Nelson Welch Movies

Julia Duffy is the cover girl and Dinah Manoff the cop in this made-for-TV contrivance. When dim-witted model Duffy witnesses a murder, short-fused officer Manhoff is assigned to protect her. Would you be shocked if we informed you that the ladies drive each other crazy? But never fear: they forget their differences long enough to jointly nab the killer at the end. Filmed on location in Washington DC, Cover Girl and the Cop trounced in the ratings by the vastly superior The Ryan White Story when it first aired on January 16, 1989. ~ Hal Erickson, All Movie Guide

Filmed in 1982 in New York, this comedy hinges on a tried-and-true plot device: a man has less than a day to get married or he loses a fortune (no waiting for blood tests or licenses here!). When the fabulously wealthy W.D. Westmoreland (Jonathan Winters) dies, his grandson Luke (Art Hindle) discovers that he will inherit $250 million if he marries before he is 35. Since he turns thirty-five tomorrow, that leaves him less than 24 hours to find a bride and make it legal. Everything impedes his good intentions, including his father, who stands to inherit that money if Luke remains a bachelor. There are a lot of volunteers for Luke's open position of an immediate wife, but what makes matters even more complicated is he has developed an interest in a young, average-looking woman from the countryside. ~ Eleanor Mannikka, All Movie Guide

In this comedy, an ordinary woman finds herself sharing both her home and her body with a ghost who has a pronounced wild streak. Jan (Glenn Close) and Nick (Mandy Patinkin) are a couple moving into an apartment in an old Victorian house in San Francisco. Jan is a straight-laced secretary working for a Catholic bishop, while Nick deals in used books. While stripping some old wallpaper in their new home, they discover a message written on the wall, which their flaky landlady Mrs. Lavin (Ruth Gordon) informs them was written by Maxie, a high-spirited flapper who had a career in silent films before dying in a car wreck on her way to audition for D.W. Griffith. Out of curiosity, Jan and Nick rent a video of one of Maxie's films to see her in action, but it just so happens that Maxie's ghost still lives in the house -- and is looking for a human host. Maxie's spirit enters Jan's body and makes her presence known at the most inconvenient times; suddenly mild mannered Jan is kicking up her heels, swilling gin, starting arguements, and acting like a flaming youth straight out of the 1920s. Nick finds Maxie a good bit more exciting than Jan and even tries to launch Maxie back into a movie career by having her audition for a remake of Cleopatra opposite Harry Hamlin; Jan, however, just wants to have her body to herself again. Maxie proved to be one of the last screen appearances for veteran actress Ruth Gordon, who died several weeks before the film was released. ~ Mark Deming, All Movie Guide

Jon Voight stars in this David Seltzer-scripted sentimental tale about a divorced father who tries to achieve an emotional connection with his children. J.P. Tannen (Jon Voight) is a confused and childish man who, five years earlier, was divorced from his wife Kathleen (Millie Perkins). Kathleen received custody of their three children and they now all live with Kathleen's new husband Mitchell (Richard Crenna), a brilliant lawyer. But out of the blue, J.P. reappears into their lives. J.P. wants to take his three children on an ocean voyage in the Mediterranean. At first Kathleen and Mitchell are reluctant, but then they agree. At sea, J.P. begins to bond with his children --Tilde (Roxana Zal), Truman-Paul (Robby Kiger), and Trung (Son Hoang Bui). But then J.P. receives some tragic news that he tries to conceal from the children. ~ Paul Brenner, All Movie Guide

This ghostly made-for-television romance tells the story of a struggling widower who finds that life becomes easier once his beloved comes back from the grave to assist him. ~ Sandra Brennan, All Movie Guide

This second episode of a three-part story arc (which came about when Carroll O'Connor briefly ankled All in the Family over a salary dispute) finds the Bunker family deep in worry over the fact that Archie has been missing for 24 hours. At first, Edith thinks that Archie might have met with an accident or foul play. But mounting evidence suggests that Mr. Bunker has actually run off with another woman. The truth of the matter is not revealed until the very end of "Archie Is Missing," which was written by Lloyd Turner and Gordon Mitchell, and first aired on November 9, 1974. ~ Hal Erickson, All Movie Guide

Adrian Messenger (John Merivale) asks his friend, British colonel Anthony Gethryn (George C. Scott), to check on the whereabouts of the eleven men named on a written list. Not long afterward, the plane on which Messenger is travelling is deliberately blown up. The mystery killer slipped the bomb on the plane while disguised as a priest, and we soon learn that the killer adopts a different guise for each of his subsequent murders. As Gethryn tracks down the men on Messenger's list, he discovers that all had been POWs in the same Burmese stockade during World War II, and he deduces that the murderer, who is methodically decimating those on the list, had been a traitor and informer. Gethryn traces the killer to the British estate of The Marquis of Gleneyre (Clive Brook), where his visit coincides with the return of "prodigal" American relative George Brougham (Kirk Douglas). Gethryn is convinced that Brougham is the killer, and that he plans to murder the only heir who stands in the way of the family fortune, but he has no tangible proof. Filmed primarily in Ireland, The List of Adrian Messenger received good theatrical bookings by virtue of its gimmick: several of the bit characters are played by famous stars in heavy makeup, and each of these stars -- Kirk Douglas, Burt Lancaster, Robert Mitchum, Frank Sinatra, and Tony Curtis -- "unmasks" in the epilogue. In truth, only Douglas and Mitchum did any real acting under their mounds of collodion and crepe hair; the others showed up only to shoot their unmasking scenes (at a salary of $75,000 each!) and were "doubled" in the film itself. ~ Hal Erickson, All Movie Guide

Season three of Alfred Hitchcock Presents gets under way with one of the series' best and most celebrated episodes -- and one which, surprisingly, is not directed by Alfred Hitchcock himself. As Jim Whitely (William Shatner) and his girlfriend Dorothy (Rosemary Harris) rummage through the possessions of Jim's late sister Julia (Jessica Tandy), they come across a curious item -- a large glass eye. In flashback, Jim recalls the history of this artefact, which stems back to the spinsterish Julia's infatuation with a mysterious, deep-voiced stage ventriloquist known as Max Collodi (Tom Conway). This brilliant episode earned an Emmy award for its director, prolific Alfred Hitchcock Presents contributor Robert Stevens. ~ Hal Erickson, All Movie Guide

During the early days of East Indian independence in 1947, a native rebellion threatens a hotel full of Britishers, Europeans and Americans. Gunrunner Alan Ladd could care less about anything other than his own neck. Ladd runs up against the resistance of a pacifist Indian leader (Charles Boyer), who hopes to quell the factional disturbances. Falling in love with Deborah Kerr, blind daughter of missionary Cecil Kellaway, Ladd decides to forego mercenary involvement in India's internal affairs and to shepherd the stranded non-Indians to safety. Paramount was overproducing again in 1951, so Thunder in the East didn't go into release until 1953, at which time its story was outdated enough to result in utter indifference from the paying public. ~ Hal Erickson, All Movie Guide