Jimmie Ray Weeks Movies

Hubert Selby Jr. was a powerful and influential literary figure whose best-known novels, Last Exit to Brooklyn and Requiem for a Dream, dealt with the dark underside of life in a way that was bleak and often shocking, but also laced with compassion and understanding for the tortured lives of his characters. Selby only completed the eighth grade when he became a merchant marine and contracted a severe case of tuberculosis from infected cattle. While Selby survived thanks to bootleg antibiotics, he lost a lung and had to give up his physically punishing work at sea. Selby took up writing and developed a unique style that helped make his first novel, 1964's Last Exit to Brooklyn, a critical success and a controversial best-seller. However, Selby developed a massive appetite for alcohol and drugs which derailed his career, and by the time he published his second book, 1971's The Room, Selby was all but forgotten. However, Selby's work developed a passionate following in Europe, and was rediscovered in the United States after a successful film adaptation of Last Exit to Brooklyn was released. Hubert Selby Jr.: It/ll Be Better Tomorrow is a documentary which explores the life and work of this unlikely literary icon, and features extensive interviews with Selby as well as his friends and admirers. Interview subjects include Lou Reed, Henry Rollins, Richard Price, Nick Tosches, Ellen Burstyn, Darren Aronofsky, Uli Edel, Amiri Baraka, and Jerry Stahl. Robert Downey Jr. serves as narrator. ~ Mark Deming, Rovi

In the same year that a hit cable television series, The Sopranos, successfully mined the same premise, this comedy about a mobster seeking advice from a psychiatrist was a box office winner for director Harold Ramis. Billy Crystal stars as Dr. Ben Sobel, a New York shrink who's becoming a little bored with his upscale but neurotic clientele. Into Sobel's practice comes a guy with legitimate problems, Mafia kingpin Paul Viti (Robert DeNiro), a godfather who is being reduced to tears and panic attacks by stress and his guilt over his beloved father's assassination. Intimidated but also fascinated by Viti, Dr. Sobel becomes frustrated when his mob boss patient becomes a full-time occupation, as Viti summons the psychiatrist for his professional help at all hours and in all places, even including the doctor's Florida wedding to TV reporter Laura MacNamara (Lisa Kudrow). In the meantime, a power struggle is brewing with Viti's long-time rival Primo Sidone (Chazz Palminteri), but Viti begins employing the feel-good self-help jargon and techniques he's learned from Dr. Sobel to keep his enemy off balance. Just as the therapist and his powerful patient are making breakthroughs, the FBI attempts to persuade Sobel that Viti is going to have him murdered, leading to a nearly lethal misunderstanding. ~ Karl Williams, Rovi

A dark, bitter commentary on modern American life cloaked in the form of a surrealist western, Jim Jarmusch's Dead Man stars Johnny Depp as William Blake, a newly-orphaned accountant who leaves his home in Cleveland to accept a job in the frontier town of Machine. Upon his arrival, Blake is told by the factory owner Dickinson (Robert Mitchum) that the job has already been filled. Dejectedly, he enters a nearby tavern, ultimately spending the night with a former prostitute. A violent altercation with the woman's lover (Gabriel Byrne), also Dickinson's son, leaves Blake a murderer as well as mortally wounded, a bullet lodged dangerously close to his heart. He flees into the wilderness, where a Native American named Nobody (Gary Farmer) mistakes Blake for the English poet William Blake and determines that he will be Blake's guide in his protracted passage into the spirit world. ~ Jason Ankeny, Rovi

From director Jim Abrahams, one of the minds behind the Airplane! and Naked Gun films, comes another parody. This time around, Abrahams has his sights set on the action-adventure genre, specifically Top Gun. Charlie Sheen stars as Topper Harley, a maverick air force pilot who constantly lives in the shadow of his father's legacy. Unable to handle the pressure, Harley has left the Air Force to live among a tribe of Native Americans. But when the United States seeks to destroy some Iraqi nuclear facilities, there's only one man for the job. After being coaxed back into service, Harley soon realizes that in addition to Saddam Hussein, he'll have to contend with a rival pilot, played by Cary Elwes, and a devious aerospace executive. Among the many films lampooned are Dances With Wolves, 9 1/2 Weeks, The Fabulous Baker Boys, and Gone With the Wind. ~ Matthew Tobey, Rovi

83 Hours 'Til Dawn utilizes a plot device originally seen on another fact-based TV movie, The Longest Night (1972). Robert Urich stars as a wealthy business executive whose 20-year-old daughter is abducted by sociopathic Peter Strauss. The kidnapper seals his victim in a small box and buries it deep underground, with an air-tube as her only conduit to the outside world. Strauss threatens to never reveal the girl's whereabouts unless Urich ponies up half a million dollars. The original telecast of 83 Hours 'Til Dawn ran a distant second to a competing network showing of the theatrical feature Three Men and A Baby (87). ~ Hal Erickson, Rovi

The town of Binger, Montana decides to re-enact the 1889 battle in which the whites massacred most of the Blackfoot Indians in this depressing and violent drama. The white mayor initiates the plan for the benefit of Labor Day tourists to the area predominantly populated by Native Americans. Things get out of control when a drunken white boy fires a loaded gun and kills a young Indian. Five Indian youths quickly avenge their friend's death and take to the woods. A racist posse shoots one and scalps another, and the Governor calls out the National Guard as the situation escalates out of control. ~ Dan Pavlides, Rovi

Following the disastrous Pirates (1986), director Roman Polanski got back on creative track with this finely-wrought thriller that, while failing to impress at the box office, was nevertheless his most critically well-received film of the decade. Harrison Ford stars as Richard Walker, an American doctor who has come to Paris, where he's scheduled to deliver a paper to a medical conference. Richard has brought along his wife Sondra (Betty Buckley), because Paris was the site of their honeymoon 20 years earlier. Sondra picks up the wrong suitcase at the airport, which leads to her kidnapping and an ever-more complicated quest that takes Richard into the seedy and dangerous underworld of European drug smuggling and terrorist arms sales. Along the way, he is rebuffed by skeptical officials at the American Embassy and meets Michelle (Emmanuelle Seigner), a sexy courier who agrees to help him in exchange for the money she's owed for trafficking in narcotics. Playing cleverly on American fears about Europe's Byzantine politics and "decadent" society, Frantic received, from many observers, perhaps the greatest compliment possible for a thriller, comparison to the work of Alfred Hitchcock. ~ Karl Williams, Rovi

Everyone knows that teenagers are smarter than adults, and if given a chance the kids could save the world -- if they don't blow it to bits first. The Manhattan Project tells of how 16-year-old Paul Stephens (Christopher Collet) tries to alert his community to the dangers of nuclear energy. John Mathewson (John Lithgow), a doctor in a pharmaceutical research plant wherein covert plutonium experiments are taking place, is the boyfriend of Paul's mom, Elizabeth (Jill Eikenberry). While Mathewson is romantically occupied, Paul and his girl, Jenny Anderman (Cynthia Nixon), steal the plutonium and construct their own atomic bomb. They do this, of course, as a warning to foolhardy grown-ups -- none more foolhardy than the folks who put up good money to make this film. The Manhattan Project was directed by longtime Woody Allen collaborator Marshall Brickman, whose expert sense of comic timing obscures the thickheaded "message" of this picture. ~ Hal Erickson, Rovi

Director Louis Malle scrutinizes modern-day racism in Alamo Bay. The scene is the Texas coast, where local fishermen resent the "intrusion" of Vietnam refugees. Fair-minded shrimp supplier Wally (Donald Moffat) hires several Vietnamese workers, which serves to further infuriate the locals. The most vociferous of Moffat's opponents is a fisherman, Shang (Ed Harris), who faces bankruptcy due to loss of business. A town meeting designed to settle the issue erupts into violence when Vietnamese emigre Dinh (Ho Nguyen) accuses some of the locals of bending the law for their own purposes. A desperate Shang asks his former lover Glory (Amy Madigan) for financial aid, a delicate situation in that she is Wally's daughter. When the Ku Klux Klan arrives on the scene to drive the Vietnamese out, Glory sides with the refugees, resulting in strong friendship between herself and Dinh. ~ Hal Erickson, Rovi

The First Affair of the title is the one conducted by naïve but nubile college freshman Toby King (Melissa Sue Anderson). Struck by the girl's sense of responsibility, professor Jane Simon (Loretta Swit) hires Toby as a baby-sitter. Soon afterwards, however, Jane's susceptible husband Greg (Joel Higgins) finds himself being won over by Toby's unspoiled beauty and words of endearment. This standard-issue triangle drama was filmed under the title Freshman Year. Lensed on location at Harvard University, the made-for-TV First Affair premiered October 25, 1983. ~ Hal Erickson, Rovi

New York City detective Steve Burns Al Pacino receives orders from Captain Edelson Paul Sorvino to solve a series of brutal murders in the gay community. Steve scours the gay bars that caters to same-sex sadomasochism in a desperate attempt to solve the crime. As he infiltrates the scene, he slowly comes loose from the moorings of his own reality, and an innocent victim is tortured by the cops in an effort to exact a confession. The story is based on actual murders that took place between 1962 and 1979. The film gained considerable publicity because of the controversial subject matter while censor argued between an X and R rating for the feature. ~ Dan Pavlides, Rovi