Hugo Weaving Movies

A pregnant back-up singer in a Melbourne band finds herself saddled with two fellow travellers (one of whom is the father of her child), who are using her to escape the vengeful drug dealer they just robbed. When Mimi first asks her lover Haniff to travel with her to Perth so she can make peace with her estranged mother, he refuses. But then his pal Dean robs his own brother Jerry in part to feed his own addiction but also to spite Jerry for going out with Ariel, the girl Dean wants for himself. Jerry is a tough cookie and does not take the theft well. Armed and dangerous, he sets off for revenge. Needing to get out of town pronto, the two fugitives decide to tag along with Mimi. While speeding across the desert, the trio pick up Morris, an aging hippie who makes his living singing sad folk songs in cafes and bars. ~ Sandra Brennan, All Movie Guide

A young pig fights convention to become a sheep dog -- or, rather, sheep pig -- in this charming Australian family film, which became an unexpected international success due to superior special effects and an intelligent script. The title refers to the name bestowed on a piglet soon after his separation from his family, when he finds himself on a strange farm. Confused and sad, Babe is adopted by a friendly dog and slowly adjusts to his new home. Discovering that the fate of most pigs is the dinner table, Babe devotes himself to becoming a useful member of the farm by trying to learn how to herd sheep, despite the skepticism of the other animals and the kindly but conventional Farmer Hoggett (James Cromwell). Because technically impeccable animatronics and computer graphics allow the farm animals to converse easily among themselves, first-time director Chris Noonan can treat the film's menagerie as actual characters, playing scene not for cuteness but for real emotions. The result is often surprisingly touching, with Noonan and George Miller's script, based on Dick King-Smith's children's book and, indirectly, a true story, seamlessly combining gentle whimsy and sincere feeling. These same qualities are embodied by in Cromwell's beautifully understated performance as Farmer Hoggett, which anchors the film. Despite its unlikely premise and low profile, Babe's inspirational story was embraced by audiences and critics, and the movie became an international sleeper that won an Academy Award nomination for Best Picture. It was followed in 1999 by the less successful Babe: Pig in the City. ~ Judd Blaise, All Movie Guide

This rental contains both Babe and Babe: Pig in the City

The usually menacing British actor Terence Stamp does a complete turnaround as Bernadette, an aging transsexual who tours the backwaters of Australia with her stage partners, Mitzi (Hugo Weaving) and Adam/Felicia (Guy Pearce). Their act, well-known in Sydney, involves wearing lots of makeup and gowns and lip-synching to records, but Bernadette is getting a bit tired of it all and is also haunted by the bizarre death of an old loved one. Nevertheless, when Mitzi and Felicia get an offer to perform in the remote town of Alice Springs at a casino, Bernadette decides to tag along. The threesome ventures into the outback with Priscilla, a lavender-colored school bus that doubles as dressing room and home on the road. Along the way, the act encounters any number of strange characters, as well as incidents of homophobia, while Bernadette becomes increasingly concerned about the path her life has taken. ~ Don Kaye, All Movie Guide

Anthony LaPaglia, who's probably played more cops than Pat O'Brien, Edgar Kennedy and Fred Kelsey combined, dons brass and blue once more in The Custodian. LaPaglia plays a frustrated Australian policeman who decides to take on departmental corruption in a most unorthodox fashion. When he's not wrestling with bureaucracy and the good-ole-boy network, the policeman must contend with his unhappy marriage. All of the protagonist's various travails come to a head in the offbeat finale. The Custodian cannot be recommended for children, so pop it in your VCR after the little darlings are snuggled in bed. ~ Hal Erickson, All Movie Guide

Jocelyn Moorhouse's feature-film debut is a jet-black comedy starring Hugo Weaving as Martin, a paranoid blind man, made so because he is convinced that his mother, when he was a child, lied to him about the sights she described to him. As an adult, Martin is reclusive and ill-tempered. Perversely, Martin is also a photographer -- he takes the pictures, has them developed, asks friends to describe the pictures to him, and then labels them in Braille to make sure no one is tricking him. His housekeeper, Celia (Genevieve Picot), is also a photographer. Obsessed with Martin, she papers the walls of her home with pictures of him. But this obsession doesn't carry through to their relationship, which is a far from cordial one -- Celia torments Martin and Martin humiliates her. One day at a restaurant, after a nasty confrontation with a waitress who ignores him, Martin makes friends with the dishwasher, Andy (Russell Crowe). Martin invites him home to describe his photographs to him. Back at Martin's home, Andy meets Celia and he immediately falls in love with her. Jealous of Andy, Celia seduces him in an effort to discredit Andy with Martin and drive Martin into her arms. ~ Paul Brenner, All Movie Guide

Harry Ironmaster (Rupert Everett) is an aristocratic and wealthy young man, which in his time and place should put him pretty much on top of the world. However, he is responsible for a horse-drawn coach accident in which his father is killed and he himself loses an arm. Not only that, but his favored pastime of horse-riding is no longer possible for him. His girlfriend, the doctor's daughter, wants to draw him out of his depression, but nothing seems to help. Harry's low state begins to lift when he makes friends with Ned, the very capable driver of a local express coach to Sydney. They are both aware that trains will soon replace these huge wagons, and Ned agrees to work for Harry. This costume drama boasts some beautiful cinematography, and is based on a best-selling novel by Kathleen Peyton. ~ Clarke Fountain, All Movie Guide

This is an unremittingly grim melodrama about a group of hard-luck, victimized aborigines with no opportunity in life who live in a slum boarding-house on the outskirts of Sydney. Coping via pills, drugs, alcohol, and other destructive means, this collection of misfits should not be taken as representative of aborigines in general. Jack Collins (Tommy Lewis) runs the boarding house and dominates his tenants like a minor dictator. He is having an affair with Laura Wentworth (Katrina Foster) who is also sleeping with Andy White (Ralph Cotterill), an innocent country bumpkin compared to the boarders here. Laura herself is trying to overcome the emotional trauma of incest and a subsequent abortion at the age of 16, while her brother Jim (Mark Lee) is seriously suicidal. When white racists are not causing problems for the aborigines, then the police fill the breach -- there is no clear way out of their abysmal existence. ~ Eleanor Mannikka, All Movie Guide