Norbert Weisser Movies

Midnight Express is a harrowing tale of a naïve American caught in a nightmare of his own making thousands of miles from his home. Billy Hayes (Brad Davis) is an American tourist visiting Turkey with his girlfriend Susan (Irene Miracle) when he's caught by customs officials trying to smuggle a large amount of hashish out of the country. The crime would normally carry a sentence of four years, but officials decide to make an example of Billy, and he draws a 30-year sentence despite the promises of his Turkish legal counsel. While Susan and Billy's father (Mike Kellin) pledge to do everything they can to speed Billy's release, in fact there's little than can be done. Billy quickly finds himself in a hellish prison that's a nightmare of filth, violence, rape, inedible food, and unspeakable health conditions. However, Billy gains a few confidantes behind bars: Jimmy (Randy Quaid), an American in a constant state of emotional overdrive; Max (John Hurt), an intelligent, drug-addicted Englishman; and Erich (Norbert Weisser), a gay Scandinavian who is attracted to Billy but accepts his gentle refusals of sex. Before long, Billy is convinced that he can take no more, and he makes plans to take the "midnight express" -- jailhouse slang for escape. While his friends are willing to help, they also make clear that almost no one who has tried to escape has lived to tell the tale. Based on a true story, Midnight Express was a box-office hit which won wide acclaim for the performances of Brad Davis and John Hurt; and the screenplay, by Oliver Stone, won an Academy Award. ~ Mark Deming, All Movie Guide

John Carpenter's The Thing is both a remake of Howard Hawks' 1951 film of the same name and a re-adaptation of the John W. Campbell Jr. story "Who Goes There?" on which it was based. Carpenter's film is more faithful to Campbell's story than Hawks' version and also substantially more reliant on special effects, provided in abundance by a team of over 40 technicians, including veteran creature-effects artists Rob Bottin and Stan Winston. The film opens enigmatically with a Siberian Husky running through the Antarctic tundra, chased by two men in a helicopter firing at it from above. Even after the dog finds shelter at an American research outpost, the men in the helicopter (Norwegians from an outpost nearby) land and keep shooting. One of the Norwegians drops a grenade and blows himself and the helicopter to pieces; the other is shot dead in the snow by Garry (Donald Moffat), the American outpost captain. American helicopter pilot MacReady (Kurt Russell, fresh from Carpenter's Escape From New York) and camp doctor Copper (Richard Dysart) fly off to find the Norwegian base and discover some pretty strange goings-on. The base is in ruins, and the only occupants are a man frozen to a chair (having cut his own throat) and the burned remains of what could be one man or several men. In a side room, Copper and MacReady find a coffin-like block of ice from which something has been recently cut. That night at the American base, the Husky changes into the Thing, and the Americans learn first-hand that the creature has the ability to mutate into anything it kills. For the rest of the film the men fight a losing (and very gory) battle against it, never knowing if one of their own dwindling number is the Thing in disguise. Though resurrected as a cult favorite, The Thing failed at the box office during its initial run, possibly because of its release just two weeks after Steven Spielberg's warmly received E.T.The Extra-Terrestrial. Along with Ridley Scott's futuristic Alien, The Thing helped stimulate a new wave of sci-fi horror films in which action and special effects wizardry were often seen as ends in themselves. ~ Anthony Reed, All Movie Guide

Based on the popular television series created by Rod Serling, this film of horror and the supernatural tells four separate stories--each by a different director: John Landis, Steven Spielberg, Joe Dante and George Miller. In one, a bigot is taught a lesson when he is transported to experience the lives of three different victims of prejudice and intolerance. Another takes a trip to an old-age home where the arrival of a special man turns some of the residents into youthful people once again. In the third, a woman befriends a timid young child who turns out to be a maniacal brat with bizarre powers. The final segment shows how a man with an aversion to flying has a rough time when he panics and then sees a strange creature on the wing outside his window seat. ~ Kristie Hassen, All Movie Guide

This comedy is set 15 years after the final nuclear holocaust and centers upon two fellows who have been stuck in their fathers' elaborate bomb shelter since the bombs began to fall. They had plenty of food, clothing (from the 1940s), and necessities, but their only entertainment was a huge set of pulp mystery novels by such writers as Dashiel Hammett and Raymond Chandler. By the time the two young men, Phillip and Marlowe finally emerge from the shelter in 2010, they have become "hard-boiled" detectives. They manage to find an old car and head off down the ruined roads looking for action. Along the way, they see beautiful, but hard-as-nails blonde Miles Archer and pick her up. She ends up robbing them and abandoning them. In her haste, she drops a set of keys--the keys to the last nuclear warhead. Whoever holds them, holds the world in their hands and suddenly the young men find themselves pursued by assorted weirdos, including man-eating hippies, looking for the ultimate power. ~ Sandra Brennan, All Movie Guide

Charles Hallahan makes his series bow as Hunter's new superior officer Captain Devane, whose first official act is to separate Hunter (Fred Dryer) and his partner McCall (Stepfanie Kramer). Thinking that the split was Hunter's idea, McCall vents her spleen on her feckless new partner, rookie Reilly Causland (Robert Firth). Meanwhile, Hunter is teamed with hard-nosed Harry Traynor (Tim Thomerson)--who, as it turns out, may have been responsible for the murder of his ex-partner, who'd called Hunter to impart some valuable information just before his death. ~ Hal Erickson, All Movie Guide

In this well-wrought, fast-paced caper flick, a naive, good-hearted waitress doesn't think twice about helping her troubled roommate. Unfortunately, her help lands her in Central America fleeing for her life with a grungy mercenary. They are chased because the two are believed to have possession of a priceless religious icon. ~ Sandra Brennan, All Movie Guide

From Hollywood to Deadwood is an agreeable private-eye yarn, at once a spoof and a tribute to the film noir output of the 1940s. Detectives Savage and Haines (Scott Paulin, Jim Haynes) are hired to locate Lana Dark (Barbara Schock), a movie actress whose absence is costing her studio tons of money. The two Sherlocks follow the evidence trail to Deadwood, South Dakota. Here, Savage begins a one-sided romance with the restless Lana. He learns that her disappearance was all part of an insurance scam. He further learns that now that he knows all, his life, not to mention the lives of Haines and Lana, aren't worth a plug nickel. Though the film wastes no time with inessentials, we learn a lot more about the emotional and psychological makeup of the three protagonists than is customary for films of this nature. ~ Hal Erickson, All Movie Guide

Joseph Sargent's made-for-TV drama, set during World War II, stars Walter Matthau as an attorney coerced into defending a German POW who is accused of murdering the town physician (Barnard Hughes), Matthau's best friend. ~ Jason Ankeny, All Movie Guide

A horror film set in a New York nightclub, Midnight Cabaret is the story of an actress (Laura Herrington) suspected of killing several of her cast-mates. The police investigator assigned to the case (Bruce Wright) finds that the truth involves a Satanic cult trying to bear the Anti-Christ. ~ John Bush, All Movie Guide

Sarah Pillsbury and Midge Sanford, the producing team responsible for the theatrical-movie "sleeper" The River's Edge, were the mentors of the made-for-TV Seeds of Tragedy. Filmed in semi-documentary fashion, the story involves a single cache of cocaine, from creation to consumption. The coca leaves are initially harvested by poor farmers in the Peruvian Andes. The coca moves forward to a small-time Amazon trader; then it is powdered under the supervision of a Colombian gangster, and finally it winds up on the mean streets of LA. Partially filmed in Mexico with a cast of relative unknowns, Seeds of Tragedy was an unusually potent entry in the Fox Network's "Monday Night Movie" series. ~ Hal Erickson, All Movie Guide

After a scientist creates superhuman warrior Red Skull for the Nazis during WW II, she defects and does the same for the U.S.-- injecting a polio victim to transform him into the titular heroic beefcake. Forty years after a confrontation which left Captain America frozen in Alaska, he is found and thawed and must take on Red Skull once again. ~ Kristie Hassen, All Movie Guide

Bette Midler, Sarah Jessica Parker, and Kathy Najimy romp around like coked-up versions of The Three Stooges in the frantic Disney romp Hocus Pocus. The film begins in 1693 where three witches -- Winifred (Bette Midler), Sarah (Sarah Jessica Parker), and Mary (Kathy Najimy) -- are preparing a potion that will grant them immortality and eternal youth. But before they finish mixing their cocktail, the people of Salem capture them and execute them for practicing witchcraft. Before their deaths, they vow to return to Salem 300 years hence on Halloween to exact their revenge. Three hundred years later, a skeptical, newly transplanted Californian, Max (Omri Katz), explores the ruins of the legendary witches' house and dares the witches to manifest themselves. Disregarding the warnings of his sister Dani (Thora Birch) and girlfriend Allison (Vinessa Shaw), Max lights the Candle of Black Flame. With that, the witches reappear to wreak havoc on the town. The kids take off with the witches' spellbook and a musty tome of hexes and recipes. The sorceresses, who will die by the morning light if they don't recite the incantation for immortality, have to get the books by whatever means they can. So, Winifred, Sarah, and Mary hop on their broomsticks for a chase through Halloween night. ~ Paul Brenner, All Movie Guide

This long-delayed sci-fi/horror project from Charles Band's "B"-factory Full Moon Entertainment features Megan Ward and Peter Billingsley (once the cuddly hero of A Christmas Story) as a pair of suburban teens who discover that the neighborhood's most popular virtual-reality video game -- unimaginatively-dubbed Arcade -- is possessed of a malevolent intelligence and a hunger for young souls. After several Arcade junkies are captured by the digital demon, our heroes decide to strap on their virtual helmets and go head-to-head with the computer to rescue them, facing a confounding series of elaborate puzzles and eventually squaring off against the soul of Arcade itself. "B"-movie journeyman Albert Pyun handles the virtual reality fantasy scenes with verve, though the mediocre effects are hardly worth the endless delays that hounded this production. This film's entire premise was explored far more expertly 10 years earlier in Disney's Tron, and with far more interesting characters than this brooding bunch. ~ Cavett Binion, All Movie Guide