Richard Webb

Two young men pretend to be gay when they are asked to pay a visit to the local draft board. Danny (Kevin Coughlin) and his pal Elliot (Larry Casey) camp it up in front of Army recruiter Dixon (Jack Starrett). When the two return to their apartment to celebrate with their girlfriends, they are shadowed by the suspicious officer. Danny and Elliot move into an apartment complex that caters to homosexuals. Comedy ensues when the two must pretend to be gay and confusion reigns among family and friends. The two end up losing their girlfriends but have a secret admirer in the macho military man this ribald comedy. ~ Dan Pavlides, All Movie Guide

Child actress Suzanne Cupito, who went on to a long and rewarding adult career under the name Morgan Brittany, essays the title role in this, the final episode of Branded. The daughter of a bank robber, 11-year-old Kellie has sworn to kill the man responsible for her father's death: namely, Jason McCord (Chuck Connors). Making return appearances in this series finale are Lola Albright as feisty newspaperwoman Ann Williams and John Carradine as Jason's grandfather, General Joshua McCord. ~ Hal Erickson, All Movie Guide

Prepared for television in 1966, Slaves of the Invisible Monster is the feature-length abridgement of the 1950 Republic serial The Invisible Monster (which explains the presence of several individuals in the cast who died in the 16-year interim). The story is set in motion by the Phantom Ruler (Stanley Price), who uses his power to make himself invisible for nefarious purposes. An insurance company investigator (played by Richard Webb, later TV's Captain Midnight) vows to put an end to the Phantom Ruler's crime spree. Originally, this took up 12 chapters; the feature version has only 100 minutes at its disposal, but still manages to incorporate most of the serial's best action highlights. Aline Towne co-stars as Webb's eminently kidnappable fiancée. Watch for John Hamilton, Perry White on the old Superman series, in an unbilled cameo as one of the Phantom Ruler's minions. ~ Hal Erickson, All Movie Guide

Adapting his own novel, Frank Gruber penned the screenplay for the A.C. Lyles production Town Tamer. Veteran filmmaker Leslie Selander directs an equally veteran cast in this high-action Western. After his wife is murdered, hired gun Tom Rosser (Dana Andrews) rides into town in search of revenge and justice. Two years later, the killers have become the corrupt town leaders: Marshall Lee Ring (Lyle Bettger) and saloon owner Riley Condor (Bruce Cabot). They are aided by the Marshall's sadist henchman Johnny Honsinger (Richard Jaeckel). Tom proceeds to clean up the town by engaging in constant shoot-outs and barroom brawls. Once he gets rid of the bad guys, he earns respect from Mayor Leach (Lon Chaney Jr.), Doctor Kent (Richard Arlen), and other townsfolk (Burton MacLane and Jeanne Cagney). ~ Andrea LeVasseur, All Movie Guide

John Agar leads an American demolition squad into Italy to destroy a U.S. headquarters recently commandeered by Axis forces. ~ Jason Ankeny, All Movie Guide

Nelson (Richard Basehart) and Crane (David Hedison) are assigned to conduct a top Communist agent to the West, so that he can defect -- but their plan is betrayed and the man they're helping is wounded. He gets aboard, but unbeknownst to all concerned, the enemy has placed a trained assassin aboard to kill the defector -- and anyone who gets in his way. ~ Bruce Eder, All Movie Guide

While working on a construction crew under the alias "Paul Beaumont", Kimble (David Janssen) befriends Jamie (Buck Taylor), a mentally challenged youth who has been hired for a menial job by crew boss Buck Harmon (Jack Klugman). Defending Jamie against the cruel taunts of his fellow workers, Kimble is also the only person to believe in the boy's innocence when he is accused of sexually assaulting Harmon's wife Ruth (Elizabeth Allen). Unfortunately, the beleaguered Harmon is pressured into hunting the runaway Jamie down like a dog--and possibly allowing the other workers to kill the boy when they catch up with him. ~ Hal Erickson, All Movie Guide

Championing the cause of widowed bank president Wilma White (Julie Adams), Bart (Jack Kelly) is determined to find out who has been writing threatening letters to the beleagured woman. At the same time, Bart wants to track down the person who stole the money that he'd had locked up in a hotel safe. As it turns out, the intended victim of the murderous poison-pen correspondent isn't Wilma--it's Bart. ~ Hal Erickson, All Movie Guide

After a dying outlaw confesses to a crime for which Jedd Ferris (Richard Crane) has been sentenced to jail, Bret (James Garner) sets upon the task of securing Jedd's release. Trouble is, Jedd's wife Martha (Joan Vohs) is coveted by a tough customer named Ben Maxwell (Richard Webb), who will stop at nothing to make certain that Jedd remains behind bars. The first Maverick episode directed by series "regular" Douglas Heyes, "The Long Hunt" is a particular treat for fans of 1950s TV science-fiction shows, inasmuch as Richard Webb, aka "Captain Midnight", is cast as the bitter enemy of Richard Crane, aka "Rocky Jones, Space Ranger." ~ Hal Erickson, All Movie Guide

This laid-back western manages to deliver a full quota of action, an agreeable dash of sentiment, and quite a few three-dimensional characterizations. Van Heflin plays Luke Fargo, a Civil War veteran who returns to his Southern homeland to find his house destroyed, his crops burned out, and the local town under the thumb of "white trash" Vancey Huggins (Raymond Burr). In addition, Fargo is on the outs with the townsfolk because he fought for the Union instead of the Confederacy. Having grown weary of death and killing, Fargo hopes to start life anew as a minister, and to that end intends to rebuild the town's only church. Complicating matters is the presence of unkempt, hoydenish teenager Lissy (Joanne Woodward, in her film debut). Though Fargo's feelings for Lissy are basically paternal, the townsfolk, stirred up by Huggins, suspect the worst and prepare to drive the novice minister out of town. A happy--or at least satisfying--ending is reached through a series of logical events not often seen in "formula" westerns. ~ Hal Erickson, All Movie Guide

The 1954 musical remake of A Star is Born could have been titled A Star is Reborn, in that it represented the triumphal return to the screen of Judy Garland after a four-year absence. The remake adheres closely to the plotline of the 1937 original: An alcoholic film star, on his last professional legs, gives a career boost to a unknown aspiring actress. The two marry, whereupon her fame and fortune rises while his spirals sharply downward. Unable to accept this, the male star crawls deeper into the bottle. The wife tearfully decides to give up her own career to care for her husband. To spare her this fate, the husband chivalrously commits suicide. His wife is inconsolable at first, but is urged to go "on with the show" in memory of her late husband. In the original, Janet Gaynor played Esther Blodgett, who with no training or contacts came to Hollywood hoping for stardom. The remake, scripted by Moss Hart, is a shade more realistic: Garland's Esther, though far removed from fame, is a working professional singer/dancer when first we meet her. Both Gaynor and Garland are transformed from "Esther Blodgett" to "Vicki Lester" after being screen-tested, though Gaynor goes on to star in fluffy costume dramas while Garland more logically headlines big-budget musicals. The 1937 Star is Born costarred Fredric March as Norman Maine, Esther/Vicki's sponsor-cum-spouse. March patterned his performance after the tragic John Barrymore, reining in his emotions in favor of pure technique; James Mason's interpretation is more original, more emotional, and far more effective (who can forget the scene where Norman sobbingly overhears Vicki planning to give up her career for his sake?) As the studio's long-suffering publicist, the 1937 version's Lionel Stander is more abrasive and unpleasant than the 1954 version's introspective, intellectual Jack Carson; on the other hand, Adolphe Menjou and Charles Bickford are fairly evenly matched in the role of the studio head. Several important omissions are made in the remake. The 1937 Star is Born included Esther's indomitable old grandma (May Robson), a helpful assistant director (Andy Devine) and a soft-hearted landlord (Edgar Kennedy); all three characters are missing from the 1954 version, though elements of each can be found in the "best friend/severest critic" character played by Tommy Noonan. Wisely, both versions end with the grieving Vicki Lester coming out of her shell at a public gathering, greeting the audience with a proud, defiant "Good evening, everybody. This is Mrs. Norman Maine". Though directors William Wellman (1937 version) and George Cukor (1954 version) handle this finale in their own distinctive manners, the end result is equally effective emotionally. What truly sets the 1954 A Star is Born apart from other films of its ilk is its magnificent musical score by Harold Arlen and Ira Gershwin. The songs include The Man Who Got Away (brilliantly performed by Garland in one long take, sans dubbing), It's a New World, Somewhere There's a Someone, I Was Born in a Trunk, Lose That Long Face and Gotta Have Me Go With You. When originally previewed in 1954, the film ran well over three hours, thanks to the lengthy-and thoroughly disposable-Born in a Trunk number, added to the film as an afterthought without the approval or participation of director George Cukor. The Warner Bros. executives trimmed the film to 154 minutes, eliminating three top-rank musical numbers and several crucial expository sequences (including Norman's proposal to Vicki). At the instigation of the late film historian Ronald Haver, the full version was painstakingly restored in 1983, with outtakes and still photos bridging the "lost" footage. Though nominated in several categories, A Star is Born was left empty-handed at Academy Award time, an oversight that caused outrage then and still rankles Judy Garland fans to this day (Footnote: Judy Garland had previously played Vicki Lester in a 1942 Lux Radio Theatre adaptation of the original A Star is Born). ~ Hal Erickson, All Movie Guide