Elisabeth Welch Movies
Elisabeth Welch was a black American actress/singer who followed in the footsteps of her contemporaries Adelaide Hall, Josephine Baker, Paul Robeson, and Buddy Bradley, making her way from the United States to a major career in England. Born and raised in New York City, she studied for the stage and made her debut in the theatrical revue Blackbirds of 1928. She later appeared on-stage in Paris and then returned to New York, in a show called The New Yorkers, her featured number the Cole Porter song "Love for Sale." Such was the demand for her services, that Welch was off to England in 1933 for her London debut in Dark Doings; she followed this up later that same year in the Cole Porter show Nymph Errant, in which she sung the song "Solomon." Welch was received so well in England that she made it her home permanently, and enjoyed the kind of multi-tiered career that would have been virtually impossible for a black woman in America. On radio, her soft, sweet voice made her a star in the series Soft Lights and Sweet Music in 1934, and she also moved from Nymph Errant into the musical Glamorous Night; the movies also welcomed her, beginning in 1934 in Death at Broadcasting House, but it was her next two films that solidified her screen legacy, as she played opposite Paul Robeson in two of his best vehicles, Song of Freedom (1936) and Big Fella (1937). At times, even in England, she was limited onscreen to portraying a cabaret singer, as in the 1938 drama Over the Moon and the 1943 thriller Alibi; but when Welch got a real acting role, she could cut a memorable figure onscreen, such as her portrayal of Beulah, the cabaret hostess in the 1945 chiller Dead of Night. Welch actually spent a good chunk of WWII performing with Sir John Gielgud's company entertaining troops on Gibraltar and in other combat areas, but she managed to work in stage performances in works such as Arc de Triomphe in 1943, and she headlined the 1945 London Palladium revue Happy and Glorious, which enjoyed an 18-month run that carried it almost a year past the end of the war. Welch was still working regularly as a singer and actress in the (and her) '70s, appearing in movies such as Revenge of the Pink Panther, Arabian Adventure, and Derek Jarman's The Tempest, in which she portrayed a Goddess and sang "Stormy Weather," which (with apologies to Lena Horne) was something of a signature tune for her in England. ~ Bruce Eder, All Movie Guide
A valiant prince battles an evil sorcerer to rescue his true love in this colorful fantasy, which features high adventure and plenty of special effects. The hero must overcome a number of dangers, along the way receiving help from a beautiful street urchin and a magical rose. ~ Judd Blaise, All Movie Guide
- Starring:
- Christopher Lee, Milo O'Shea, (more)
Filmed in 1979 and released publicly one year later, The Tempest is an abstract 16-millimeter feature film based loosely on the "magical" Shakespeare play. Director/writer Derek Jarman also throws in a few Shakespearean sonnets when the spirit moves him. Essentially, Jarman uses the material as the basis for a homosexual metaphor, most notably in the Prospero/Caliban relationship. He would further elaborate this concept in his next film, The Angelic Conversation. Jarman's The Tempest by its very nature speaks to a small, specialized audience. ~ Hal Erickson, All Movie Guide
- Starring:
- Heathcote Williams, Karl Johnson, (more)
- 1978
- PG
- Add The Revenge of the Pink Panther to QueueAdd The Revenge of the Pink Panther to top of Queue
In Revenge of the Pink Panther, for the final time, the bumbling but impeturbable Inspector Clouseau (Peter Sellers) maddens his long-suffering boss Dreyfus (Herbert Lom), sharpens his wits and martial skills with his manservant Cato (Burt Kwouk) and foils the bad guys without ever having a clue about what he is doing. In the story, Clouseau allows a gang of drug racketeers to believe that he has been assassinated and dons a series of disguises as he travels all over the world in order to apprehend the culprits. He is assisted by Simone Legree (Dyan Cannon), the former girlfriend of the drug-lord Douvier (Robert Webber). Though it received a very mixed reception from critics, this, the fifth of the Pink Panther series, did very well at the box-office. Sadly, it was actor Peter Sellers' final screen appearance before his death in 1980 (the later film, The Trail of Pink Panther was composed of outtakes from previous Pink Panther films). ~ Clarke Fountain, All Movie Guide
- Starring:
- Peter Sellers, Herbert Lom, (more)
- 1971
In this comedy, the WASPy parents of an adolescent son, who heretofore showed no interest at all in the opposite sex, are shocked when he suddenly brings home an androgynous girl from the West Indies. ~ Sandra Brennan, All Movie Guide
Graham Greene wrote this witty comedy inspired by Cold War paranoia. Jim Wormald (Alec Guiness) is an Englishman selling vacuum cleaners in Cuba on the cusp of the revolution. Hawthorne (Noel Coward), a British intelligence agent, is looking for information on Cuban affairs and recruits Jim to act as a spy. Jim has no experience in espionage and no useful knowledge to pass along, but Hawthorne is willing to pay for his services, and since Jim's daughter Milly (Jo Morrow) has expensive tastes, he can use the money. To keep Hawthorne happy (and his paychecks coming in), he turns in reports on the Cuban revolution that are copied from public documents, "hires" additional agents who don't exist, and presents blueprints of secret weapons that are actually schematics of his carpet sweepers. However, Hawthorne and associate "C" (Ralph Richardson) think that Jim is doing splendid work and encourage him to continue; meanwhile, Capt. Segura (Ernie Kovacs), the elegantly corrupt chief of police, has been fooled by Jim's charade into believing he's a real spy -- and has also become attracted to Milly. Our Man in Havana also features Burl Ives and Maureen O'Hara in supporting roles. ~ Mark Deming, All Movie Guide
- Starring:
- Alec Guinness, Burl Ives, (more)
- 1945
Considered the greatest horror anthology film, the classic British chiller Dead of Night features five stories of supernatural terror from four different directors, yet it ultimately feels like a unified whole. The framing device is simple but unsettling, as a group of strangers find themselves inexplicably gathered at an isolated country estate, uncertain why they have come. The topic of conversation soon turns to the world of dreams and nightmares, and each guest shares a frightening event from his/her own past. Many of these tales have become famous, including Basil Dearden's opening vignette about a ghostly driver with "room for one more" in the back of his hearse. Equally eerie are Robert Hamer's look at a haunted antique mirror that gradually begins to possess its owner's soul, and Alberto Cavalcanti's ghost story about a mysterious young girl during a Christmas party. Legendary Ealing comedy director Charles Crichton lightens the mood with an amusing interlude about the spirit of a deceased golfer haunting his former partner, leaving viewers vulnerable to Cavalcanti's superb and much-imitated closing segment, about a ventriloquist (Michael Redgrave) slowly driven mad when his dummy appears to come to life. Deservedly acclaimed and highly influential, Dead of Night's episodic structure inspired an entire genre of lesser imitators. ~ Judd Blaise, All Movie Guide
- Starring:
- Mervyn Johns, Michael Redgrave, (more)
- 1944
A pair of furloughed British sailors and a Wren go for a visit to Stonehenge, get caught in a violent storm and end up in ancient Rome. This comedy chronicles their exploits that begin when they try to curry the emperor's favor by predicting the future. ~ Sandra Brennan, All Movie Guide
- 1943
The British Alibi is based on the warhorse story by Marcel Archard, previously filmed in France in 1931. Raymond Lovell steps into the old Erich Von Stroheim role as Professor Winkler, a phony mystic playing to capacity crowds in Paris. Confronting a man who'd previously exposed him as a fraud in the US, Winkler kills the man. He then establishes an alibi by paying nightclub hostess Helene (Margaret Lockwood) to tell the police that she was in his company at the time of the murder. The upshot of this is that Helene herself is accused of the crime. Hoping to get to the truth of the matter, Inspector Calas (Hugh Sinclair) asks his deputy Andre Laurent (James Mason) to pretend to be in love with Helene. The plot thickens when Laurent genuinely falls for the distressed damsel. ~ Hal Erickson, All Movie Guide
- Starring:
- Margaret Lockwood, Hugh Sinclair, (more)
- 1938
In this romantic comedy, a humble country girl lives her life in the ramshackle mansion of her aged uncle. Feeling sorry for her "poor" relation and selflessly keeping him company until he dies, she is later shocked to learn that he has left her an enormous fortune. One might think such a windfall a dream come true, but not for the girl. Things immediagely go wrong when her fiance, the town doctor, wanting to focus on his career, refuses to abandon his patients and go galavanting across Europe. Angrily, she goes anyway and finds herself surrounded by gigolos more interested in her assets than in her perosonality. This causes her to reasses her new values and return to the man who loves her for herself. ~ Sandra Brennan, All Movie Guide
- Starring:
- Merle Oberon, Rex Harrison, (more)
- 1937
African-American actor/singer Paul Robeson had to travel to England in the 1930s to seek out dignified film roles. In Big Fella, Robeson is a happy wanderer who chances upon a runaway child. The kid so enjoys the company of Robeson and his café-singer friend Elisabeth Welch that he threatens to claim that he's been kidnapped if Robeson tries to return the boy to his parents. Interestingly, Robeson's character name is Joe, just as it had been in the actor's 1936 Hollywood triumph Show Boat. Big Fella was based on a novel by Claude McKay. ~ Hal Erickson, All Movie Guide
- Starring:
- Paul Robeson, Elisabeth Welch, (more)
- 1936
Along with The Emperor Jones, Song of Freedom is arguably the best of Paul Robeson's starring features. Robeson plays London dockworker John Zinga, obsessed with the urge to return to his African "roots" (this was nearly 40 years before Alex Haley!) Discovered by an operatic impresario, John achieves singing stardom on the concert stage -- only to throw it all away to make a pilgrimage to Africa, there to assume leadership of his ancestral tribe, the Casangas. His efforts to free the natives of their superstitions and bring the advantages of civilization to the region are opposed by the local witch doctors, who do their best to kill John and his young wife (Elizabeth Welch). Zinga is saved when he suddenly and instinctively offers a rendition of the tribal "song of freedom," proving beyond all doubt that he is the rightful ruler of the Casangas. Advertised as a "$500,000 epic" (a not inconsiderable sum for a British film in the mid-1930s), Song of Freedom did quite well at the box-office -- except, of course, in the white-bread American South. ~ Hal Erickson, All Movie Guide
- Starring:
- Paul Robeson, Elisabeth Welch, (more)
- 1934
Originally released in 1934 as Death at Broadcasting House, this musty British whodunit was distributed in the US in 1941 to cash in on the Hollywood-engendered popularity of its star, Ian Hunter. Set in a BBC radio studio, the story gets under way when a much-despised airwaves personality is murdered in the middle of a live broadcast. Scotland Yard inspector Gregory (Ian Hunter) shows up to piece together the clues and sift through the suspects. The solution of the mystery hinges on the fact that the victim insisted upon broadcasting in a private room, far removed from his fellow actors. Inspector Gregory provides this solution by coming up with a transcription of the fatal broadcast (this at a time when few radio programs were recorded for posterity). Elements of Death at a Broadcast resurfaced in the 1942 Abbott & Costello comedy Who Done It? ~ Hal Erickson, All Movie Guide
- Starring:
- Ian Hunter, Austin Trevor, (more)
