alan Cumming) whose fey personality may cross the boundaries of Edgar's prohibition of homosexuality as a topic of conversation, and a student from England (Terrence Dashon Howard) who has attracted the eye of a lovely French girl (Julie Delpy) with whom Edgar has fallen in love. Certain that a number of profound thoughts will be shared with the group, Edgar hires a pair of stenographers to record the proceedings, but the presence of the two young and beautiful secretaries -- innocent Alice (Neve Campbell) and provocative Zoe (Robin Tunney) -- has an unexpectedly strong effect on the group. Investigating Sex had its U.S. premiere as the closing night attraction of the 2001 Seattle Film Festival. ~ Mark Deming, All Movie Guide
- Starring:
- Dermot Mulroney, Alan Cumming, (more)
- 1986
Abuse is the key word of this made-for-TV drama. This time, it is abuse levelled against ageing parents by their own children. As the title indicates, the violence grows from mounting frustrations. Tuesday Weld stars as an emotionally tattered woman who goes off the deep end when her husband Peter Bonerz leaves her. Weld vents her spleen upon her mother, heartrendingly portrayed by Geraldine Fitzgerald. Of special interest is the early appearance by River Phoenix as Weld's teenaged son. Filmed under the title A Family of Strangers, Circle of Violence: A Family Drama originally aired October 12, 1986. ~ Hal Erickson, All Movie Guide
- 1986
Something in Common is a made-for-television comedy about a middle-aged, widowed career woman (Ellen Burstyn) who discovers that her grown son is having a love affair with a woman (Tuesday Weld) her own age. ~ Stephen Thomas Erlewine, All Movie Guide
- 1984
In this crime drama, an antique dealer falls and marries a seemingly successful businessman who ends up conning her out of every penny and leaving her. Unlike the many others he has conned, this plucky lady decides to stop him once and for all. ~ Sandra Brennan, All Movie Guide
- Starring:
- Tuesday Weld, Peter Coyote, (more)
- 1983
Michael de Guzman scripted this prettified TV-movie adaptation of John Steinbeck's gloomy 1961 novel The Winter of Our Discontent. Donald Sutherland stars as Ethan Hawkley, a solid citizen loved and respected by his family and by the citizens of his town. Ethan's loyalty and ethics will be tested to the snapping point by a huge bank loan, and by "other woman" Tuesday Weld. Hawkley eventually redeems himself, but it's a tight squeeze. Teri Garr costars in Winter of Our Discontent as Ethan's steadfast wife Mary. ~ Hal Erickson, All Movie Guide
- 1982
Tommy Lee Jones stars in this TV-movie adaption of the popular play by N. Richard Nash. Tuesday Weld stars as Lizzie Curry, a plain farm woman who seems destined to spend her life alone. When her family farm is put in jeopardy by drought, along comes Bill Starbuck (Jones), a traveling rainmaker who tries to entice Lizzie into taking a chance on him, while he promises rain for the farm. ~ Bernadette McCallion, All Movie Guide
In Thief, James Caan plays Frank, a professional jewel thief who wants to marry Jessie (Tuesday Weld) and settle down into a normal life. In order to achieve his dream of a family, Frank--who is used to working solo--has to align himself with a crime boss named Leo (Robert Prosky), who will help him gain the money he needs to begin his domestic life. Frank plans to retire after the heist, yet he finds himself indebted to Leo and he struggles to break free. Thief is the first feature film from director Michael Mann and it seethes with his stylish, atmospheric direction. Though his cool approach may put off some viewers, it's a distinctive and effective story-telling approach, and Caan's performance ranks among his very best, making Thief a crime movie like few others. ~ Stephen Thomas Erlewine, All Movie Guide
- Starring:
- James Caan, Tuesday Weld, (more)
- 1981
The 1981 TV version of Madame X was the seventh filmization of the old war-horse play by Alexandre Bisson. This time around, Tuesday Weld (replacing Susan Blakely) plays the poor woman (an airline stewardess in this version) who marries "outside her class" (hubby is a Presidential candidate). She is disgraced, gives up her baby to her wealthy in-laws, and sinks into a life of degradation. 25 years later the woman is accused of murder, and is defended in court by her own grown-up offspring. Adaptor Edward Anhalt makes a few feeble stabs at updating the story, adding drug abuse to the woman's descent into prostitution. Also, her child is now a girl instead of a boy, rabbeting a tentative feminist angle in the proceedings. Other than that, the 1981 Madame X has even less to offer than the lavish but empty 1966 Lana Turner version--except for an offbeat appearance by comedian Jerry Stiller as a slimy blackmailer. ~ Hal Erickson, All Movie Guide
- 1980
A young mother looks to her own mother for help when her child begins rebelling, similar to the way she did in the past. Harry Chapin makes a special appearance. ~ John Bush, All Movie Guide
- Starring:
- Tuesday Weld, Frances Sternhagen, (more)
- 1978
Loosely based on a true story this sudsy made-for-television courtroom drama tells the story of a rather hedonistic young divorcee who is accused of killing her own child. ~ Sandra Brennan, All Movie Guide
- 1976
This TV movie delves into the unhappy later years of novelist F. Scott Fitzgerald (here played by Jason Miller). Broke and virtually written-out by the late 1930s, Fitzgerald is compelled to accept screenwriting work in Tinseltown where he is frustrated that his work is extensively rewritten and revised -- if not rejected altogether. On a personal level, Fitzgerald must deal with his wife Zelda (Tuesday Weld), now sequestered in a North Carolina mental institution. Seeking some reason for living, Fitzgerald inaugurates an affair with Hollywood columnist Sheila Graham (Julia Foster). Not all that incisive, and saddled with an unsympathetic drunkard as a central character, F. Scott Fitzgerald is still superior to Hollywood's previous version of the Fitzgerald/Graham romance, Beloved Infidel. ~ Hal Erickson, All Movie Guide
- 1974
Reflections of Murder is an admitted remake of the 1955 French spinetingler Diabolique (we say "admitted" because most Diabolique rip-offs fail to credit the source). Joan Hackett is unhappily married to Sam Waterston. Tuesday Weld is Waterston's equally disenchanted mistress. Hackett and Weld conspire to murder the hateful Waterston, but he proves hard to kill. Even after he's breathed his last, Waterston steadfastly refuses to stay dead-and thus the stage is set for the twist- countertwist climax. Filmed at Puget Sound, Reflections of Murder was one of the last made-for-TV projects of director John Badham; it was first aired November 24, 1974. ~ Hal Erickson, All Movie Guide
- 1972
Play It As It Lays offers what is probably the harshest view of Hollywood to be given a major production up to the time of its release; it depicts a world of narcissistic egotists who will do anything to inflate their own sense of importance. Based on the novel by Joan Didion, it tells of the rise and fall of one woman's acting career. Maria Wyeth (Tuesday Weld), a model, began her acting career in a Warhol-like film, and moved "up" to perform in a biker film. The director of both films, Carter Lang (Adam Roarke), discovered her, and soon afterwards, marries her. As Carter's career moves ahead, he pays less and less attention to Maria. She has a number of affairs to try to brighten her world, but nothing much works. When she gets pregnant by one of them, Lang divorces her. Then, her best friend (Anthony Perkins), who tried to bring about a reconciliation between Lang and her, commits suicide. Her world in tatters, she has a nervous breakdown. The film's story is told in flashbacks while she is in recovery. ~ Clarke Fountain, All Movie Guide
- 1971
A Safe Place, writer/director Henry Jaglom's feature film debut, is a time-fractured, hallucinatory fantasy, featuring Tuesday Weld as a lonely and confused woman named, at times, Susan and at other times Noah, who comments that "Tomorrow is where the past is." Too delicately ethereal to cope with either the hussle and bustle of a 1970 New York City or her un-hip boyfriend, Fred (Philip Proctor), Susan/Noah escapes into another reality, presided over by The Magician (Orson Welles with a cheap Yiddish accent). As she flits back and forth between past and present, fantasy and reality, Susan encounters Mitch (Jack Nicholson), an old lover who might also be her brother, and Bari (Gwen Welles) who delivers a soliloquy concerning New York City mashers. Opinion about this film was so divided when it was shown at the 1971 New York Film Festival, that the audience broke out into shouting matches which nearly led to a brawl. One highlight of the film is the wide assortment of popular music in its soundtrack. ~ Paul Brenner, All Movie Guide
- Starring:
- Tuesday Weld, Orson Welles, (more)
An intelligent, eccentric high school senior devotes his life to indulging the every whim of the beautiful girl he adores in this quirky, dark-humored comedy. Roddy McDowall plays Alan Musgrave, an odd duck who immediately falls for the school's new student, Barbara Ann Greene (Tuesday Weld). Using his quick wits, he helps her win acceptance amongst the popular girls and a cushy job in the principal's office. Never demanding anything in return, Alan doesn't even complain when she falls for an upper-class college boy, and he does everything he can to bring the two together. However, as time passes, this seemingly well-intentioned dedication spins out of control, with results that become increasingly bizarre and even potentially fatal. The irreverent attitude and erratic tone may be an acquired taste, but the film's audacious humor and idiosyncratic approach have won it a cult following. ~ Judd Blaise, All Movie Guide
- Starring:
- Roddy McDowall, Tuesday Weld, (more)
Bob Holcomb (Bob Hope) is a widower who worries about his teenage daughter JoJo (Tuesday Weld) in this light romantic comedy. He doesn't care much for JoJo's boyfriend Kenny (Frankie Avalon) because the smooth operator has a motorcycle and some money. Bob manages to get his company to transfer him to Sweden, which effectively separates Kenny and his daughter. JoJo adapts to her new surroundings and starts to date Erik Carlson (Jeremy Slate), an idle playboy and lothario. All of a sudden, Kenny seems all right by Bob, who tries to convince him to come to Sweden and fight for the woman he loves. Bob's new flame Karin (Dina Merrill) is less-than-sympathetic to Bob's babbling about the double standards he sets for his daughter. Maudie Prickett plays a man-hungry spinster, and the musical group The Vulcanes help out with some of the feature's 12 songs. ~ Dan Pavlides, All Movie Guide
- Starring:
- Bob Hope, Tuesday Weld, (more)
Steve McQueen stars as the Cincinnati Kid, a crackerjack New Orleans stud poker player. Tired of chicken feed, the Kid decides to challenge The Man (Edward G. Robinson), the reigning poker champ, who is in town for a private game. The Shooter (Karl Malden), another gambling pro, arranges a game between the Kid and the Man, with the Shooter dealing. The game is compromised by the intervention of Slade (Rip Torn), an old foe of the Man's who tries to fix the outcome. The Kid finds out about this and tells Slade to get lost, preferring to win fair and square. The outcome is in the cagey hands of The Man, who is smart enough to do (as one reviewer put it) the wrong thing at the right time. The Cincinnati Kid was based on the novel by Richard Jessup. ~ Hal Erickson, All Movie Guide
- Starring:
- Steve McQueen, Edward G. Robinson, (more)
- 1964
Still on the lam from the Law, Richard Kimble takes a refuge on a farm owned by the Braydon family. Attracted to the fugitive, Mattie Braydon (Tuesday Weld), a blind sculptress, shields him from the sheriff and her parents, claiming that he has agreed to model for her latest sculpture. What Kimble doesn't realize is that the neurotic Mattie is adept at using her blindness to manipulate everyone around her--and in her own way, she may prove to be even more dangerous to him than the authorities. ~ Hal Erickson, All Movie Guide
- 1963
The unlikely duo of Steve McQueen and Jackie Gleason star in this military comedy-drama. Gleason is Master Sergeant Max Slaughter, a corpulent man perfectly content with his solitary life in the Army, where his room and board are paid for and free sodas are his for the taking. His comrade, the more ambitious Sergeant Eustis Clay (McQueen), looks forward to leaving the service and making a big success of himself in business. Nevertheless, Eustis worships the ground that the kindly Max walks on and introduces him to a pretty teenager, Bobby Jo Pepperdine (Tuesday Weld). This sets off the ire of Bobby Jo's would-be suitor Sergeant Fred Lenahan (Lew Gallo), a tough military policeman who's already got a bone to pick with Eustis, leading to a tragic turn of events for Eustis and Max. The script for Soldier in the Rain (1963) was co-written by Blake Edwards. ~ Karl Williams, All Movie Guide
- Starring:
- Jackie Gleason, Steve McQueen, (more)
- 1962
Another in a series of American comedies of manners, this film was written and directed by Frank Tashlin with his usual grace and elegance. Terry-Thomas plays a meek archeology professor named Bruce Patterson who is attracted to bones. His salivating female college students are attracted to him. And his neighbor's Dachshund is attracted to Patterson's big and ancient dinosaur bone. With his fiancee, Helen (Celeste Holm), away in Paris, Bruce stays at her empty apartment, where love-sick women attempt to make their way through every orifice in the flat to get to the sky professor. Helen, fearful of revealing her true age to Bruce, never told him that she had married before and that she has a college-age daughter to boot. So, when her daughter, Libby (Tuesday Weld), arrives at her mother's home, Bruce thinks she is just another sex-crazed college girl and sends her away. But Libby appeals to the professor's sociological side by pretending to be a juvenile delinquent, and Bruce permits her to stay at the flat with him. Once there, Libby becomes attracted to Bruce's handsome law-student neighbor Mike (Richard Beymer). When Bruce complains to Mike about all the gals who want to lock lips with him, Mike offers a solution to his dilemma -- instead of allowing himself to be chased by the college girls, he should be the one to do the chasing. Bruce agrees and becomes a satyr with a Ph.D. At that point, Helen returns home from Paris. ~ Paul Brenner, All Movie Guide
- Starring:
- Tuesday Weld, Richard Beymer, (more)
Rock 'n roll king Elvis Presley stars as Glenn Talbot, a country boy with a problem temper and a yen for literary greatness in this typical Presley vehicle directed by Philip Dunne. After Glenn is sent packing by his father for mixing it up one too many times with his brother, the court makes him a ward of his uncle. His inner turmoil leads him into therapy with the older and very attractive Irene (Hope Lange), a patient-doctor relationship that is misconstrued by their small town. The two spend a platonic night in the same room in a motel, but no one is believing it was innocent. Glenn's romantic interests include Noreen (Tuesday Weld), with whom he shares a drink or two or more, and a song, and Betty Lee (Millie Perkins). Between the singing and carousing and fist fights, it still looks like a happy resolution looms large on the horizon. ~ Eleanor Mannikka, All Movie Guide
- Starring:
- Elvis Presley, Hope Lange, (more)
- 1961
This parody of Genesis caused an uproar before and during its release (the final version was reworked and cut) though its routine or worse cinematic level would not encourage large audiences. The story begins with a busload of men and women with hang-ups in the romance department, all heading for Reno. A sudden rainstorm brings on flooding, and the passengers have to hole up in a church. That setting, apparently, suggests the skewed "dream" of Genesis that follows. The Catholic Legion of Decency gave this film a Condemned rating. ~ Eleanor Mannikka, All Movie Guide
- Starring:
- Mickey Rooney, Mamie van Doren, (more)
If anything, this star-studded sequel is even sillier than the original, adding to its problems by completely recasting all the roles, combining several of them into existing characters. Carol Lynley is the heroine this time, and she leaves Peyton Place for New York to write a book about the hypocrisy of her hometown. The book causes lots of trouble back home, getting Mike (Robert Sterling) fired as principal, angering Lynley's mother (Eleanor Parker), and stirring such horrible memories in Selena (Tuesday Weld) that she brains her new boyfriend with a fireplace poker, thinking he is her dead rapist stepfather. The film really belongs to Mary Astor, in a hilarious turn as a smotheringly possessive mother. She tries to come between her son and his new bride (Luciana Paluzzi) in some unintentionally hilarious scenes, causing Paluzzi to fling herself down a ski slope in an attempt at a self-induced miscarriage. Overwrought and overblown, the film is still a treat for fans of campy "suburban sin" melodramas. Look for Bob Crane as an unctuous talk show sidekick. ~ Robert Firsching, All Movie Guide
- Starring:
- Carol Lynley, Jeff Chandler, (more)
