Nelly Borgeaud Movies

In this bittersweet look back at the trials of growing up in the late 1970s and early 1980s, Emilie (Magali Woch), Ines (Ingrid Molinier), Stella (Julie-Marie Parmentier), and Marion (Camille Rousselet) become friends as they share the humiliations that are a part of adolescent life -- going to school, dealing with your parents, dealing with the emotional abuse of your peer group. La vie ne me fait pas peur spent several years in production; during a layoff in shooting, director Noemie Lvovsky shot a television film with the same characters entitled Petites, and later incorporated footage from the TV project into this film. ~ Mark Deming, All Movie Guide

Romane Bohringer plays a young pianist ekeing out a living in Nazi-occupied Paris. When her favorite coworker, singer (Yelena Safonova), relocates to London, Bohringer goes along, much to the discomfort of Safonova's possessive husband-manager. The latter role is played by Romane Bohringer's father, veteran character actor Richard Bohringer, a fact that adds several subliminal layers to the already multitextured storyline. Avoiding the cruder implications of its material, The Accompanist is a model of taste and decorum -- perhaps too much so. ~ Hal Erickson, All Movie Guide

Juliette (Nastassja Kinski) is a hairstylist who is diagnosed with cancer in this tearjerking romantic drama. Her illness leads her to oncologist Raoul Bergeron (Michel Piccoli), and she ends up as his mistress. When Juliette falls in love with Raoul's intern Clement (Jean-Hughes Anglade), the jealous doctor threatens to sabotage Clement's career. Juliette spends the rest of the film jumping from Raoul to Clement and back again. ~ Dan Pavlides, All Movie Guide

This routine French melodrama features Catherine Deneuve) as Margaux, an unhappily married recording-company executive with two children at home who starts an affair with Jeremy (Christophe Lambert), one of the singers she promotes through her company. Margaux's husband is away in New York working on a book, yet she still tries to hide her affair from her children, unwilling to let anyone know what is happening -- especially her husband. Jeremy's old singing partner Michel (Richard Anconina) misses his friend, who now spends most of his time with Margaux, and on one occasion Michel is forced to go to an important audition by himself. When the audition turns out to be a big success, Jeremy has to make up his mind about both his conflicting partnerships: one with Margaux and the other with Michel. ~ Eleanor Mannikka, All Movie Guide

Alain Resnais' Mon Oncle D'Amerique is presented in the form of a "case history," replete with a pedantic narrator, played by real-life behavioral scientist Henri Laborit. Gerald Depardieu plays a plant manager whose behavior is inspired by the films of "macho" French film star Jean Gabin. Nicole Garcia portrays an actress who has patterned her conduct after stage and film luminary Jean Marais. And Roger-Pierre is a TV executive whose main influence in life is lovely cinema actress Danielle Darrieux. Though it may sound like a Woody Allen comedy, Mon Oncle D'Amerique eschews satire for the most part, treating both its subject matter and its subjects with intense seriousness. The film scored a hit with moviegoers and critics alike, and was honored with six French Cesar Awards. ~ Hal Erickson, All Movie Guide

When he suddenly dies and is buried, the late Bertrand Morane (Charles Denner), an aeronautical engineer from Montpelier, receives funeral visitation from hundreds of women. Little wonder: in life, Morane simply couldn't keep his mind off of women -- one glance at a well-turned ankle and he was lost. Astonishingly, women felt the same way about him. Though more than one paramour held it against Bertrand when his eyes wandered, he never considered his promiscuousness a shortcoming -- which led him into amorous relationships with such colorful characters as a married sociopath (with a taste for lovemaking in risky places), a shapely blonde babysitter, an introspective book editor, and dozens of others. Ironically, Morane's success with women hardly represented a gift, for a deep, abiding loneliness lingered within him, resulting from his utter inability to love one woman. Bertrand (who eventually decided to write and publish his autobiography, "The Man Who Loved Women," as a form of self-analysis), could never quite pinpoint the source of his lack of romantic faithfulness, until a fateful and utterly unexpected chance encounter with someone from his past. Read by many as a thinly disguised film à clef for writer/director François Truffaut, The Man Who Loved Women mixes sharp, witty comedy with scenes of gentle poignancy; Truffaut uses the tale to make some deep and tremendously profound comments about love, sex, fidelity, and the underlying differences between men and women. The picture was thinly remade in 1983 by Blake Edwards, with Burt Reynolds as the irresistible hero and Julie Andrews as his therapist. ~ Hal Erickson, All Movie Guide

A rare mid-career flop for director François Truffaut when it was released, Mississippi Mermaid has become a cult favorite, thanks in part to the availability of the original French version, which added 13 minutes to the U.S. release running time. Adapted from a story by William Irish, it's a noirish tale of a man who orders a mail-order bride but receives instead a con woman. Louis Mahe (Jean-Paul Belmondo) owns a tobacco factory on the remote Indian Ocean island of Reunion. His bride, Julie Roussel (Catherine Deneuve), looks nothing like the photo she sent him, but she explains that she had forwarded a picture of a friend instead. After Louis allows Julie access to both his personal and company bank accounts, she disappears with most of his fortune. Heartbroken and bitter, he takes a holiday in the south of France and improbably spots "Julie" on a TV news story. When he tracks her down, she reveals her real name, Marion, and how she and her con-man boyfriend, Richard, had intercepted the real Julie on the boat Mississippi that was headed for Reunion. Richard threw Julie off the ship and Marion assumed her identity, but once the two thieves returned to France, Richard made off with the money. Marion professes that she fell in love with Louis, and he believes her. They try to make a life together in France, but a private detective whom Louis and Julie's sister, Berthe, had hired to find Marion, tracks them down to a house they have rented in Aix en Provence, forcing them to go on the run. ~ Tom Wiener, All Movie Guide

Luis Buñuel's Cela S'Appelle L'Aurore was briefly released in English-speaking countries as That is the Dawn. The story concerns a humane doctor (Georges Marchal) who is aghast at how the residents of a small Island near Corsica are being exploited by a cruel factory owner. Unfortunately, the doctor is unable to extend his concern to his wife, who walks out on him. The arrival of a beautiful stranger (Lucia Bose) and the death of a close friend galvanize the doctor into taking direct action against the villain. The film's anti-capitalist, anti-aristocracy stance is very much in keeping with Buñuel's better-known works. Even so, Cela S'Appelle L'Aurore is a more conventional film than one might expect from its director. ~ Hal Erickson, All Movie Guide

The story of Berlin's famous (and now nonexistent) Hotel Adlon is unfolded in this handsome mounted drama. The story begins with the construction of the Adlon in 1907, then moves on to the hotel's glory days of the 1920s and 1930s. Inevitably, the saga ends when the Adlon is destroyed during the Red Army invasion of 1945. Most of the story is seen through the eyes of Sebastian Fischer, who starts his career at the Adlon as a humble bellhop, then works his way up to the position of hotel director. Hotel Adlon is based on the memoirs of Hedda Adlon. ~ Hal Erickson, All Movie Guide