Peggy Webber Movies

With great reluctance, Quincy (Jack Klugman) sets out to prove that wealthy Powell Dixon (George Gaynes) was murdered by his wife Jeannina (Ina Balin), who has a history of mental problems. What makes this particular case so difficult is that Jeannina and Quincy had been lovers back in their medical-school days. Things takes a wild and unexpected turn when Jeannina herself is apparently murdered--the first of several baffling events which culminate in a startling climactic twist. ~ Hal Erickson, All Movie Guide

With the help of storekeeper Ike Godsey (Joe Conley), Jason (Jon Walmsley) organizes a big dance for the people of Walton's Mountain. Unfortunately, the festivities coincide with the appearance of a mysterious nocturnal prowler, who holds the populace in a grip of terror. Clearly, the prowler is someone whom everyone knows--but who is he, and what does he want? Fear not, ladies and gentlemen: what begins as a "scare" piece ends with another lesson in tolerance and understanding. ~ Hal Erickson, All Movie Guide

Cynical police officer Ed Wells (Gary Crosby) trusts no one, and holds fellow cop Jim Reed (Kent McCord) in contempt for Reed's more optimistic outlook on life. By episode's end, however, Wells learns the hard way that Reed may be a lot more on target about humanity than he is. Along the way, however, there are several police calls that sorely try Reed's sunny disposition, including a woman who is nearly killed by her drunken husband, and an escaped mental patient who holds his nephew hostage. ~ Hal Erickson, All Movie Guide

Dave Brewster (Adam Williams) arrives to take his new job as an electronics technician at a top-secret Air Force base in California. With him are his wife Anne (Peggy Webber) and their two children, Bud (Mikel Ray) and Ken (Johnny Crawford), who are all apprehensive about this sudden transplant, as well as the spartan existence that all of the families live under. No sooner do they arrive, however, then Bud and Ken see a strange light in the sky pointing to the beach, and soon after that seem to be receiving increasingly powerful -- and detailed -- telepathic communications from an unseen source. The boys are drawn, along with the children from the other families, to a lonely cave near the beach, where an alien presence, in the form of a huge (and ever-growing) brain, has hidden itself. At first, it uses the children to try and persuade the more reasonable of the parents that their project -- a missile called The Thunderer, which will place a hydrogen bomb in orbit, capable of being used on any target in the event the United States is threatened -- is too dangerous to complete. But the parents aren't prepared to listen, either because they don't understand the danger, or because they genuinely believe in the conduct of the Cold War, as in the case of Hank Johnson (Jackie Coogan); or because they're too angry and belligerent, like Joe Gamble (Russell Johnson), who is at a dead-end in his job and has taken to alcoholism and abusing his wife (Jean Engstrom) and stepson (Johnny Washbrook). As the launch approaches and the children's entreaties are ignored, the alien takes more direct action with their help, and they soon find a potential ally in in Dr. Wahrman (Raymond Bailey), the inventor of The Thunderer, who is also the only man on the project smart enough to realize that he may not have all the answers. But the military head of the project (Richard Shannon) is stil prepared to launch The Thunderer, regardless of its inventor's doubts. ~ Bruce Eder, All Movie Guide

Director Alfred Hitchcock lets us know from the outset that The Wrong Man is a painfully true story and not one of his customary fabricated suspense yarns, through the simple expedient of walking before the camera and telling us as much (this introductory appearance replaced his planned cameo role as a nightclub patron). The real-life protagonist, musican Christopher Emmanuel Balestrero, is played by Henry Fonda. Happily married and gainfully employed at the Stork Club, Balestrero's life takes a disastrous turn when he goes to an insurance office, hoping to borrow on his wife's (Vera Miles) life insurance policy in order to pay her dental bills. One of the girls in the office spots Balestrero, identifying him as the man who robbed the office a day or so earlier. This, and a few scattered bits of circumstantial evidence, lead to Balestrero's arrest. Though he's absolutely innocent, he can offer no proof of his whereabouts the day of the crime. Lawyer Frank O'Connor (Anthony Quayle) does his best to help his client, but he's up against an indifferent judicial system that isn't set up to benefit the "little man". Meanwhile, Balestrero's wife becomes emotionally unhinged, leading to a complete nervous breakdown. As Balestrero prays in his cell, his image is juxtaposed onto the face of the actual criminal-who looks nothing like the accused man! Utilizing one of his favorite themes-the helplessness of the innocent individual when confronted by the faceless bureaucracy of the Law-Hitchcock weaves a nightmarish tale, all the more frightening because it really happened (the film's best moment: Fonda looking around the nearly empty courtroom during his arraignment, realizing that the rest of the world cares precisely nothing about his inner torment). Hitch enhances the film's versimilitude by shooting in the actual locations where the real story occured. His only concession to Hollywood formula was the half-hearted coda, assuring us that Mrs. Balestrero eventually recovered from her mental collapse (she sure doesn't look any too healthy the last time we see her!) Watch for uncredited appearances by Harry Dean Stanton, Bonnie Franklin, Tuesday Weld and Charles Aidman. ~ Hal Erickson, All Movie Guide

In one of the best-remembered of the original black and white Dragnet episodes, Friday (Jack Webb) and Smith (Ben Alexander) investigate a series of robberies occuring within a ten-block area. Only after the stolen goods begin turning up abandoned or in trash cans do the detectives realize that they're looking for a kleptomaniac. The trail of clues leads to Mrs. Virginia Sterling (Peggy Webber), an otherwise respectable citizen with suffering from a serious mental aberration. The original radio version of this classic episode was heard on October 11, 1951. ~ Hal Erickson, All Movie Guide

Based on a radio episode which first aired on November 9, 1950, this classic Dragnet TV episode finds Sgt. Joe Friday (Jack Webb) and his temporary partner Sgt. Ed Jacobs (Barney Phillips) investigating the disappearance of a newborn baby. It turns out that the infant was stolen by Mrs. Roberta Salazar (Peggy Webber), whose own baby had recently been stillborn. Mrs. Salazar's poignant closing scene is a superb blend of actress Peggy Webber's brilliant performance and Jack Webb's unusually sensitive direction. ~ Hal Erickson, All Movie Guide

Submarine Command reunites the romantic leads from Sunset Boulevard, William Holden and Nancy Olsen. Holden is cast as Commander White, who during an enemy attack orders that his submarine dive to avoid destruction. Though his action saves his crew, it results in the death of the machine-gunner left topside during the attack. With the exception of vindictive chief torpedo-man Boyer (William Bendix), no one holds White to task for his decision -- save for White himself, who is plagued with guilt and doubt ever afterward. Helping to alleviate White's self-flagellation is his fiancee Carol (Olsen). The thrill-packed climax finds White's submarine engaged in a sabotage action against communist forces off the coast of Korea. ~ Hal Erickson, All Movie Guide

In this comedy, a spoiled, temperamental and filthy rich aunt is committed to an asylum by her nephew after he learns that she has willed her fortune to her dog. Fortunately, the aunt escapes and is sheltered by the family of a poor barber. It is the barber's daughter that soothes the savage breast of the irritable aunt and turns her into a caring person. The family then helps her to prove her competence. They are richly rewarded for their kindness. ~ Sandra Brennan, All Movie Guide